Tag Archives: finishing writing

Wordsmith Studio Blog Hop: Writing Challenges, Successes & Strategies – Part 1

I love this sign from Atlantic Center for the Arts, which comes on the heels of a sign asking the public not to venture beyond a point where the center is reserved for artists. c Elissa Field

I love this sign from Atlantic Center for the Arts, which comes on the heels of a sign asking the public not to venture beyond a point where the center is reserved for artists. c Elissa Field

I’m joining in Wordsmith Studio’s 3rd Anniversary Blog Hop, today — responding to a great Q & A about my (recent) writing challenges or successes, and the tools, strategies or resources that help me succeed.10634351_10100112304388454_1141723537_n

Being a little funny, there, calling it a “great” prompt, as I was actually the one to write it. This is the third week I’ve hosted the WSS blog hop for writers, for our anniversary month.

I encourage you to go over and check out the hop. You don’t have to be a member of the writing group to join in. Do jump around and read the various posts. Particularly this week — it would be great if you shared a post with your own writing challenges and your tools or strategies for success. I’ll post links to the hop down below.

But not yet. First, here’s the interview.

*     *     *     *     *

Q & A: My Writing Challenges (or Successes) and the Tools, Strategies or Resources That Help Me Succeed – Part 1

1) What are you currently working on?

My work is split between my business (freelance nonfiction, writing & editing), my Masters (writing and research related to curriculum & learning) and fiction. I occasionally write short stories (have a had a few published, a couple awards — small fry), but spend most of my time on novels. I work toward literary fiction, or what is referred to as crossover or book club fiction — literary fiction with commercial appeal.

I am working on a novel called Never Said (it was nicknamed Wake elsewhere on the blog). It trines between the U.S., Ireland and the Middle East, with one couple’s love affair unraveling a tension of what it is to live “without war” in an era when war touches everything.

As tools go: I use Outlook to block out time for business, masters and fiction, and to keep to do lists with weekly steps that help keep me moving forward in all 3 goals. I share goals with friends and with a life coach, to organize my goals and keep me accountable.

2) In recent past, what was your greatest joy or greatest challenge?

I have been impatient to complete this novel — but it was challenging, as it was the first one I attempted where the idea wasn’t that clear when I started writing. I knew the main characters and understood an essential tension, but had to go deep into research to understand the international context, and then deeper into character to develop the motivation and parallel stories that drive each.

Badge for my personal 2015 challenge with this novel.

Badge for my personal 2015 challenge with this novel.

It’s easy to get impatient when you feel like you should be able to have finished by now (twice, I thought I was revising a final draft), but as I work on this 8th draft, it is obvious that I had to work this long to understand the story that I had only sensed in the earlier versions. A fast version would have “worked,” but wasn’t compelling. Being willing to pull up and start over let me find the real story. And, of course, hard work teaches valuable lessons.

The greatest joy is that I love the newer material.

As resources go: 2 books on writing offered some good tools for targeting and addressing weak areas in my narrative or characters: Ann Hood’s Creating Character Emotions, and Donald Maass’s Writing 21st Century Fiction: High Impact Techniques for Exceptional Storytelling

3) What challenge are you working through now?

Time is always an issue — especially right now, as I restarted my business and am busy with my kids — so any time delays are aggravating. I had a tree fall across my windshield 2 weeks ago, so groaned over the time spent getting it fixed. Same goes for lags in technology, or time spent marketing for work.

It’s not just about having time to write every day, but wanting those writing hours to be end-zone-level productive.

Transitioning between drafts means that I am pulling successful scenes from several documents in Word to build the new draft. Last summer, on the last draft, I did this simultaneously in Word and Scrivener; Scrivener has won me over, so I may be assembling this draft just in Scrivener. Although it sometimes slows me down to have to set up all the preferences, I like the ability to see each scene as a discreet piece in Scriv. Much of my writing in recent months involved re-envisioning existing scenes — the ‘notecard’ view helps me locate, compare or replace previous versions, and to readily sort scenes that will be re-ordered in the final draft. The challenge, though, when working from multiple drafts is staying organized.

As tools go: I believe in Scrivener enough that I’ve include a link to their site in my sidebar. If you don’t know much about the software, click the picture here to check it out (if it takes you to a “buy” page, click the banner for the homepage for more about…). They are generous in offering a 30 nonconsecutive-day free trial, which allows you a lot of time to play with it before having to pay.

Buy Scrivener for Windows (Regular Licence)

4) For work you are just planning or starting, what challenges or growth are you expecting or hoping to encounter?

I’ve drafted novels and met with agents face-to-face before, but this will be my first foray into blind querying. I’ve practiced pitching and spitballing at conferences and workshops in the last year, and gotten an agent’s feedback on a query draft.

As for strategies: It’s worth noting that attempting to draft a query or plan pitches and log lines during different face-to-face activities with peers and agents is part of what helped me know when I didn’t have a clear sense of the story. Writing pitches and queries ended up being a great strategy for understanding my narrative structure.

5) What have successes or challenges in your work (recently) taught you?

Well, the thing I just mentioned. Having come from a literary background where these things aren’t brooded on as much as word choice and such, I was surprised how important plot structure, narrative arc, suspense and other elements more typically suited to screenwriting have been, as tools in my revisions.

As resources go: the sign at the top of this post was from a workshop I participated in last January (Blue Flower Writers Workshop at Atlantic Center for the Arts), where Ben Percy was the clearest I’ve heard in talking about structure and suspense, even in literary writing.

6) What obstacles or challenges have you not been able to overcome, or still frustrate you? Is there a “magic wand” you would invent to solve this problem?

Yes, I want Hermione’s time turner — to be able to use the same hour to address multiple priorities. It’s not that I don’t have the time. Keeping time to write (fiction) every week is a nonnegotiable for me — I am stubborn in crafting the rest of my life around it, even while running a business or when I teach full time. But I still get frustrated to not be done yet.

As tools go: A magic wand that pulls the story straight out of my head would be great. As strategies go: here are other posts I’ve written on time management strategies for writers.

To Be Continued…

There are 2 more questions to the Q & A, asking how I would define a great writing week and what specific tools and strategies help me succeed. Those answers are long enough that I’m going to let them be a second post.

*     *     *     *     *

How About You? Join in the Blog Hop!

What successes or challenges are you working through, and what tools, resources or strategies help you succeed?

I’d love to hear your answers in the comments.  Better yet, if you are reading this 4/29-5/4, join in the blog hop by using the linky tool below.  Visit the initial prompt, with all 8 questions and more explanation of “how to hop,” on Wordsmith Studio’s site: Writers’ Homecoming Blog Hop – Week 3.

Powered by Linky Tools

Click here to enter your link and view this Linky Tools list…

If you like the idea of more blog hops, let me know, as I may host them in the future on this site.

*     *     *     *     *

If you like this blog, be sure to click the WordPress +follow button, or subscribe via email or Bloglovin options in the sidebar if you don’t have a WordPress account. You can find me on Twitter @elissafield or on Facebook. I love to connect with readers and writers.

More on this site:

3 Comments

Filed under My Work in Progress, Time Management for Writers, Writing Life, Writing Process & Routine, Writing Prompt

Writing Process: How to Write on the Beach

No so much a selfie as sign of how bad the glare on the laptop screen can be. c Elissa Field

No so much a selfie as sign of how bad the glare on the laptop screen can be. c Elissa Field

One of the best parts of being a writer is supposed to be our ability to do our job from anywhere.

It’s true: I remember getting an assignment while on vacation with my family at a resort in Mexico. I wrote and submitted the piece while lounging in the most gorgeous cabana beneath bougainvillea overlooking the infinity pool with a swim-up bar.

My beach writing this summer: 2 novel manuscripts in print, laptop and a pair of flamingos guarding editing supplies.

My beach writing this summer: 2 novel manuscripts in print, laptop and a pair of flamingos guarding editing supplies.

Likewise, as a mom with sons home from school for the summer, I don’t want to spend all of my novel revision hours holed up beneath my laptop while the boys are stuck watching TV complaining about just what a drag their mom is.

(What unfair irony: I’m researching motorcycle racing in Northern Ireland or writing about a furtive flight into Havana or a photojournalist lost on assignment in Syria… while my boys see just me staring at a laptop. You get my quandary.)

So it is that I spent much of June writing with my boys at the beach.

Today’s post is a pictorial “how-to”, as it turns out there are some tricks to being successful at writing on the beach.

Enjoy your day, wherever you write!

*     *     *     *     *

The Basics

tree topsThe best advice for getting any writing done on the beach is similar to advice I’ve shared in Motivation to Write: Keep Writing While on Vacation.

It’s a twist on staying focused to write at home: you’re still removing obstacles and distractions, setting goals, and working in a format that keeps you productive.

1) Bring your work in a format that is conducive to actually getting something done.

Just like writing on the subway or anywhere else on the go, you have to think through your current writing goal and the format that makes that goal most portable.

Beach writing is great for generating new work — whether longhand in a journal or on a tablet or laptop. The clarifying environment loosens up many writers’ creativity, as might a run on the beach.

Since my goal this summer is novel revision, I use beach time for read-through revisions. For this, I bring a full, printed, bound copy of the manuscript.  Of course I have a pen for writing edits, but have found a highlighter most useful — I highlight just the words that are working and focus on those when typing revisions. I don’t bring my whole editing kit of colored pens, post-it notes, etc., though. I keep it simple.

My novel, Never Said, was mistaken to think this would be a vacation. c Elissa Field

My novel, Never Said, was mistaken to think this would be a vacation. c Elissa Field

But, whoa — that binder is bulky and messing with my tan lines.

If I weren’t working on a full read-through, I might take a short printed section (or a short story). Or, I’ll address working on a laptop, below.

2) It’s not Survivorman…Take only what you need

You can tell the locals on our beach because they carry the least gear. I know: you’re heading to this exotic workspace and all the “seasonal” aisles at the store suggest you need floaties and an umbrella and special blankets and a cooler and…

Get past the marketing frenzy. It’s the same drill as if you were getting writing done at home: you have to limit obstacles and distractions. The more you schlep to the beach, the longer it takes to just get going.

Option 1:  The calmest form of beach writing is if you’re staying at a resort, in which case: casually walk to the pool or neatly raked private beach with your writing materials. Use the towel they give you, the chair adjusted for you, and drink they bring you. Write your work, then leave everything there; they will clean up after you. Return to your room for a massage and nap, dine in the nice restaurant. Repeat. One added obstacle: time needed to brag and Instagram pictures of the waiter bringing you snacks

Option 2:  Sometimes you’re on vacation or staking space at the beach for an entire day. Fine, then recruit your little minions (aka family) to carry a cooler with drinks, lunch, an umbrella and all you need to be comfortable all day.

office equip bonus shells 2Option 3:  For every other beach trip: take just the basics to be comfortable for 2 hours. Even your beer won’t get hot without a cooler for two hours. Stop complaining, just sip faster.  You need: you, sunscreen already applied, a chair (yes, it keeps you off the sand), a towel, your work, a drink. If you can’t carry it all in one trip, you’re carrying too much.

Okay, fine… Here are a tropical writer’s tricks to take a drink that does not require a cooler. (Some of these assume it’s ok to have adult drinks at your beach. I will not come to bail you out.)

  • That’s what frozen drinks were invented for. Margarita, daiquiri. Mix, then refreeze so they melt more slowly. (Don’t get loopy while writing: frozen margarita mix by itself makes a great beach drink.)
  • Freeze your nonalcoholic beverages (water, lemonade, juices) but make sure to do it in BPA-free bottles.
  • Make a great beach “sangria”: Near fill a water bottle with frozen berries or frozen sliced peaches, mango or papaya. Top with half juice (or even lemonade) and half chardonnay.
  • My favorite beach drink is a 50-50 shandy of Peroni and Pellegrino sparkling limonata. Semi-freeze the limonata to keep it cold, or float with frozen berries or a chill-cube.
  • Freeze grapes to use as ice cubes in nearly any drink. They don’t dilute the drink as they melt. Or, freeze cubes of margarita mix, lemonade, juice or whatever you will be drinking, and use those to cool your drink.

Dealing with glare.

No so much a selfie as sign of how bad the glare on the laptop screen can be. c Elissa Field

No so much a selfie as sign of how bad the glare on the laptop screen can be. c Elissa Field

No matter what the ads say, it is harder to read a laptop screen in bright sunlight. But it is manageable. The glare in this selfie of me was cured with a simple tilt of the monitor.

  • Turn up the brightness on your monitor. Most laptops are set to dim brightness when unplugged in order to conserve battery power, so you need to turn this up manually (on my Dell, that’s a combination of Fn+F5). This does reduce your battery life, so close unneeded apps. Save battery power for the manuscript by reading email or Twitter on your phone.
  • Wear sunglasses. Well, duh. Polarizing colors will serve you best. A hat won’t do it.
  • Target what you work on. Glare will be hardest on fine-tune editing work, like commas and spacing.  The least effect will be on typing in new material. Do your fine-tuning at home and use beach time for new writing or read-through’s.
  • Edit in print. Easiest adaptation is to go old school and use beach time for handwritten edits on a printed draft. My best beach work has included rewriting a scene in longhand or highlighting the best text to keep in a novel in process.

Dealing with sand

Despite best efforts, I was typing with sandy hands.

Despite best efforts, I was typing with sandy hands.

Heh. Good luck with that. I distinctly remember the day, my first year in Florida, when I gave up ever having no sand in the carpet in my car. It’s just a reality of the beach.

Some tips for managing sand intrusion into your work:

  • Nothing precious. My print copy of my novel has a bit of permanent sand in its binder. Another draft has a wet splash from a  morning by the pool. They’re working drafts. Honestly: a little water or sand is nothing compared to the red ink, post-it notes and highlighter scarring their pages. I can live with that. Just another badge of courage.
  • Swim last. I don’t swim until after I’m done working, which helps with sand management as my towel and I are dry, attracting less sand.
  • Oops. Flipped my laptop and binder into the sand. No damage though - it dusted off.

    Oops. Flipped my laptop and binder into the sand. No damage though – it dusted off.

    Have a safe seat for your laptop. I carry a separate bag where my laptop stays unless I’m working on it, and an extra towel to rest it on, in a safe place out of direct sun. I don’t leave it unattended while out swimming for hours; I don’t bring a laptop on days I’ll be distracted for long stretches with that kind of activity. (I also don’t leave it in the car as police say beach parking lots can be targeted by thieves who figure beachgoers left purses and wallets in the car.)

  • Only out when you need it. Don’t let sand or water be an obstacle (or you’ll get no work done), but have alternatives so you only need the laptop out for certain work. I leave the laptop in a covered bag while working on a print draft, and use my cell phone rather than the laptop for tasks like checking email, my website or Twitter.
  • Select your seating. While I used to sit picnic-style or lay out on a blanket or towel, a beach chair raises you off the sand. I use a lightweight, adjustable one that folds to carry backpack-style. My boys keep their splashing and gear away from my work area and we don’t settle in right next to someone’s digging dog.
  • Avoid wind. It doesn’t just blow the sand – it makes you squint and wrestle with your work. Enough said.
  • Go resort-style. No one said the beach has to be off-roading. Even if you are not staying at a hotel, resorts often let you rent a cabana or lounge chair for the day, which certainly civilizes the experience. Some of my local friends have paid for a beach/pool membership at local resorts. Sitting poolside gets you off the sand altogether.

*     *     *     *     *

How About You?

What strategies do you use to write in unusual locations? I wrote about the beach, but I’ve heard friends with awesome solutions to writing successfully in traffic, in the grocery store, or… How about you?

*     *     *     *     *

If you like this blog, be sure to subscribe using WordPress’s +follow option, or via email or the Bloglovin button in the sidebar. I love to connect with like-minded readers and writers!

More on this site:Running man

15 Comments

Filed under Motivation to Write, Time Management for Writers, Writing Life, Writing Mother, Writing Process & Routine

Friday Links for Writers 07.11.14

My beach writing this summer: 2 novel manuscripts in print, laptop and a pair of flamingos guarding editing supplies.

My beach writing this summer: 2 novel manuscripts in print, laptop and a pair of flamingos guarding editing supplies.

It’s been a busy week of nonfiction writing, blogs, novel revisions, restructuring in Scrivener, software upgrades, query drafts and… have to say one of the best parts has been some great connections with other writers online.

So this is a shout-out to all of you working on your writing. I’m going to busily get back to the draft I’m retyping (read more about that process here: Novel Revision Strategies: Retyping the Novel Draft).

But in the meantime, enjoy this week’s Friday Links for Writers, which shares some of the best resources I’ve come across. Best wishes with your work!

*     *     *     *     *

Find Dialogue Daunting? Expand Your Character Talk

Whatever your focus in writing or editing your dialogue, this post at Lit Central is a great examination of all the options available to vary how you communicate your characters words or thoughts.

To #%&* or Not to #%&*: Profanity in Fiction

I’ve drafted a post about this myself… Have you ever wondered about the need or inappropriateness of swearing in your writing? Check out this post by Roseanne Parry at the Loft Literary Center for a discussion and options for how to make your language-level fit your work.

MS Wishlist

Ever seen those #tenqueries series on Twitter, where a literary agent shares their review and replies to query submissions? Well, how about a central site that takes the greatest wishes of all those agents? You can search them on Twitter using #mswl – or check out this link for a summary of all those posts.

Is it My Query or My Sample Pages?

On her blog, literary agent Carly Watters answers what she says is the most common questions she gets in workshops: “How do I know when it’s my query or whether it’s my sample pages that are stopping me from getting full manuscript requests or offers?” In a list of solutions, she helps you identify likely answers. Definitely check this out – it has been one of the most recommended shares on Twitter this week.

How to Tell if Your Story is on Track

Kristen Lamb’s post on her blog addresses the importance of being able to summarize your story within a couple sentences. She is not alone in the advice that, if you can’t summarize your story in three sentences, agents and editors begin suspecting structural problems. She offers clear components of effective log lines.

How to Write: A Year in Advice from Franzen, Hosseini and more

This post at The Atlantic shares advice gathered through 2013 from 50 different writers for the By Heart series, including Khaled Hosseini, Tracy Chevalier, Andre Dubus III, Aimee Bender and Amy Tan.

*     *     *     *     *

How About You?

What goals are you trying to reach this summer? Are you using any online communities, camps, challenges or communities to help motivate your writing? What works best (or worst) for you?

If you’re looking for writing community…

I’ll be posting separately about some of the inspiration I’ve found in connecting with others in some of the writing camps and challenges going on this summer.

On Twitter: I’ve been sharing my own goals, motivational prompts and revision activities in order to finish a novel by summer’s end using the hashtag #SumNovRev.  Say hello or share your own suggested strategies if you visit the thread.

 

*     *     *     *     *

If you like this blog, be sure to subscribe using WordPress’s +follow option, or via email or the Bloglovin button in the sidebar. I love to connect with like-minded readers and writers!

More on this site:Running man

On my educator’s blog:

 

Leave a comment

Filed under Friday Links

Friday Links for Writers 07.04.14 – Quirky Research Sources for Writers #2

 

Dublin from World Bar. c Elissa Field.

Dublin from World Bar. c Elissa Field.

One of our favorite editions of Friday Links for Writers was the 3.14.14 edition that shared Quirky Research Sources for Writers. Whether writing a novel, a short story or researching a memoir or long form journalism, any of us who do research for our writing have a particular affection for the fascinating rabbit holes research leads us down.

You know what? A long holiday weekend (here in the States, at least) seems like a good day for Quirky Research Sources for Writers – Round 2.

Thatcher Wine of Juniper Books at http://juniperbooks.com/

Thatcher Wine of Juniper Books at http://juniperbooks.com/

If you’re celebrating the 4th of July, enjoy this, my favorite clip from HBO’s John Adams: the vote and reading of the Declaration of Independence.

And then make the most of this quirky set of research resources for writers. As always, share in the comments to let us know which links resounded for you, what kind of information you wish you could find more of, or share your own favorite links, including your own posts.

*     *     *     *     *

Last Name Meanings in English

I took particular satisfaction in stumbling on this article as I’ve always had a linguistic curiosity in the origin of last names. My dad’s family name (Field) ironically has nearly the same meaning as my mom’s family name, Aho, which means “glade” or “forest clearing” in Finnish. Her mother’s maiden name, la Tendresse, is French for “a wave of affection.” For historic writers, the article touches on the history of when last names first arrived; for any writer, it’s creative fodder for character naming.

Thrill Writing

Fiona Quinn’s Thrill Writing site is about the most comprehensive blog I’ve seen, sharing the ins and outs of forensic detail specifically for writers. Individual posts give everything from detecting trace evidence in fur or hair, to surviving in a desert.

The Final Trip Home of Pfc. Aaron Toppen

Sad but true: war has touched many of our characters in current times, and begs to be portrayed with accuracy. Need to describe the path a fallen soldier takes, in being returned for burial? This Atlantic photo story documents the dignified transfer of Pfc. Aaron Toppen, killed this month by friendly fire in Afghanistan, from soldiers in mourning on his FOB to graveside. Shared in all respect for the soldier lost, as I feel some hesitation in photographing private grief.

Journalists Killed in 2014

Conflict around the world — possibly in your setting — has created significant dangers for journalists. The Committee to Protect Journalists centralizes information on journalists missing or killed, and advocacy. This page: those killed in 2014.

SkyVector: Flight Planning – Aeronautical Charts

While writing Breathing Water, we had a pilot-friend staying with us, and I couldn’t help but find the aeronautical maps he spread across the coffee table fascinating. Cuban MiGs had shot down civilian planes that flew out of Miami on a humanitarian (some say “spy”) mission and, as I followed the trail of stories, his aeronautical maps assigned different names to air space than land maps, and identified legal borders set by international treaties. Whatever your research motive, SkyVector is an interactive site for flight plotting.

Audubon: View All Species

While we’re on the subject of flight… Growing up in Michigan, even as a little kid, I recognized and knew the names of all our local birds, including the seasons they were present and absent. Huh. Would that be a detail of setting your character noticed? Here’s a central resource from the Audubon Society, with facts about bird species. Some include sound recordings.

copyright Elissa Field; repro w written permission only

copyright Elissa Field; repro w written permission only

Birdwatch Ireland

And, because one of my novel settings is in Ireland, here is a resource for native birds in Ireland. (More about my story line’s Irish roots here: Celebrating my Irish by Writing)

Spice World

Now that you’ve stocked the skies of your setting, how about the smells? In 3 manuscripts, I’ve found myself writing a foreign culture and one of the first things I turned to was cookbooks, to know the tastes and smells of native cuisine. Knowing the spices used in native cooking can give you a quick resource to adding scent details, as you can raid your grocer’s spice aisle and get samples firsthand. This link gives you a simple listing that groups spices for several national cuisines.

Want more?

Elissa Field fiction Jar of Teeth

c Elissa Field

Here is the link to the prior Quirky Research Sources for Writers.

Overall, what is Friday Links for Writers? In my near-weekly column, I share the best links I’ve found with every range of writing and publishing advice, great reads and tools. For more, here are 3 ways to read more:

  • Most recent post: Friday Links for Writers 06.20.14
  • You can read all Friday Links for Writers – this link will load all current posts, including those posted after this one.
  • But… that loads dozens of posts. Here’s the best trick to search contents of all Friday Links: within the Links & Where to Find Me tab, there is a listing of Friday Links. As you hover over the title of any post, the topics of included articles will display so you can select posts that interest you.

*     *     *     *     *

How About You?

What are you working on this week? Does it have you following quirky research trail down the rabbit hole?

Share any questions you have, or advice and favorite links in the comments below.

*     *     *     *     *

If you like this blog, be sure to subscribe using WordPress’s +follow option, the Bloglovin’ button or via email.  I love to connect with like-minded readers and writers!

Recent Posts:

Celebrating the first days of summer writing at a French café. c. Elissa Field

Celebrating the first days of summer writing at a French café. c. Elissa Field

1 Comment

Filed under Friday Links, Research

Friday Links for Writers: 06.20.14

Thanks to the tropical showers that trapped me in a coffee shop long enough to make headway. c Elissa Field

Thanks to the tropical showers that trapped me in a coffee shop long enough to make headway. c Elissa Field

Getting into the thick of novel revisions this week has felt like parenting a belligerent preteen – not that I have one of those (apologies, boys).

Landlocked friends, this is for you: beach writing isn't always pretty. c Elissa Field

Landlocked friends, this is for you: beach writing isn’t always pretty. c Elissa Field

On the way back from a meeting midday yesterday, I forced myself to stop and write at a coffee shop for a solid hour. I’ve put so much pressure on myself to complete this novel revision and be ready to query agents by summer’s end (I’ve been sharing this goal and inspiration using #SumNovRev on Twitter – jump in, if you share that goal!).

Luck of nature: I was trapped at the coffee shop by a tropical downpour. It took headphones, a great play list and a good hour or more to get to a point where I wasn’t fighting this manuscript.

As I hit a groove (sympatico: just as Cristina Aguilera belted into “Fighter“), I tweeted: “Not in love with your WIP? Skip to a part you love. Work from there, build on strength.” So much gets deleted anyway, so why sweat the scene I hate? Still lots to go, but I’m probably about 20% through that project of retyping the draft, using the only the parts I really like.

That said, it’s time for me to share some of the Friday Links for Writers that were my favorite inspiration this week. As always, feel free to share your own favorite links (including your own) in the comments.

*     *     *     *     *

Interview with Kate Kristensen

One of the interesting things revealed in Amanda Green’s Rumpus interview with Kate Kristensen — who has written several novels and nonfiction books, as well as freelance and magazine writing — is the ways she used blog writing to interact with, develop and be relief from other forms of writing.

The Writing Workshop Glossary

In this great New York Times piece, Amy Klein shares a great cross-section of writing advice under the guise of “defining” the feedback used in writing workshops. It’s great as a morning read to inspire revisions, with classic questions such as, “What does the character want?” This article is part of an ongoing series called “Draft,” on the writing craft.

We’re Losing All Our Strong Female Characters to Trinity Syndrome

With all the talk about diversity in the publishing industry, I thought this piece by Tasha Robinson at The Dissolve was one of the more interesting discussions. Tasha casts doubt on stories that simply add a female lead, even if it’s a strong, well-developed character, where the power in the story still remains in the hands of the male lead.

How to Get Published: 4 Debut Novelists on Elevator Pitches and More

I loved this Buzzfeed interview by Lincoln Michel with four debut novelists, for its down to earth insight into those publishing hurdles like phrasing the pitch.

How to Become a Literary Agent

This may be particular to my own interests in agenting, but I loved this piece by agent Juliet Mushens on Marie Claire’s blog, with her list of what it takes to be successful as a literary agent.

A Literary Expert on Driving in the Dark

Despite the ubiquity of Neil Gaiman advice articles, I loved this interview in the New York Times for some of his confessions of inspiration and his confidence about writing ahead, like “driving in the dark.”

 The Bridge and the Tunnel

This article by Donald Maass at Writers Unboxed is a repeat (included in Friday Links for Writers 07.05.13) but it’s one of my favorites — and kindred spirit with the part of the novel draft I fell back in love with at the coffee shop yesterday… So, enjoy. If you want more, this post shares some of Maass’s great novel writing prompts.

*     *     *     *    *

Writing Communities

I can’t go without mentioning the explosive activity in my writing communities this week. You may have seen this show up as odd hashtags about #binderwomen or #binderwriters, and a couple others intended to go below radar. This isn’t the post to explain this completely, but I do want to take a second to give a shout out to the hundreds of women in my writing community who share such talent and energy. It’s great to connect with you (say “hello” in the comments!).

Elissa WAGI’ll also be explaining later the addition of the WAG Advisory Group badge that’s been added to the sidebar on this site, but for now, you will recognize Wordsmith Studios as the fabulous, supportive and talented group of writers I’ve been part of for two years now. Shout out to my Wordsmith friends. Find us in Tuesday chats using #wschat.

*     *     *     *     *

What About You?

What writing goals are you working on this week? What resources or writing communities inspire you most? Please share any great links — including your own — in the comments.

*     *     *     *     *

If you like this blog, be sure to subscribe using WordPress’s +follow option, or via email or the Bloglovin button in the sidebar. I love to connect with like-minded readers and writers!

More on this site:

Celebrating the first days of summer writing at a French café. c. Elissa Field

Celebrating the first days of summer writing at a French café. c. Elissa Field

 

 

Leave a comment

Filed under Friday Links

Friday Links for Writers 06.13.14

Benefit of learning to write on the go: my "office" view for the afternoon.

Benefit of learning to write on the go: my “office” view for the afternoon. c. Elissa Field

If you’ve caught the pictures I’ve shared on Twitter or even the headers to my last two posts, you’ll get that we are in full-on summer status, here. Pool, beach, morning mimosas… Sweet!

Yeah, not so easy: for me, summer is all about long days of writing and revision, so those same pictures are attached to posts about the tough job of finishing this novel. I may be lounging, but the laptop and print novel draft are open in my lap. If you’re in that same status, I’ve been using the hashtag #SumNovRev to connect with others working on finalizing a novel over the next couple months — sharing goals, milestones and resources to keep us going.

Which brings us to today’s Friday Links for Writers, which shares some of the best recent-reads on mastering novel revision, from sentence-level to the first chapter to knowing when you’re done. As always, feel free to share in the comments about what resounds with you, what you’d like to read more of, or share your own best links of the week.

*     *     *     *     *

Nail Your Novel’s First Chapter

Sometimes I feel like all the writing advice out there focuses on the first chapter — but of course this makes sense, since so much is riding on whether or not those first pages hook a reader, agent or editor. Which is exactly the point made in this short post by novel editor Ellen Brock.

Point of View Shifts and Head-hopping: Always Bad?

On Saturday, in my review of Anthony Marra’s A Constellation of Vital Phenomena, I admired Anthony’s control in navigating pov shifts. Here, this post from Roz Morris is a great examination of the how’s and why’s of what makes head-hopping risky.

The Sentence is a Lonely Place

Shared on the Believer website, this is a transcript of a lecture by Gary Lutz to writing students at Columbia University.  I first discovered this piece a year or so ago, as a link at the end of author Matt Bell’s “The Books We Teach” (behind the subscriber wall at Ploughshares).

11 Questions to Ask Yourself When You Reach the End

This article by Kathy Crowley at Beyond the Margins is a great list of questions to consider when you reach the end of a draft stage. As Kathy puts it, review this list without too much intensity, just making notes, before setting the work aside to hibernate. It includes great challenges regarding everything from character to setting to plot. A useful tool.

Book Launch Checklist

For those with a book done, in the querying process or even waiting for an impending release, this post at Kelsye Nelson’s site is the most comprehensive check list I’ve seen for launching a book — and was one of the most retweeted links I shared on Twitter this week.

Novelists Discuss the Magic in the Creative Process

I like to end Friday Links with inspirational interviews or lectures, and I really liked this one: from Aspen Institute’s Winter Words 2014, Authors Karen Jay Fowler and Carole DeSanti discuss the creative process.

*     *     *     *     *

How About You?

Feel free to share your favorite links (even your own) in the comments below.

*     *     *     *     *

If you like this blog, be sure to subscribe using WordPress’s +follow option, or via email or the Bloglovin button in the sidebar. I love to connect with like-minded readers and writers!

More on this site:

(c. Elissa Field, no repro w-out written permission)

 

4 Comments

Filed under Friday Links

Finishing the Novel: Daily Task of “Getting it Done”

Celebrating the first days of summer writing at a French café. c. Elissa Field

Celebrating the first days of summer writing at a French café. c. Elissa Field

 

Ah, blissful! After a demanding spring of teaching, summer has arrived — and with it, long days of novel revision. As often as I post about Novel Revision Strategies, one of the biggest strategies is how to manage time to get the most out of time to write.

Today, this had me reflecting on the strategies that help writers work long days on novel writing or revision to successfully reach writing milestones but not burn out or kill energy for the work.

*     *     *      *      *

1)  Purge all those distractions.

If I were only going to write for 30 minutes before going to a day job, this step would be considered a distraction. But, on days when you plan to write or revise all day, there’s only so far you can ignore other tasks (trust me, I’ve pushed it). Here’s a quick cycle I let myself run through to remove distractions before writing:

  • Get refreshed. For me, it’s coffee. For some writers this might be push-ups, a quick run or walking the dog.
  • Keep it clean. Allow a quick 5-15 minutes to make a pass at household tasks. Picking up after the boys, dishes, laundry — whatever handful of things keeps the house going. Generally, this fits in while coffee is brewing. Sometimes I use “count to 10” for this: pick a random number like 10, 20 or 25 — and quickly knock out that many of something. As a parent, this step usually involves cleaning; another writer might need this time to schedule an oil change or other kind of maintenance. Or be so lucky as to be able to skip this one altogether. Jealous.
  • Follow up for 10. We all hear warnings to stay away from email, social media and other distractions. But look, we take time to build important connections – so while I agree it’s important to write first, I give myself 10 minutes to tend the fires I stoked the day before. I don’t tend client projects here; those I schedule other times in the day.
  • Know your plan. Whether you have a written to-do list or a general idea in your head, have a sense of your writing goals for the day, with all materials on hand.

Everyone good? Kids busy with an activity? Somebody fed the cat? Nothing is on fire? Then hunker down.

2)  Write. One hour (or two). Uninterrupted.

For the work I’m doing today, 1 hour works. You might rather 2 hours. Whatever your number, it’s pure writing time.

Somewhere in the fidgeting above, I will already have in my head what the morning’s work should be. This week, the goal is to get as far through a complete read through (and revision) as possible. I’m working from a printed draft, so I will have shot that print job to the printer in 100-page chunks while checking email or some other menial task prior to writing. Yeah: no “I couldn’t write because I spent my hour fixing a printer jam or replacing print cartridges.”

No chat. No email. No phone or text or social media. No pausing for drinks or bathroom. If you’re a clock-watcher, use the timer on your cell phone to remove that distraction. Fall purely into writing for one straight hour.

Ding.

3)  Time for a break.

When I’m draft-writing, I write for hours on end, as long as the ideas are flowing. For revision: blocks of time. In the breaks in between, I might be revisiting some of those same tasks from morning’s distraction purge. Check the kids. Switch the laundry. Walk the dog. Get a snack. Another coffee. A phone call. Short tasks from other areas of my to-do list.

Again, I’m not a proponent of staying away from social media, so I would check Twitter, Facebook or my blog. I might share an accomplishment from the morning — connecting with other writers working on their goals at the same time is a great way to keep yourself going.

But I aim for a break to be 30 minutes, not longer. Sometimes it’s just a stretch, refill coffee and…

4)  Back to it.

Lots of successful writers will say their complete writing goal for a day might be 2 hours’ work. For me, during summers away from teaching, my aim is 4 hours on a short day, but as long as 8-10 hours for a full day of writing or revision. I get there by repeating these 2 hour blocks of work.

Do I have to stick with the clock? Not precisely.

Using time blocks helps structure the day and keep you honest – both in your discipline and the need to stop for breaks. But the day’s goals may dictate more organic work-blocks: retyping chapters one and two might fit neatly into one hour, or might prompt a sidetrack into research over the actual date the TSA was started. Maybe that block will be 1.5 hours, and maybe another block will be just 30 minutes, since it involves an intensive re-evaluation of my character’s inner motivation that requires a breather for reflection afterward.

I don’t stop to a factory bell if I am in the middle of something. Likewise, sometimes a task goes more quickly — or is more draining, so you need a break sooner than expected.

Having minimum or maximum time blocks can help you stay on track. If I planned to write an hour, I’ll push myself to keep going if it’s been less than 45 minutes. If I planned an hour but keep going off on tangents, I might control this by stopping if it goes past 2 hours.

Are you working at home with family? Honoring time blocks also helps to manage that temptation to get lost in writing and forget a promise you made to take kids to the pool or go out to dinner with your partner.

5)  Break up the work

To achieve 8 and even 10 hour days, I’ll keep repeating breaks and time blocks to stay refreshed but productive throughout the day.

Time blocks also help to create natural shifts in the work.

For me, this might mean 4 hours on the novel, then 2 writing for my blog or clients, or to work on submissions. Or I might break it into hours for revision, versus hours for research or drafting new material. Shifts in work help keep you from burning out.  I use a color-coded Outlook calendar to keep a visual of the time needed and available for each, throughout the week.

Benefit of learning to write on the go: my "office" view for the afternoon.

Benefit of learning to write on the go: my “office” view for the afternoon.

You can also shift location. This morning I have certain work (like this post) that has to be done on household wifi. But I’ve packaged afternoon revisions so I can take them with me to the beach, which allows me to honor time with my boys. Flexibility in where you work is a great strategy for buying time to write.

6)  Celebrate an accomplishment.

Keep yourself going by celebrating a milestone. Intrinsic rewards can be something as simple as flipping through all the editing marks you’ve made on a printed manuscript or reviewing your word count for the day. One friend kept tally of her word count on her mousepad at the end of every day.

Make it social by sharing this. Lots of us keep each other going by posting our day’s milestones to Twitter or a goals group with writing friends online. Some share their word counts on NaNoWriMo software during challenges throughout the year. Tell your partner or your kids. Build in a fun reward, like a festive drink or night out with friends.

Or… yes, there are days when the “celebrate” step is replaced with “chastise.” Do reassess goals for the following day if a milestone wasn’t reached or new issues came up.

*     *     *     *     *

What About You?

What time strategies do you use to reach your writing goals? Am I alone in trying to work 8-hour writing/editing days (I doubt that)? How do you keep yourself both refreshed and moving toward your goals?  Or, post a question if you think readers here could help you solve your writing-schedule challenges.

*     *     *     *     *

If you like this blog, be sure to subscribe using WordPress’s +follow option, or via email or the Bloglovin button in the sidebar. I love to connect with like-minded readers and writers!

More on this site:

(c. Elissa Field, no repro w-out written permission)

(c. Elissa Field, no repro w-out written permission)

3 Comments

Filed under Novel Writing, Time Management for Writers, Writing Life, Writing Mother, Writing Process & Routine

Motivation to Write: Keep Writing While on Vacation

tree tops.

We talk a lot about prioritizing writing against other claims on our time. Travel has its own challenges for a writer working to maintain daily writing or editing goals.

On one hand, you’re awash in stimulation while away from the usual daily pressures. If it’s a vacation, time is often not an issue.  I say that while luxuriating with the dogs on the quilt covered sofa of my mother’s sunroom, looking out to her gardens. After weeks of 8-hour (or more) writing days, it’s shocking to have this much time on my hands.

On the other hand, travel presents its own set of distractions and obstacles. At home, we don’t mind pushing ourselves to be industrious. But how can you keep productive while surrendering yourself to time off with family or seeing fabulous sites?

*     *     *     *     *

6 Strategies to Keep Writing While on Vacation

1. What Did You Say? 

At my family’s Michigan cottage growing up, we went out to swim at sunrise and came back inside when lightning bugs lit the trees.  As with many vacations, time was not an issue. But conversation is.  I can’t lose myself in novel revisions while in conversation with my mom about a turn in her business, or chatting with the sister-in-law I haven’t seen in 3 years. I might carry my work with me, but it loses out to listening to my niece explain the story behind her doll. For writers traveling with family, my suggestion is to know one activity during every day when no one will be talking, and be sure to have your work with you then. This may be a train ride, lying by the pool or while others are reading or showering.

2.  On the Move.

At home, I was working with a printed copy of my novel in a binder, a kit of colored markers and pens and post it notes, my coffee and a laptop… which covered the better part of my couch and adjoining table. I won’t be successful on vacation if I need to spread out like that. On the other hand, I traded documents by email the other day while 30′ off the ground, harnessed to a tree-side platform between legs of a zipline obstacle course, using the phone in my back pocket (pretty much at the point that picture was taken of my sons, above). I can take either my laptop or binder and write on the train into the city, or sitting on the bent limb of a tree fallen across the hidden tidal beach we hiked to yesterday.  The key to keep working while traveling is to have work in multiple, portable formats. Think ahead to where you will be and make sure you have some portable piece of your work with you to work on. Depending on how much I want to carry, I can take just my binder or laptop, or a smaller printed section with a pen, or just a notebook, and I always have my phone. Don’t overlook photography, which is great for capturing a thought more quickly than writing.

3.  Look, No Hands!tunnel forward under  ft mchenry

You have the time, no one’s talking to you and your ideas are flowing… but one obstacle travel tends to throw at writers is that it keeps eyes and hands unavailable to write. Take the 22 hours I spent with my hands on the wheel, eyes on the road, driving up the east coast last week. Holding hands while leading a kid through New York traffic, climbing rocks, swimming in the pool, cooking dinner… all of these come to mind as activities one just can’t write through. In some cases, like during that drive, audio options help make the most of that time. Use Dragon Dictation app on a smart phone to dictate revisions or new material. The app transcribes your spoken words, then you tap to email it to yourself. Or, use the time for reading by downloading an audiobook or podcasts from literary magazines or NPR.  Just as often, when the interaction with family or ocean dip or simply marveling at the world justifies dropping all thoughts of writing, throw yourself into it whole-heartedly, without guilt or preoccupation with the work. Claim time later to jot your thoughts when the moment is over.

4. Hold That Thought

Travel can be great for writing, as new settings and experiences and overheard conversations can be unique inspiration to start something new. But, wow, that can be a nightmare if you’re working to stay focused in a story you are revising. Last thing I need right now is for my war-toughened main character’s voice to suddenly lapse toward describing gardens and tea and children playing with plastic boats just because that’s my vacation view. To avoid cross-contamination, be flexible about what you work on. Use a notebook to record those new inspirations for later. If you feel like vacation demeanor is shifting your voice, work outside your main document, so you can decide later if the new material or revisions are a fit. Or, make an effort to write only during staked time, so distractions from the vacation world are reduced (see 5 & 6).

5. Stake Your Claim

There are vacations where you really drop everything to surrender yourself to the holiday. Foreign travel can be like that. This last week, I was visiting with my brother and his family after a long time apart. When that’s the case, don’t regret not writing or waste energy struggling to fit it in that would have been better spent experiencing your travel.  But, otherwise, when you have a daily writing goal, let your traveling companions know this and stake the claim for that time. Ask others what the schedule is each day and agree on the time you will spend writing.  If you don’t want to draw attention to the writing, disguise it as a daily trip to the coffee shop.  But you may be surprised to find someone else relieved for quiet time to read or check email. Buddy up with that person to avoid feeling antisocial. I am writing this morning while my mom catches up on business calls and email, and my sons play a game. Claim time and space with minimal distractions, but where you won’t feel like you’re missing out (see 1 or 6).

6. Don’t Let the Sun Go Down

When all else fails, unless it’s your honeymoon, use that last hour of the day when everyone is falling asleep. My first days on this trip, I fell asleep with my laptop on my knees.  It’s prime time: no guilt, no distractions, less influence from the stimulation of the new environment. If this is your plan, watch out for those days when rock climbing or wine tasting might leave you shot by bedtime. If you’re an early riser or it’s not the kind of trip where you have to be out the door early, try writing while everyone else wakes.

That said, I’m due to take my work with me to sit by the pool while my boys swim. One last warning for travelers, to be read in a spectral voice (a la Edgar Allen Poe reciting the Raven): whenever you are traveling with your work, remember to protect against loss by leaving backups behind.

*     *     *     *     *

What About You?

Are you trying to keep up with writing goals while traveling or entertaining company this summer?  What challenges or obstacles do you find?  Or, what tactics have you found that help you stay productive?

*     *     *     *     *

If you like this blog, be sure to subscribe using WordPress’s +follow option, or via email or RSS feed. I love to connect with like-minded readers and writers!

Recent posts:

Or, here is the current series on Novel Revision Strategies:

Baby pictures. A glimpse into harsh revisions occurring with my poor Wake, last week. (c. Elissa Field, no repro w-out written permission)

Baby pictures. A glimpse into harsh revisions occurring with my poor Wake, last week. (c. Elissa Field, no repro w-out written permission)

4 Comments

Filed under Time Management for Writers, Writing Life, Writing Mother

Novel Revision Strategies: A Day’s Work in Pictures

novel revis 7-9

sols_blueIf you read Monday’s post (Novel Revision Strategies: Printing for Read-Through), you know I am using a printed draft for this stage of novel revisions.

Today’s post is a photo diary of what morning work looked like — as waffles with the boys shared space with ruthless edits on this draft.

“Failure is not an option”?

Successful launch, Kennedy Space Center. c Elissa Field, repro w permission only

Successful launch, Kennedy Space Center. c Elissa Field, repro w permission only

Go “where’s Waldo” to find the NASA slogan on my coffee mug: Failure is not an option.

Even as writing and revising drafts is all about failing over and over again? Yeah, I still love that mug’s inspiration. I bought it on a trip to Cape Canaveral with my rising-7th grader when he was in 4th grade. Ever wondered about the explosive launch sequence pictured on my blog’s masthead? That was taken on the same trip — a re-enactment of the control room for a successful Gemini launch. We’re in that control room when writing, and the mug reminds me to never stop.

Novel writing is launching into the risk of failure, the surging insistence that it will go well. The rocket will launch. Risk embraced.

Or, go with Samuel Beckett as inspiration: “Ever tried. Ever failed. No matter. Try again. Fail again. Fail better.”  Drafting and revising is all about getting something down. Being willing to fail as well as we can, then trying again, even failing again — but failing better. In that sense, the mug would say, Giving up is not an option.

So, here’s where that has gotten me in the past couple days…

These are probably my favorite revision pages:

Done. Done. Chickie approves. cElissa Field, repro w permission only

Done. Done. Chickie approves. cElissa Field, repro w permission only

This is what less happy pages look like:

Messy revision

Ohhh… that looks painful. Chickie is staying out of it. BUT, check-marks show the changes have been made in the new computer draft. Work goes on. c. Elissa Field, repro w writ-permiss

If you read the captions, you see the range of changes going on.

The top picture shows pages from the opening scenes of my WIP, which are ready to go — marked “done.”  I also signal “done” in the computer document by changing that text to blue. Yup, plain text: that leaves you vulnerable to being cut.

The second pictures shows a scene that has been outlined with highlighter to say it will be kept (although not “done”), with corrections marked. Where I still have questions to answer, I wrote them on the blank page above to make sure they won’t get lost.

Apparently I was not mean enough to take a picture of pages with entire scenes X-ed out, but they are there. I do paste deleted text into a “Cuts” document… just in case.

The colored highlighter is an example of what I mentioned in yesterday’s post about using color codes to mark key scenes or characters.

Here’s the color key:

color key

This is the key on the first page — so far I’ve been marking the text that will be kept with a highlighter for the main character it relates to. Being able to visualize this helps, as this edit is all about getting the final structure in place, then seeing what’s missing.

Creating a Style Sheet – or, um, Lengthy To-Do List:

Revision checklist-

Every hour or so of reading, I go back to the computer draft to implement the changes. I’ve been checking corrections off to keep track of what’s been done, and also gathering this chapter-by-chapter task list of questions that need to be resolved. So far, it includes facts to resolve, like names, family names, locations, dates — as well as plot details that have changed between drafts and need to be made consistent.

If you want to read more about creating a “style sheet” to manage your novel, check out this post by literary agent Rachelle Gardner: Create a Style Sheet for Your Manuscript .

A Party so Wild it Needs a Bouncer – Enter the Outline:

Outline as Bouncer
Really, most of this mark-up on the draft took place yesterday. I came back to it this morning knowing I was still swamped in some choices. I had a clear list of scenes in my head, and knew the order I need to shift them into. As clear as it was in my head, with the story changes that took place between drafts, I need to keep track of the order of important reveals and progression of internal and external conflicts.

Enter the Bouncer, tough guy outline watching over the WIP’s shoulder above. Yes, it looks a bit techie — I am used to throwing Word tables together to manage info, so that works for me.

The Bouncer outline works like this: like velvet ropes deciding who will be allowed into an elite club, if a scene is not on this list, it won’t stay in the draft.

As much as writers chat about whether to “pants” or “plan” I believe fully in a hybrid of the two. In order to finish this outline, I had to analyze my understanding of the story. It reminded me of a couple scenes not written yet, and helped me better analyze how to get the right tension and resolution at the end. Mean as he looks, the list makes my job so much easier.

*     *     *     *     *

How About You?

It’s been great to read comments from readers about their own process for revising — share yours as well?

Rather than revising, are you focused on writing new material? It was also great to connect on Twitter today, as Wordsmith Studio writers hosted wordsprints. Check out the hashtag #wschat to find writing activities each week.

*     *     *     *     *

If you like this blog, be sure to subscribe using WordPress’s +follow option, or via email or RSS feed. I love to connect with like-minded readers and writers!

Recent Posts:

Posts mentioned in this article:

15 Comments

Filed under Novel Writing, Relentless Wake, Revision, Writing Life, Writing Process & Routine

Novel Revision Strategies: Printing for Read-Through

2nd printed draft 2

Cheers! I’m celebrating a little milestone on my end, as I made it far enough through all those chaotic novel revisions over the last 2 weeks (Novel Revisions: Work is Messy, Book May Bite and Novel Revision: Revising a Flat Character) to be able to print a full novel draft again on Friday night.

Little celebratory dance. Cheers. Now time to get back to work.

Printing the draft feels like an accomplishment — so neat and finished-looking in its binder. But it is just a milestone before the next step of revision.

Each day I work on novel revision and engage in conversations with others in the same process, I notice there are specific techniques that writers use to manage the complex work of novel revision.

While we all probably do most of our drafting and revision on the computer, there are specific strategies writers use in revising from a print copy.

*     *     *     *     *

When Do You Print?

The first time I wrote a novel draft, I printed copies all the time — I think I had a 4-foot high stack of at least 12 different drafts. But I’ve come to hate the messiness and waste of paper, so rarely print these days.

With my current WIP, I didn’t bother printing until I had my first complete, holds-together draft. In particular, I was going on a 3-week road trip, so printed to have the draft to take with me when a computer wasn’t available. There is a picture below of the draft I worked with last summer.

Even with changes, I haven’t bothered to print it again over the winter, because so much of what I was doing was outside the manuscript — character and story development, and writing new scenes. If I wasn’t going to work from the printed draft, there was no point in printing (caveat: other than to have a backup).

I knew it was time to print again when the next step of revision was to read through to see how things held together and test for the ordering of scenes in building the story structure. I’d already completed any petty tasks (ran a spell check to catch distracting corrections) and had pasted all pending material into the draft. I was no longer actively writing new material — I thought I’d filled all the “holes” and was ready to read for what worked, what was missing, what needed chopping, what needed moving.

For me, this will be an intermediate read: I expect big moves with this revision. I’ll have to chop scenes of motivation that were replaced by a new backstory. I’ll be merging or chopping duplicates where I’ve written the same scene more than once (not uncommon for me, as I keep “hearing” different perspectives or detail to a scene). And I’ll be making big choices about structure: I’ve written a handful of scenes from different character perspectives, so need to make a choice to structure multiple viewpoints or convert those scenes to something the MC would have known.

Others may print when they are ready for line edits or sharing with beta readers. I may be doing line edits in some places (polishing verb tenses, fixing/adding transitions, perfecting punctuation and word choice), but mostly I assume I’m not there yet. That will be the next print and read-through — which will hopefully be soon.

What is the Process of a Printed Read-Through?

Other writers use a neater process than I do. Ann Hood has said that she writes for 2 hours every day in a relatively linear order and begins the day’s writing by revising her work from the day before. When she has a completed draft, she prints it off and carries it to a local coffee shop where she goes all the way through the draft marking her edits.

Revision checklist-Similarly, young adult writer Alissa Grosso shared her process in this post for Teachers Write! last week, describing how she reads through a printed draft, marking all corrections in red ink.  She said it takes her about 4 days. She then makes the noted corrections on her computer draft.

My process is similar, with the exception that I use more than just pen in marking changes (see strategies, below).  So far, I’ve made it about one-quarter through, in one day.

  • In places where the text is polished (the opening is essentially done), I’m doing a close reading, noting decisions that need to be made (a date, a year, a city name, the name of a background character) and scrutinizing word choice.
  • In nearly-there sections, it’s time to insert any missing quotation marks (I’ve become minimalist in not typing them during initial writing, but they’ll be needed in submitting).
  • If you’ve read any of my quick drafts, I sometimes draft loosely, allowing almost stream of consciousness in details and thought; now, as I decide which scenes are working, I’ll be editing together the sentences that will stick. (That’s a burdensome approach, but it seems to avoid the overwriting that can come about when first getting to know a story.)

I will probably begin implementing changes into the computer draft before getting all the way through the read-through. Other writers finish all reading/notations on the full draft before going back to the computer.

If you’re going to make the changes on the computer anyway, why waste time with a printed draft? Read on to see some of the visualization strategies the printed draft allows.

What about really messy drafts?

Honestly: I printed this copy off completely ready to cut scenes apart and shuffle them like cards if that’s what it took to envision how they best fit in the storyline. We do that with student writers in workshop, sometimes, when their ideas are good, but the writer needs the ability to kinesthetically shuffle their sentences and paragraphs into a more powerful order. In my case, the linear telling of the story needs adjustment to control when the external and internal conflicts converge and reveal, for resolution.

That ability to visualize and physically move text around is a main advantage of printing a draft. On page 72 of her book Real Revision, writer Kate Messner shares Darcy Pattison’s “shrunken manuscript” technique. Kate shrinks font to the smallest size, single-spaces and minimizes margins so an entire novel manuscript can be printed on few enough pages to lay out across the floor of the living room. Shrunken to this scale, it’s possible to see the “big picture” of entire novel in a single view.

What do you look for, when viewing this big picture? Where are characters introduced? Where does the inciting incident occur? When is information revealed? Where do internal and external conflicts converge? Resolve? Where are there holes? Or, are there too many scenes happening to slow the action down? Do reveals happen too early or too late?

Some Technical Strategies for Printing

The shrunken novel approach gets us into interesting territory. We’ve all been taught that finished manuscripts should be submitted in 12 point classic fonts, double-spaced, with a 1″ margin.  A full-length adult novel can take 200 pages to print. But, for revising, forget those requirements: when printing for revision, use strategies that help you see and work with your manuscript.

Condensed drafts left you visualize more per page, in a less cumbersome draft. Over time, I’ve come to prefer working with drafts in 10 or 11 point font (closer to book text), and in 1.5 spacing, rather than double. (Set yours to a comfortable size: yeah, I can relate to having difficulty with small text up close.)  I customize to narrow margins (half-inch at left, top and bottom), but I leave a full inch at the right. On drafts where I planned to write lots of comments, rewrite scenes or plan research, I’ve left a 2-inch right margin; otherwise, I use the blank backsides for comments.

Play with the look of the page. You may notice in the picture above that I printed “2 pages per sheet,” creating a book-like layout. Tech-specs: I used 10 point, Times New Roman font. Spacing is 1.5, with half inch margins. Using landscape layout, I used the Word option to print “2 pages per sheet,” which is equivalent to columns, but without fit issues. This book-like layout has been easy to read, condensed, and with enough room to work with the text.

Display or print in different formats. Similar to the note above, simply printing in a different font (go from TNR to Calibri, or the other way around) can help you see your manuscript with fresh eyes. An extreme version of this comes from the fact I seem to notice typos more once I’ve posted to my blog. Using that, I’ve saved sections of text as a draft post (not published), and viewed it on my blog to spot revisions.

Scrivener or Word? You can print directly from Scrivener (“compile to print”) but I compiled from Scrivener to Word, then tweaked the manuscript in Word before printing. Word allows more control over margins, printing layouts, fonts, etc., and you can preview before printing so you don’t waste paper.

Working with my WIP's first draft, summer 2012. c. Elissa Field

Working with my WIP’s first draft, summer 2012. c. Elissa Field

Pen, pencil, highlighter…or all those fancy flags? If you are visual, go all in. Both as a writer and a teacher, modeling for students how to take control of their reading, I am all for using color and tools that take control of your draft:

  • Back to Kate Messner, with her shrunken manuscript spread on the floor, Kate uses colored Post-Its to mark key moments, characters, props and reveals in the manuscript.
  • With my draft last year (in this picture), I used large, tabbed Post-It flags to mark chapters, with room to write summary of the chapter or list pending questions. Smaller flags marked key scenes. Color helped signal different characters and conflicts.
  • In my current draft, I am reading with different colored highlighters, so I can highlight my favorite wording and key scenes or details. With these highlighted, I can make clearer decisions about the sections I will cut. I can rescue important details from scenes being cut. I can make clearer choices about which wording to use when merging a scene I’ve written more than one way.
  • If you don’t use highlighters during your review, you can use the trick we teach kids in writing workshop: write your corrections in ink, then use highlighter to mark comments once you have implemented them into the next draft. A good way to keep organized and know where you left off in your work.

color keyDon’t take my word for it… Check out this picture-diary of how I use colors and other strategies as I get to work with this manuscript in Tuesday’s Novel Revision Strategies: A Day’s Work in Pictures.

*     *     *     *     *

What About You?

What revision strategies have worked for you?

Do you have specific strategies for print revisions, or do you do most of your revisions on the computer? Or what questions do you wish someone could answer about revision?

I’m debating a post on using Scrivener software — do you have questions (or feedback) about it?

*     *     *     *     *

If you like this blog, be sure to subscribe using WordPress’s +follow option, or via email or RSS feed. I love to connect with like-minded readers and writers!

Recent Posts:thailand

Posts mentioned in this article:

16 Comments

Filed under Novel Writing, Revision, Writing Process & Routine

January Challenge Week 1: Did I Succeed at Finishing?

grasp c Elissa Field*

Ahhhh…..

Three o’clock came on Monday, deadline for entering grades. Project finished. I met my goal for Week 1 of the January Challenge — I finished this one thing.

I’ve heard from two others who also finished their challenge for the week, and I’ve heard from many who are using this week’s challenge to prioritize how they will get projects finished later in the month, or at other times throughout the year.

What all of the posts and emails have acknowledged — and what I observed, working toward my deadline — are the hurdles and resistance that are particular to finishing a project.

  • In the week’s kickoff post (Week 1: Finish Something), we thought about resistance or obstacles that keep us from completing projects and used strategies to identify the real obstacle, to break the resistance down in manageable steps.
  • Then, Sunday’s post (Week 1: 14 Strategies for Finishing Work) shared several concrete strategies for keeping the work moving toward “done.”

Advice is great. I really do use all those tactics, and heard from so many of you how these kinds of strategies are useful.  But you just know I didn’t glide toward perfect completion of my project following all that advice to a T, without a hitch.

Today’s post shares the insights that came to mind as I applied the advice of those earlier posts (successfully and with rough spots) toward finishing my goal. As always, do share your own experiences in the comments, whether you are actively participating in the challenge or if you stumble upon it even months down the road.

*     *     *     *     *

Avoid Wheel-Spinning

Any of my regular readers might notice that Sunday’s post of “14” strategies was updated to “15” as I realized I left off one that is key (now #8 on the list): avoid wheel-spinning.

One thing that is hard for writers is that finishing work requires shifting gears from the energy of generating lots of new ideas to limiting efforts to the tasks that get the darn thing done.

“Avoid wheel-spinning” recognizes that in those goals for working hours or word counts it is easy to be busy working, yet not focused on steps that will get the job done. My goal last weekend was just to get any remaining grades entered to close out last semester. Sure, that includes tasks like filing paperwork and reflecting on how the semester went. But it was wheel-spinning for me to spend half an hour making notes to a student on a paper that won’t be revised again.

Going back to the endzone metaphor I used in Running on the Grass: imagine you are the running back, carrying a football (your project) toward the endzone. Discipline yourself to avoid running sideways or backwards, or wondering what’s happening over on the baseball fields or suddenly stopping everything to jump rope. Finishing a project means only strides that take you closer to that endzone.

What’s Worth Finishing – and What to Drop

In a few responses from readers, I heard a continued hesitation to even take a project on. They liked the idea of finishing something for this week’s challenge but… you could just hear it in their voice: they weren’t sure they even cared about their project any more. I’m thinking that is worth its own post.  Don’t you hear a list forming in your head, of good reasons for finishing something vs. when to just drop it off the list?

For today’s sake, let’s just say: sometimes you have to amputate certain parts of a goal in order to get it done. In grading, I had one class that was hard to get finished. We made it through our main units, but there was one other assignment I always have students write.  We ran short on time because of classes cancelled during hurricanes, but I was going to be stubborn and force it in — one more paper to write, one more paper to comment on and grade (when already slowed down with the holidays and a cold).  A more seasoned friend shrugged.  There were plenty of grades to accurately reflect the students’ learning; nothing was going to be done with that “one more paper.”  There was no reason not to drop it.

Throughout the weekend, making my deadline involved knowing when to edit out steps. File student papers later, get them graded now. Trade information with a peer by email, rather than a lengthy meeting (when our friendship gets us chatting).  We all know this strategy from our daily lives: make sure the kids learn important values, but don’t worry if you mastered scrapbooking.

Pick your battles. Know what matters and what to drop.

Declaring it Done

Hand-in-hand with that, finishing a project requires knowing when to declare it done.

Please people. Last summer my goal was to polish the third revision of a novel whose characters and storyline were thoroughly written in order to query agents by September 1. What did I do to myself instead? Discovered a whole new thread for a main character’s motivation. Augh.  I mean, yes, okay, it might be a better book for it.  But do I not realize that this second-guessing kind of revision (requiring a thorough rewrite) is what kept me from ever querying the last one? Every time it was just about to finish its writing-marathon, my little novel would say, “You know, I think I’d like to go back and re-run mile 15 differently.”

In perfect irony, that novel draft I never queried has a scene where the main character is an artist, working on finishing a painting in her studio. Watching her, the artist’s daughter asks, How do you know when a painting is done? Roughly quoted, the mother answers, You never really do — just, at a certain point, it starts to stand on its own. At a certain point, you have to take your hands out of it.  If not, it would be sold, framed and on the wall in a collector’s house, and I’d still be taking it down to make one more change. 

For both of the first two points above, as I was grading I had to limit the tasks I took on. It was being a perfectionist that didn’t let me read a student paper without adding one more comment, even knowing the paper and the semester were done. And the definition of finished (grades entered in the software by the deadline) did not need that one last assignment crammed in.

It seems the key is to clearly define “done” for your project, early on in planning.  When discipline is needed, you can then edit out unnecessary tasks and distractions by evaluating whether or not they are needed to reach that definition of done, and hold yourself to declaring a finish line crossed when you reach it.

Build a 20% Cushion on Your Deadline

Deadlines help, as they draw the line in the sand after which there is no more tinkering to be done — but deadlines need a cushion, as problems always come up.

Later this week I’ll introduce my Begin Something challenge: I have a literary magazine that has to be printed and in student’s hands by the last day of school. Which means the printer has to have it no later than May 10th. Which means he really needs it by May 1st. Which means I need to tell myself I have to deliver it to him by a week before that, or even by April 15th. There are holidays and conflicts with other spring projects that month, which means my deadline for having it finished is really April 1st. (Heh. Did you hear my shriek at the thought of how soon that is?)

Something always comes up. A glitch. Weather. Someone you are waiting on who delivers something late. Someone goes on vacation or is out for surgery. A brilliant idea for a last minute change. Run out of paper or ink or…  And we, ourselves, are imperfect. Procrastinate. Lose confidence. Have a glitch in our software or lose a key piece or catch a cold.

My grades weren’t due to be posted until 3pm Monday. Monday was a teacher workday for entering the grades. Awesome: that gave me 5 hours to grade, right? Who could have expected that a tragedy at a school in Connecticut would spur a Monday morning safety review meeting? Still, 2 hour meeting leaves me 3 hours, right? Except the training meeting evolved into the local SWAT team (you planned for this, right? we all plan for sudden SWAT developments?) performing evacuation training on-site until past lunch. Then a follow up meeting. Then a friend with a question. Arrival and assembly of new desks, redesigning my class layout.  Planning for new classes.

I learned after my first year teaching: never expect to grade on a planning day. Have it done the night before. In a perfect world, if I were as smart as posting-advice-lists would imply, I would have set my deadline 2 weeks back, at the end of the semester– anticipating that a Christmas cold would leave me worthless for grading during my weeks off. We are imperfect — subject to colds and procrastination and wanting to run see a movie with a friend and maybe struggling through finishing certain steps of a project.

We have to build a cushion to accommodate that imperfection and expecting — it never fails — something will always come up.

*     *     *     *     *

That Said, I Met My Goal — How Are You Doing?

write start badgeI have some stray housekeeping (returning papers, filing, etc.) that keeps my finish something goal from being completely cleared off my desk but, overall, I met my goal.

How are you doing with yours?

Most readers and friends I have talked to are working on their Week 1 project throughout the month (or even the year) — and really, none of us want to finish just one thing. As soon as I have time, I’ll work in finishing my grad school apps and getting stories out, not to mention those novel revisions. So we’ll continue to trade insight on what works.

Do share your thoughts in the comments.  What are you working on finishing?  Do any of these strategies ring true for you?  Or are there others that help you finish your projects?

Have any of you decided to completely drop a project from your to-do list?

If you have blogged about this challenge, please share a link to my original post (so people can read the challenge) and post a link to your blog here in the comments so we can read what you are up to!

Next up will be kick-off of Week 2: Start Something. Think about a project you need to get started — mine will be the lit mag.

*     *     *     *     *

If you like this blog, be sure to subscribe using WordPress’s +follow option, or via email or RSS feed.  I love to connect with like-minded readers and writers!

Recent Posts:

 

Leave a comment

Filed under January Challenge, Time Management for Writers, Writing Life

January Challenge: 15 Strategies for Finishing Work

write start badgeOn Thursday, I posted the kick-off for the January Challenge Week 1: Finish Something.

If you’ve missed prior posts: the January Challenge: Finish, Start, Improve, Plan attacks our 2013 goals and resolutions by focusing one week at a time.  Week 1 (that’s now) finish one thingWeek 2 start something, Week 3 improve something and Week 4 evaluate and plan where to go next.  Participate at any time — see the end of this post on how to get started.

*     *     *      *     *

The goal this week is to finish one thing.  Today’s post trades notes on the successes and challenges we are encountering, as well as 14 key strategies for getting this goal done. (Thursday’s post gave strategies for breaking the project into manageable steps, getting ahold of any missing materials and otherwise addressing obstacles that keep you from getting started — head there if you need help with those first.)

*     *     *      *     *

Week 1: How Are We Doing?

I shared that my “finish one thing” goal for the week is to complete grading from fall semester.  So far, I’m succeeding: I’ve completed one class, jotted notes for Monday meetings for classes that are starting, and organized the papers I’ll finish grading for the other two classes. Not docile, but tamed.

Life doesn’t happen in a vacuum — chances are we are all trying to finish this one thing while other projects compete for attention.  My challenge this week may be grading, but I still have a novel that is my priority and two little boys who’d prefer I not forget about them (“There’s your food, right next to the dog’s kibble…”), and of course all those post-holiday distractions.

In sharing your goals for the week (or the month or, in some cases, for throughout the spring — use this challenge as it works best for you, and do jump in at any time even once the week is done!), many of you have acknowledged being short on time or distracted by other priorities.  I’ve been fighting a cold and struggling with a bratty urge to enjoy my last days of vacation with my kids before classes start again. Every time I sit down to finish grading, it’s not student essays but my current novel draft that fill my thinking. (Sing it folks: should I not be thrilled to be on fire about novel writing in a days I have off from teaching? It’s hard to compete with that.)

Week 1 tackles “unfinished” projects, and so often these old to-do items have a hard time claiming attention against more fun, more glamorous, more interesting, more entrenched or more profitable siblings on the to-do list.

*     *     *      *     *

15 Strategies for Taming Unfinished Projects:

The point of sharing a challenge is to trade the strategies that help us get through the rough spots.  Here are 14 tricks that work to overcome resistance, find discipline and claim time for your project — balancing to finish this one thing while moving on with other priorities in your life.

  1. Get Started. It sounds obvious, but the biggest hurdle is taking the first step. Do it, now.
  2. Draw yourself in with an easy first step. Say, “Write for 15 minutes,” or “Just sort the papers,” or “Type the handwritten scene you wrote last month.” Kick off a day of novel revisions by just running a spell-check, or printing a draft for reading. Get past blank-page reluctance by baiting yourself with something easy — often, that’s enough to get you hooked.
  3. Find something to get out of the way. Scan to see if a “big” project has something simple you can knock off right away. With my grading, half of one stack was already graded– I only had to record the grades and file the papers. Shorter stack already. With my novel draft, I could type some handwritten edits before diving into major shuffling in Scrivener. If you’re tackling a cleaning project like the garage or the playroom, find things to throw away. If it’s cleaning up after the holidays, get that tree to the curb.
  4. Use the rule of 30. Get through large projects by asking yourself to work only 30 (or 20 or 45) minutes at a time. I have 8-12 hours of grading, but asked myself to work on it in 30 minute segments, several times throughout the day.
  5. Map your project in manageable steps. For grading, I divided the papers by assignment, then took them one chunk at a time, with a pad beside me to make notes for semester-start meetings or planning. For unwieldy writing projects, create a to-do list: write a “shopping list” of details that need research or interviewing, list scenes that need to be written or revisions planned. For short story submissions, make a list of 20 magazines to submit to, write a brief cover letter, proofread your story and format it for submitting. For revising a novel draft (say, one written in NaNoWriMo), your list might be: read draft, delete bad material, highlight best text, map plot points, assess word count goals, list missing elements. Then take on one at a time.
  6. Find measurable milestones. Each step should be a mini-success. Check-marks on a list of steps can be affirming.  Take pictures of each step of laying out that garden. Or set arbitrary motivators. In grading, watching columns in the gradebook software fill with grades (and stacks move off my dining table) is visual incentive.
  7. Set daily or weekly writing goals.  All industries set quotas to know, measurably, if a goal will be reached and adjust work when it’s falling behind.  In Friday Links, I shared writer Laura Maylene Walter’s post, which celebrated the milestone of 60,009 words by December, having set herself daily word count goals which she kept as a growing motivational tally.  Writing friends have shared daily goals of 500 or 1,000 words for regular progress, or goals of 2,000 when pushing toward a deadline. Other writers use hourly goals. Writer Ann Hood sets a goal to write 2 hours per day, and starts by revising the prior day’s work. Another option is to set page or chapter goals. Software (Excel, Outlook, or Scrivener) can track your milestones and keep you motivated.
  8. Avoid “wheel-spinning.” When you are starting a project, that’s the time for spit-balling, brainstorming lots of ideas, throwing lots of them at the wall to see what sticks. But when you shift to the goal of finishing, you need to be wary of spending your daily goals (word counts or time for working) on anything that doesn’t take you closer to “done.” Build an internal radar to detect when you are working but it’s wheel-spinning — lots of energy, but not taking you closer to your goal. Respect the energy of those new ideas (jot them down for later), but redirect your work back toward steps that take you directly to your goal.
  9. Balance this project with other priorities using the rule of 30 or the rule of 5’s. The rule of 30 (above) is great for alternating between key projects. Saturday, I wrote for 30 minutes, then sorted papers for 30, then wrote/researched for 30, then graded for 30, then a break and chores, then…   A variation of this is the rule of 5’s: alternate between projects, doing 5 things at each. I got myself started this morning saying, “Just do 5 papers,” then got over a mess my sons made by saying, “Just put away 5 things…” Especially in a week when we’re combatting post-holiday distractions, this counting approach can help you stay productive in competing tasks, like writing thank-you notes or putting away decorations or facing an overflowing email box at work. (I use “do 5” to get started or during breaks, and “work for 30” to make real progress.)
  10. Work to a deadline. New writers hate deadlines; seasoned writers love them. They declare a day when the work must be done. I will finish grading, because the deadline is tomorrow. There is no more tinkering with it after that. (Bonus: clears the decks for the next priority.) In creating measurable steps, start at your deadline. Write your list backwards, assigning daily or weekly steps to get there. Divide the work by the number of days to set your daily goals. Adjust daily quotas when these goals aren’t being met.
  11. Block out time-wastes. Especially if you are trying to finish a piece of writing, distraction-free time is a gift you give yourself. Stop in and say hi to us here(!), but otherwise avoid being sucked into email, social media or the latest marathon repeat of Top Chef.
  12. Do this goal first. Borrowed from my daily writing strategy: I drop everything and write before other things take over. Combined with other timing strategies, it’s easy to claim 30 minutes (or do 5 things) toward this goal, before anything else. A variation: work on it while the coffee is brewing.
  13. But build in healthy breaks. Minds go numb without food, and many writers swear by the value of a walk or run to release creative energy. Similarly, connection with family, friends and the outside world keep you inspired — so don’t feel guilty taking time out for these.
  14. Read, or seek experts. Reading triggers inspiration. More focused than that: if you are planning a class or conducting research or rethinking your marketing plan, look for advice that can keep you from reinventing the wheel. Taking time for a twitter search or “shout out” to friends might score time-saving advice.
  15. Talk about it. Especially for a stale project, renew your interest by telling someone you want to finish it this month. Tell us here in the comments, or blog about it, post pictures of your progress, or tell a friend or your family. Get someone else on board.

*     *     *     *     *

What’s Your Challenge — or Favorite Strategy?

Whether applying the January Challenge this week or not… What kinds of projects do you fight to get finished? Is it a struggle to get a novel draft to submission-ready? Are you not sure what to do next, in building your platform or writing your blog?

What unfinished projects make your yearly goals for 2013?

And what strategies have you found for getting things done? 

Please share your thoughts in the comments.  If you blog about your challenge, please share a link to this post and share link to your article so we can visit your site as well!  You can use the January Challenge badge, if you want to be festive.  (I’m sure many will stumble on this post long past this week in January, but all participation is welcome, even once the month is done.)

*     *     *     *     *

If you like this blog, be sure to subscribe using WordPress’s +follow option, or via email or RSS feed.  I love to connect with like-minded readers and writers!

Recent Posts:

8 Comments

Filed under January Challenge, Novel Writing, Time Management for Writers, Writing Life, Writing Mother

Running on the Grass

I’ve been happy to say I had a short story accepted for publication, coming out later this month.  Not only was it accepted, but it was accepted by an editor whose accomplishments and taste I admire.  Short of quoting his actual email, I can say I could not have asked for higher praise in the words he used to express pride in publishing the story.

You must understand the relative isolation and uncertainty in which most writers work.  The accepted story was written in parts over a period of nearly ten years.  It is a story of singular intensity — a story I initially wrote in response to the challenge: “Write something that scares you to put on paper.  Write something one would not say out loud.”  I did.  I wrote something that scared me.  And I did it in a way that was unapologetic in not hiding behind any narrative artifice — no gentle introductions, no fluffy segues. (Inspiration for story mentioned here.) It came together as an act of artistry and bravery, but also as a piece that would not fit the needs of all editors as they allocated the limited space in their literary journals.  In its first forays out for publication, it drew praise and near misses, but also confusion over a hurdle I could not at that time see the solution to.

I was a young parent by then.  My husband spent three years slashing his way into a higher paying job in order to support our little family so I could stay home most hours with our son.  Babies take more hours than one might think.  By the second son, I’d given up a freelance gig because of its unpredictable demands.

After years of telling myself that being a professional writer required my willingness to make sacrifices to dedicate myself to my work, I was suddenly feeling guilty over the time and expense the writing had cost — and still no bestseller on the shelf.  This fierce story brought home a near miss from Paris Review and The Sun, praise from Esquire.  But most readers have no idea the number of submissions a work might take to find the right editor, the right publication, at the right time.  The numbers game can become wearying.

At a point, I chastised myself over the near misses.  I assumed those close to me were wearying as well, and began to say: “If I were a football player, no matter how close I’d gotten to the end zone, at a certain point, if I’d never crossed the goal line, it was just a lot of running around on grass.”

Sharing this the other day, a writing colleague said that if they’d had near misses at publications like Paris Review, they couldn’t imagine doubting their abilities.  But it felt like time for some professional humility.  If I sold TVs, my shop would not be in business if sets never left the store with paying customers.  I was willing to consider maybe I was more suited to novel length, and just not a short story writer.   No question, it was a little personal trash talk.  The Army goads, “Go big or go home.”  I goaded myself to either be a writer who crosses that endzone, or own up that I might be just running on grass.

My aunt had a national champion quarter horse when I was young.  Gorgeous, gorgeous mare.  As her trophies mounted, they chose to breed her with an equally gorgeous and accomplished stallion, named Robert Redford.  The filly born was a spectacular, glowing chestnut with a perfect star on her forehead.  Next to her chocolate bay mother, she drew gasps.  She would be a star.  Yet, as time came for her to be saddle-trained, turned out there was something off in her fore-cannons (shins, for non-horsefolk).  They’d work her and fail, and have to take a break, a few months off, then try again.  Try and try again.  My aunt stood beside her, this gorgeous horse she couldn’t ride, and struggled with frustration.

Solution?  Turn the filly to pasture, let her legs strengthen.  Turn her out to run on the grass.

In writing communities, how often we run into young writers seeking advice because they are so desperate to have success now — today, on the day and time they scheduled it, within a framework their questioning families can accept.

But it’s sometimes like that filly.

I was thrilled the day it clicked in my head: the ironic parallel between the football metaphor I used to insult my efforts and the memory of that filly out kicking her heels in the thick grass of a Michigan hillside.

Sometimes writing is all about running on the grass.

We schedule our hours to work.  We hone our skills.  We read and write with professional determination.  We push ourselves to reach that completed draft, then whip ourselves all over again through the real work of revision.  We force ourselves to be humble and brave, at once.  But, in the end, as with life itself, a-ha’s and true insight and seeing the forest despite the trees don’t always arrive on a schedule.

I ran on the grass for three or four years while raising tiny babies, steeping in the mortal life’s experience that parenthood is, without scheduling time to write about it.  And one morning woke up with a full novel spilling out so voraciously that I could type fourteen hours a day and still take months to get it down.  A second novel came nearly as easily.  And one day, a short story.

It reminded me I like writing short stories and I went back to them — no longer with the drudgery of one fatigued by unmet expectations, but with the liveliness of one fresh from a wild gallop in the grass.

I understood clear as day, for the first time, why I had named a character Nixon and how a certain meaning I’d always felt about this one story had never made it onto the page.  I rewrote it.  I sent it out.  Acceptance came in a phone message I received while standing in a circle of my writing students, unable at first to explain my sudden emotion.

So publication this month comes with its own double reward.  This story crossed the end zone, but with the refreshed appreciation that there is something to be said for running on the grass.  There would be no game without it and — whether a running back, a red filly or a writer — that time on the grass is when so much of the thrill and accomplishment take place.

2 Comments

Filed under Novel Writing, Seeking Publication, Time Management for Writers, Writing Life, Writing Mother