Tag Archives: fiction

Friday Links for Writers 06.14.13

fl beach

Welcome back to Friday Links for Writers, which has been on a 3-month hiatus while I focused on other work. Today happens to be Flag Day which is also my birthday. I am celebrating on a gorgeous South Florida day with a little writing spree — and a short break to visit with you!

As writing friends here may know, my fiction competed for time with a new teaching role from February to May (remember my post: Writer Day Jobs: the Time-Money-Credit Trifecta? Street cred & money have been winning out, while time-to-revise… not so much) — so the idea of uninterrupted time to “make neat” of the frantic writing done in 15 or 30 minute chunks in the past several months is a fabulous luxury.

Luckily, there is never too little time for reading, and below are some great links I’ve come across in the past week or so. As always, let me know what you find useful, what you’d like more of… or let us know what writing goals you’ve been up to lately. Great to see you here.

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The Map and the Trail

Truth: I have yet to read any advice from literary agent Donald Maass that wasn’t immediately useful. As this essay opens with a rambling piece on a family hike, I thought maybe this was the one. But no. He pulled off great insight into the power of setting, including a great series of prompts to provoke thinking about how to make setting more powerful in your own WIP. Yup, I’ll be considering these in today’s work.

Book Editing

This post, featured on K. M. Weiland’s blog, Wordplay, features advice from ghostwriter Karen Cole on what to expect from the book editing process. In particular, her definitions of 5 types of editing give interesting terminology and clarity for discussing the possible processes during book edits with an editor or agent.

What to Write in the “Bio” Section of Your Query Letter

Working on getting queries out to agents this month?  This is a great article from Chuck Sambuchino at Writer Unboxed, breaking down the finer points of what to include (or leave out) of the bio paragraph of your query letter.

Race, Identity & Writing

As someone who has written outside culture and in foreign settings, I’ve often weighed the different challenges (and permission?) writing faces when an author writes outside their own race or identity — a topic taken on in this article by Kathy Crowley at Beyond the Margins.

Forging Words

I read this in a week that my former hometown, Detroit, has been declared bankrupt. What poet would be more fitting to profile than Philip Levine, a former Rouge Plant auto worker turned Poet Laureate of the United States? There is something humbling and inspiring to hear of work and decay spoken of in the same breath as creation of art.

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air-show-snow-cones

Where Else You’ll Find Me

One of the projects I’ve been up to has been writing about resources for educators. You’ll find the beginnings of that project, including Twitter 101 for Teachers: Steps for Getting Started on Twitter, at Mrs. T’s Middle Grades.

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Friday Links for Writers 02.22.13

Ernest Hemingway house, Key West (credit: user MacG5User at stock.xchng)

Ernest Hemingway house, Key West (credit: user MacG5User at stock.xchng)

What I’d like to take time to write about is how much I learned, reading a favorite author’s novel this week. But it’s time for Friday Links – and this Friday includes a range from old school advice from Hemingway to decoding ISBN’s. 

As always, let me know what you found inspiring in these or what topics you’d like to see more of.

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7 Tips from Ernest Hemingway

Going old school, here. While Hemingway pre-dated most MFA programs and was not from the modern crowd of writers laying down how-to-write advice, this article from Open Culture shares 7 pieces of writing advice curated from his letters and works. Unlike H., I’ve often sworn by processing a story while not actively writing — yet reflected on his point to never think about a story when you’re not working on it, as there have been times I was positive I’d written a scene but it turned out I’d thought it through but never written it down.

3 Ways to Save a Scene You Lack Confidence In

Shifting from Hemingway to fantasy writer L.B. Gale, here is an interesting piece about approaching that writing that came so easily yesterday, yet does not seem so fab in rereading, the next day. Gale is honest that there’s a point for binning, but otherwise offers 3 simple ways to regain the intended effect.

Who Should Read Your Unpublished Work?

Agent Rachelle Gardner is consistently fabulous in her advice to writers seeking publication, facing the first steps in promotion, and managing a growing career. This piece tackles the advice that writers should seek beta readers with the caveat that “not all readers are created equal,” with suggestions in making the most of early readers.

7 Common Questions About ISBNs

One of the keys to marketing a self-published book is making it accessible through distribution channels. In her article at SheWrites, Emily Suess explains the coding and practices behind ISBN, or International Standard Book Numbers. Great information for editing consultants and indie authors.

A Visual History of Literary References on The Simpsons

Just for fun, an old favorite: Jared Keller’s fine compilation in The Atlantic of classic literary references on The Simpsons, like an argument between Jonathan Franzen and Michael Chabon.

What did you find in these links that is useful to you? Let me know if you want more on a particular subject, or share your own best finds.

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Shared by the Library of Congress, this poster is from a Chicago promotion 1936-1941. No known copyright restrictions.This week’s writing has included preparing for a reading challenge I’ll kick off in March. As this vintage poster says: it’s time to “read the books you’ve always meant to read.” 
 
If you have a minute, please click here if you’d like to share the kinds of books on your 2013 Reading List – including any you’ve always meant to read yet never gotten around to.
 
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Notes of scene and personality of my character, scribbled in the margins while reading Ann Hood's Creating Character Emotions.

Notes of scene and personality of my character, scribbled in the margins while reading Ann Hood’s Creating Character Emotions.

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January Challenge Week 4: And Then Plans Changed…

space suit c Elissa Field

Anyone who has followed the January Challenge since the beginning knows that it sets out to support all of us in kicking off 2013 goals by spending one week apiece to focus on:

During Week 2, I posted How the January Challenge Arose from Freelance Writing to address how each of these steps is needed to keep a writing career growing — whether as a full time professional, a novelist with a day job, a busy blogger or someone still dreaming of getting a first draft off the ground.

Writers have accepted a profession that seeks unstructured days to have the freedom to write or explore the world. But, truth told, “freedom to work” sometimes takes more discipline and structure than lives yoked into a traditional job. Writers take on responsibility to stoke their own forward momentum so that free hours don’t escape unused.

Beyond that, writing hours need roll-bar-strong discipline to fend off the interruptions that continually threaten to claim a writer’s attention.

Children. Day job. Editing project. New client. Platform building. Broken dryer. Teaching. Deadline. Travel. Blank page. New inspiration. Friends, family. All these quality things vying for attention. For many writers, these distractions increase with success as new demands arise for speaking engagements or teaching or promotional tours.

In posts like 15 Strategies for Finishing Work, I shared some tricks for setting concrete tasks that help create a clear plan for getting the writing done.

And Then Things Change

My own weeks 3 & 4 of the January Challenge became a prime example of why those “roll-bars” are needed.

For Week 2 (“start something”), I set about the steps necessary to begin production of a literary magazine for my students, as planned. Fate laughed, and in a single day my prior job of teaching 3 writing classes and leading the literary magazine was switched entirely to cover a position vacated by a colleague who leaves our school this week.

Which brings us to…

Week 4: (Re)Evaluate and (Re)Plan

It’s easy to take sudden changes in plans or priorities as the latest “derailing” of the writing we planned to get done. How many times does intended writing get back-burnered because of a genuinely justifiable interruption from work or life?

The key to keeping writing moving forward is expecting those interruptions. Change wasn’t a surprise. New demands on our time aren’t a surprise. We know — it’s not our first rodeo — something always comes up.

Whether ending a project and needing a new client, or running into a production snag, or having a new PR issue to address. Whether a writer setting aside your own revisions while teaching others to write, or an agent pitching novel drafts without time to work on your own, or a parent trying to finish a novel with a sick kid, late sports, holidays or packing for a family trip… There’s always something.

As I said in the post about freelancing, this is why I evolved the “finish, begin, improve, and evaluate/plan” cycle, so you can continually dovetail new work in without stopping work on your original goals.

So we take on Week 4 of the challenge: it’s time to (re)evaluate and (re)plan.

Applying Steps of the Challenge as You Evaluate & Plan 

Evaluating and planning really means creating a new to-do list for the coming months, applying many of the steps set out in prior posts.

  • Evaluate what you accomplished in the prior month (or day or week). Reward yourself with check-marks, log word counts in Scrivener, or hours on your calendar. Blog about it. Celebrate.
  • Evaluate where you stand on existing projects. Create a list of tasks for steps that need to be finished, targeting any obstacles that have kept you from moving forward.
  • Evaluate what is going well. What do you want to do to continue this success, or to replicate it on a different project?
  • Measure these successes against your ultimate goal. In celebrating your 10,000 words written last month, will this get you to a finished draft by March? Set new quotas or adjust the ultimate goal, as fits.
  • Sometimes intermediate successes cause new hurdles. New material I wrote on my novel draft last fall requires new revision steps to reach the final version. Since I don’t want to delay finishing, what will I do to add writing hours to fit these revisions in? (I cancelled an optional conference.)
  • Did success in one project prevent work on another? Evaluate if it’s time to reclaim hours for a project pushed to the back-burner.
  • What will you take off your list? Surprises, successes and changes in plans often leave old to-do items irrelevant. Remove things that no longer matter to you.
  • What will you finish this month (or day or week)? Maybe you have a deadline or mandatory project to finish (I need to hand off my prior classes to the new teacher). Otherwise, like in Week 1, pick one thing you’ll just get done.
  • What new goals arose? Add in new goals or things you want to start. For me, this includes starting my new classes. But also planning for a Reading Challenge on this site in March.
  • What needs improvement? I’ve improved linking around my blog, improved how quickly my sons can get out of the house in the morning, repaired my car, cleaned my office. I want to claim more efficient writing time with a computer upgrade: I’ll schedule a laptop upgrade within the month to make the most of working time during the school year. I’ll plan a website upgrade in June, as I’ll have more free hours for tweaking during the summer.
  • What will you delay? It’s not lame to adjust a timeframe if you are still honoring what is most important to you. Don’t quit the goal; just move it to a better time on the calendar. With revisions, this sometimes includes scheduling a break to allow some distance from a piece of work.
  • In a prior post, I mentioned how writers often balance the time-money-credit trifecta. Evaluating your current balance of those 3 things impacts how to prioritize goals in the coming months. This last month brought me increased income and increased street cred to write in one of my subject areas. That means I’ll evaluate and plan where I will steal time back to work on the novel and stories (or when I’ll write pieces to make use of the street cred). This is key in planning my to-do list. For example, the money allows me to pay for 3 tasks which actually free my time or increase my efficiency to work on the book — and I need to make sure that takes place.
  • What resources do you need? Don’t forget to list supplies or knowledge you need to acquire to achieve immediate goals, or have on hand as you reach later steps. Key in this: what experts or peers could you seek out to expand your potential? Don’t overlook delegating or reaching out to a friend.
  • Don’t forget to plan when you will re-evaluate again. Consider the chunks of time/priorities on your calendar, and see how they form natural times for when you will pause and set priorities. I will be evaluating things with my day-job daily over the next week, as it is the transition time for the new job. I’ll have a breather to evaluate during next week’s 3-day weekend, at which time I’ll plan for the weeks until spring break. I can claim some writing during break, and will also use that to spend time with my sons and plan through the end of year.

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Where Are You in Your January Challenge?

write start badgeHopefully your January Challenge didn’t involve as drastic a change as mine did — unless it was a fabulous success that makes your wish list irrelevent!

A few readers who responded said that they wanted to take on the challenge but weren’t sure if they were doing it in the right order or at the right time. Hopefully the post on freelancing or this post make it clear: there is no right order or time. Our mutual challenge is just to get our 2013 goals off and running by recognizing obstacles that keep us from getting started and breaking projects into steps we can tackle.

It would be great to hear from you in the comments (or share link to your post if you blog about it):

What challenges did you take on, whether to finish, start or improve?

What obstacles are you encountering? What strategies helped you move past them, or what encouragement could you use?

What successes have you had?

If you blog about your January Challenge, please include a link back to one of the January Challenge posts here, and then share a link to your post in the comments below. You are welcome to use the January Challenge badge if you want to be festive. There is no time limit — we are working on goals for the whole year, so you are welcome to participate well past the end of the month!

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grasp c Elissa FieldThe Complete January Challenge:

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Friday Links 01.18.13

Welcome to Friday Links for the third week of January. For me, it has been a week busy with the beginning of a new semester, including getting to work on production of my students’ annual literary magazine. I’ve also been thrilled with some of the work coming out on my novel draft, Wake (shared last Saturday, here).

Writing mornings include reading, and here are some of the links I’ve found worth sharing!

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George Saunders Has Written the Best Book You’ll Read This Year

Deputy Editor of the New York Times Book Review, Joel Lovell, writes a fascinating discussion with George Saunders (“more or less universally regarded as a genius”), which opens with an amazing reflection on the awareness that comes from a recent proximity to death — and wouldn’t it be amazing if we could walk around with that kind of awareness all the time.

Writing About What Haunts Us

Thanks to Gerry Wilson for sharing the link to this New York Times essay by Peter Orner — whose images of confession and truth and ensuing emotion really do haunt. Together with the Saunders interview, these two articles made for a great reading morning.

Breaking Down Story Structure: MORNING GLORY Act One

Thanks go to Sarah Turnbull for sharing this link.  As I drafted Wake, through much of 2012 the posts I shared had to do with developing character. But, at some point, as your novel draft takes shape, what you are looking for is an understanding of the story line, and talk turns to analyzing plot. This link is to Lydia Sharp’s post which demonstrates story structure by breaking the first act of a movie into opening, inciting incident, catalyst, etc. The expression “instinctively preserves her self-concept” perfectly triggered my morning writing, as I closed a gap in understanding of my character’s early motivation.

Creative Writing: A Master Class

Gee, you know what I just did? Subscribed to a series of free masterclasses with Toni Morrison, Nora Ephron, Rita Dove and more, via iTunes! The Creative Writing: A Master Class link takes you to the full list of courses offered via iTunes Academy of Achievement. Each “course” is an audio or video podcast on craft from some of the masters of fiction, poetry and memoir. For me, these are a welcome download for listening in the car or when too tired for reading before sleep, or as a morning warm-up. For a more complete summary: I first read about this in Fordham MFA candidate Josh Jones’ post on Open Culture.

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Sharing a Bit of Today’s Writing

Valvoline

This week, the world has been pinging writing-triggers my way, like pebbles falling on a rooftop to claim my attention.

A dog slithered her way into my previously pet-less WIP — Valvoline, a little black collie, slippery as motor oil, persistent as memory. She is a stray who sidles in and out of scenes, tripping off my laconic main character’s inner dialogue.

I was revisited by flash memory of my grandmother’s wedding ring — which hid beneath a larger band, her original ring worn thin as wire by 53 years of marriage. More than once, that thin rose-gold band has crept its way into my writing. Remembering her hand conducting the air as she trilled along with an old song, her widowed ring became parallel to the gun my main character wears in a hidden holster.  Which — I’ve slowly realized — is empty. His empty weapon found its parallel in the widowed wedding ring, and this small observed detail plants the seed of a hint that the woman he dates is a widow as well.

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Raw and unedited (and possibly doomed for deletion before the final draft), here is a bit from this morning’s writing. 

I follow several international journalists, and part of my writing this morning was spurred by tweets amongst them about this week’s East Belfast riots. A picture posted by Belfast journalist, John Mooney (photo here), who was nearly trapped in Newtonabbey after last night’s riots, triggered dormant thoughts about memories my main character (Roonan) has of one of the mistakes in his life. Trigger was not the riot, but the image of a leafless tree against clouds of smoke.

When the explosion rang in his ears, Roonan ran first to where his brother had turned to face him.  Looked for the startled, wondering face where it would have been in the remaining cloud.  Searched for him in the crater blasted into the pavement, down into soil and rock below. Moved the car a distance, their mother’s sweater sliding back and forth across the empty seat, voices repeating, tormenting in the deafening ringing of his ears.  Walked back to sit beneath a leafless tree, black lines of twigs drawn against the silken sky as riot police gathered behind an armored car. Wiped something from his face. Startled to know he’d been crying, tears muddying the faint grit and spray of red across his face.  He’d run then – the slow, steady pace of a man intent on getting away, relaxed to disappear into a crowd.

It was the tree he remembered. Spindling black-twigged branches. Huddled, riot-armored men behind the huddled armored trucks, black shine of their helmets, round as his father’s crash helmet against the flashing lights. Agents milling through the lifting cloud like men on the moon.  His brother no longer there.  Slick slide of his mother’s cardigan across the seat. Ice-rush of water as he washed his face, changed his shirt. His mother no longer there.

Exaggerated, unworldly silence concussed his hearing.  Like the moon.  Like the moon.  No matter the milling of people moving in curiosity down the street.  No matter the diversion of men as he crossed back over the border.  No matter the passing cars, the friendly, sorrowful wave of a neighbor as he turned back into Ridell’s main street, passing the grocer where she shopped, the post office where she’d mailed Stephen a package only last week, the shops where she’d just sent him with spare money she’d found to buy his brother longer jeans, now the youngest had grown so tall.  No one on the moon.  No one anywhere in Roonan’s ringing head.  No one to ask him, What did you do?

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January Challenge Week 1: Did I Succeed at Finishing?

grasp c Elissa Field*

Ahhhh…..

Three o’clock came on Monday, deadline for entering grades. Project finished. I met my goal for Week 1 of the January Challenge — I finished this one thing.

I’ve heard from two others who also finished their challenge for the week, and I’ve heard from many who are using this week’s challenge to prioritize how they will get projects finished later in the month, or at other times throughout the year.

What all of the posts and emails have acknowledged — and what I observed, working toward my deadline — are the hurdles and resistance that are particular to finishing a project.

  • In the week’s kickoff post (Week 1: Finish Something), we thought about resistance or obstacles that keep us from completing projects and used strategies to identify the real obstacle, to break the resistance down in manageable steps.
  • Then, Sunday’s post (Week 1: 14 Strategies for Finishing Work) shared several concrete strategies for keeping the work moving toward “done.”

Advice is great. I really do use all those tactics, and heard from so many of you how these kinds of strategies are useful.  But you just know I didn’t glide toward perfect completion of my project following all that advice to a T, without a hitch.

Today’s post shares the insights that came to mind as I applied the advice of those earlier posts (successfully and with rough spots) toward finishing my goal. As always, do share your own experiences in the comments, whether you are actively participating in the challenge or if you stumble upon it even months down the road.

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Avoid Wheel-Spinning

Any of my regular readers might notice that Sunday’s post of “14″ strategies was updated to “15″ as I realized I left off one that is key (now #8 on the list): avoid wheel-spinning.

One thing that is hard for writers is that finishing work requires shifting gears from the energy of generating lots of new ideas to limiting efforts to the tasks that get the darn thing done.

“Avoid wheel-spinning” recognizes that in those goals for working hours or word counts it is easy to be busy working, yet not focused on steps that will get the job done. My goal last weekend was just to get any remaining grades entered to close out last semester. Sure, that includes tasks like filing paperwork and reflecting on how the semester went. But it was wheel-spinning for me to spend half an hour making notes to a student on a paper that won’t be revised again.

Going back to the endzone metaphor I used in Running on the Grass: imagine you are the running back, carrying a football (your project) toward the endzone. Discipline yourself to avoid running sideways or backwards, or wondering what’s happening over on the baseball fields or suddenly stopping everything to jump rope. Finishing a project means only strides that take you closer to that endzone.

What’s Worth Finishing – and What to Drop

In a few responses from readers, I heard a continued hesitation to even take a project on. They liked the idea of finishing something for this week’s challenge but… you could just hear it in their voice: they weren’t sure they even cared about their project any more. I’m thinking that is worth its own post.  Don’t you hear a list forming in your head, of good reasons for finishing something vs. when to just drop it off the list?

For today’s sake, let’s just say: sometimes you have to amputate certain parts of a goal in order to get it done. In grading, I had one class that was hard to get finished. We made it through our main units, but there was one other assignment I always have students write.  We ran short on time because of classes cancelled during hurricanes, but I was going to be stubborn and force it in — one more paper to write, one more paper to comment on and grade (when already slowed down with the holidays and a cold).  A more seasoned friend shrugged.  There were plenty of grades to accurately reflect the students’ learning; nothing was going to be done with that “one more paper.”  There was no reason not to drop it.

Throughout the weekend, making my deadline involved knowing when to edit out steps. File student papers later, get them graded now. Trade information with a peer by email, rather than a lengthy meeting (when our friendship gets us chatting).  We all know this strategy from our daily lives: make sure the kids learn important values, but don’t worry if you mastered scrapbooking.

Pick your battles. Know what matters and what to drop.

Declaring it Done

Hand-in-hand with that, finishing a project requires knowing when to declare it done.

Please people. Last summer my goal was to polish the third revision of a novel whose characters and storyline were thoroughly written in order to query agents by September 1. What did I do to myself instead? Discovered a whole new thread for a main character’s motivation. Augh.  I mean, yes, okay, it might be a better book for it.  But do I not realize that this second-guessing kind of revision (requiring a thorough rewrite) is what kept me from ever querying the last one? Every time it was just about to finish its writing-marathon, my little novel would say, “You know, I think I’d like to go back and re-run mile 15 differently.”

In perfect irony, that novel draft I never queried has a scene where the main character is an artist, working on finishing a painting in her studio. Watching her, the artist’s daughter asks, How do you know when a painting is done? Roughly quoted, the mother answers, You never really do — just, at a certain point, it starts to stand on its own. At a certain point, you have to take your hands out of it.  If not, it would be sold, framed and on the wall in a collector’s house, and I’d still be taking it down to make one more change. 

For both of the first two points above, as I was grading I had to limit the tasks I took on. It was being a perfectionist that didn’t let me read a student paper without adding one more comment, even knowing the paper and the semester were done. And the definition of finished (grades entered in the software by the deadline) did not need that one last assignment crammed in.

It seems the key is to clearly define “done” for your project, early on in planning.  When discipline is needed, you can then edit out unnecessary tasks and distractions by evaluating whether or not they are needed to reach that definition of done, and hold yourself to declaring a finish line crossed when you reach it.

Build a 20% Cushion on Your Deadline

Deadlines help, as they draw the line in the sand after which there is no more tinkering to be done — but deadlines need a cushion, as problems always come up.

Later this week I’ll introduce my Begin Something challenge: I have a literary magazine that has to be printed and in student’s hands by the last day of school. Which means the printer has to have it no later than May 10th. Which means he really needs it by May 1st. Which means I need to tell myself I have to deliver it to him by a week before that, or even by April 15th. There are holidays and conflicts with other spring projects that month, which means my deadline for having it finished is really April 1st. (Heh. Did you hear my shriek at the thought of how soon that is?)

Something always comes up. A glitch. Weather. Someone you are waiting on who delivers something late. Someone goes on vacation or is out for surgery. A brilliant idea for a last minute change. Run out of paper or ink or…  And we, ourselves, are imperfect. Procrastinate. Lose confidence. Have a glitch in our software or lose a key piece or catch a cold.

My grades weren’t due to be posted until 3pm Monday. Monday was a teacher workday for entering the grades. Awesome: that gave me 5 hours to grade, right? Who could have expected that a tragedy at a school in Connecticut would spur a Monday morning safety review meeting? Still, 2 hour meeting leaves me 3 hours, right? Except the training meeting evolved into the local SWAT team (you planned for this, right? we all plan for sudden SWAT developments?) performing evacuation training on-site until past lunch. Then a follow up meeting. Then a friend with a question. Arrival and assembly of new desks, redesigning my class layout.  Planning for new classes.

I learned after my first year teaching: never expect to grade on a planning day. Have it done the night before. In a perfect world, if I were as smart as posting-advice-lists would imply, I would have set my deadline 2 weeks back, at the end of the semester– anticipating that a Christmas cold would leave me worthless for grading during my weeks off. We are imperfect — subject to colds and procrastination and wanting to run see a movie with a friend and maybe struggling through finishing certain steps of a project.

We have to build a cushion to accommodate that imperfection and expecting — it never fails — something will always come up.

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That Said, I Met My Goal — How Are You Doing?

write start badgeI have some stray housekeeping (returning papers, filing, etc.) that keeps my finish something goal from being completely cleared off my desk but, overall, I met my goal.

How are you doing with yours?

Most readers and friends I have talked to are working on their Week 1 project throughout the month (or even the year) — and really, none of us want to finish just one thing. As soon as I have time, I’ll work in finishing my grad school apps and getting stories out, not to mention those novel revisions. So we’ll continue to trade insight on what works.

Do share your thoughts in the comments.  What are you working on finishing?  Do any of these strategies ring true for you?  Or are there others that help you finish your projects?

Have any of you decided to completely drop a project from your to-do list?

If you have blogged about this challenge, please share a link to my original post (so people can read the challenge) and post a link to your blog here in the comments so we can read what you are up to!

Next up will be kick-off of Week 2: Start Something. Think about a project you need to get started — mine will be the lit mag.

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2013 – Day One: Reflections, Goals… and a Challenge

c. Elissa Field - request written permission for use

c. Elissa Field – request written permission for use

You can’t look anywhere among your social media friends without being left with the question: Do I have resolutions for 2013?

Reading a few friends’ blogs had me feeling need to reflect on the state of my own goals — and to-do lists.

2012 was a great year for me, one of successes.  Goals met and some not yet tackled – but a renewed sense of my own abilities, a great sense of perspective and freedom to move forward.  I feel an odd affection for the idea of it being 2013 — not necessarily declaring “resolutions,” but feeling good about the possibilities ahead.

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Reflecting on 2012:

A year ago, around when I took that picture of my sons, I was entering a new year with a lot of old baggage and a lot of opportunities I had created for releasing them.  I was married for more than 15 years, and we had spent the last two years deciding if he was just having a midlife crisis or if he wanted a divorce. I’d been hanging on for my sons’ sake, and also clinging to some other things that weren’t really working.

But I’d finished certification to teach and was hired for a third year at the same fabulous school my boys go to.  I had bones to a novel down.  I had ideas of stories flowing. I’d hit a point where I was (mostly) able to balance writing hours and bringing in income and keeping up with the boys. (Mostly.) And, most interesting for this loyal, sentimental girl: I was ready for whatever changes came into my life to make things work.  Including divorce, job changes, moving — whatever.

You can’t help love a year where you opened your hands to release what didn’t work, willing to catch what does.  And I might not make resolutions, but I’d entered 2012 with a decent plan.

2012 Goals:

  • Daily life: For my boys, I needed income, stability, all that.  I’d finished 2 years completing credentials and started my third year teaching.  I kept the boys together in the same, fabulous school they’ve gone to since preschool. I had quality time with them. We spent a month of summer at my parents’ house in Connecticut. All around, this was a success for the year.  As someone who liked being married, it was a little moment of pride to realize I’d made it two years on my own with the boys and we were doing just fine.  Having fun, actually.
  • Writing hours: Without setting specific word or hour or daily goals, I needed to carve clear, productive writing hours in the face of demands on my time.  During the school year, waves of essay grading can bury me — made worse last fall as I took on another grade and science fair.  Still, I have been astounded how much more easily I can compartmentalize my focus and claim time to write than in other years.  Often, it means stopping whatever I was about to do and saying: write 30 minutes, right now, before you do anything else.  I teach afternoons, so claim undistracted morning hours while the boys are at school.  But I’ve also gotten better at writing with them in the room, so I could work near them while they watched tv or in bed as they did their homework beside me.  Somedays it would only be the 30 minutes, or just in the margins of a book I was reading as I fell asleep or on scratch paper in the car. But I also claimed whole mornings or nights, or whole days.  There’s never enough time. But the success was this: part of teaching is that I have holidays and summer off to write. When I worked freelance in the past, I sometimes had gaps like that but was so preoccupied with marketing or other distractions that writing didn’t happen, so this was my big fear: to have time off, but I’d waste it or ideas would fall flat.  “Success” for 2012 was that every minute I’ve had free time (and even when I didn’t) the ideas were right there, and the writing worked.  Little of it was garbage; most of it went into finished drafts.  Other than having my laptop crash midyear, 2012 was really productive.
  • Short stories: Goal was to finish 2 nearly-done stories, revise an older one with feedback, and submit until published.  Heh heh. Yeah, no.  Not a lick of work on short stories since about January last year. Sorry, half-drafted story. Sorry to the one ready for final rewrite. I’ve written before about not wanting to just be Running on Grass.  I like to keep a couple stories circulating — something done and out the door — while I’m working on a novel. It’s hard to accept zero submissions for the year — but not necessarily a failure, considering other successes.
  • Novel draft: Altogether, I have 3 novel drafts, and the goal for summer was to have one draft revised and first queries submitted by September. It’s supposed to be that I am finishing the first WIP, and only jotted out the bones of the other 2 to get them out of my head while I finish the first. But the newest one (Wake) did not sleep at all in 2012, and has completely taken over.  It developed really fully throughout the year, which is what you most hope for — that resonance that comes when the story lives inside your chest and picks up depth even when you’re not actively writing on it.  That would be useless if the story hadn’t made it to the page, but I had butt-in-chair enough to have finished the first draft in June, with second and third revisions over the summer. The setback of my laptop crash prevented having a draft ready to submit and queries out to agents.  But I’m more sure of Wake now than I was a year ago. It’s hard to resent the delay, as I used the time to finish research and the book has grown from it. My novel projects grew in other ways as well: downloading Scrivener turned out to be a great new tool for revising and, on a very different note, I’ve been debating whether one of the other WIPs might work best as a young adult series, which is an exciting possibility.
  • Reading: Twice during the year I took time to set down my targeted reading list.  I learned a lot from a few of the books I read, and enjoyed the intentional process of blogging about my reading and connecting with other readers.  That was new.
  • Connection: I could have called this goal “social media” or “platform,” but it didn’t start out that way. I started 2012 knowing I missed the old writing group I’d lost touch with during years I wanted to write without feedback.  And, as someone who has worked in PR, I was exploring new marketing avenues — for clients, or for online business ideas my mom and I were weighing. In April, I participated in a platform-building challenge with poet Robert Lee Brewer, which led to a clearer understanding of social media, and several successes developed on the heels of that. Numerically measurable successes included expanding readership on my website by over 400% and connection on Twitter by 1,000% — which well exceeded the growth numbers I set for myself for the year. From a freelancing standpoint, I understand how to help clients use social media in a way I did not previously. But the immeasurable successes are the greatest win. The best intangible has been some of the amazing friendships and professional connections I’ve shared. Anyone in Wordsmith Studio reading this should blush, knowing I count our group as a success for the year.  It’s a great group of generous and talented writers.  Despite the social media impact, as many gains were also in the real world, including participating in a great workshop, local friends, family and travel as well.

2013 – the year ahead:

There’s lots of messy stuff left from 2012′s list. I intended to apply for grad school by November, but turned deer-in-the-headlights mid-October and will likely soon regret not having gotten that done. I need to file for divorce (does the attorney not know the irony that his fee is equal to what I want to spend on grad school?).  In teaching, I tripled my salary (which speaks more of how little I was paid the year before), was given more classes and am leading the literary magazine now, although this still leaves me up in the air about where I’ll work next year.  A move is possible, as our house is our last remnant of 2008-bad-economy.

But mostly, there are new beginnings to look forward to.

  • I have a litmag to assemble by April.
  • Finish the novel and get queries out by summer.
  • Short stories. Repeat 2012 intention. Don’t cry if it doesn’t happen, as long as the novel does.  No.  Take that back.  Get your butt in gear and get these submitted.  Mom says.
  • Grad school.  Apply.  While waiting, take a course.
  • Write more for online.  Respond to requests for submissions and guest blogging.  Move forward with more additions to my own editorial calendar, here.  Submit proposals for paid articles. Part of teaching is having the credentials for some of the articles I’ve been jotting for parenting and other how-to sites.
  • Another workshop or maybe Grub Street in May.
  • Summer.  There’s always summer off to write.
  • And connections.  People like my friends at Wordsmith Studios, writing friends, visitors to this blog.

Thanks for being part of what made 2012 great, and 2013 great to look forward to!

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Want a challenge?

Picture 6In tomorrow’s post (January Challenge: Finish, Begin, Improve, Plan), I introduce my January Write Start Challenge, in which I kick off my goals for 2013.  The first week of the challenge was inspired by YA author Christa Desir, who posted 2013 the JanPlan on her site — a lovely, unstructured challenge to complete one thing in January.

My short stories eye me accusingly.  My grad school apps.  Or…?

I would love for you to join me in the January Write Start Challenge — or just tackle one unfinished thing!

Are you up for the challenge?  I’ll post more about it later (or click the link to read it on Christa’s site)… but for now, let’s get targeting: what one thing would you take on?

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Novel Revisions — Danger: Book May Bite

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Writing is a timid thing – right?

Delicately crafted with feathered pens by a dainty woman unused to the outdoors. Cough, sputter. Fantasize.

No fear. No wild things lurking. All purple ink and soft whispers.

She’s being ironic, the guard mutters as the wild thing rattles its cage. Writers do that, he nods, proud of the knowledge – and hoping, soon, such writer will step out of the shadows and tame this unwieldy thing, growing daily, hourly as it waits release.

The beast itself. Braced to resist domestication, eyes glaring in resistance against such things as braiding of manes, tying of ribbons in its tail.

I’m a wild thing, it purrs, snarls, gnashing a bone. I’ll be ridden, perhaps. But not a trot. Not an amble. Climb aboard, if you dare, and gallop raw across the veldt.

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Today’s post is provoked by Wordsmith Studio’s weekly Take A Picture! photo challenge – this week, the theme is “signs.”

While with my sons at Harry Potter World at Universal, I saw this sign above the caged Monster Book behind Olivander’s wand shop and couldn’t help feel it summarized my summer: taming my novel from first complete draft through second and third revisions.

Danger: book may bite.

My mother once questioned why a tiger shark lurks just out of view in the background photo on my website and I had to say it represents the danger I sometimes feel in writing. I love the rush of creation, yet so much is at risk — pride, talent, loss of that perfect image just at the tips of your reach. Novel drafts are not docile as rabbits and kittens, but bull sharks, boa constrictors, pacing tigers — unwieldy things within our reach, yet with a life of their own.

Or at least, for the sake of today’s photo challenge, this is nod to the days they feel that way!

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2012: Year of the Book

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2012 was the year of many things — politics, gun violence, Hurricane Sandy, Olympics (remember way back that far?). But for those of us who crave getting lost in a great read, 2012 was something else: it was a year of new releases for many fabulous novels and works of nonfiction.

2012 was the year of the book.

Compiling reading lists before summer, I was astounded at the riches — only to find fall’s new releases a true embarrassment of riches. Even as pundits mull once again the death of the novel, death of publishing, death of print; even as self-publishing flooded in with more than a million e-releases via Amazon last year, the real news — the heady tweets and retweets throughout summer and fall — were the immensely satisfying novels arriving in print, lining up on the shelves of real bookstores.

It seemed everywhere people were reading. The question wasn’t, “What can I read next?” but, “What fabulous book on the many kudos-lists for 2012 have I not yet gotten to?”

As I gear up to compile my winter reading list for January, I came upon announcement at The Morning News of their annual Tournament of Books. Their 2013 list  reads like a summary of various award nominees from throughout the fall (click here to read my prior post for several of the awards’ longlists).

Considering these top-reading lists, as well as my own and those of friends this year, had me taking stock: which were my favorite new releases of 2012, and which 2012 boooks have I yet to read

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My Favorite New Releases of 2012:

I am not a fast reader, yet both of my top-picks compelled me to drop everything. Literally. All day in bed, reading. Through the night, reading. To the point of reading the second I woke, without stopping to make coffee.  No joke: I took the second with me into a movie, suspecting I might be tempted to read a chapter by light of my cell phone, between scenes.

  • Kevin Powers, The Yellow Birds . Hands down, I think this is the most important book published in 2012.  Beautifully written (battle described with haiku-like stillness), without hammering over the head, yet you cannot help be changed by the knowledge imparted. As a teacher, its impact left me expecting it will someday be assigned reading, as my generation once read The Red Badge of Courage.
  • Gillian Flynn, Gone Girl . Where Yellow Birds was “important,” Gone Girl was ubiquitous as the “must read” page-turner of summer. I slogged through the first few chapters, skeptical over the characters’ self-indulgent narration… and then hook-whizzzz! Flynn had me. What began as self-important introspection reveals itself as the intricate mind-battle between two genuinely intriguing characters — and yes, I read compulsively, without stopping from page 60 through to the astonishing end, all the while seamlessly in love with Flynn’s ability to spin characters and story. To convey the extent to which Flynn won me over: through the whole last third of the book, I was actively thinking how glad I was to know she’d written other books I’d have to fill the gap once Gone Girl was done. Rare, hooked.

My other favorite-reads of the year weren’t published in 2012, but you can find them on my reading lists linked at the bottom of this post.

2012 New Releases Still-to-Be-Read:

There are another half dozen 2012-releases on my must-read lists that I’ve not yet gotten to.

  • Hilary Mantel, Bring Up the Bodies  — winner of the 2012 Man Booker Prize, and the first woman to ever win the award twice.
  • Ben Fountain, Billy Lynn’s Long Halftime Walk and David Abrams, Fobbit In a way, it’s unfair to list these together, as if they are equivalent, but together with Yellow Birds, these were three of the remarkable books written by veterans this year — each adding a unique voice to the experience of America at war.
  • Matthew Dicks, Memoirs of an Imaginary Friend
  • Nathan Englander, What We Talk About When We Talk About Anne Frank Everything Englander writes is charged with his intellect, and deeply meaningful. I’ve read one story from this collection, and look forward to the rest.
  • Margot Livesey, The Flight of Gemma Hardy This is one of two books I am dying to read by Livesey — who not only impresses me, but has endeared me with encouragement on a story in the past.
  • Salman Rushdie, Joseph Anton

For other books on my reading lists, but not published in 2012, see the links at the bottom of this post — and be sure to share any of your own recommendations, as I’ll consider them in compiling my Winter 2013 list!

Said shyly: “Great” Books of 2012 I Put Down Without Finishing:

Caveats are required, here, because I am a discerning reader… but also an impatient one.  Perhaps even moody. It is likely that these books did not fit my tastes at the time of reading, but these were two books I highly anticipated, then could not read past the first chapters:

  • Ann Patchett, State of Wonder I have heard only rave opinions of all Patchett’s work, but I could not get into the plot, setting or characters of this one. I’m hoping it will hook me in another year, or I’ll read one of her other books.
  • Jan-Phillip Sendker, The Art of Hearing Heartbeats  A lovely book, set in a country I had been studying so was easily intrigued by… yet I could not get past feeling it was not well-edited, with the feel of a self-published book full of first novel errors. Impatience kicked in and another book took it’s place in line.

Are you like me — do you often find yourself quick to put books down?

Of a dozen books, I feel like I might eagerly make it past the third chapter on only 3-4 of them. Other well-reviewed books I put down in 2012 included Elegance of the Hedgehog (I didn’t feel like reading about Paris) and The Imperfectionists (it didn’t seem to go anywhere and I preferred the narrator of the first chapter, who then disappeared).  With limited time and so many good books to read, I almost never force myself to finish a book that hasn’t hooked me. Then again, more than once I’ve stumbled across one of these later — in a different reading mood, perhaps — and loved it. Is there advice in that? I wonder how others experience this?

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My Reading Lists posted throughout 2012:

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Writing Character: Challenge of Revising the Character Most Like Yourself – Part 2

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This is the second of two articles addressing the challenge some writers have identified of writing the character most like themselves.

Read the original post for an explanation of who this character is, and how the idea for the post originally arose  from a small tangent during the fabulous workshop I had with Ann Hood in Miami last May:

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5 Approaches for Revising:

Again, not all authorial characters are broken — but this post addresses the situation where characters drawn closely from the author come across as flat. Each of the following presents a possible source of the problem and how to address it.

  1. See-through narrator: beginner’s error?  In one of my early novel attempts, I had a central female protagonist who essentially represented my entrypoint into the story. She was roughly my age, my cultural background, etc. Her story arc was dynamic, but she was the least fully-written and least empathetic character. I realized I was intentionally keeping this character thinly written, nearly transparent, as if she were a window to see through to the story.  Have you ever read an editor’s list of “beginner errors”? While revising this story at Bread Loaf one summer, I was startled to find this approach on a list of errors committed by first-time novelists who are still trepidatious about claiming that right to just present the story. It’s possible a transparent-window-character really is an effective device for your story (they do exist in some successful published work), but my authorial character did not ring true.  Fix?  The simplest approach is to eliminate the character — no window is needed for you to ‘frame’ the story. If you resist deleting the character, this means you believe the character has a purpose in the story.  Take the time to understand why you chose this perspective and own it.  Don’t avoid the character; understand the tension and emotion they create, and write the character fully.
  2. Lay back on the couch & tell me about your childhood: another beginner’s error?  Editors also report a beginner’s error of feeling a need to explain the psychology behind our character’s choices. This can be common when writing about from real life. Much of our memory may come from psychological processing of an event.  But see if the flatness of your authorial character arises from too much explanation of their thoughts.  Reams of psychological explanation is less intriguing than actions and emotions that reveal the same information, and can seem inauthentic or defensive. Fix?  Psychological explanation is often written as a placeholder for motivation in early drafts. As the action and emotion of scenes become more full in revisions, see if you can simply delete the explanations. If these other scenes have not been written, make notes to yourself of what the psycho-babble is trying to accomplish, then envision the kind of interaction between characters that would reveal it. An entire scene might not be necessary; a single line revealing a memory might suffice. A reader will always find psychology more believable if they came to the conclusion on their own through experiencing the character, than if you explain it.  Also, see 3.
  3. I’m a good girl/boy.  I spent my whole life trying to convince my grandmother that my hair was the current style, my brother that I hadn’t packed too much on the family trip, and anyone else that I wasn’t difficult.  Best thing ever was the year I realized it was okay if my hair was not my grandmother’s style, my suitcase was overpacked and I was as difficult as anyone else around me.  Around the same time, I realized I was raising my characters to be as well-behaved as my family wanted me to be.  If a character did something inappropriate, I caught myself reeling them in or tried to explain it away.  If they had affairs or stole or were judgmental, writer-me immediately tried to take it back (or, see #2, gave psychological justification and excuses).  Around the time I gave myself permission to be sassy, I read a single perfect line of writing advice: the most memorable characters are not well-behaved.  Not that they’re rude, but they have opinions, they speak out and take action.  Not that they’re all adulterers and murderers, but they make high-stakes mistakes, and story arises from the consequences, not excuses.  Best characters would, in all hopes, make my grandmother’s eyes fly wide first in horror, then in secret glee for having done what she would not have allowed me to do.  Fix?  Don’t hold back.  In Hood’s advice below, note how important it is that we create distance and not expect our characters to behave as we do. If you gave your character a gun, don’t apologize when it goes off — and it should.  Characters should get in positions other people avoid, or say things they shouldn’t, or do the wrong thing and then another wrong thing after that.  Sitting primly on the couch and keeping thoughts to themselves would rarely have kept even my elders turning the pages.
  4. Hood’s advice #1: Continuing from part 1, in our workshop writer Ann Hood said the key is to create the resonance and fullness of story in characters based on reality. A common sign that a writer is too married to reality is when they defend a manuscipt by saying, “But that’s what really happened.”  To write effectively from real life, a writer is seeking to create resonance and meaning that were not apparent in the thin reality.  To do this, Hood said, “You have to establish authorial distance [between yourself and the character] to be able to see the character as a character.” Distance allows us to view others more clearly — from all sides, with interesting filters — than we do ourselves. The key is to create that ability to see yourself at that same distance.  Fix?  Hood said the key is to give the character one quality or trait that is absolutely not like yourself.  Give them a tick. A quirk, an idiosyncracy.  Give them an obsession.  A hobby, a talent.   Make them older than yourself, younger, or change their gender.  Give them a profession or talent or hobby that defines their lives.  It’s not a small shift — the goal is to create something in the character that is utterly unlike yourself so that you start seeing them as someone other than yourself.  In the gap, you can begin to have perspective and write more fully.
  5. Hood #2:  Saying the same thing differently, Hood referenced another author in saying that developing story arises by repeatedly asking the question, “What if…?” Each answer to the question spins details to character or setting or obstacles.  For example, Hood wrote one of her novels in response to the grief of losing her daughter to a sudden illness.  But what if she directed that grief into learning to knit?  For a current story I am writing, a main theme is my own, but what if the character were ten years older? What if she worked in a museum tending taxidermied exhibits? What if something were stolen, so the story seems to be about the theft, not her inner struggle?   Fix? Begin with a “What if” that is not true of yourself.  What if… the character was a man or an older woman or an artist or just witnessed a train derailing in the middle of the night behind her father’s barn…

More revision strategies?

For a 6th example, I’ll suggest this and you are welcome to offer a solution. 

  • I’m just not that into me.  In freelance work, I once interviewed a woman who had been an entymologist and lived in the jungle for 6 years before going back to school, studying urban planning and being appointed to public office. It was a fascinating article on how those unconnected roles represented her drive to serve. Yet she was shocked that anyone found her years in the jungle interesting. For me, that is parallel to a truth when I write a character like myself: it’s easy for me to be fascinated by a character I’m just getting to know, while falling flat to describe the character who feels like the same somebody I’m inside every day. One of the problems with writing authorial characters arises when we don’t gain Hood’s authorial distance to perceive ourselves as interesting characters. If the character most like yourself feels boring to you, perhaps this is the dilemma. Fix? The fix may mean not writing about yourself if it bores you, or perhaps Hood’s advice in 4 & 5, to gain the distance and interest to write more fully. Or, how would you suggest solving it?

How would you answer that — or what other dilemmas do you run into with characters drawn from your life? Share your answers, ideas or links in the comments!

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