If you read Monday’s post (Novel Revision Strategies: Printing for Read-Through), you know I am using a printed draft for this stage of novel revisions.
Today’s post is a photo diary of what morning work looked like — as waffles with the boys shared space with ruthless edits on this draft.
“Failure is not an option”?
Go “where’s Waldo” to find the NASA slogan on my coffee mug: Failure is not an option.
Even as writing and revising drafts is all about failing over and over again? Yeah, I still love that mug’s inspiration. I bought it on a trip to Cape Canaveral with my rising-7th grader when he was in 4th grade. Ever wondered about the explosive launch sequence pictured on my blog’s masthead? That was taken on the same trip — a re-enactment of the control room for a successful Gemini launch. We’re in that control room when writing, and the mug reminds me to never stop.
Novel writing is launching into the risk of failure, the surging insistence that it will go well. The rocket will launch. Risk embraced.
Or, go with Samuel Beckett as inspiration: “Ever tried. Ever failed. No matter. Try again. Fail again. Fail better.” Drafting and revising is all about getting something down. Being willing to fail as well as we can, then trying again, even failing again — but failing better. In that sense, the mug would say, Giving up is not an option.
So, here’s where that has gotten me in the past couple days…
These are probably my favorite revision pages:
This is what less happy pages look like:
If you read the captions, you see the range of changes going on.
The top picture shows pages from the opening scenes of my WIP, which are ready to go — marked “done.” I also signal “done” in the computer document by changing that text to blue. Yup, plain text: that leaves you vulnerable to being cut.
The second pictures shows a scene that has been outlined with highlighter to say it will be kept (although not “done”), with corrections marked. Where I still have questions to answer, I wrote them on the blank page above to make sure they won’t get lost.
Apparently I was not mean enough to take a picture of pages with entire scenes X-ed out, but they are there. I do paste deleted text into a “Cuts” document… just in case.
The colored highlighter is an example of what I mentioned in yesterday’s post about using color codes to mark key scenes or characters.
Here’s the color key:
This is the key on the first page — so far I’ve been marking the text that will be kept with a highlighter for the main character it relates to. Being able to visualize this helps, as this edit is all about getting the final structure in place, then seeing what’s missing.
Creating a Style Sheet – or, um, Lengthy To-Do List:
Every hour or so of reading, I go back to the computer draft to implement the changes. I’ve been checking corrections off to keep track of what’s been done, and also gathering this chapter-by-chapter task list of questions that need to be resolved. So far, it includes facts to resolve, like names, family names, locations, dates — as well as plot details that have changed between drafts and need to be made consistent.
If you want to read more about creating a “style sheet” to manage your novel, check out this post by literary agent Rachelle Gardner: Create a Style Sheet for Your Manuscript .
A Party so Wild it Needs a Bouncer – Enter the Outline:
Really, most of this mark-up on the draft took place yesterday. I came back to it this morning knowing I was still swamped in some choices. I had a clear list of scenes in my head, and knew the order I need to shift them into. As clear as it was in my head, with the story changes that took place between drafts, I need to keep track of the order of important reveals and progression of internal and external conflicts.
Enter the Bouncer, tough guy outline watching over the WIP’s shoulder above. Yes, it looks a bit techie — I am used to throwing Word tables together to manage info, so that works for me.
The Bouncer outline works like this: like velvet ropes deciding who will be allowed into an elite club, if a scene is not on this list, it won’t stay in the draft.
As much as writers chat about whether to “pants” or “plan” I believe fully in a hybrid of the two. In order to finish this outline, I had to analyze my understanding of the story. It reminded me of a couple scenes not written yet, and helped me better analyze how to get the right tension and resolution at the end. Mean as he looks, the list makes my job so much easier.
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How About You?
It’s been great to read comments from readers about their own process for revising — share yours as well?
Rather than revising, are you focused on writing new material? It was also great to connect on Twitter today, as Wordsmith Studio writers hosted wordsprints. Check out the hashtag #wschat to find writing activities each week.
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