Monthly Archives: July 2013

Motivation to Write: Keep Writing While on Vacation

tree tops.

We talk a lot about prioritizing writing against other claims on our time. Travel has its own challenges for a writer working to maintain daily writing or editing goals.

On one hand, you’re awash in stimulation while away from the usual daily pressures. If it’s a vacation, time is often not an issue.  I say that while luxuriating with the dogs on the quilt covered sofa of my mother’s sunroom, looking out to her gardens. After weeks of 8-hour (or more) writing days, it’s shocking to have this much time on my hands.

On the other hand, travel presents its own set of distractions and obstacles. At home, we don’t mind pushing ourselves to be industrious. But how can you keep productive while surrendering yourself to time off with family or seeing fabulous sites?

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6 Strategies to Keep Writing While on Vacation

1. What Did You Say? 

At my family’s Michigan cottage growing up, we went out to swim at sunrise and came back inside when lightning bugs lit the trees.  As with many vacations, time was not an issue. But conversation is.  I can’t lose myself in novel revisions while in conversation with my mom about a turn in her business, or chatting with the sister-in-law I haven’t seen in 3 years. I might carry my work with me, but it loses out to listening to my niece explain the story behind her doll. For writers traveling with family, my suggestion is to know one activity during every day when no one will be talking, and be sure to have your work with you then. This may be a train ride, lying by the pool or while others are reading or showering.

2.  On the Move.

At home, I was working with a printed copy of my novel in a binder, a kit of colored markers and pens and post it notes, my coffee and a laptop… which covered the better part of my couch and adjoining table. I won’t be successful on vacation if I need to spread out like that. On the other hand, I traded documents by email the other day while 30′ off the ground, harnessed to a tree-side platform between legs of a zipline obstacle course, using the phone in my back pocket (pretty much at the point that picture was taken of my sons, above). I can take either my laptop or binder and write on the train into the city, or sitting on the bent limb of a tree fallen across the hidden tidal beach we hiked to yesterday.  The key to keep working while traveling is to have work in multiple, portable formats. Think ahead to where you will be and make sure you have some portable piece of your work with you to work on. Depending on how much I want to carry, I can take just my binder or laptop, or a smaller printed section with a pen, or just a notebook, and I always have my phone. Don’t overlook photography, which is great for capturing a thought more quickly than writing.

3.  Look, No Hands!tunnel forward under  ft mchenry

You have the time, no one’s talking to you and your ideas are flowing… but one obstacle travel tends to throw at writers is that it keeps eyes and hands unavailable to write. Take the 22 hours I spent with my hands on the wheel, eyes on the road, driving up the east coast last week. Holding hands while leading a kid through New York traffic, climbing rocks, swimming in the pool, cooking dinner… all of these come to mind as activities one just can’t write through. In some cases, like during that drive, audio options help make the most of that time. Use Dragon Dictation app on a smart phone to dictate revisions or new material. The app transcribes your spoken words, then you tap to email it to yourself. Or, use the time for reading by downloading an audiobook or podcasts from literary magazines or NPR.  Just as often, when the interaction with family or ocean dip or simply marveling at the world justifies dropping all thoughts of writing, throw yourself into it whole-heartedly, without guilt or preoccupation with the work. Claim time later to jot your thoughts when the moment is over.

4. Hold That Thought

Travel can be great for writing, as new settings and experiences and overheard conversations can be unique inspiration to start something new. But, wow, that can be a nightmare if you’re working to stay focused in a story you are revising. Last thing I need right now is for my war-toughened main character’s voice to suddenly lapse toward describing gardens and tea and children playing with plastic boats just because that’s my vacation view. To avoid cross-contamination, be flexible about what you work on. Use a notebook to record those new inspirations for later. If you feel like vacation demeanor is shifting your voice, work outside your main document, so you can decide later if the new material or revisions are a fit. Or, make an effort to write only during staked time, so distractions from the vacation world are reduced (see 5 & 6).

5. Stake Your Claim

There are vacations where you really drop everything to surrender yourself to the holiday. Foreign travel can be like that. This last week, I was visiting with my brother and his family after a long time apart. When that’s the case, don’t regret not writing or waste energy struggling to fit it in that would have been better spent experiencing your travel.  But, otherwise, when you have a daily writing goal, let your traveling companions know this and stake the claim for that time. Ask others what the schedule is each day and agree on the time you will spend writing.  If you don’t want to draw attention to the writing, disguise it as a daily trip to the coffee shop.  But you may be surprised to find someone else relieved for quiet time to read or check email. Buddy up with that person to avoid feeling antisocial. I am writing this morning while my mom catches up on business calls and email, and my sons play a game. Claim time and space with minimal distractions, but where you won’t feel like you’re missing out (see 1 or 6).

6. Don’t Let the Sun Go Down

When all else fails, unless it’s your honeymoon, use that last hour of the day when everyone is falling asleep. My first days on this trip, I fell asleep with my laptop on my knees.  It’s prime time: no guilt, no distractions, less influence from the stimulation of the new environment. If this is your plan, watch out for those days when rock climbing or wine tasting might leave you shot by bedtime. If you’re an early riser or it’s not the kind of trip where you have to be out the door early, try writing while everyone else wakes.

That said, I’m due to take my work with me to sit by the pool while my boys swim. One last warning for travelers, to be read in a spectral voice (a la Edgar Allen Poe reciting the Raven): whenever you are traveling with your work, remember to protect against loss by leaving backups behind.

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What About You?

Are you trying to keep up with writing goals while traveling or entertaining company this summer?  What challenges or obstacles do you find?  Or, what tactics have you found that help you stay productive?

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If you like this blog, be sure to subscribe using WordPress’s +follow option, or via email or RSS feed. I love to connect with like-minded readers and writers!

Recent posts:

Or, here is the current series on Novel Revision Strategies:

Baby pictures. A glimpse into harsh revisions occurring with my poor Wake, last week. (c. Elissa Field, no repro w-out written permission)

Baby pictures. A glimpse into harsh revisions occurring with my poor Wake, last week. (c. Elissa Field, no repro w-out written permission)

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Filed under Time Management for Writers, Writing Life, Writing Mother

Friday Links for Writers: 07.26.13

 

Yup, there's a copy of my novel draft in that bag, for revising on the train. At Rock Center with the boys. c Elissa Field

Yup, there’s a copy of my novel draft in that bag, for revising on the train. At Rock Center with the boys. c Elissa Field

I am traveling this week, which has me on sensory overload. Think: 22-hour drive, zipline obstacle course through the treetops, 5th Avenue and climbing rocks in Central Park with my boys…

As much as we talk about avoiding distractions in order to write, traveling has its own kinds of distractions. If you’re facing those during summer’s tempting travel months, check out Motivation to Write: Keep Writing While on Vacation. That said, I’m off to work by the pool with the boys.

Before I go, this week’s Friday Links include 4 great articles for taking writing deeper… followed by Chuck Wendig’s  As always, feel free to let me know which links resonated with you and what you’d like more of, or share your own links in the comments.

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Bent on Books : Openings and First Lines

This post by literary agent Susan Hawk of The Bent Agency offers 5 suggestions for the qualities she finds lead to successful openings and first lines. Thanks to Melanie Martilla for sharing this (and thanks for visiting here frequently, Melanie!).

The Difference Between Idea, Premise & Plot

In Donald Maass’s Writing the Breakout Novel, he observes that many novel drafts fail because the writer had a great idea or premise, but it wasn’t enough to sustain power through the arc of the narrative. This article by Janice Hardy distinguishes between the deepening role of idea, premise and plot in a way that may help a writer better establish a well-fledged concept.

Thought Verbs by Chuck Palahniuk

Trust Chuck Palahniuk as he says, “In the next six seconds, you’ll hate me…” This post on a tumblr collecting Palahniuk quotes shares some brass-knuckled advice: “From this point forward—at least for the next half year—you may not use “thought” verbs. These include: Thinks, Knows, Understands, Realizes, Believes, Wants, Remembers, Imagines, Desires, and a hundred others you love to use.” With these gone, Palahniuk urges writers to un-pack the real meaning intended by those shortcuts. (Thanks to Amanda Byrne, who shared this at Wordsmith Studios.)

Click post link for Maya Eilam's infographic.

Click post link at right for Maya Eilam’s infographic.

The Shapes of Stories: A Kurt Vonnegut Infographic

Eyes tired of words? Check out Maya Eilam’s infographic of Kurt Vonnegut’s theory on the archetypal shapes of stories. (My WIP would be Man Meets Girl While in Hole).

So You Just Had Your Book Published

Worried you won’t get that first novel finished? Or, got it finished and sold and now worry you won’t have any publishing worries left to keep you awake at night? No problem. Novelist Chuck Wendig has you covered with this post at Terrible Minds.

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Writing Character: Say the Things We Never Say

tunnel forward under  ft mchenry

Over the last couple weeks, I’ve been posting a series on Novel Revision Strategies, to address the kinds of revision that take place during the intermediate process between a completed draft (in 3rd or 4th version) but not quite ready to polish and submit. Links for the whole series are below.

A major part of mid-process revisions includes evaluating conflicts, stakes and character motivation, and it is exactly this that has come up 3 times in my morning writing:

  • Stakes: At Wordsmith Studio, Kasie Whitener posted the next question for our craft discussion which references Donald Maass’s Writing the Breakout Novel. In chapter 2, Maass says, “If there is one single principle that is central to making any story more powerful, it is simply this: Raise the stakes.” Our discussion is to ask the question, “So what?” in challenging whether our own stories have set high stakes. Back in October, I addressed this challenge using a checklist in October Challenge: Raising the Stakes on Character Motivation.
  • Clueless: I stumbled on the post 50 Thoughts #5: I Don’t Know What I’m Doing by another Wordsmith Studio friend, Jeannine Bergers’ Everett, and was reminded how often — as writers, as parents, as adults — we are trying to figure something out and think ourselves incompetent and clueless but keep going anyway simply because it’s our job. Keep reading; this all comes together…
  • Say it: This actually came first. I started the morning writing 1,249 words that began with my character saying the words, “I was wrong to do that.”

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Raising Stakes: Characters Say the Things We Never Say

I’m actually having a stressful morning. Some readers who interact with me in other forums may know I ran into a number of irritating obstacles in life while Mercury was in retrograde the last couple weeks.

The details aren’t interesting, but are parallel to Jeannine’s memory of her mother saying, “I don’t know what I’m doing,” while cutting her children’s hair (yes, Jeannine is very funny; look for the link below because you’ll want to follow her). I’m trying to get on the road to take my kids on their summer vacation to visit my parents and am nearly paralyzed with worrying that I’ll forget to pack something, that there’s some business I was supposed to attend to here in town, that…

Just as I was tempted to tweet something like, “It’s really scary to be a mom,” I realized what a genuinely true statement that is, and how blatantly obvious, and how no one ever says it and how, well… I wasn’t going to either.

And… of course, since I’m so darn obsessed with this novel right now, I was less concerned with feeling bad for myself than I was struck by the truth that this is a big part of raising the stakes for characters: the power of saying it.

I could describe the tedious list of things it takes to pack the car for a trip with the kids. I could even write the details in a way that is interesting and evocative. In chatting with a friend, we’d roll our eyes and laugh, make it into a charming joke where we empathize over parenting or the summer heat. But, as long as we’re not drama queens, it’d stop there, right?  That’s how stress gets used in our real lives: I turn it into some socially appropriate, “can you believe it?” joke about my day and move on.

I don’t tweet the true statement about the fear or anxiety.

Because I’m not a character in a novel.

But my character is.  And what got me writing this morning was an a-ha trigger of the one line my character needs to say.

At the moment she abandons her mother and sister and grandmother on a trip to Ireland to run off with a man she just met, she doesn’t need reams of polite excuses as to why she’s justified. She needs to say what we don’t say in polite chatter: “I was wrong to do it.” The second I typed that line this morning, an entire new insight opened into the relationship between Carinne and her mother, and their shared grief over her lost brother.

In raising our character’s stakes, our characters shouldn’t politely back down from making a wrong choice or being scared. Fear and anger and mistakes are where conflict happens. Even if I later edit that sentence back out, treating it as a prompt, and only keep the writing it provoked, it was fascinating how readily the flood gates opened the second I said words we don’t normally speak out loud.

“It’s really scary to be a mom.” And all the honest, true details of that emotion write themselves. “I was wrong to do it.” And all the honest emotions of what it means to have done something knowing it was wrong, immediately raise the more interesting question of, “Well then why did you do it?” 

This a-ha could not have found more of a kindred spirit than in Jeannine’s post (DO read it, when you’re done here), in which her mother says blatantly, out loud, what no one confesses: “I don’t know what I’m doing.” As Jeannine’s post and my own experience this morning reveal, it is amazing the authenticity and empowerment that actually saying these unsaid statements produces.

Want to Turn This Into a Prompt?

  • What is one of your character’s values? In what way does the story’s conflict or your character’s choice violate that value? What is a statement your character would not admit to? Now, make your character say it.
  • What is something your character fears? Make your character say this out loud.
  • What weakness or fear does your character fear will keep him/her from what he/she desires? Say it out loud.
  • And, to keep you on track with WSS’s craft chat, ask yourself about any of these questions and statements, “So what?” Are these high stakes, and in what way could you raise them?

Do Now:

Do go read Jeannine Bergers Everett’s post on her blog Mobyjoe Cafe: Throw Out 50 Thoughts #5: I Don’t Know What I’m Doing. Jeannine is extremely funny and insightful, so I really recommend following her.

If mention of the Wordsmith Studio craft discussions has you curious, look for announcements of our group’s weekly writing activities via the #wschat hashtag on Twitter.

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What About You?

Are you exploring issues of conflict or stakes in a character you are writing?  What challenges or obstacles do you find?  Or, what tactics have you found that get you more authentically or deeply into your characters’ motivation?

For more posts on this site related to character development:

For my current series on Novel Revision Strategies:

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Friday Links for Writers: 07.19.13

summer beach

I think July 15th marks the official day of summer when time seems to accelerate. Back to School ads have the audacity to infringe on summer’s sacred freedom. Slow down, summer.

At our house, it’s been a mixed urge to get in the relaxation the boys waited all year for, while I continue crunching through this novel revision. If you’re also in revisions, commiserate with me by checking out my recent Novel Revision Strategies series (link list below).

Work and relaxation still left time for some great reading this week, and some of the most interesting links are here. As always, feel free to let me know which links resonated with you and what you’d like more of, or share your own links in the comments.

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10 Tips to Avoid Clichés in Writing

If you liked Rebecca Makkai’s “Stealth Clichés” in last week’s Friday Links, you may be wondering more about clichés and how to avoid them. It got me testing to avoid a particular cliché, during which I found this piece by Peter Selgin at Writers Digest. It holds a few eye-opening points, like an activity to slow down rather than impress: “In trying to interest us, most writers abandon sincerity and, with it, authenticity.”

Why Literary Novels Take So Long to Write

This post by author, editor and ghostwriter Roz Morris resonated with me as my work with revisions the last couple weeks seemed to stretch on forever. When you have this much left to go on a book you’ve been working on for a couple years, it’s hard not to wonder, “Am I doing it wrong?” since other books can be written in less time. I had run into Roz on Twitter before finding her site, and recommend following her as she is an engaging and supportive writer: @NailYourNovel.

Introduction to Scrivener for Novelists

For those who are new to Scrivener or wondering what features it offers, this blog post by Kay Hudson is long, but a great comprehensive introduction. She offers a blend of “how to” and reflection on what has worked well for her. (For the official Scrivener site, visit Literature and Latte . You can download a trial version of Scrivener for free, which lets you use it on 30 separate days before needing to purchase.)

Don’t Let Guilt Keep You From Pursuing Your Passion

In college, I remember telling a professor I worried about trying to be a writer. “Why?” she asked. I answered, “Because great writers never have happy families.” It pulled the prof up short and we took turns listing one great writer after another who was divorced, single, without a family or whose family lamented their absence. Funny, as a mom now, um, a few years since that 20-something conversation, to realize how much of writers’ lives involves balancing their need to disappear into work against the needs of the relationships in their lives. Long lead-in to say this post by Jody Hedlund may resonate with writing parents at any point in their career.

Herculean Feat: MFA Day-Job

This piece by Ali Shapiro at Ploughshares addresses a perennially popular topic here: day jobs for writers. While lots of writers work day jobs in any field, specific questions arise for writers finishing an MFA. “There’s a misconception that the MFA is like any other graduate degree—that it automatically allows a certain next step in a particular career path.” Shapiro considers academia, options outside academia, interviewing, ideal job and more.

Book Files Need 4 Crucial Checks to Succeed at Your Printer

Are you involved in the printing end of publication? This article by Joel Friedlander at The Book Designer gives a pro’s pointers of 4 technical details to address to ensure successful printing. This will appeal to those branching into self-publication, but will also be familiar to those of us who have been involved in producing freelance publications for clients or publishing literary magazines, or to anyone developing a small press.

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If you like this blog, be sure to subscribe using WordPress’s +follow option, or via email or RSS feed. I love to connect with like-minded readers and writers!

Recent posts:

More from my Novel Revision Strategies series:

Baby pictures. A glimpse into harsh revisions occurring with my poor Wake, last week. (c. Elissa Field, no repro w-out written permission)

Baby pictures. A glimpse into harsh revisions occurring with my poor Wake, last week. (c. Elissa Field, no repro w-out written permission)

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Filed under Friday Links, Writer's Day Jobs, Writing Mother

Novel Revision Strategies: “Hit List” of 6 Things to Edit Now

Baby pictures. A glimpse into harsh revisions occurring with my poor Wake, last week. (c. Elissa Field, no repro w-out written permission)

Baby pictures. A glimpse into harsh revisions occurring with my poor Wake, last week. Classic: either move this with a happy star to the next chapter — or cut it and pillage for single words/details to keep. (c. Elissa Field, no repro w-out written permission)

If you’ve read my last several posts, you know that I’ve been sharing the varied processes I’ve been going through in daily revisions to my novel.  If you want to read other posts in the series, a list of links is at the end, below.

As I’ve said before, my novel draft is in mid-process revisions. That is,

  • I am no longer drafting the novel: the full story is written from opening through final scene, including external conflict, internal conflicts for key characters, settings and the major scenes, and all the research is completed.
  • On the other hand, I’m still making decisions and answering questions about what I’ve written, addressing inconsistencies, moving large sections around, or deleting, and rewriting.
  • Just as I’m no longer drafting, I’m also not editing at the sentence level, yet, as I will during final revisions. I may correct word choice, sentence structure or punctuation as I notice them, but I’m still in a more “construction” phase than the final process of polishing to send to an editor.

I say this to recognize that there is a point between mid-process and final revisions, where it helps to be able to run through a series of steps to test for common errors — and that is the point of today’s post.

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A Hit List of 6 Steps to Apply to Target Weaknesses in a Draft

Finishing the middle process and approaching final revisions is a good time to consider some common errors that editors, agents and other pros report finding in novel drafts submitted as “finished.”  One of the reasons this stage of revision can be such a concern is that a writer may have a blind spot to errors that editors and agents find obvious.

The hit list below offers 6 practical steps that can help you target and fix weaknesses remaining in your draft. Inspiration comes, in part, from the advice for writers posted on the submissions page at the Pirate’s Alley Faulkner Society’s prize for fiction, but also from resources like “query tips” on Twitter, other articles from editors and agents, and my own experience.

1. Run Spell Check

This one sounds obvious. Of course: check for misspellings or errors in capitalization. But also watch for inconsistent spellings of proper names you invented – spell check won’t catch these unless you add them to its dictionary. Did you ever change names of characters or locations? It’s a common error to not catch all inconsistencies before submitting.  Read for misused homophones, which spell-check might not catch. Yup, we all swap out there/their/they’re, etc., when typing fast. Beyond spelling, check grammar and punctuation — use the best spell-checking tool available to you. For example, if you have both Scrivener and Word, use the spell-checker in Word. It’s smarter. Lastly, the skimming nature of bouncing through your document with spell check can also help you notice other subtle issues — for example, consider “overused words,” below.

2. Bad Phrasing and Passive Tenses

Use your software’s search tool to target lame word usage.  You can target passive word choice by searching “there is,” “there are” and “there was/were.”  Search helping verbs and -ing to avoid overuse of vague or passive verb constructions.  I’ve heard at least one pro say it’s a newbie error to use constructions with “become”/”becoming.” For example, “He became scared,” rather than, “Fear ran through him.” An odd example of stilted/passive wording mentioned by the Pirate’s Alley Faulkner Society was overuse of the word “the.”  They say (link below) that one non-winning novel submission to the Society’s contest in 2012 “used the word ‘the’ 10,001 times. At least half could easily have been eliminated.” To make the point, they revised sample lines to show how wording could have been more vivid. Searching any of these words might help target where the usage is fitting or where it might be written more effectively.

3. Overused Words or Images

We all have certain words or images we overuse — do you know yours? Skimming during spellcheck may increase your awareness. If not, listen for them as you reread or ask a beta reader to notice them for you. Often, these can be unexpected. For example, I was surprised to find I’d used “horse” 47 times in this draft which is not about horses. Only 4 scenes required a horse and the random mentions took their power away (why all the horses? It’s an autobiographical misfire as my family has horses in our background – while my characters do not).  If you have a particular mood or image in mind as you write, you could find it overly pervasive. Some of my overused words, for example, were dark, silver, memory, shadow and light. They are key mood words, but I needed to use them in the most powerful moments, not, um, everywhere. Overused words create vagueness rather than meaning, so targeting them is an opportunity to seed more powerful detail. “Sitting in darkness” is one thing; “sleeping in the cold shadows of a hedge along the drive” moves the story and conflict, not just mood.

4. Is it Over-written?

In early drafts, it’s easy to write reams of words that aren’t yet anchored in the specifics of story details you didn’t yet know. There and in other places, if you suspect a sentence or paragraph is too wordy or not serving a purpose, use a highlighter to mark only the words that matter. Could you edit to just those? What if someone asked you to post a line to Twitter?  If you were limited to 140 characters, what words would drop out?  At the same time, highlighting key information can help you avoid deleting an important detail. Let’s say it’s tempting to delete a cringe-worthy scene from a early draft — highlighting any key information revealed by that scene (“a gun was stored on the top shelf”) will help you make sure to save and relocate it to another scene, so you don’t create an inadvertent hole in the story.

5. Target Dialogue

Personally, I write full conversations between characters during drafting, but delete all dialogue except the lines with power during revision.  Dialogue problems are a common issue to keep drafts from succeeding.  Advice for revision includes reducing wordcounts and improving story flow by removing unnecessary dialogue tags. Other advice from pros suggest editing for pompous speeches or voice that does not ring true, or excessive reliance on lengthy dialogue for information dumps. Unless dialect is key to your story, avoid overuse of phonetic spellings and spacers (“I, like, well, um, really,” she paused..). Every line of dialogue should cleanly, clearly carry its weight to activate the story; weak dialogue kills.

6. Senses Should Sing

Writer Donna Gephart recently shared the advice that 80% of the brain’s perception is related to sight (read her mini-lesson as part of Teachers Write! here). Awesome. Except that may mean that writing is overly preoccupied with details related to eyes and unnecessary sight direction. “He turned and looked toward the dock. The boat was on fire,” is a great example of unnecessary sight direction. Better: “The boat was in flames.” The reader doesn’t need to be told the MC turned and looked. Target “looked,” “turned,” “saw,” “glanced,” and other directions related to eyes, and consider whether they’re really needed. What is really revealed, and is there a better way to reveal this?  And go beyond sight details.  Where could you add detail from the other 4 senses — especially in places where you want to pull a reader deeper? Use sensory details that develop character (name 3 things the character would notice that no one else would) or move the story.  Remove details that are clichéd, assumed or reveal nothing about the character or story.

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Links to other posts from my Revision Series are at the end of this post.

For more on common novel errors:

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How About You?

Do you consider your WIP to be in a drafting stage, in mid-process revisions, or are you polishing to submit for publication?

Do any of these 6 steps ring true for you? Have you tried a similar approach, or do you have a trick of your own to share?

What “common errors” do you worry most about? Or, do you worry about having a blind spot and not be able to notice errors? (Which hints at my next hurdle: the importance of getting feedback from beta readers…)

Best wishes to you, wherever you are in the writing, revising or publication process.

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If you like this blog, be sure to subscribe using WordPress’s +follow option, or via email or RSS feed. I love to connect with like-minded readers and writers!

Recent Posts:

More Posts in this Novel Revision Strategies series:

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Filed under Novel Writing, Revision, Writing Process & Routine

Writing Workshop: Novel Writing Prompts from Donald Maass

This has been a popular post — and is one of my favorites, as Donald Maass’s novel writing prompts have been so consistently valuable to inspire powerful conflict and character. I’ve revisited the links, updated and added resources. I hope it’s as helpful to you as it’s been to others — especially during wordsprints (for drafting and revising) on Twitter this morning and throughout the month.

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Friday Links for Writers: 07.12.13

Sailboats off Greenwich. c Elissa Field (request permission for use)

Sailboats off Greenwich. c Elissa Field (request permission for use)

I’ll keep this intro short and sweet as nothing tells you more about my week than the fact my boys and I are eager to get out and enjoy the day, after a work-week dense with revision.

Before we head out to enjoy the summer, I’ll share some of the better writing links I’ve come across this week. Two are inspiration for any creative pursuit. Three address my continued focus on editing.

As always, feel free to let me know which links resonated with you and what you’d like more of, or share your own links in the comments.

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How To Be Prolific: Guidelines for Getting It Done from Joss Whedon

It’s just an article, not a magic wand… But this Fast Company piece has been passed around amongst creative types this week, as Joss Whedon shares his best advice for what it takes to get it all done. (If you read my post yesterday, you know this is my current obsession.) Interestingly, he advises to do what I’m about to do with my kids: put fun first.

The Stealth Cliché

A literary agent tweeted in a chat today that 50% of manuscripts submitted to her open with one pattern of cliché, and a different pattern of cliché begins the other 50%. Clearly an exaggeration (or else she receives zero viable submissions) — but it raises a common issue: often writers are not aware they are writing cliché as the wording rings true and inventive in their mind. In this sense, I love this collection of “stealth clichés” gathered by author Rebecca Makkai on Ploughshares’ blog.

Writing Lessons at Ploughshares

This installment of the Writing Lessons feature on the Ploughshares blog touches on 2 things dear to my interests this week (editing and the Aspen Summer Words Writing Retreat) as Graham Oliver shares his experience in a workshop with David Lipsky. Another reason for including this link: for all my friends and readers who are or recently have been an MFA candidate or attended a workshop, check out the submission guidelines for Writing Lessons, here.

7 Reasons Agents Stop Reading Your First Chapter

We get it, you’re editing. Sheesh. Here’s a third editing resource: this article by Chuck Sambuchino was among the shortlist of links I included on my post yesterday to target novel weaknesses: Novel Revision – 6 Things to Edit Now.

Revision checklist-*

Are you busy with revision, too?

Want more?  Click here for my full series underway: Novel Revision Strategies.

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New Agents Don’t Have Cooties

This post by an Ottawa literary agent (on her blog, I Believe in Story) is an interesting discussion of the ins and outs of querying a “new” literary agent, including how to review background in lieu of experience.

The 9/11 Decade: Colum McCann

Each week I try to end with a multimedia piece that served as inspiration for the week. No secret: I have a shameless literary crush on Colum McCann. Perhaps that leaves me biased, but I found this New York Times video inspiring and thought provoking.

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Summer Reading 2013 c Elissa Field

Summer Reading 2013 c Elissa Field

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Novel Revision: 5 Issues Addressed in Edits

working on ms

If you’ve been following this series, you may know I’m now 6 days in to intense revisions on the novel manuscript I printed off Friday.

Am I still that organized and cheery? Ugh! 6 days-in (full, long days of reading, marking and changing), I’m tired. No matter how organized, revisions are hard work.

I have made it about halfway through the manuscript — having accomplished close-reads in some places and more general mark-ups in others. Like shoveling heavy snow, the deeper I go, the heavier the lifting seems to get — but there have been some remarkably simple fixes, too.

In continuing to share the process, here are the kinds of issues I’ve found in this stage of the draft, and some solutions.

  • Easy: in at least half a dozen places, I found a scene that had been pasted more than one place in the draft. It’s an easy fix: I decide which location is best and delete the duplicate (ms. is shorter, yay!). If you use Scrivener, this should be easy to notice/avoid as you can recognize the same first line repeating on more than 1 notecard or binder label.
  • Scary: there’s nothing worse than knowing you wrote a scene, but it’s not there when you go to read your draft. When you write and revise in short bursts over months, especially if you use whatever media is at hand (shout out to the writer who scribbled a scene on her arm while sitting in traffic), it is scarily easy for this to happen. Of the 3 scenes I am missing, I’m looking in an old draft for one, because I know it was there before. I found another in my email folder because it was a scene I’d written using Dragon Dictation, which transcribed and emailed it to me. For whatever else is missing, I’ll be scouring notebooks to see if it was handwritten somewhere, or will wait until the next draft and rewrite from memory.
  • Whiny: it was hard not to lose confidence re-reading certain early-draft sections which I find whiny — so full of psychological explanation. I mentioned the strategy of highlighting my favorite wording — this made it easier to ignore the whiny and instead focus on the better, newer writing, which convey those emotions more authentically in scene. Still cringe at the whining, though. Ugh.
  • Wrong: using the task list I mentioned Tuesday, I’ve been tracking facts to resolve. For example, since the story takes place before and after 9/11, I can’t ignore the impact that event would have had, despite the story not being about 9/11. A couple quick choices and some research let me edit all of those details at once. The other way story details are “wrong” is where I’ve changed details as the story has grown. As with “whiny,” I mark any wording worth keeping, then scrap the older versions. Using a “search” function can help locate the old facts to edit out (see the comment about “horse” below — a search that fixed a change in backstory).
  • Careless: I’ve gotten good at “turning off that internal editor” when drafting which leaves me with lots of conventions flaws to fix, like having no quotation marks on dialogue. In many places, I literally allowed ideas to come out in comma-strung lists, to avoid having to edit out wordiness later. Good news: Spell-check quickly fixed all the issues with uncapitalized names and unpunctuated sentences. Moving forward, I only have to tidy the harder edits on scenes that will be kept. With dialogue, I draft whole conversations, but delete out all lines except the ones with power. Knowing I have at least 1 more revision after this, I don’t have to polish everything.

Revision checklist-One piece of advice I’m trying to keep in mind is to not be too rash with changes. I’m marking certain text to “keep for now,” already anticipating leaving some decisions until the next batch of revision.

For more on common novel errors:

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How About You?

Readers in prior posts have shared their own revision process and challenges. Are you revising as well?

My biggest challenge is trying to get it done — I know what I need to do, but can’t get over how much time it takes to get through it. Can you relate to that — or what is your biggest challenge or fear?

Best wishes to you, wherever you are in the writing, revising or publication process.

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January Challenge Week 4: And Then Plans Changed…

Time for January in July: revisiting the January Challenge to see how we are all doing with goals set at the beginning of the year. Review this post for its list of strategies for evaluating how you’re doing and what to do next.

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Novel Revision Strategies: A Day’s Work in Pictures

novel revis 7-9

sols_blueIf you read Monday’s post (Novel Revision Strategies: Printing for Read-Through), you know I am using a printed draft for this stage of novel revisions.

Today’s post is a photo diary of what morning work looked like — as waffles with the boys shared space with ruthless edits on this draft.

“Failure is not an option”?

Successful launch, Kennedy Space Center. c Elissa Field, repro w permission only

Successful launch, Kennedy Space Center. c Elissa Field, repro w permission only

Go “where’s Waldo” to find the NASA slogan on my coffee mug: Failure is not an option.

Even as writing and revising drafts is all about failing over and over again? Yeah, I still love that mug’s inspiration. I bought it on a trip to Cape Canaveral with my rising-7th grader when he was in 4th grade. Ever wondered about the explosive launch sequence pictured on my blog’s masthead? That was taken on the same trip — a re-enactment of the control room for a successful Gemini launch. We’re in that control room when writing, and the mug reminds me to never stop.

Novel writing is launching into the risk of failure, the surging insistence that it will go well. The rocket will launch. Risk embraced.

Or, go with Samuel Beckett as inspiration: “Ever tried. Ever failed. No matter. Try again. Fail again. Fail better.”  Drafting and revising is all about getting something down. Being willing to fail as well as we can, then trying again, even failing again — but failing better. In that sense, the mug would say, Giving up is not an option.

So, here’s where that has gotten me in the past couple days…

These are probably my favorite revision pages:

Done. Done. Chickie approves. cElissa Field, repro w permission only

Done. Done. Chickie approves. cElissa Field, repro w permission only

This is what less happy pages look like:

Messy revision

Ohhh… that looks painful. Chickie is staying out of it. BUT, check-marks show the changes have been made in the new computer draft. Work goes on. c. Elissa Field, repro w writ-permiss

If you read the captions, you see the range of changes going on.

The top picture shows pages from the opening scenes of my WIP, which are ready to go — marked “done.”  I also signal “done” in the computer document by changing that text to blue. Yup, plain text: that leaves you vulnerable to being cut.

The second pictures shows a scene that has been outlined with highlighter to say it will be kept (although not “done”), with corrections marked. Where I still have questions to answer, I wrote them on the blank page above to make sure they won’t get lost.

Apparently I was not mean enough to take a picture of pages with entire scenes X-ed out, but they are there. I do paste deleted text into a “Cuts” document… just in case.

The colored highlighter is an example of what I mentioned in yesterday’s post about using color codes to mark key scenes or characters.

Here’s the color key:

color key

This is the key on the first page — so far I’ve been marking the text that will be kept with a highlighter for the main character it relates to. Being able to visualize this helps, as this edit is all about getting the final structure in place, then seeing what’s missing.

Creating a Style Sheet – or, um, Lengthy To-Do List:

Revision checklist-

Every hour or so of reading, I go back to the computer draft to implement the changes. I’ve been checking corrections off to keep track of what’s been done, and also gathering this chapter-by-chapter task list of questions that need to be resolved. So far, it includes facts to resolve, like names, family names, locations, dates — as well as plot details that have changed between drafts and need to be made consistent.

If you want to read more about creating a “style sheet” to manage your novel, check out this post by literary agent Rachelle Gardner: Create a Style Sheet for Your Manuscript .

A Party so Wild it Needs a Bouncer – Enter the Outline:

Outline as Bouncer
Really, most of this mark-up on the draft took place yesterday. I came back to it this morning knowing I was still swamped in some choices. I had a clear list of scenes in my head, and knew the order I need to shift them into. As clear as it was in my head, with the story changes that took place between drafts, I need to keep track of the order of important reveals and progression of internal and external conflicts.

Enter the Bouncer, tough guy outline watching over the WIP’s shoulder above. Yes, it looks a bit techie — I am used to throwing Word tables together to manage info, so that works for me.

The Bouncer outline works like this: like velvet ropes deciding who will be allowed into an elite club, if a scene is not on this list, it won’t stay in the draft.

As much as writers chat about whether to “pants” or “plan” I believe fully in a hybrid of the two. In order to finish this outline, I had to analyze my understanding of the story. It reminded me of a couple scenes not written yet, and helped me better analyze how to get the right tension and resolution at the end. Mean as he looks, the list makes my job so much easier.

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How About You?

It’s been great to read comments from readers about their own process for revising — share yours as well?

Rather than revising, are you focused on writing new material? It was also great to connect on Twitter today, as Wordsmith Studio writers hosted wordsprints. Check out the hashtag #wschat to find writing activities each week.

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Novel Revision Strategies: Printing for Read-Through

2nd printed draft 2

Cheers! I’m celebrating a little milestone on my end, as I made it far enough through all those chaotic novel revisions over the last 2 weeks (Novel Revisions: Work is Messy, Book May Bite and Novel Revision: Revising a Flat Character) to be able to print a full novel draft again on Friday night.

Little celebratory dance. Cheers. Now time to get back to work.

Printing the draft feels like an accomplishment — so neat and finished-looking in its binder. But it is just a milestone before the next step of revision.

Each day I work on novel revision and engage in conversations with others in the same process, I notice there are specific techniques that writers use to manage the complex work of novel revision.

While we all probably do most of our drafting and revision on the computer, there are specific strategies writers use in revising from a print copy.

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When Do You Print?

The first time I wrote a novel draft, I printed copies all the time — I think I had a 4-foot high stack of at least 12 different drafts. But I’ve come to hate the messiness and waste of paper, so rarely print these days.

With my current WIP, I didn’t bother printing until I had my first complete, holds-together draft. In particular, I was going on a 3-week road trip, so printed to have the draft to take with me when a computer wasn’t available. There is a picture below of the draft I worked with last summer.

Even with changes, I haven’t bothered to print it again over the winter, because so much of what I was doing was outside the manuscript — character and story development, and writing new scenes. If I wasn’t going to work from the printed draft, there was no point in printing (caveat: other than to have a backup).

I knew it was time to print again when the next step of revision was to read through to see how things held together and test for the ordering of scenes in building the story structure. I’d already completed any petty tasks (ran a spell check to catch distracting corrections) and had pasted all pending material into the draft. I was no longer actively writing new material — I thought I’d filled all the “holes” and was ready to read for what worked, what was missing, what needed chopping, what needed moving.

For me, this will be an intermediate read: I expect big moves with this revision. I’ll have to chop scenes of motivation that were replaced by a new backstory. I’ll be merging or chopping duplicates where I’ve written the same scene more than once (not uncommon for me, as I keep “hearing” different perspectives or detail to a scene). And I’ll be making big choices about structure: I’ve written a handful of scenes from different character perspectives, so need to make a choice to structure multiple viewpoints or convert those scenes to something the MC would have known.

Others may print when they are ready for line edits or sharing with beta readers. I may be doing line edits in some places (polishing verb tenses, fixing/adding transitions, perfecting punctuation and word choice), but mostly I assume I’m not there yet. That will be the next print and read-through — which will hopefully be soon.

What is the Process of a Printed Read-Through?

Other writers use a neater process than I do. Ann Hood has said that she writes for 2 hours every day in a relatively linear order and begins the day’s writing by revising her work from the day before. When she has a completed draft, she prints it off and carries it to a local coffee shop where she goes all the way through the draft marking her edits.

Revision checklist-Similarly, young adult writer Alissa Grosso shared her process in this post for Teachers Write! last week, describing how she reads through a printed draft, marking all corrections in red ink.  She said it takes her about 4 days. She then makes the noted corrections on her computer draft.

My process is similar, with the exception that I use more than just pen in marking changes (see strategies, below).  So far, I’ve made it about one-quarter through, in one day.

  • In places where the text is polished (the opening is essentially done), I’m doing a close reading, noting decisions that need to be made (a date, a year, a city name, the name of a background character) and scrutinizing word choice.
  • In nearly-there sections, it’s time to insert any missing quotation marks (I’ve become minimalist in not typing them during initial writing, but they’ll be needed in submitting).
  • If you’ve read any of my quick drafts, I sometimes draft loosely, allowing almost stream of consciousness in details and thought; now, as I decide which scenes are working, I’ll be editing together the sentences that will stick. (That’s a burdensome approach, but it seems to avoid the overwriting that can come about when first getting to know a story.)

I will probably begin implementing changes into the computer draft before getting all the way through the read-through. Other writers finish all reading/notations on the full draft before going back to the computer.

If you’re going to make the changes on the computer anyway, why waste time with a printed draft? Read on to see some of the visualization strategies the printed draft allows.

What about really messy drafts?

Honestly: I printed this copy off completely ready to cut scenes apart and shuffle them like cards if that’s what it took to envision how they best fit in the storyline. We do that with student writers in workshop, sometimes, when their ideas are good, but the writer needs the ability to kinesthetically shuffle their sentences and paragraphs into a more powerful order. In my case, the linear telling of the story needs adjustment to control when the external and internal conflicts converge and reveal, for resolution.

That ability to visualize and physically move text around is a main advantage of printing a draft. On page 72 of her book Real Revision, writer Kate Messner shares Darcy Pattison’s “shrunken manuscript” technique. Kate shrinks font to the smallest size, single-spaces and minimizes margins so an entire novel manuscript can be printed on few enough pages to lay out across the floor of the living room. Shrunken to this scale, it’s possible to see the “big picture” of entire novel in a single view.

What do you look for, when viewing this big picture? Where are characters introduced? Where does the inciting incident occur? When is information revealed? Where do internal and external conflicts converge? Resolve? Where are there holes? Or, are there too many scenes happening to slow the action down? Do reveals happen too early or too late?

Some Technical Strategies for Printing

The shrunken novel approach gets us into interesting territory. We’ve all been taught that finished manuscripts should be submitted in 12 point classic fonts, double-spaced, with a 1″ margin.  A full-length adult novel can take 200 pages to print. But, for revising, forget those requirements: when printing for revision, use strategies that help you see and work with your manuscript.

Condensed drafts left you visualize more per page, in a less cumbersome draft. Over time, I’ve come to prefer working with drafts in 10 or 11 point font (closer to book text), and in 1.5 spacing, rather than double. (Set yours to a comfortable size: yeah, I can relate to having difficulty with small text up close.)  I customize to narrow margins (half-inch at left, top and bottom), but I leave a full inch at the right. On drafts where I planned to write lots of comments, rewrite scenes or plan research, I’ve left a 2-inch right margin; otherwise, I use the blank backsides for comments.

Play with the look of the page. You may notice in the picture above that I printed “2 pages per sheet,” creating a book-like layout. Tech-specs: I used 10 point, Times New Roman font. Spacing is 1.5, with half inch margins. Using landscape layout, I used the Word option to print “2 pages per sheet,” which is equivalent to columns, but without fit issues. This book-like layout has been easy to read, condensed, and with enough room to work with the text.

Display or print in different formats. Similar to the note above, simply printing in a different font (go from TNR to Calibri, or the other way around) can help you see your manuscript with fresh eyes. An extreme version of this comes from the fact I seem to notice typos more once I’ve posted to my blog. Using that, I’ve saved sections of text as a draft post (not published), and viewed it on my blog to spot revisions.

Scrivener or Word? You can print directly from Scrivener (“compile to print”) but I compiled from Scrivener to Word, then tweaked the manuscript in Word before printing. Word allows more control over margins, printing layouts, fonts, etc., and you can preview before printing so you don’t waste paper.

Working with my WIP's first draft, summer 2012. c. Elissa Field

Working with my WIP’s first draft, summer 2012. c. Elissa Field

Pen, pencil, highlighter…or all those fancy flags? If you are visual, go all in. Both as a writer and a teacher, modeling for students how to take control of their reading, I am all for using color and tools that take control of your draft:

  • Back to Kate Messner, with her shrunken manuscript spread on the floor, Kate uses colored Post-Its to mark key moments, characters, props and reveals in the manuscript.
  • With my draft last year (in this picture), I used large, tabbed Post-It flags to mark chapters, with room to write summary of the chapter or list pending questions. Smaller flags marked key scenes. Color helped signal different characters and conflicts.
  • In my current draft, I am reading with different colored highlighters, so I can highlight my favorite wording and key scenes or details. With these highlighted, I can make clearer decisions about the sections I will cut. I can rescue important details from scenes being cut. I can make clearer choices about which wording to use when merging a scene I’ve written more than one way.
  • If you don’t use highlighters during your review, you can use the trick we teach kids in writing workshop: write your corrections in ink, then use highlighter to mark comments once you have implemented them into the next draft. A good way to keep organized and know where you left off in your work.

color keyDon’t take my word for it… Check out this picture-diary of how I use colors and other strategies as I get to work with this manuscript in Tuesday’s Novel Revision Strategies: A Day’s Work in Pictures.

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What About You?

What revision strategies have worked for you?

Do you have specific strategies for print revisions, or do you do most of your revisions on the computer? Or what questions do you wish someone could answer about revision?

I’m debating a post on using Scrivener software — do you have questions (or feedback) about it?

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Friday Links for Writers: 07.05.13

thailandIf I am late in posting this Friday Links for Writers, can we brag a little about having our feet up, kicked back, reading a book or luxuriating in chance to write uninterrupted because it’s summer?

Not just summer, but 4th of July’s long weekend. Savoring…

On Tuesday, I shared some great experiences I’ve had writing this week (Tuesday Writes). Kudos to a number of my writing friends and readers here who shared their writing milestones (and Twitter wordsprints) this week, too.

As always, each week’s writing includes awesome reading, and here are some of the best articles I’ve read this week. Let me know what resonates with you, what you’d like more of, or share your own links in the comments. Enjoy your weekend!

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4 Types of Freelance Clients to Avoid

This article by Lauren Levine at the Daily Muse is fabulous, especially for anyone considering getting into freelance writing or freelancing part time. No matter how tempting it is to take any client who asks for your services, Levine helps target the kinds of clients best avoided.

The Bridge & the Tunnel

Yeah, tease me: I’ve been tooting Donald Maass’s horn repeatedly the last 2 weeks. Last year I was doing the same over Ann Hood (like, in Writing Character: Sometimes the Work is Messy or this How Internal & External Conflict Build Story). Honestly, by the time you’re writing novel-length, it takes a certain quality of advice to really move your writing forward — to engage at the level of deepening conflict and character and story structure — and Hood and Maass do both of these. So, again, yes: another great resource from Maass. This article on Writers Unboxed addresses novel midpoints — key, as this is the part where so many drafts sag. Some fabulous prompts are included.

Work Alone: Hemingway’s 1954 Nobel Prize Acceptance Speech

Twice this week, I wrote about the value of having community support when writing. That said, in the end, it takes time alone to get the work done. Brainpickings is awesome at sharing original texts, and this transcript and recording of Hemingway’s Nobel Prize Acceptance speech is inspiring.

The Coffeeshop You Meet in Heaven

You don’t work in isolation but in a coffee shop, you say? This essay by Rebecca Makkai (author of The Borrower and several stories in Best American Short Stories, with a 2nd novel in the wings) in Ploughshares is worth a read. It’s Rebecca’s perfect coffee shop for writers.

Literary Culture Clash: Jonathan Lee Interviews Nicole Aragi

I could say Nicole Aragi was my favorite literary agent without actually knowing she existed simply because she has signed and promoted so many authors I admire (Nathan Englander, Jonathan Safran Foer, Aleksander Hemon, and being friends with Colum McCann, earns her bonus points). This interview by Jonathan Lee at Guernica is amazing to read, whether she reps your kind of fiction or not, just for offering a different glimpse inside publishing — one that includes love of good writing. (Thanks to agent Jenny Bent of the Bent Agency for sharing this. @jennybent)

Preditors & Editors

This is an old source I’d forgotten about — until a fellow writer was offered representation this week and the question arose: is the publisher legit? This is a great tool for vetting out legit publishers versus scams.

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Living With Books 08: Life, Liberty & the Pursuit of Books

Thatcher Wine of Juniper Books at http://juniperbooks.com/

Thatcher Wine of Juniper Books at http://juniperbooks.com/

As I taught Revolutionary history this past spring, it was hard not to be inspired by the struggles founding fathers went through in finding their way to the wording that now serves as the central spirit of American life:

“We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.”

Want to get in the spirit? This clip from the HBO series John Adams is one of my favorites in capturing the emotion of the era.

Wherever you are, here’s to enjoying your celebration of Independence Day. Here’s to kids splashing in the lake, to families getting together with those they’ve been apart from. My boys and I will begin our road trip this week to visit family in North Carolina and DC, and stay at my parents’ house in Connecticut, built only 5 years after the Declaration of Independence was signed. And here’s to those who can’t be with their families, as they serve to protect freedom around the globe.

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As for this little celebration of Living With Books, I post this picture to encourage you to check out the website for Juniper Books The curated book display creating the American flag was designed by Thatcher Wine of Juniper Books, and shared by Random House.

What is Juniper Books? Fantasy job for all of us who love living with books: Thatcher has achieved some fame, curating custom book collections for individuals, designers, architects and hotels. He is particularly known for designing book jackets to create monochromatic displays or a thematic mural across spines of a collection. Sweet.

Read more about Thatcher’s work in this profile in the Financial Times, “Spine Tingling.”

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What about the fireworks?  Check out this great essay by my writing friend Kasie Whitener on shopping for fireworks, “Light Me Up, My Dear.”

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For prior editions of Living With Books:

Source: bookshelfporn.com; original source may be anthropologie.

Source: bookshelfporn.com; original source may be anthropologie.

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Motivated to Write: 12 Tools to Get Writing, Now

Day One - Begin

The bottom line with all writing advice is you have to get started. Write first thing in the morning, while coffee brews. Block out time to write on your calendar. Set word-count goals or write in 3o minute sprints. The bottom line on all of these is: get started.

While lots are taking time off to vacation this month, thousands of writers from all ranges in experience are committed to write every day in July or even the whole summer, to get this thing (whatever their writing project may be) done.

Whether you are a joiner, jumping in to share your daily accomplishments in a public forum, or are going it alone in classic writerly isolation, here are 12 online resources get you motivated to write every day.

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1.  Online Writing Forums & Challenges – motivation, camper-style

Camp-NaNoWriMo-2013-Lantern-Vertical-BannerThe most well-known forum at the moment is Camp NaNoWriMo, which began July 1. The July “camp” is an off-shoot of the Office of Letters and Light’s original project to “write a novel in 30 days” during National Novel Writing Month (November). NaNoWriMo gets writers going with site software for tracking daily word counts, counting down to reach a total wordcount goal. Traditionalists may balk at the thought, but the site attracts a full range of experienced and newbie writers who find the site’s ability to turn daily writing into a trackable accomplishment with peers cheering you on just plain fun. (Yes, NaNo has had lots of “real” books published.) NaNoWriMo is especially good motivator for a new project, but “rebels” (those who’ve already completed a novel draft, or are researching or…) abound, with rebel forums and guidelines for setting project-specific goals.

Teachers Write 2013 ButtonMore forums and daily challenges:

  • Teacher or Librarian? Teachers Write is a vibrant “writing camp” hosted by a slew of adult and young-adult authors, currently running (through summer) with daily prompts, Q & A with authors, community and feedback.
  • Is your writing goal to “build platform” (audience) for your writing? Robert Lee Brewer’s Platform Building Challenge from April 2012 is the most comprehensive resource I’ve seen for expanding competence in all social media formats. Click the link to go to day 1 – and check out Wordsmith Studio, an ongoing writers’ forum that arose from the challenge.
  • Blogger? If your goal is to post every day, join Liv, Laugh, Love’s July Bloggers’ Challenge which offers daily prompts and a Facebook forum to gain audience.
  • Poet? Try Our Lost Jungle’s February 2013 Chapbook Challenge for a month of inspiration to write daily poems and organize a chapbook.
  • Submitting for publication? Try Our Lost Jungle’s  May 2013 Submit-O-Rama with daily inspiration, goals and resources.

camp writingAm I participating in any of these forums? I used the 2012 Platform Challenge last year, I’m a Founding Member of Wordsmith Studios, I’ve participated in Teachers Write, and I’m a rebel at Camp Nano (find me here). For testimonial on how online interactions impacted the day’s writing, check out Tuesday Writes: Camping with Friends at NaNoWriMo.

2.  Use Good Prompts

Cynical about prompts? Not all prompts provoke insightful writing or help you advance the conflict of your story.

Of all the prompts I’ve ever encountered, I think literary agent & author Donald Maass rules. He occasionally tweets them from as a numbered list, as shown below. Follow him (@DonMaass) or his hashtag #21stCenturyTuesday for more. Below these tweets are links for more from Maass, as well as a recommended resource from Ann Hood.

More Maass prompts:

Another of my favorite books to prompt novel inspiration is Ann Hood’s Creating Character Emotions . Read about it here: Writing Character: Sometimes the Work is Messy.

3.  Time & Word Count Motivators

Lots of writers motivate themselves with daily milestones. Ann Hood has built a career by writing 2 hours every day. Others aim for a word count goal. Writers with a deadline set this by dividing the number of  needed words by the available writing days.  Others may aim for 1,000 or 2,000 words — adjusted to whatever their normal, productive word count would be.

  • Written? Kitten!  Just for fun, to feel a sense of accomplishment for, say, every 100 words you write, you have to click and check this out. Every time you type 100 words, you’re rewarded with a kitten. (I’d forgotten using it, once, until I was transferring text from an add-on doc to my WIP and found it ended with the sentence, “If I keep typing, any word now a kitten will appear.” Meow.)
  •   750 Words This site takes its inspiration from the practice of writing morning pages recommended in The Artist’s Way. The site keeps a bowling card style score for each day you write, with double points each time you hit 750 words (equivalent to 3 pages) per day. Unlike the Kitten, you have to provide your email address and log in.
  • Timed Writing. Finish reading this first. Then log off the internet when writing, to blog the temptation to surf during writing time. Some writers use more forceful options: check out Mashable’s 6 Apps That Block Online Distractions So You Can Get Work Done.
  • For more time-management strategies, go to the January Challenge, below.

4. Strategies for Getting Started – or Finished

In January, I hosted the January Challenge… Check out the strategies below for ways to manage competing priorities to accomplish your writing goals – from writing daily to applying to residencies or increasing submissions.

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What About You?

What writing goal are you working on this month? Are there resources or forums that help you stay motivated, or are they a distraction for you? (Despite this post, I find resources both “helpful” and “a distraction,” so balance between networking and hermitsville.)

Feel free to share goals, prompts or links to your own articles on similar themes in the comments.

And, best wishes with whatever your goals this month.

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Tuesday Writes: Camping with Friends

camp writing

sols_blueI’m antsy today. Got a few things done. Wrote a couple thousand words. Fixed my printer. Waited for my son to be done with my laptop. Shared a friend’s article online. Decided this Irish man on Twitter has amazingly expressive eyes. Debated saving a picture of him onto my Pinterest, thinking of my main character Roonan, then felt a bit stalker so nixed it.

In the middle of that, yes: I wrote a couple thousand words. It’s a good day: I’m busy with revisions and they are going well enough that I see the light at the end of the tunnel. I’ve had small breakthroughs at every turn. Big improvement over last week (Novel Revision: Work is Messy, Book May Bite or Revising a Flat Character).

Prompts are Everywhere

When a novel is rabid inside me, it seems prompts are everywhere.

I read the first line of Neil Gaiman’s new book ( The Ocean at the End of the Lane ), which starts, “I wore…” and I’m prompted to start a chapter with a simple sentence, active verb, simple statement. I read the 3-step prompt shared at Tuesday Quick-Write and all I hear is, “Make your character say she has a problem.” I know she does — but make her say it. ITunes flashes a reminder and now the “problem” scene starts with Carinne in the car and The Killers come on the stereo. You can’t ride with armed men, listening to The Killers and not admit you have a problem. So the scene spills out. Carinne’s inner conflict slips into her perception of the external conflict and the readers get hint of what she’s hiding — what would motivate her to go along with these men.  …It raced up in her chest, this anger she’d never owned before. It was a problem.  She would have to face it. No excuse now. No one telling her not to talk. In the night, her mouth close to Roonan’s collarbone, his mouth against her ear saying her name, no one was telling her to stop. No one told her not to talk about Danny. No one said, “Not now. Let it go.”…

Nice (not that little snippet, the whole scene). Twenty minutes of writing and I have one big chunk that weaves an original scene together with Carinne’s newly drafted internal motivation.

So take a break. Notice the Instagram pic of that Irishman with the amazing eyes. Oh, look. His friend posted pic of a silky golden retriever’s head thrusting in a car window. And we’re off again… They’re in a field with sticks of peat stacked 3 by 3 in small pyres every few feet, circling around them, Roonan woken by the nose of a silken retriever, a happy scene yet she reacts with terror…

Enough with Instagram. So, check for friends who registered at the site for Camp NaNoWriMo. Sure, okay, I’ll log on, too. Account asks for a synopsis of my novel. Seriously, do I have time for this? Type-type-type… Next I know… Wasn’t I just saying I was beginning to stress over writing the query? Here it is, nearly done:

Michael Roonan’s best friend would do anything to save him from the man bent on killing him, but Roonan himself thinks death is fair end to the guilt he carries for lives he has ended. Except, facing death, Roonan suddenly sees only beauty in the world. In the moment he meets traveling American, Carinne Browning — herself clearly at odds with her mother or her husband — he sees chance to borrow and recreate what his parents had, the one thing he would have wanted to experience before the end of life: to be in love with a wife. Five years later, after the day she watched Michael Roonan shot down in a Dublin park, Carinne is faced with the question from the child born of that affair: “Is my father dead? Is he buried in the ground?” Tracking down Michael Roonan means unraveling the secrets that led him to a life of violence, as well as the painful mystery that compelled her to bond with such a man. The crossing of their lives unveils how deceptive memory can be, and how life’s biggest choices — even those impacting the outcomes of wars and history — can be born of personal fears and mistaken perceptions.

As much as I tease myself for being antsy today, it’s sometimes just that hyper energy that gets the work written.

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Writing with Friends

All of this is to say, as much as I value all the reclusive time I spend writing alone, there is a powerful value in a circle of writing friends and the interaction that brings.

I decided to join in with some friends who are participating in Camp NaNoWriMo this month. I’m a camping “rebel” in that I already have a finished novel draft well over the 50,000 word goal (Wake is heavy at 145,000 words right now, with a good 30,000 destined to get chopped) — but I’m among those using the camaraderie of the camp to keep motivated and share mini-milestones as I go. I’ll drop it if it’s a distraction, but will keep cheering on my participating friends.

With the same group of friends (Wordsmith Studio #wschat on Twitter), I’m participating in an online discussion of writing craft July-September, using two books: Donald Maass’s  Writing the Breakout Novel and John Gardner’s classic On Becoming a NovelistWith a different group, I’ve been sharing in daily writing prompts at an online “writing camp” for teachers, called Teachers Write.

I know what I’m doing with my revisions this summer — I’m working through a series of tasks that aren’t in any forums online. They’re what I know needs to be done; I could do it alone.

But there is power in community, and I’m glad to be “camping out” with writing friends this month.

Check out tomorrow’s post: Motivated to Write: 12 Tools to Get Writing, Now

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What About You?

What communities — online, in person or otherwise — do you write with?

Do you have set goals you are working toward? What helps prompt your ideas, or do you wish you had more sources of discipline or inspiration?

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If you like this blog, be sure to subscribe using WordPress’s +follow option, or via email or RSS feed. I love to connect with like-minded readers and writers!

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