Tag Archives: writer

Friday Links for Writers 02.22.13

Ernest Hemingway house, Key West (credit: user MacG5User at stock.xchng)

Ernest Hemingway house, Key West (credit: user MacG5User at stock.xchng)

What I’d like to take time to write about is how much I learned, reading a favorite author’s novel this week. But it’s time for Friday Links – and this Friday includes a range from old school advice from Hemingway to decoding ISBN’s. 

As always, let me know what you found inspiring in these or what topics you’d like to see more of.

*     *     *     *     *

7 Tips from Ernest Hemingway

Going old school, here. While Hemingway pre-dated most MFA programs and was not from the modern crowd of writers laying down how-to-write advice, this article from Open Culture shares 7 pieces of writing advice curated from his letters and works. Unlike H., I’ve often sworn by processing a story while not actively writing — yet reflected on his point to never think about a story when you’re not working on it, as there have been times I was positive I’d written a scene but it turned out I’d thought it through but never written it down.

3 Ways to Save a Scene You Lack Confidence In

Shifting from Hemingway to fantasy writer L.B. Gale, here is an interesting piece about approaching that writing that came so easily yesterday, yet does not seem so fab in rereading, the next day. Gale is honest that there’s a point for binning, but otherwise offers 3 simple ways to regain the intended effect.

Who Should Read Your Unpublished Work?

Agent Rachelle Gardner is consistently fabulous in her advice to writers seeking publication, facing the first steps in promotion, and managing a growing career. This piece tackles the advice that writers should seek beta readers with the caveat that “not all readers are created equal,” with suggestions in making the most of early readers.

7 Common Questions About ISBNs

One of the keys to marketing a self-published book is making it accessible through distribution channels. In her article at SheWrites, Emily Suess explains the coding and practices behind ISBN, or International Standard Book Numbers. Great information for editing consultants and indie authors.

A Visual History of Literary References on The Simpsons

Just for fun, an old favorite: Jared Keller’s fine compilation in The Atlantic of classic literary references on The Simpsons, like an argument between Jonathan Franzen and Michael Chabon.

What did you find in these links that is useful to you? Let me know if you want more on a particular subject, or share your own best finds.

*     *     *     *     *

Shared by the Library of Congress, this poster is from a Chicago promotion 1936-1941. No known copyright restrictions.This week’s writing has included preparing for a reading challenge I’ll kick off in March. As this vintage poster says: it’s time to “read the books you’ve always meant to read.” 
 
If you have a minute, please click here if you’d like to share the kinds of books on your 2013 Reading List – including any you’ve always meant to read yet never gotten around to.
 
*     *     *     *     *

If you like this blog, be sure to subscribe using WordPress’s +follow option, or via email or RSS feed. I love to connect with like-minded readers and writers!

Notes of scene and personality of my character, scribbled in the margins while reading Ann Hood's Creating Character Emotions.

Notes of scene and personality of my character, scribbled in the margins while reading Ann Hood’s Creating Character Emotions.

Recent Posts:

Coming this week:

2 Comments

Filed under Friday Links

January Challenge Week 4: And Then Plans Changed…

space suit c Elissa Field

Anyone who has followed the January Challenge since the beginning knows that it sets out to support all of us in kicking off 2013 goals by spending one week apiece to focus on:

During Week 2, I posted How the January Challenge Arose from Freelance Writing to address how each of these steps is needed to keep a writing career growing — whether as a full time professional, a novelist with a day job, a busy blogger or someone still dreaming of getting a first draft off the ground.

Writers have accepted a profession that seeks unstructured days to have the freedom to write or explore the world. But, truth told, “freedom to work” sometimes takes more discipline and structure than lives yoked into a traditional job. Writers take on responsibility to stoke their own forward momentum so that free hours don’t escape unused.

Beyond that, writing hours need roll-bar-strong discipline to fend off the interruptions that continually threaten to claim a writer’s attention.

Children. Day job. Editing project. New client. Platform building. Broken dryer. Teaching. Deadline. Travel. Blank page. New inspiration. Friends, family. All these quality things vying for attention. For many writers, these distractions increase with success as new demands arise for speaking engagements or teaching or promotional tours.

In posts like 15 Strategies for Finishing Work, I shared some tricks for setting concrete tasks that help create a clear plan for getting the writing done.

And Then Things Change

My own weeks 3 & 4 of the January Challenge became a prime example of why those “roll-bars” are needed.

For Week 2 (“start something”), I set about the steps necessary to begin production of a literary magazine for my students, as planned. Fate laughed, and in a single day my prior job of teaching 3 writing classes and leading the literary magazine was switched entirely to cover a position vacated by a colleague who leaves our school this week.

Which brings us to…

Week 4: (Re)Evaluate and (Re)Plan

It’s easy to take sudden changes in plans or priorities as the latest “derailing” of the writing we planned to get done. How many times does intended writing get back-burnered because of a genuinely justifiable interruption from work or life?

The key to keeping writing moving forward is expecting those interruptions. Change wasn’t a surprise. New demands on our time aren’t a surprise. We know — it’s not our first rodeo — something always comes up.

Whether ending a project and needing a new client, or running into a production snag, or having a new PR issue to address. Whether a writer setting aside your own revisions while teaching others to write, or an agent pitching novel drafts without time to work on your own, or a parent trying to finish a novel with a sick kid, late sports, holidays or packing for a family trip… There’s always something.

As I said in the post about freelancing, this is why I evolved the “finish, begin, improve, and evaluate/plan” cycle, so you can continually dovetail new work in without stopping work on your original goals.

So we take on Week 4 of the challenge: it’s time to (re)evaluate and (re)plan.

Applying Steps of the Challenge as You Evaluate & Plan 

Evaluating and planning really means creating a new to-do list for the coming months, applying many of the steps set out in prior posts.

  • Evaluate what you accomplished in the prior month (or day or week). Reward yourself with check-marks, log word counts in Scrivener, or hours on your calendar. Blog about it. Celebrate.
  • Evaluate where you stand on existing projects. Create a list of tasks for steps that need to be finished, targeting any obstacles that have kept you from moving forward.
  • Evaluate what is going well. What do you want to do to continue this success, or to replicate it on a different project?
  • Measure these successes against your ultimate goal. In celebrating your 10,000 words written last month, will this get you to a finished draft by March? Set new quotas or adjust the ultimate goal, as fits.
  • Sometimes intermediate successes cause new hurdles. New material I wrote on my novel draft last fall requires new revision steps to reach the final version. Since I don’t want to delay finishing, what will I do to add writing hours to fit these revisions in? (I cancelled an optional conference.)
  • Did success in one project prevent work on another? Evaluate if it’s time to reclaim hours for a project pushed to the back-burner.
  • What will you take off your list? Surprises, successes and changes in plans often leave old to-do items irrelevant. Remove things that no longer matter to you.
  • What will you finish this month (or day or week)? Maybe you have a deadline or mandatory project to finish (I need to hand off my prior classes to the new teacher). Otherwise, like in Week 1, pick one thing you’ll just get done.
  • What new goals arose? Add in new goals or things you want to start. For me, this includes starting my new classes. But also planning for a Reading Challenge on this site in March.
  • What needs improvement? I’ve improved linking around my blog, improved how quickly my sons can get out of the house in the morning, repaired my car, cleaned my office. I want to claim more efficient writing time with a computer upgrade: I’ll schedule a laptop upgrade within the month to make the most of working time during the school year. I’ll plan a website upgrade in June, as I’ll have more free hours for tweaking during the summer.
  • What will you delay? It’s not lame to adjust a timeframe if you are still honoring what is most important to you. Don’t quit the goal; just move it to a better time on the calendar. With revisions, this sometimes includes scheduling a break to allow some distance from a piece of work.
  • In a prior post, I mentioned how writers often balance the time-money-credit trifecta. Evaluating your current balance of those 3 things impacts how to prioritize goals in the coming months. This last month brought me increased income and increased street cred to write in one of my subject areas. That means I’ll evaluate and plan where I will steal time back to work on the novel and stories (or when I’ll write pieces to make use of the street cred). This is key in planning my to-do list. For example, the money allows me to pay for 3 tasks which actually free my time or increase my efficiency to work on the book — and I need to make sure that takes place.
  • What resources do you need? Don’t forget to list supplies or knowledge you need to acquire to achieve immediate goals, or have on hand as you reach later steps. Key in this: what experts or peers could you seek out to expand your potential? Don’t overlook delegating or reaching out to a friend.
  • Don’t forget to plan when you will re-evaluate again. Consider the chunks of time/priorities on your calendar, and see how they form natural times for when you will pause and set priorities. I will be evaluating things with my day-job daily over the next week, as it is the transition time for the new job. I’ll have a breather to evaluate during next week’s 3-day weekend, at which time I’ll plan for the weeks until spring break. I can claim some writing during break, and will also use that to spend time with my sons and plan through the end of year.

*     *     *     *     *

Where Are You in Your January Challenge?

write start badgeHopefully your January Challenge didn’t involve as drastic a change as mine did — unless it was a fabulous success that makes your wish list irrelevent!

A few readers who responded said that they wanted to take on the challenge but weren’t sure if they were doing it in the right order or at the right time. Hopefully the post on freelancing or this post make it clear: there is no right order or time. Our mutual challenge is just to get our 2013 goals off and running by recognizing obstacles that keep us from getting started and breaking projects into steps we can tackle.

It would be great to hear from you in the comments (or share link to your post if you blog about it):

What challenges did you take on, whether to finish, start or improve?

What obstacles are you encountering? What strategies helped you move past them, or what encouragement could you use?

What successes have you had?

If you blog about your January Challenge, please include a link back to one of the January Challenge posts here, and then share a link to your post in the comments below. You are welcome to use the January Challenge badge if you want to be festive. There is no time limit — we are working on goals for the whole year, so you are welcome to participate well past the end of the month!

*      *      *     *      *

If you like this blog, be sure to subscribe using WordPress’s +follow option, or via email or RSS feed.  I love to connect with like-minded readers and writers!

grasp c Elissa FieldThe Complete January Challenge:

Other Recent Posts:

6 Comments

Filed under January Challenge, Time Management for Writers

Friday Links 01.18.13

Welcome to Friday Links for the third week of January. For me, it has been a week busy with the beginning of a new semester, including getting to work on production of my students’ annual literary magazine. I’ve also been thrilled with some of the work coming out on my novel draft, Wake (shared last Saturday, here).

Writing mornings include reading, and here are some of the links I’ve found worth sharing!

*     *     *     *     *

George Saunders Has Written the Best Book You’ll Read This Year

Deputy Editor of the New York Times Book Review, Joel Lovell, writes a fascinating discussion with George Saunders (“more or less universally regarded as a genius”), which opens with an amazing reflection on the awareness that comes from a recent proximity to death — and wouldn’t it be amazing if we could walk around with that kind of awareness all the time.

Writing About What Haunts Us

Thanks to Gerry Wilson for sharing the link to this New York Times essay by Peter Orner — whose images of confession and truth and ensuing emotion really do haunt. Together with the Saunders interview, these two articles made for a great reading morning.

Breaking Down Story Structure: MORNING GLORY Act One

Thanks go to Sarah Turnbull for sharing this link.  As I drafted Wake, through much of 2012 the posts I shared had to do with developing character. But, at some point, as your novel draft takes shape, what you are looking for is an understanding of the story line, and talk turns to analyzing plot. This link is to Lydia Sharp’s post which demonstrates story structure by breaking the first act of a movie into opening, inciting incident, catalyst, etc. The expression “instinctively preserves her self-concept” perfectly triggered my morning writing, as I closed a gap in understanding of my character’s early motivation.

Creative Writing: A Master Class

Gee, you know what I just did? Subscribed to a series of free masterclasses with Toni Morrison, Nora Ephron, Rita Dove and more, via iTunes! The Creative Writing: A Master Class link takes you to the full list of courses offered via iTunes Academy of Achievement. Each “course” is an audio or video podcast on craft from some of the masters of fiction, poetry and memoir. For me, these are a welcome download for listening in the car or when too tired for reading before sleep, or as a morning warm-up. For a more complete summary: I first read about this in Fordham MFA candidate Josh Jones’ post on Open Culture.

*     *     *     *     *

If you like this blog, be sure to subscribe using WordPress’s +follow option, or via email or RSS feed.  I love to connect with like-minded readers and writers!

Going on this month:

2 Comments

Filed under Friday Links, Inspiration, Novel Writing, Writing workshop

How the January Challenge Arose from Freelance Writing

Day One - BeginI began this month by proposing the January Challenge (finish something, start something, improve something, then evaluate & plan where to go next) not because it was the logical way of doing things but because, for many of us who are writing, each of our goals shares our attention with multiple competing tasks.

If we want to start that novel revision, we first have to finish this project for our day job. If we want to get started with story submissions, we first have to finish revising. As I addressed in 15 Strategies for Finishing Work  last week, much of what we do involves time management of competing priorities.

It just dawned on me to say:  I learned this cycle by freelance writing. 

Considering the interest many of you expressed when I blogged about day jobs, today is a reflection on why the finish-start-improve-plan cycle is so important to making progress as a writer.

Most of my freelance jobs evolve into long-term roles, with enough work and pay to become my sole client. Still, others involve sporadic projects with clients not sure of their own goals, projects too small to be substantial income, or even an occasional client who was slow to pay. For anyone considering freelancing, know that continually stoking the fire for new work is part of the weekly task list.

So it was from freelancing that I learned the overall writing skill: that a productive writing business involves constantly feeding the 4-step cycle of finishing, starting, improving and planning.

It’s illogical: why do I put finish before start, or before plan?

This week I covered a friend’s 4th grade class one morning and, as I presented her lesson on the animal lifecycle with the circular cycle of egg-chick-chicken-egg… I was reminded why I list finish before start.

Yes, on day one — like that “START HERE” space on a board game – you begin with “plan” and “start.”  But there’s only one “start here” space on that gameboard, and most of us are not really on day one of our writing.

Most of us have a half dozen or so projects floating (overlapping writing and family and clients or day job, etc. projects) so taking a valid, productive step forward with our writing involves getting something else finished and out of the way, first.

I can get started with submitting my writing, but maybe I need to finish revision first. I can start with revising my novel, but I need to finish last week’s day job project first. I can start an idea for a novel, but maybe I needed to clear away holiday-vacation emails from clients first. I can start with my big project (the literary magazine) this week, but needed to finish last week’s grading and semester planning first.

The Key: Stoking All 4 Steps of the Cycle

What is most important is this single concept: once these 4 steps rotate into a cycle, notice the overlap of planning your next steps, finishing remaining work, and starting something new.

Before you even finish one project, you should have been evaluating and planning for the next project you will be starting.  My husband was a pharmaceutical rep and, in sales, they referred to this as “pipeline.” You have what you can finish today, but have already planned and seeded what you will do next, with your next project ready in the pipeline.

In freelancing, this meant I had already been marketing for new clients before I approached the end of a project. In fiction, it might mean having short stories submitted to literary magazines then start work on revising that novel while you’re waiting to hear back. It might mean, as you head toward finishing that novel draft, thinking ahead to what will be needed to connect with agents — maybe anticipating summer writing conferences or learning how to write a query.

A Little of Each, Every Day (or Week)

Although I set up the January Challenge to address one step of the cycle for each week of this month, I kept my freelance business going by addressing all 4 steps of the cycle every week, if not every day.

Every week I had a task list of steps needed to complete a current project. I evaluated and planned what was needed for that publication, as well as where the next job would come from. I scheduled steps to get the next project going (if with the same client) or took marketing steps to keep the pipeline fed.  I improved the functioning of my business (sent invoices or reorganized or tweaked my (now offline) website). A little of each, every week, kept the machine constantly fed and moving productively forward.

In truth, particularly when I became a mom, the economy crashed and other personal challenges made life more complicated, it was applying all 4 of these steps that has brought about my most successful moments. On the job or scrambling with kids or working to finish writing — attending to all 4 steps keeps progress moving forward.

*     *     *     *     *

write start badgeThis Week: Begin Something

That said, this week of the January Challenge will focus on Starting Something New (link takes you to next week’s launch).  In the meantime, think of a project you need to get underway to accomplish an important goal in 2013.

What do you have to begin in 2013?

Remember, this is a group challenge and we’d love to hear how it is working for you.  What goals do you need to take on (this week, this month or sometime this year)?  What strategies work for you? What obstacles keep you from getting started?

If you join in, we’d all love to hear how your challenge progresses: write about it on your blog (use the January Challenge badge if you’d like); include link to this original challenge, and be sure to come back here and share your link with us.

Be sure to check out the Week 2: Start Something launch later this week!

*     *     *     *     *

If you like this blog, be sure to subscribe using WordPress’s +follow option, or via email or RSS feed.  I love to connect with like-minded readers and writers!

Going on this month:

4 Comments

Filed under January Challenge, Time Management for Writers, Writing Process & Routine

January Challenge Week 1: Did I Succeed at Finishing?

grasp c Elissa Field*

Ahhhh…..

Three o’clock came on Monday, deadline for entering grades. Project finished. I met my goal for Week 1 of the January Challenge — I finished this one thing.

I’ve heard from two others who also finished their challenge for the week, and I’ve heard from many who are using this week’s challenge to prioritize how they will get projects finished later in the month, or at other times throughout the year.

What all of the posts and emails have acknowledged — and what I observed, working toward my deadline — are the hurdles and resistance that are particular to finishing a project.

  • In the week’s kickoff post (Week 1: Finish Something), we thought about resistance or obstacles that keep us from completing projects and used strategies to identify the real obstacle, to break the resistance down in manageable steps.
  • Then, Sunday’s post (Week 1: 14 Strategies for Finishing Work) shared several concrete strategies for keeping the work moving toward “done.”

Advice is great. I really do use all those tactics, and heard from so many of you how these kinds of strategies are useful.  But you just know I didn’t glide toward perfect completion of my project following all that advice to a T, without a hitch.

Today’s post shares the insights that came to mind as I applied the advice of those earlier posts (successfully and with rough spots) toward finishing my goal. As always, do share your own experiences in the comments, whether you are actively participating in the challenge or if you stumble upon it even months down the road.

*     *     *     *     *

Avoid Wheel-Spinning

Any of my regular readers might notice that Sunday’s post of “14″ strategies was updated to “15″ as I realized I left off one that is key (now #8 on the list): avoid wheel-spinning.

One thing that is hard for writers is that finishing work requires shifting gears from the energy of generating lots of new ideas to limiting efforts to the tasks that get the darn thing done.

“Avoid wheel-spinning” recognizes that in those goals for working hours or word counts it is easy to be busy working, yet not focused on steps that will get the job done. My goal last weekend was just to get any remaining grades entered to close out last semester. Sure, that includes tasks like filing paperwork and reflecting on how the semester went. But it was wheel-spinning for me to spend half an hour making notes to a student on a paper that won’t be revised again.

Going back to the endzone metaphor I used in Running on the Grass: imagine you are the running back, carrying a football (your project) toward the endzone. Discipline yourself to avoid running sideways or backwards, or wondering what’s happening over on the baseball fields or suddenly stopping everything to jump rope. Finishing a project means only strides that take you closer to that endzone.

What’s Worth Finishing – and What to Drop

In a few responses from readers, I heard a continued hesitation to even take a project on. They liked the idea of finishing something for this week’s challenge but… you could just hear it in their voice: they weren’t sure they even cared about their project any more. I’m thinking that is worth its own post.  Don’t you hear a list forming in your head, of good reasons for finishing something vs. when to just drop it off the list?

For today’s sake, let’s just say: sometimes you have to amputate certain parts of a goal in order to get it done. In grading, I had one class that was hard to get finished. We made it through our main units, but there was one other assignment I always have students write.  We ran short on time because of classes cancelled during hurricanes, but I was going to be stubborn and force it in — one more paper to write, one more paper to comment on and grade (when already slowed down with the holidays and a cold).  A more seasoned friend shrugged.  There were plenty of grades to accurately reflect the students’ learning; nothing was going to be done with that “one more paper.”  There was no reason not to drop it.

Throughout the weekend, making my deadline involved knowing when to edit out steps. File student papers later, get them graded now. Trade information with a peer by email, rather than a lengthy meeting (when our friendship gets us chatting).  We all know this strategy from our daily lives: make sure the kids learn important values, but don’t worry if you mastered scrapbooking.

Pick your battles. Know what matters and what to drop.

Declaring it Done

Hand-in-hand with that, finishing a project requires knowing when to declare it done.

Please people. Last summer my goal was to polish the third revision of a novel whose characters and storyline were thoroughly written in order to query agents by September 1. What did I do to myself instead? Discovered a whole new thread for a main character’s motivation. Augh.  I mean, yes, okay, it might be a better book for it.  But do I not realize that this second-guessing kind of revision (requiring a thorough rewrite) is what kept me from ever querying the last one? Every time it was just about to finish its writing-marathon, my little novel would say, “You know, I think I’d like to go back and re-run mile 15 differently.”

In perfect irony, that novel draft I never queried has a scene where the main character is an artist, working on finishing a painting in her studio. Watching her, the artist’s daughter asks, How do you know when a painting is done? Roughly quoted, the mother answers, You never really do — just, at a certain point, it starts to stand on its own. At a certain point, you have to take your hands out of it.  If not, it would be sold, framed and on the wall in a collector’s house, and I’d still be taking it down to make one more change. 

For both of the first two points above, as I was grading I had to limit the tasks I took on. It was being a perfectionist that didn’t let me read a student paper without adding one more comment, even knowing the paper and the semester were done. And the definition of finished (grades entered in the software by the deadline) did not need that one last assignment crammed in.

It seems the key is to clearly define “done” for your project, early on in planning.  When discipline is needed, you can then edit out unnecessary tasks and distractions by evaluating whether or not they are needed to reach that definition of done, and hold yourself to declaring a finish line crossed when you reach it.

Build a 20% Cushion on Your Deadline

Deadlines help, as they draw the line in the sand after which there is no more tinkering to be done — but deadlines need a cushion, as problems always come up.

Later this week I’ll introduce my Begin Something challenge: I have a literary magazine that has to be printed and in student’s hands by the last day of school. Which means the printer has to have it no later than May 10th. Which means he really needs it by May 1st. Which means I need to tell myself I have to deliver it to him by a week before that, or even by April 15th. There are holidays and conflicts with other spring projects that month, which means my deadline for having it finished is really April 1st. (Heh. Did you hear my shriek at the thought of how soon that is?)

Something always comes up. A glitch. Weather. Someone you are waiting on who delivers something late. Someone goes on vacation or is out for surgery. A brilliant idea for a last minute change. Run out of paper or ink or…  And we, ourselves, are imperfect. Procrastinate. Lose confidence. Have a glitch in our software or lose a key piece or catch a cold.

My grades weren’t due to be posted until 3pm Monday. Monday was a teacher workday for entering the grades. Awesome: that gave me 5 hours to grade, right? Who could have expected that a tragedy at a school in Connecticut would spur a Monday morning safety review meeting? Still, 2 hour meeting leaves me 3 hours, right? Except the training meeting evolved into the local SWAT team (you planned for this, right? we all plan for sudden SWAT developments?) performing evacuation training on-site until past lunch. Then a follow up meeting. Then a friend with a question. Arrival and assembly of new desks, redesigning my class layout.  Planning for new classes.

I learned after my first year teaching: never expect to grade on a planning day. Have it done the night before. In a perfect world, if I were as smart as posting-advice-lists would imply, I would have set my deadline 2 weeks back, at the end of the semester– anticipating that a Christmas cold would leave me worthless for grading during my weeks off. We are imperfect — subject to colds and procrastination and wanting to run see a movie with a friend and maybe struggling through finishing certain steps of a project.

We have to build a cushion to accommodate that imperfection and expecting — it never fails — something will always come up.

*     *     *     *     *

That Said, I Met My Goal — How Are You Doing?

write start badgeI have some stray housekeeping (returning papers, filing, etc.) that keeps my finish something goal from being completely cleared off my desk but, overall, I met my goal.

How are you doing with yours?

Most readers and friends I have talked to are working on their Week 1 project throughout the month (or even the year) — and really, none of us want to finish just one thing. As soon as I have time, I’ll work in finishing my grad school apps and getting stories out, not to mention those novel revisions. So we’ll continue to trade insight on what works.

Do share your thoughts in the comments.  What are you working on finishing?  Do any of these strategies ring true for you?  Or are there others that help you finish your projects?

Have any of you decided to completely drop a project from your to-do list?

If you have blogged about this challenge, please share a link to my original post (so people can read the challenge) and post a link to your blog here in the comments so we can read what you are up to!

Next up will be kick-off of Week 2: Start Something. Think about a project you need to get started — mine will be the lit mag.

*     *     *     *     *

If you like this blog, be sure to subscribe using WordPress’s +follow option, or via email or RSS feed.  I love to connect with like-minded readers and writers!

Recent Posts:

 

Leave a Comment

Filed under January Challenge, Time Management for Writers, Writing Life

2013 – Day One: Reflections, Goals… and a Challenge

c. Elissa Field - request written permission for use

c. Elissa Field – request written permission for use

You can’t look anywhere among your social media friends without being left with the question: Do I have resolutions for 2013?

Reading a few friends’ blogs had me feeling need to reflect on the state of my own goals — and to-do lists.

2012 was a great year for me, one of successes.  Goals met and some not yet tackled – but a renewed sense of my own abilities, a great sense of perspective and freedom to move forward.  I feel an odd affection for the idea of it being 2013 — not necessarily declaring “resolutions,” but feeling good about the possibilities ahead.

*     *     *     *     *

Reflecting on 2012:

A year ago, around when I took that picture of my sons, I was entering a new year with a lot of old baggage and a lot of opportunities I had created for releasing them.  I was married for more than 15 years, and we had spent the last two years deciding if he was just having a midlife crisis or if he wanted a divorce. I’d been hanging on for my sons’ sake, and also clinging to some other things that weren’t really working.

But I’d finished certification to teach and was hired for a third year at the same fabulous school my boys go to.  I had bones to a novel down.  I had ideas of stories flowing. I’d hit a point where I was (mostly) able to balance writing hours and bringing in income and keeping up with the boys. (Mostly.) And, most interesting for this loyal, sentimental girl: I was ready for whatever changes came into my life to make things work.  Including divorce, job changes, moving — whatever.

You can’t help love a year where you opened your hands to release what didn’t work, willing to catch what does.  And I might not make resolutions, but I’d entered 2012 with a decent plan.

2012 Goals:

  • Daily life: For my boys, I needed income, stability, all that.  I’d finished 2 years completing credentials and started my third year teaching.  I kept the boys together in the same, fabulous school they’ve gone to since preschool. I had quality time with them. We spent a month of summer at my parents’ house in Connecticut. All around, this was a success for the year.  As someone who liked being married, it was a little moment of pride to realize I’d made it two years on my own with the boys and we were doing just fine.  Having fun, actually.
  • Writing hours: Without setting specific word or hour or daily goals, I needed to carve clear, productive writing hours in the face of demands on my time.  During the school year, waves of essay grading can bury me — made worse last fall as I took on another grade and science fair.  Still, I have been astounded how much more easily I can compartmentalize my focus and claim time to write than in other years.  Often, it means stopping whatever I was about to do and saying: write 30 minutes, right now, before you do anything else.  I teach afternoons, so claim undistracted morning hours while the boys are at school.  But I’ve also gotten better at writing with them in the room, so I could work near them while they watched tv or in bed as they did their homework beside me.  Somedays it would only be the 30 minutes, or just in the margins of a book I was reading as I fell asleep or on scratch paper in the car. But I also claimed whole mornings or nights, or whole days.  There’s never enough time. But the success was this: part of teaching is that I have holidays and summer off to write. When I worked freelance in the past, I sometimes had gaps like that but was so preoccupied with marketing or other distractions that writing didn’t happen, so this was my big fear: to have time off, but I’d waste it or ideas would fall flat.  “Success” for 2012 was that every minute I’ve had free time (and even when I didn’t) the ideas were right there, and the writing worked.  Little of it was garbage; most of it went into finished drafts.  Other than having my laptop crash midyear, 2012 was really productive.
  • Short stories: Goal was to finish 2 nearly-done stories, revise an older one with feedback, and submit until published.  Heh heh. Yeah, no.  Not a lick of work on short stories since about January last year. Sorry, half-drafted story. Sorry to the one ready for final rewrite. I’ve written before about not wanting to just be Running on Grass.  I like to keep a couple stories circulating — something done and out the door — while I’m working on a novel. It’s hard to accept zero submissions for the year — but not necessarily a failure, considering other successes.
  • Novel draft: Altogether, I have 3 novel drafts, and the goal for summer was to have one draft revised and first queries submitted by September. It’s supposed to be that I am finishing the first WIP, and only jotted out the bones of the other 2 to get them out of my head while I finish the first. But the newest one (Wake) did not sleep at all in 2012, and has completely taken over.  It developed really fully throughout the year, which is what you most hope for — that resonance that comes when the story lives inside your chest and picks up depth even when you’re not actively writing on it.  That would be useless if the story hadn’t made it to the page, but I had butt-in-chair enough to have finished the first draft in June, with second and third revisions over the summer. The setback of my laptop crash prevented having a draft ready to submit and queries out to agents.  But I’m more sure of Wake now than I was a year ago. It’s hard to resent the delay, as I used the time to finish research and the book has grown from it. My novel projects grew in other ways as well: downloading Scrivener turned out to be a great new tool for revising and, on a very different note, I’ve been debating whether one of the other WIPs might work best as a young adult series, which is an exciting possibility.
  • Reading: Twice during the year I took time to set down my targeted reading list.  I learned a lot from a few of the books I read, and enjoyed the intentional process of blogging about my reading and connecting with other readers.  That was new.
  • Connection: I could have called this goal “social media” or “platform,” but it didn’t start out that way. I started 2012 knowing I missed the old writing group I’d lost touch with during years I wanted to write without feedback.  And, as someone who has worked in PR, I was exploring new marketing avenues — for clients, or for online business ideas my mom and I were weighing. In April, I participated in a platform-building challenge with poet Robert Lee Brewer, which led to a clearer understanding of social media, and several successes developed on the heels of that. Numerically measurable successes included expanding readership on my website by over 400% and connection on Twitter by 1,000% — which well exceeded the growth numbers I set for myself for the year. From a freelancing standpoint, I understand how to help clients use social media in a way I did not previously. But the immeasurable successes are the greatest win. The best intangible has been some of the amazing friendships and professional connections I’ve shared. Anyone in Wordsmith Studio reading this should blush, knowing I count our group as a success for the year.  It’s a great group of generous and talented writers.  Despite the social media impact, as many gains were also in the real world, including participating in a great workshop, local friends, family and travel as well.

2013 – the year ahead:

There’s lots of messy stuff left from 2012′s list. I intended to apply for grad school by November, but turned deer-in-the-headlights mid-October and will likely soon regret not having gotten that done. I need to file for divorce (does the attorney not know the irony that his fee is equal to what I want to spend on grad school?).  In teaching, I tripled my salary (which speaks more of how little I was paid the year before), was given more classes and am leading the literary magazine now, although this still leaves me up in the air about where I’ll work next year.  A move is possible, as our house is our last remnant of 2008-bad-economy.

But mostly, there are new beginnings to look forward to.

  • I have a litmag to assemble by April.
  • Finish the novel and get queries out by summer.
  • Short stories. Repeat 2012 intention. Don’t cry if it doesn’t happen, as long as the novel does.  No.  Take that back.  Get your butt in gear and get these submitted.  Mom says.
  • Grad school.  Apply.  While waiting, take a course.
  • Write more for online.  Respond to requests for submissions and guest blogging.  Move forward with more additions to my own editorial calendar, here.  Submit proposals for paid articles. Part of teaching is having the credentials for some of the articles I’ve been jotting for parenting and other how-to sites.
  • Another workshop or maybe Grub Street in May.
  • Summer.  There’s always summer off to write.
  • And connections.  People like my friends at Wordsmith Studios, writing friends, visitors to this blog.

Thanks for being part of what made 2012 great, and 2013 great to look forward to!

*    *     *     *     *

Want a challenge?

Picture 6In tomorrow’s post (January Challenge: Finish, Begin, Improve, Plan), I introduce my January Write Start Challenge, in which I kick off my goals for 2013.  The first week of the challenge was inspired by YA author Christa Desir, who posted 2013 the JanPlan on her site — a lovely, unstructured challenge to complete one thing in January.

My short stories eye me accusingly.  My grad school apps.  Or…?

I would love for you to join me in the January Write Start Challenge — or just tackle one unfinished thing!

Are you up for the challenge?  I’ll post more about it later (or click the link to read it on Christa’s site)… but for now, let’s get targeting: what one thing would you take on?

*     *     *     *     *

If you like this blog, be sure to subscribe using WordPress’s +follow option, or via email or RSS feed.  I love to connect with like-minded readers and writers!

My Recent Posts:

Coming Next:

8 Comments

Filed under Novel Writing, Writing Life, Writing Mother

Writing Character: Challenge of Revising the Character Most Like Yourself – Part 2

c.Elissa Field

This is the second of two articles addressing the challenge some writers have identified of writing the character most like themselves.

Read the original post for an explanation of who this character is, and how the idea for the post originally arose  from a small tangent during the fabulous workshop I had with Ann Hood in Miami last May:

*     *     *     *     *

5 Approaches for Revising:

Again, not all authorial characters are broken — but this post addresses the situation where characters drawn closely from the author come across as flat. Each of the following presents a possible source of the problem and how to address it.

  1. See-through narrator: beginner’s error?  In one of my early novel attempts, I had a central female protagonist who essentially represented my entrypoint into the story. She was roughly my age, my cultural background, etc. Her story arc was dynamic, but she was the least fully-written and least empathetic character. I realized I was intentionally keeping this character thinly written, nearly transparent, as if she were a window to see through to the story.  Have you ever read an editor’s list of “beginner errors”? While revising this story at Bread Loaf one summer, I was startled to find this approach on a list of errors committed by first-time novelists who are still trepidatious about claiming that right to just present the story. It’s possible a transparent-window-character really is an effective device for your story (they do exist in some successful published work), but my authorial character did not ring true.  Fix?  The simplest approach is to eliminate the character — no window is needed for you to ‘frame’ the story. If you resist deleting the character, this means you believe the character has a purpose in the story.  Take the time to understand why you chose this perspective and own it.  Don’t avoid the character; understand the tension and emotion they create, and write the character fully.
  2. Lay back on the couch & tell me about your childhood: another beginner’s error?  Editors also report a beginner’s error of feeling a need to explain the psychology behind our character’s choices. This can be common when writing about from real life. Much of our memory may come from psychological processing of an event.  But see if the flatness of your authorial character arises from too much explanation of their thoughts.  Reams of psychological explanation is less intriguing than actions and emotions that reveal the same information, and can seem inauthentic or defensive. Fix?  Psychological explanation is often written as a placeholder for motivation in early drafts. As the action and emotion of scenes become more full in revisions, see if you can simply delete the explanations. If these other scenes have not been written, make notes to yourself of what the psycho-babble is trying to accomplish, then envision the kind of interaction between characters that would reveal it. An entire scene might not be necessary; a single line revealing a memory might suffice. A reader will always find psychology more believable if they came to the conclusion on their own through experiencing the character, than if you explain it.  Also, see 3.
  3. I’m a good girl/boy.  I spent my whole life trying to convince my grandmother that my hair was the current style, my brother that I hadn’t packed too much on the family trip, and anyone else that I wasn’t difficult.  Best thing ever was the year I realized it was okay if my hair was not my grandmother’s style, my suitcase was overpacked and I was as difficult as anyone else around me.  Around the same time, I realized I was raising my characters to be as well-behaved as my family wanted me to be.  If a character did something inappropriate, I caught myself reeling them in or tried to explain it away.  If they had affairs or stole or were judgmental, writer-me immediately tried to take it back (or, see #2, gave psychological justification and excuses).  Around the time I gave myself permission to be sassy, I read a single perfect line of writing advice: the most memorable characters are not well-behaved.  Not that they’re rude, but they have opinions, they speak out and take action.  Not that they’re all adulterers and murderers, but they make high-stakes mistakes, and story arises from the consequences, not excuses.  Best characters would, in all hopes, make my grandmother’s eyes fly wide first in horror, then in secret glee for having done what she would not have allowed me to do.  Fix?  Don’t hold back.  In Hood’s advice below, note how important it is that we create distance and not expect our characters to behave as we do. If you gave your character a gun, don’t apologize when it goes off — and it should.  Characters should get in positions other people avoid, or say things they shouldn’t, or do the wrong thing and then another wrong thing after that.  Sitting primly on the couch and keeping thoughts to themselves would rarely have kept even my elders turning the pages.
  4. Hood’s advice #1: Continuing from part 1, in our workshop writer Ann Hood said the key is to create the resonance and fullness of story in characters based on reality. A common sign that a writer is too married to reality is when they defend a manuscipt by saying, “But that’s what really happened.”  To write effectively from real life, a writer is seeking to create resonance and meaning that were not apparent in the thin reality.  To do this, Hood said, “You have to establish authorial distance [between yourself and the character] to be able to see the character as a character.” Distance allows us to view others more clearly — from all sides, with interesting filters — than we do ourselves. The key is to create that ability to see yourself at that same distance.  Fix?  Hood said the key is to give the character one quality or trait that is absolutely not like yourself.  Give them a tick. A quirk, an idiosyncracy.  Give them an obsession.  A hobby, a talent.   Make them older than yourself, younger, or change their gender.  Give them a profession or talent or hobby that defines their lives.  It’s not a small shift — the goal is to create something in the character that is utterly unlike yourself so that you start seeing them as someone other than yourself.  In the gap, you can begin to have perspective and write more fully.
  5. Hood #2:  Saying the same thing differently, Hood referenced another author in saying that developing story arises by repeatedly asking the question, “What if…?” Each answer to the question spins details to character or setting or obstacles.  For example, Hood wrote one of her novels in response to the grief of losing her daughter to a sudden illness.  But what if she directed that grief into learning to knit?  For a current story I am writing, a main theme is my own, but what if the character were ten years older? What if she worked in a museum tending taxidermied exhibits? What if something were stolen, so the story seems to be about the theft, not her inner struggle?   Fix? Begin with a “What if” that is not true of yourself.  What if… the character was a man or an older woman or an artist or just witnessed a train derailing in the middle of the night behind her father’s barn…

More revision strategies?

For a 6th example, I’ll suggest this and you are welcome to offer a solution. 

  • I’m just not that into me.  In freelance work, I once interviewed a woman who had been an entymologist and lived in the jungle for 6 years before going back to school, studying urban planning and being appointed to public office. It was a fascinating article on how those unconnected roles represented her drive to serve. Yet she was shocked that anyone found her years in the jungle interesting. For me, that is parallel to a truth when I write a character like myself: it’s easy for me to be fascinated by a character I’m just getting to know, while falling flat to describe the character who feels like the same somebody I’m inside every day. One of the problems with writing authorial characters arises when we don’t gain Hood’s authorial distance to perceive ourselves as interesting characters. If the character most like yourself feels boring to you, perhaps this is the dilemma. Fix? The fix may mean not writing about yourself if it bores you, or perhaps Hood’s advice in 4 & 5, to gain the distance and interest to write more fully. Or, how would you suggest solving it?

How would you answer that — or what other dilemmas do you run into with characters drawn from your life? Share your answers, ideas or links in the comments!

*     *     *     *     *

If you like this blog, be sure to subscribe using WordPress’s follow option, or via email or RSS feed. I love to connect with like minded bloggers!

Recent Posts:

Coming next:

4 Comments

Filed under Novel Writing, Writing Character, Writing Life

Writing Life: Writers’ Day Jobs — Balancing the Time, Money & Credit Trifecta (Part 1 of 3)

Summer hours spent revising Wake. c. Elissa Field

In the years I’ve been participating in social media with other writers — beginning on early boards at Poets & Writers Speakeasy – one of the most common discussions to arise among writers was over “day jobs.” Like superheroes not yet fully embraced by Gotham, so many writers work on their fiction but pay bills with another job.

Today’s post is part 1 of a 3-part series sharing my experience with day jobs.

*     *     *     *     *

Day Job Balance: Money vs. Time

The repeated refrain in evaluating the perfect day job is the need to earn a living against a writer’s hunger to preserve time and creative energy for writing.

Camp counselors, bartenders, odd jobs, temps. Writers are mercenary in their willingness to fill a resume with a string of odd jobs that load the refrigerator while buying time. Writers’ parents may roll eyes over what seems a stubborn inability to assemble a genuine career — while the writer squirrels away hidden hours that mean not thousands in income but, if well-played, thousands of words toward a polished manuscript.

Of course some day jobs include professional titles or even high paying roles, but often writers are willing to take less income in order to avoid overtime hours or retain more braincells undrained at the end of the day.

The Trifecta: Time, Money & Street Cred

In a perfect world, a writer’s day job produces the trifecta: money to pay the bills, time and energy to write, and street cred.

Street cred, in this case, would be jobs that earn a writer credit for experience in the writing or publishing world. It could be a legitimizing title, it could be professional interaction within the publishing world. Booksellers, business writers, journalists, freelance PR or social media consultants, agents, teachers.

In our less perfect world, writers often trade time or money to gain recognition: write for free or trade lower pay to chock up a byline or tear sheet. I say this while spending hours blogging income-free, and having published my short stories without payment.

What is less obvious are those who went into becoming editors or agents out of their own writing aspirations, only to achieve the money and professional accomplishment but surrender all free time and creative energy so their own writing never occurs.

The Goal: Balance

It might seem that all writers would seek the trifecta. Yet, really, the key is for each writer to balance money, time and credit as fit the writer’s current goals. For example, there are times when a writer couldn’t care less about street credit, because all that matters is time to get that novel draft written. At the same time, having all the time to write can be meaningless to a writer who is unemployed and preoccupied with how to feed their kids. And street credit can be shiny but meaningless if the industry continues pushing writers to be unpaid for their work, or if the attention becomes a distraction that keeps an accomplished writer from writing new work.

*     *     *     *     *

Evaluating Your Day Job

Today’s post is motivated, in part, by what all writers need to do from time to time: I’m evaluating my current day job.  There are times — no matter where we are in our career — when things are out of balance, and I’ve been feeling a significant imbalance over here for the past couple months. At the moment, my job is earning me street cred, but not sufficient income to minimize distractions, and with what feels like suffocating demands on my time.

In evaluating what change is needed, I’ll ask myself these questions:

  • Is it temporary? As a part-time teacher, overwhelming demands on my time from grading should be temporary — limited to the school seasons. The key is for me to evaluate if it is balanced by coming free time, and if that time can be used adequately to accomplish my writing goals. So far, each time I reach a vacation break I find myself writing like crazy, addressing those goals that have been on hold.  If not, I need to adjust — and adjustment, in most cases, comes through discipline.
  • Am I using my free time well? This is where discipline comes in. My litmus test on how well I am using my free time is reminder that Toni Morrison wrote The Bluest Eye while working full time as a single mother to two young boys. She wrote before they woke in the morning and after they went to bed at night. Um-hmph. My arms cross in accusation over some unused hours I’ve let slip. The key is to know your goals, seek out your writing hours and get your butt in the seat, writing.
  • Are there alternatives? Last Sunday, I spent 8-9 hours cleaning house. It would take me 4 hours to earn the money to pay someone to do that. Is that an alternative that would remove a distraction? I could leave my current job and get a different job, possibly doubling my income, but would work longer hours and not have summers free. Which option would be more liberating? Are there alternatives to bring in income with less demand on time? In some cases, there are no alternatives. If that is true, go back to the two points above to find your writing time.
  • Are my priorities aligned with my current writing goals? Right now, I have two novels drafted that need substantial hours for editing — but either one would then be ready to query an agent. For this reason, it works that I kept a part-time writing position this year, as it buys me holidays off and the potential for writing mornings. In another year, if I were working on short stories or just blogging, it might make more sense for me to give up time to increase income. It’s also been a year where I wanted more writing connections, so it has made sense for me to take more time with social media and workshops than in other years where I just wanted time on my own to write. It’s important to respect your own current projects and goals when applying any writing advice. What is great for one writer may not be for you — at least, not at this moment.

*    *     *     *     *

Coming Next:  I’ll share my experience on how different kinds of day jobs satisfy the trifecta in Writing Life: 5 Day Jobs Reviewed. Read How the January Challenge Arose from Freelance Writing for observations on successful freelance writing.

*     *     *     *     *

If you like this blog, be sure to subscribe using WordPress’s +follow option, or via email or RSS feed. I love to connect with like minded bloggers!

Coming next:

8 Comments

Filed under Novel Writing, Seeking Publication, Writing Life, Writing Mother

Writing Life: Today’s Job – Nonwriting Days

Considering my last two posts had to do with managing time and keeping the writing work moving forward, I shift gears today.

For me, today’s writing job, no exaggeration, is to sleep.

A week ago, I had been driving back and forth to Miami for three days to complete a writing workshop with Ann Hood. If you live outside a major city (think: New York, LA, Chicago, even DC), you know what that means. I live 60 miles north of Miami: the drive there is bearable; the drive out at rush hour is stop and go for two hours. Add to that, my son was home sick the whole time and we had family in town, so it was an exhausting few days.

My writing job in the week(s) leading up to the workshop had included preparing and sending a manuscript for the workshop, then reading and commenting on the 15 manuscripts for the other writers in the workshop. I mixed that in between commenting on student essays for classes I teach, and responding to submissions to the literary magazine I read for. This was in addition to regular daily writing, which included new material for Wake, a brief interview, and a couple blogs you’ve seen here.

The workshop then provoked new writing tasks. While the workshop was to focus on beginnings (making the first 250 words work), Ann Hood mentioned at one point how, in draft, characters most like the writer are often the flattest (Note: I blog about this advice later, here and here). Her advice inspired new insights into a main character I hadn’t spent much time with yet, so last weekend was spent writing two important new scenes. Also, the main response Ann had to my manuscript was a comment that it had reminded her of writer Alice McDermott. I knew the name, but had not read McDermott’s work, so a new writing task was to find and begin reading Charming Billy (which later made my annual best-reads list).

Round about then, the inevitable happened: mom caught the 8 year old’s cold.

This is how the week played:  I teach, and am in the last month of the year. My house looks like sheep have moved through.  Not hyperbole.  As a single mother, I have been done in by my house. The disposal died, causing the dishwasher not to work, and I won’t have time to get a repairman in until next week, which means I’m washing dishes.  I have student essays to read, which are completely disorganized after leaving all the drafts for them to work on with a sub while I was in Miami.  I spent Sunday teaching my son how to restore the research project he’d gone off-road with at school, helping him select a new topic, and directing him through online research.  Monday: student work and teaching, and helping the son who’d missed school all last week catch up. Tuesday: called in to sub for a colleague, so missed my planning time, which got shifted to the evening.  Wednesday, slept as late as possible.  Wednesday night: out with my college boyfriend, who I hadn’t seen in more than a decade and happened to be passing through town on business.  Thursday: shot.  Teach, then out late for son’s spring musical.  Friday, teach early, all day, then out all night to deliver and pick up son from his first middle school dance.

Today’s job: sleep.  Do not yet open eyes to the housekeeping and laundry put off through this week, waiting for you to wake up.

None of those things seem to have anything to do with writing.  They sound like the writer’s nemesis: a list of all the things that kept me from writing today.

I don’t see it that way.

To me, when I’ve just posted two articles on how to make the most of your writing time, it seems only fitting for the third to be about all the things that happen in the rest of our time, and the fact that some days your job is really just to sleep.  Some days, it is to mend house, or to jockey for strategic seating at your 8-year-old’s spring musical, or to go to work early to cover a friend’s class or to assist with the school Eucharist where the mayor shows up to honor your retiring head of school.  Other days it is to sit shoulder-to-shoulder as your son struggles through his first research project or be on hand as he dresses for his first dance.  Some nights it is to sit at a table along the sidewalk at Rocco’s Tacos with an old friend who has come to town, laughing and talking until the busboy says he needs to carry in the table and chairs because the bar is closed.

Strategize your writing time, yes.  But there are days when a writer’s life is about the living of life, the connections with others.  When insight and understanding comes from having lived through the weakness of sickness or broken appliances or bad schedules and struggling children.

So today’s post is in honor of those days – recognizing that today’s writing chore really is to sleep, recovering from the week’s experience so I’ll have it in me to write tomorrow.

An observation I would offer is that much of this week I was pushed out of my comfort zone.  Things did not go the way I wanted. I had to put my intentional schedules aside to do things I hadn’t planned on doing. I even managed to back into my ex’s car in my driveway – while leaving him to watch our kids so I could go out to meet the boyfriend I’d dated before marriage. Crunch.

As writers, we don’t write “screw up” as a to-do item on our calendar, but isn’t the imperfection of life where much of inspiration comes from? Awkwardness, inconvenience, failures, crossed wires, confusion.  The realistic brokenness of life happens out there — not in all our planning while sitting at the computer or our writing desk or wherever we work — but sometimes in those hookie moments when we needed to be working but life intervened.  It’s just worth saying, to all of us struggling to work writing hours into our days, there are times to embrace the chaos of life, wecome it in and even count it as part of your writing goal.

I wish you all a productive week — in the hours things go as you planned, and when they don’t!

*     *     *     *     *

If you like this blog, be sure to subscribe using WordPress’s +follow option, or via email or RSS feed. I love to connect with like minded bloggers!

For more on managing writing time:

Coming next:

25 Comments

Filed under Time Management for Writers, Writing Life, Writing Mother