Friday Links for Writers: 09.06.13


At work writing. c Elissa Field

At work writing. c Elissa Field

Writing this week has felt like a covert operation: completely unexpected details of my characters or scenes in reaction to the most unexpected inspiration, in a week I hadn’t planned to have much time to write. You can’t complain about that.

What’s been great about this week’s writing is the way that deepening discovery of inner character details has re-envisioned and empowered a couple moments I hadn’t thought much about. Developing and nuancing character is so much about discovery.

By chance or serendipity, this week’s Friday Links shares a series of articles on approaches for character development, starting with a review of a favorite author’s new release. As always, let me know what resonates for you in these links, what you’d like more of, or share your own favorite reads from the week in the comments. Best wishes for a great writing (and reading) week!

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Someone, by Alice McDermott

What the writer of this review says about Alice McDermott is exactly the reaction I’ve had to McDermott’s strongest work. I was equally stunned by the same short story (nugget to her coming novel) in the New Yorker, in a way that ties to the kind of quality I seek in writing. “Her sentences know themselves so beautifully,” the review says, and touches on the ways McDermott accomplishes deeply nuanced characters.

What’s Next: How Do I Look?

This post by Cate Levin at She Writes begs a question I’m sure she is not alone in asking: how much description is needed of a protagonist? In first person POV, no one wants to force in details like, “while tossing my long strawberry blonde hair…” Cate shares her own thoughts, and invites conversation on what other writers find matters in describing main characters.

Knowing What’s Real

Keeping on the same theme: Cate Levin’s question reminded me of this guest post by Khara House on writer Gerry Wilson’s blog (see the next link for more on Gerry). In asking whether it’s necessary to describe your main character, Cate was really raising the question: what details really reveal the character, more than mirrorlike description? Khara’s take on this is lovely.

Own the Emotion, Then Give It Away

Sharing the post by Khara, I came across another of my favorite posts that builds on this same theme. In this, Gerry Wilson makes a fabulous connection between ballet training and writing in the need to fully occupy and use emotion in developing character.

Indiegogo: Bestseller with Chuck Adams

Okay, so this is an Indiegogo fundraising page for the book Bestseller, currently assembling advice on how talented writers can become bestsellers from editor Chuck Adams. Fundraiser or no, the page includes several short videos with Adams sharing behind the scenes stories of editing, rejection and one of his great acquisitions, Water for Elephants, giving an interesting view into different aspects of the industry.

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More on Writing Character

Are you on a roll and want to read more about writing (or revising) richly developed characters? That’s actually a favorite topic on this site. Here are a few favorites:

Along with a fabulous group of writers, Elissa Field is a Founding Member at Wordsmith StudioFab Writing Community

It wasn’t pure chance that I shared with you writers Khara House and Gerry Wilson. Gerry, Khara and I (and lots of those reading this post) are part of a fabulous writing community called Wordsmith Studio. I hope sharing Friday Links or other posts on my site is useful to other writers and readers, because there is a great bond when writers support one another — and this is exactly the community Wordsmith Studio members have found together. You can find more about our group’s activities by watching the #wschat hashtag on Twitter.

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1 Comment

Filed under Friday Links

One response to “Friday Links for Writers: 09.06.13

  1. Thanks for the link-up, Elissa! And there are other great links here, just when I need them.

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