Tag Archives: blog

Friday Links for Writers: 02.01.13

February 1st. Jam-packed January, where did you go?

If your week has gone like mine, it’s been a busy one. Lots of boots-on-the-ground work with little time spent reflecting.

Despite the pace, what has made it a great week has been some of the great reading and links I’ve come across.  Here are a few of my favorites.

Last week’s Friday Links featured great resources for writers working on a novel draft. This week features a couple more great links for novel and short story writers, but also 2 that are specifically for social media consultants or bloggers.

Enjoy, and feel free to suggest your own favorite reads in the comments!

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Tikka's litter born at our house a few years back. Masala, Attaluna, Twinkle, Orangey, Lilybird and Sunset. c Elissa Field

Tikka’s litter born at our house a few years back. Masala, Attaluna, Twinkle, Orangey, Lilybird and Sunset. c Elissa Field

Written Kitten

Wondering if I should explain this one or let it be a surprise. So, you ever say you want to write x-number of words a day but just can’t find the right, hmm, incentive to keep you going? What if someone invented — just hypothetically — a frame you could type in and — kind of like those mice trained to get a treat if they ring a bell — every time you typed 100 words a cute picture popped up on the screen beside your words? If you need a genuinely silly motivator to get your writing going, click this one.

Poets & Writers Tools for Writers

What to do now that Duotrope has turned to a paid-subscription service?  If you are submitting short fiction, Poets & Writers is one of the most generous resources available. This link takes you to their Tools for Writers page, which features coming contest deadlines, literary magazines, conferences, and even writing prompts and a Speakeasy discussion board that pre-dates most online venues. If you’ve never discovered the site, it’s definitely worth a look.

How to Write a Query Letter: A Flowchart

For those of you ready to query, literary agent staffer and freelance editor, Cassandra Marshall, shared this simple flowchart to guide you. (This one made it to my Pinterest. If you’re a pinner – or curious – here’s link to my boards.)

7 Libraries of Sensational Photographs You Can Use for Free

On his website, Bestseller Labs, author Jonathan Gunson shares links to 7 sources of photos available for use without royalties. It is good blogging practice to include an effective photo with each post, but it’s important to be able to accurately verify source information and availability to avoid inadvertent copyright infringement. This is the largest list of resources I’ve seen in one place.

7 Shortcuts for Fast Blog Posts

This post on Joan Stewart’s The Publicity Hound recognizes that many writers set January goals to post more often on their website, and offers 7 shortcuts for creating fast posts. On the flipside, for those of us writing social media for clients, it’s a great go-to list for generating posts for client sites. Some of her strategies can be transformed into a process for new client interaction, like asking clients to gather “frequent customer questions” to generate a list of likely articles.

What did you find in these links that is useful to you? Let me know if you want more on a particular subject, or share your own best finds.

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If you like this blog, be sure to subscribe using WordPress’s +follow option, or via email or RSS feed.  I love to connect with like-minded readers and writers!

My car's view while I'm in a fiction workshop today (Freedom Tower, overlooking Biscayne Bay, Miami)

My car’s view while I’m in a fiction workshop today (Freedom Tower, overlooking Biscayne Bay, Miami)

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January Challenge: Finish, Begin, Improve, Plan

write start badgeNew year, fresh start. After yesterday’s reflection (2013 Day One: Reflections, Goals and a Challenge), it’s time to get to work.

In yesterday’s post, I mentioned the JanPlan challenge being hosted by writer Christa Desir. Another writing friend, the lovely Khara House, is hosting a challenge for improving your blog or website. (Keep reading – links to both are below.)

As I planned to tackle each of these as well as the to-do list so many of us start the year with, I found that while Christa challenges that we finish one thing and Khara proposes that we improve one thing, I also need to start a major project this month (eek – a literary magazine due by April).  I want to do both Christa and Khara’s challenges but my month was forming into its own January challenge: focusing on one approach for each week of the month.

If you would like to join in, my January Write Start Challenge looks like this:

Each week — starting tomorrow – I’ll post a kick-off challenge, sharing what I will be tackling that week as well as any articles, challenges or steps that will help motivate your own project.

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Here is an overview:

  1. Isn’t it true that Week One of a new year includes finishing old business?  If you have time off for the holidays, maybe you can finish an incomplete story. Maybe there’s an unfinished goal from 2012. TOMORROW will feature the kick-off post for this challenge, but you can get a head-start by checking out Christa Desir’s JanPlan 2013 challenge here.
  2. In Week Two, I will begin a new semester — and production of the literary magazine for my students. New starts involve identifying key steps, scheduling meetings with key players, and setting deadlines. Sad but true, new starts involve a little fear, so we can jointly take a deep breath and plunge in.  While I dedicate the week to this new start, no project happens in a vacuum, and I’ll address how to balance a new start with the “finishing” and “improving” of ongoing projects. (Launch for Week 2 here)
  3. In Week Three, I will focus on improving one aspect of my writing business. Depending on where I am at that point, it will either be submissions or my blog.  **See the note below about Khara House’s challenge , if you think you might want to improve your blog this month.  
  4. Week Four will be the wild-card, to evaluate where you stand and plan goals for the coming months. This might include aspects of all three of the prior weeks, as new beginnings are planned, progress is evaluated for more improvement, and more projects are targeted for finishing. It will be a time to reflect on what is going well and organize for success.

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How to Get Started:

To join in at any time during the month:

  • Jump in with a comment below this post or any later posts in the month.
  • Post your own goals on your website.  Include a link to this post (and links to Christa or Khara’s posts if your goal relates to their challenge). Grab the badge above, if you want to be festive!
  • Come back and share a link to your post here so other readers can see how your January Challenge is going! 

Most of my readers are writers of some sort, but everyone’s goals are welcome – whether finishing painting that living room (a-hem) or starting an acting class or… What will you be up to this month?

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Our Lost Jungle "I <3 My Blog" challenge

Our Lost Jungle Challenge

Khara House’s “I ♥ My Blog” challenge

If the one thing you want to improve this month will be your blog, I do recommend that you join Khara House’s “I ♥ My Blog” challenge and participate throughout the month. Khara is a fellow member of Wordsmith Studios, a great group of writers, and I can assure that she will host a lively, informative and supportive challenge throughout the month.  She begins the challenge today by tackling editorial calendars — find it at Our Lost Jungle here or join the Facebook “I ♥ My Blog” event here.

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2012: Year of the Book

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2012 was the year of many things — politics, gun violence, Hurricane Sandy, Olympics (remember way back that far?). But for those of us who crave getting lost in a great read, 2012 was something else: it was a year of new releases for many fabulous novels and works of nonfiction.

2012 was the year of the book.

Compiling reading lists before summer, I was astounded at the riches — only to find fall’s new releases a true embarrassment of riches. Even as pundits mull once again the death of the novel, death of publishing, death of print; even as self-publishing flooded in with more than a million e-releases via Amazon last year, the real news — the heady tweets and retweets throughout summer and fall — were the immensely satisfying novels arriving in print, lining up on the shelves of real bookstores.

It seemed everywhere people were reading. The question wasn’t, “What can I read next?” but, “What fabulous book on the many kudos-lists for 2012 have I not yet gotten to?”

As I gear up to compile my winter reading list for January, I came upon announcement at The Morning News of their annual Tournament of Books. Their 2013 list  reads like a summary of various award nominees from throughout the fall (click here to read my prior post for several of the awards’ longlists).

Considering these top-reading lists, as well as my own and those of friends this year, had me taking stock: which were my favorite new releases of 2012, and which 2012 boooks have I yet to read

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My Favorite New Releases of 2012:

I am not a fast reader, yet both of my top-picks compelled me to drop everything. Literally. All day in bed, reading. Through the night, reading. To the point of reading the second I woke, without stopping to make coffee.  No joke: I took the second with me into a movie, suspecting I might be tempted to read a chapter by light of my cell phone, between scenes.

  • Kevin Powers, The Yellow Birds . Hands down, I think this is the most important book published in 2012.  Beautifully written (battle described with haiku-like stillness), without hammering over the head, yet you cannot help be changed by the knowledge imparted. As a teacher, its impact left me expecting it will someday be assigned reading, as my generation once read The Red Badge of Courage.
  • Gillian Flynn, Gone Girl . Where Yellow Birds was “important,” Gone Girl was ubiquitous as the “must read” page-turner of summer. I slogged through the first few chapters, skeptical over the characters’ self-indulgent narration… and then hook-whizzzz! Flynn had me. What began as self-important introspection reveals itself as the intricate mind-battle between two genuinely intriguing characters — and yes, I read compulsively, without stopping from page 60 through to the astonishing end, all the while seamlessly in love with Flynn’s ability to spin characters and story. To convey the extent to which Flynn won me over: through the whole last third of the book, I was actively thinking how glad I was to know she’d written other books I’d have to fill the gap once Gone Girl was done. Rare, hooked.

My other favorite-reads of the year weren’t published in 2012, but you can find them on my reading lists linked at the bottom of this post.

2012 New Releases Still-to-Be-Read:

There are another half dozen 2012-releases on my must-read lists that I’ve not yet gotten to.

  • Hilary Mantel, Bring Up the Bodies  — winner of the 2012 Man Booker Prize, and the first woman to ever win the award twice.
  • Ben Fountain, Billy Lynn’s Long Halftime Walk and David Abrams, Fobbit In a way, it’s unfair to list these together, as if they are equivalent, but together with Yellow Birds, these were three of the remarkable books written by veterans this year — each adding a unique voice to the experience of America at war.
  • Matthew Dicks, Memoirs of an Imaginary Friend
  • Nathan Englander, What We Talk About When We Talk About Anne Frank Everything Englander writes is charged with his intellect, and deeply meaningful. I’ve read one story from this collection, and look forward to the rest.
  • Margot Livesey, The Flight of Gemma Hardy This is one of two books I am dying to read by Livesey — who not only impresses me, but has endeared me with encouragement on a story in the past.
  • Salman Rushdie, Joseph Anton

For other books on my reading lists, but not published in 2012, see the links at the bottom of this post — and be sure to share any of your own recommendations, as I’ll consider them in compiling my Winter 2013 list!

Said shyly: “Great” Books of 2012 I Put Down Without Finishing:

Caveats are required, here, because I am a discerning reader… but also an impatient one.  Perhaps even moody. It is likely that these books did not fit my tastes at the time of reading, but these were two books I highly anticipated, then could not read past the first chapters:

  • Ann Patchett, State of Wonder I have heard only rave opinions of all Patchett’s work, but I could not get into the plot, setting or characters of this one. I’m hoping it will hook me in another year, or I’ll read one of her other books.
  • Jan-Phillip Sendker, The Art of Hearing Heartbeats  A lovely book, set in a country I had been studying so was easily intrigued by… yet I could not get past feeling it was not well-edited, with the feel of a self-published book full of first novel errors. Impatience kicked in and another book took it’s place in line.

Are you like me — do you often find yourself quick to put books down?

Of a dozen books, I feel like I might eagerly make it past the third chapter on only 3-4 of them. Other well-reviewed books I put down in 2012 included Elegance of the Hedgehog (I didn’t feel like reading about Paris) and The Imperfectionists (it didn’t seem to go anywhere and I preferred the narrator of the first chapter, who then disappeared).  With limited time and so many good books to read, I almost never force myself to finish a book that hasn’t hooked me. Then again, more than once I’ve stumbled across one of these later — in a different reading mood, perhaps — and loved it. Is there advice in that? I wonder how others experience this?

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My Reading Lists posted throughout 2012:

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Writing Life: Writers’ Day Jobs — Balancing the Time, Money & Credit Trifecta (Part 1 of 3)

Summer hours spent revising Wake. c. Elissa Field

In the years I’ve been participating in social media with other writers — beginning on early boards at Poets & Writers Speakeasy – one of the most common discussions to arise among writers was over “day jobs.” Like superheroes not yet fully embraced by Gotham, so many writers work on their fiction but pay bills with another job.

Today’s post is part 1 of a 3-part series sharing my experience with day jobs.

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Day Job Balance: Money vs. Time

The repeated refrain in evaluating the perfect day job is the need to earn a living against a writer’s hunger to preserve time and creative energy for writing.

Camp counselors, bartenders, odd jobs, temps. Writers are mercenary in their willingness to fill a resume with a string of odd jobs that load the refrigerator while buying time. Writers’ parents may roll eyes over what seems a stubborn inability to assemble a genuine career — while the writer squirrels away hidden hours that mean not thousands in income but, if well-played, thousands of words toward a polished manuscript.

Of course some day jobs include professional titles or even high paying roles, but often writers are willing to take less income in order to avoid overtime hours or retain more braincells undrained at the end of the day.

The Trifecta: Time, Money & Street Cred

In a perfect world, a writer’s day job produces the trifecta: money to pay the bills, time and energy to write, and street cred.

Street cred, in this case, would be jobs that earn a writer credit for experience in the writing or publishing world. It could be a legitimizing title, it could be professional interaction within the publishing world. Booksellers, business writers, journalists, freelance PR or social media consultants, agents, teachers.

In our less perfect world, writers often trade time or money to gain recognition: write for free or trade lower pay to chock up a byline or tear sheet. I say this while spending hours blogging income-free, and having published my short stories without payment.

What is less obvious are those who went into becoming editors or agents out of their own writing aspirations, only to achieve the money and professional accomplishment but surrender all free time and creative energy so their own writing never occurs.

The Goal: Balance

It might seem that all writers would seek the trifecta. Yet, really, the key is for each writer to balance money, time and credit as fit the writer’s current goals. For example, there are times when a writer couldn’t care less about street credit, because all that matters is time to get that novel draft written. At the same time, having all the time to write can be meaningless to a writer who is unemployed and preoccupied with how to feed their kids. And street credit can be shiny but meaningless if the industry continues pushing writers to be unpaid for their work, or if the attention becomes a distraction that keeps an accomplished writer from writing new work.

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Evaluating Your Day Job

Today’s post is motivated, in part, by what all writers need to do from time to time: I’m evaluating my current day job.  There are times — no matter where we are in our career — when things are out of balance, and I’ve been feeling a significant imbalance over here for the past couple months. At the moment, my job is earning me street cred, but not sufficient income to minimize distractions, and with what feels like suffocating demands on my time.

In evaluating what change is needed, I’ll ask myself these questions:

  • Is it temporary? As a part-time teacher, overwhelming demands on my time from grading should be temporary — limited to the school seasons. The key is for me to evaluate if it is balanced by coming free time, and if that time can be used adequately to accomplish my writing goals. So far, each time I reach a vacation break I find myself writing like crazy, addressing those goals that have been on hold.  If not, I need to adjust — and adjustment, in most cases, comes through discipline.
  • Am I using my free time well? This is where discipline comes in. My litmus test on how well I am using my free time is reminder that Toni Morrison wrote The Bluest Eye while working full time as a single mother to two young boys. She wrote before they woke in the morning and after they went to bed at night. Um-hmph. My arms cross in accusation over some unused hours I’ve let slip. The key is to know your goals, seek out your writing hours and get your butt in the seat, writing.
  • Are there alternatives? Last Sunday, I spent 8-9 hours cleaning house. It would take me 4 hours to earn the money to pay someone to do that. Is that an alternative that would remove a distraction? I could leave my current job and get a different job, possibly doubling my income, but would work longer hours and not have summers free. Which option would be more liberating? Are there alternatives to bring in income with less demand on time? In some cases, there are no alternatives. If that is true, go back to the two points above to find your writing time.
  • Are my priorities aligned with my current writing goals? Right now, I have two novels drafted that need substantial hours for editing — but either one would then be ready to query an agent. For this reason, it works that I kept a part-time writing position this year, as it buys me holidays off and the potential for writing mornings. In another year, if I were working on short stories or just blogging, it might make more sense for me to give up time to increase income. It’s also been a year where I wanted more writing connections, so it has made sense for me to take more time with social media and workshops than in other years where I just wanted time on my own to write. It’s important to respect your own current projects and goals when applying any writing advice. What is great for one writer may not be for you — at least, not at this moment.

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Coming Next:  I’ll share my experience on how different kinds of day jobs satisfy the trifecta in Writing Life: 5 Day Jobs Reviewed. Read How the January Challenge Arose from Freelance Writing for observations on successful freelance writing.

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October Fiction Challenge 3: Raising the Stakes on Character Motivation

copyright Elissa Field; all rights reserved, no repro without written permission

Father and son. copyright Elissa Field

Need a challenge to keep your writing moving in October? I’ve previously shared these two:

But Tuesday I came across another blog with a challenge near to my goals this year: character motivation.

In her 10/14 post, “Making Motivation Matter,” Writerlious blogger E. B. Pike shares insights and an exercise she gained from a Writers Block conference she attended in Louisville. Follow link to her post to read her full explanation of the challenge as presented to her in a workshop. I can’t resist trying it here.

The challenge (quoted from the Writerlious blog):

1.) Write down your character’s name

2.) Write down what your character wants, as succinctly as possible

3.) Ask yourself: If your character doesn’t get what he/she wants, what will happen?

4.) Now, write down three ways describing how you could make this matter even more.

5.) Again. Think of three ways you could make this matter even more. Write them down.

6.) You guessed it.  Look back at what you’ve written and ask yourself if there’s any way you could make it matter even more.

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Of all my characters, Michael Roonan is most likely to meet the bar of high stakes motivation. Let’s see:

  1. Michael Roonan.
  2. Roonan wants: the happiness his parents had.
  3. He cannot get what his parents had because of a tragedy he witnessed that caused him to take a life in self-defense, as a boy.  If he did not get over the tragedy, he would just grow up in isolation. Not yet a big stake.
  4. That violent act caused him to become alienated in fear.  He isolated himself to protect those around him but a loyal friend tried to rescue him.. Once the friend is involved, stakes are raised, as he is now focused on extricating the friend from guilt, beyond any hope of extricating himself.
  5. In an effort to correct the problem, he upheld his father’s paranoia about needing to protect the family and avoid violence. But the more he sought to avoid violence, the more he escalated it, and two members of his family are killed. Stakes raised twice: believing in his father’s integrity and lives lost.
  6. His involvement in violence is exonerated as “self-defense” — yet he becomes increasingly aware of his own flawed perceptions, so that his innocence or damnation hinges on whether his father’s values and paranoia were accurate. Stakes raised: loss of innocence, loss of faith, damnation. Against these, Roonan sees death as easy.
  7. At the moment Roonan judges himself damned, resigned to death, he is confronted by the unexpected birth of his own son — now faced once again with his original wish: for the simple happiness of family.

I’m not surprised to have full stakes for Roonan, but am curious to run the same test on the female protagonist, Carinne, as development of her character has been my focus in recent revisions:

  1. Carinne
  2. (Should I be honest and say I stalled out to even say what she wants?) Initially, for herself: love, acceptance.
  3. If she did not get love or acceptance for herself, she might just withdraw into herself. No big deal. She’s in company with half the planet, perhaps. Not yet a story.
  4. She then meets Michael Roonan. They are kindred in resignation to their individual isolation. Seeing it in each other, they fight to keep the other afloat. She begins to rebel against her own resignation, at the same time she becomes accomplice in his escape from the man pursuing him. She becomes a part of a mission to keep the man safe, which essentially parallels her own need to fight for herself. Story spark.
  5. She has fallen in love. There is the moment when things could turn and go well, but then Roonan is killed.  She believes he survived, but is told he died and she is sent out of the country.  At this point, it is interesting, but as far as her motivation, it’s still kind of “so what?” – she could move on with a new love, I suppose. He could be the exciting bad boy that got away – but not necessarily high stakes.
  6. She is pregnant and has a child (the first pages open with that child digging in her garden). She had been willing to give up on finding Roonan for herself, but won’t give up once it’s a matter of finding her son’s father. Stakes are raised the day he comes home asking who he’s supposed to take to the daddy party at nursery school. Ding!
  7. Once Roonan is found, the son’s need for his father to survive and be part of his life provokes the resolution, as living happily is at odds with the father’s need for atonement.

What a great exercise for identifying where motivation is clear and where it is still pedestrian.  I love romantic motivation, but am suspicious of it as the sole motivator, so had been questioning Carinne for some time. She is compelling, but not if her only motivation is loving Roonan.

What’s interesting in breaking it down is it pinpoints a truth I caught last spring: Carinne is not the real protagonist; the son is.  Carinne is essentially a stand-in for the son for much of the story.  While we might be moved by a love story, the son’s need for a father trumps the mother’s romantic motivation.  It is the son’s desire (and mother’s desire for his well being) that drives the story.  Once I hone in on that, how easy are the questions to answer.  What does the son want? A father. What will happen if he doesn’t get it? Parallel to the tragedy already modeled by the dad: questions of his manhood, his integrity, his identity, his worth. Resolution of that one desire addresses the needs and desires of his parents, as well.

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I applied Writerlious’s list to a finished draft, but a key point as it was presented to her in workshop is to take the time to define your characters and their motivation before starting to write.  For all those of you contemplating NaNoWriMo next month, this is perfect time to do just that!

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October is only halfway done! Jump in on one of these challenges, or share your own questions for developing story.

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