Tag Archives: novel

Friday Links for Writers: 19 Dark and Quirky Research Sources for Writers No. 4

 

Listen, I’ve seen some gory things in all the research I’ve done for writing, so don’t go blaming me that this week’s Friday Links for Writers: Quirky Research Sources #4  goes a little dark. Fact is, most writers joke that they’d get more than a raised eyebrow if anyone caught a peek at the things googled in the name of research. And this week’s collection of odd sources I’ve come across in my reading goes just that dark.

Whether you need to know the actual metabolism of an overdose, or the bureaucratic processes a body goes through after death, there’s a link here for you. Half a dozen relate to journalism in conflict zones. And, if you’re squeamish, no worries: there’s one on art restoration and a couple on our community connection to the bodega, and one to help you track extreme weather happening at the time your story takes place. None of that fits the focus of your work? Find links to the last 3 Quirky Resource posts at the foot of this article, for more.

As you jump in, feel free to share your own favorite research links, or let us know what you’re working on this week, so we can cheer each other on. Have a great writing week, all.

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Often, Writing Requires Knowing Processes That Happen After Death:

192 Days as John Doe

Deborah Halber writes about a campaign to use current forensic processes to identify bodies that have remained John/Jane Does for decades. Interesting details of the processes and obstacles.

Learning to Speak for the Dead

Journalist Winnie Hu writes about the training and process of forensic pathologists in this 2016 piece on the Forensic Pathology Fellows Program, which she says “helped resurrect a long-troubled agency, the New York City Office of Chief Medical Examiner.”

Silent Witness: What Human Remains Can Tell Us

It’s a shame that this article by the Irish Times was triggered by the discovery of dismembered remains in the Wicklow Mountains. For anyone writing crime or mystery in the Irish Republic, it traces some of the bureaucratic and forensic processes that follow to resolve the crime.

Crematory is Booked? Japan Offers Corpse Hotels

Motoko Rich’s New York Times article reveals a funeral trend in Japan, provoked by changes in community lifestyles and a cremation industry unable to keep up with demand. Well-researched, it is interesting in revealing funereal traditions of a crowded island nation, Buddhist burial traditions, and demographic trends.

Sure, Setting’s Great, But What Drought, Fire or Storm of the Century Was Going On?

Global Hazards – NOAA

Reading Tana French, I noticed the million different ways she describes rain in Ireland. Living in Florida, I know how extreme weather is a part of seasonal culture. Visiting a friend overseas, I remember the drama of hiking through acres of trees blown flat by a hundred-year storm, climbing thick trunks suspended 10 and 20 feet off the ground… Got me thinking: what major weather events were taking place the year or months surrounding my novel? Sure enough, there’s a site for that. The “Global Hazards” page of NOAA allows you to search major weather events worldwide, by year and month. When reduced to simple ledes, I could quickly see how NOAA’s brief reports of massive weather events — from a tornado wiping out Happy, TX, to droughts, wildfires and monsoons — could inspire story ideas.

For Writing Authentically About Resistance, Reporting & Conflict Zones:

CJ Chivers' article is accompanied by stunning photography by NYT's Devin Yalkin

CJ Chivers’ article is accompanied by stunning photography by NYT’s Devin Yalkin @dedecim

The Fighter

I was gripped by this long read by war journalist C.J. Chivers in New York Times Magazine, which peels back layers to the story of the service, crime, PTSD and substance abuse treatment, and sentencing of Marine Corps veteran Sam Siatta. Chivers’ research is eye opening into training, engagement, battlefield protocol, citizens vs. targets, returning to civilian life, subtle development of PTSD (and alcohol dependency), as well as phases of trial, sentencing, prison and appeal. It’s an interesting read for anyone whose writing encompasses military life or veterans, an increasingly common detail even in non-military writing.

2017 Resistance Actions – Week One

How do you grab hold of issues that are unfolding as we speak? This post by Maud Newton is an example of some of the concrete daily actions people began undertaking in response to threats against human rights since the start of 2017. A couple other sources of info (or to support) include the ACLU (e.g., filing cases against unconstitutional legislation, lawyers manning airports during travel bans) and Women’s March.

“Experts in authoritarianism advise you keep a list of subtle changes”

Want one source for tracking the societal changes that have taken place, week by week, 2016-17? Amy Siskind has achieved near-legendary status for having started this weekly list. The link above takes you to a cumulative list, searchable by topic. You can also receive Amy’s updates by following her on Twitter or Facebook

CPJ Journalist Security Guide

I’ve followed the Committee to Protect Journalists in the (unfortunately) nearly 5 years since journalist Austin Tice went missing in Syria. The CPJ is admirable in providing a voice and conduit for information related to persecution of journalists around the world. This link takes you to a collection of 55 guides and checklists for safety and survival for journalists and photographers working in heated environments.

Turkey’s Crackdown Propels Number of Journalists in Jail Worldwide to Record High

This article and others on the website for the Committee to Protect Journalists provides statistics, profiles,  to the capture, release, and deaths of journalists, worldwide. Overall, the CPJ has been one of my leading sources for events and resources impacting journalists in the last decade. On Twitter: @pressfreedom

Drugs & Forensics:

Best Websites for Writers – Guns, Polices, Forensics & More

I’ve shared a link from this blogger before. This post includes links to multiple resources for researching forensics and more.

Everytown for Gun Safety

While writing has occasionally had me researching weaponry or forensics, I am in fact a strong advocate for gun safety and antiproliferation, so should provide a source for that as well.. Everytown is one source of information regarding the escalation in gun deaths in the U.S., particularly since the end of the ban on assault weapons in 2005.

The Opioid Epidemic:

This is Exactly What Happens When You Overdose

While it’s not a topic I’m interested in writing about, I’m sure the current opioid epidemic has some writers interested to write authentically about drug risks. In clear terms, this post walks through the exact bodily processes from drug ingestion through the ways it can go wrong. All the details you’d need to know that get your character calling 911.

Latest Harrowing Statistics of American Opioid Epidemic

If you didn’t know there was an opioid epidemic or wanted further statistics, this recent Vox post suggests that, “in 2016, drug overdoses likely killed more Americans than the entire wars of Vietnam and Iraq.”

Quirks and Specificity – Getting Your Cultures Right:

15 Behind the Scenes Secrets of Art Restorers

I loved the details of this piece on art restoration by Jane Rose at Mental Floss, which connected to my artist in Breathing Water and my museum display expert in “Jar of Teeth.” I can see writers riffing on these processes for characters in the arts, quirky concerns about a setting, or, dare we say, solving a crime.

Secret History of Victorian London’s Dirty Book Trade

In old cities and cultures, it can be hard to see beneath contemporary gloss and acknowledged history to find those remnants of more… textural elements of the past. This article is intriguing, that way. Victorian London your focus (it’s not mine)? Look for more on the site, as The Public Domain Review is a not-for-profit project “dedicated to the exploration of curious and compelling works from the history of art, literature, and ideas.”

What do You Call the Corner Store?

In a year I spent focusing on subtle ticks of spoken language between characters moving through foreign countries, I found Dan Nosowitz’s piece at Atlas Obscura as a great springboard for noticing specific character linguistics. “In many places, you’d be laughed out of the building for calling it a ‘convenience store’. It’s a bodega. It’s a packie. It’s a party store. What you call the store on the corner says a lot about where you live.” He may be talking corner stores, but it’s great prod to work more specifically toward character linguistics.

Earning a Spot in the Neighborhood

Continuing on that thread, Kristen Radke’s piece at Electric Lit had me thinking about the way community stores, pubs, and other locals are such a key identifier for the characters we write. Kristen captures the nuance of this relationship, specific to identifying with one’s bodega, neighborhood to neighborhood, in NYC: “Bodegas represent so much a neighborhood’s mood and energy… They also become beacons of safety, sometimes the only place open and brightly lit late at night, and makeshift meeting places in a city with such limited community space. It’s a mark of belonging… ‘that place is going to see you through some shit.” Beyond literal insight to NYC, it had me wondering: what locals would my characters trust to ‘see them through some shit’?

In the Ashes of the USSR: 5 Books to Understand Russia

In reading Anthony Marra’s Tsar of Love and Techno, I was impressed with his subtle and deep understanding of Russia’s evolution, which went way beyond my views, even having been a huge fan of Eastern European and Russian lit from the 80s on. So, this list by Matt Staggs struck me as that kind of insight.

 

Want more?

Here are the first 3 posts from this series:

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If you like this blog, be sure to click the WordPress +follow button, or use the email subscription button in the sidebar. You can find me on Twitter @elissafield or on Facebook.

At work on novel revisions. c. Elissa Field

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Friday Links for Writers 03.24.17

Fern Street, West Palm Beach, FL, 2016. c. Elissa Field

Not gonna sugar coat it: it’s been a rough week here. Got my grading in for the quarter ended Friday, so ready for writing and time with my kids for spring break. Instead: we spent 3 days in vigil as our awesome boxer, Gracie, was dying. She was all we could think about, yet I’ve barely had time to grieve, as I wrote 14 hours straight to make Sunday deadlines. I’m still under the gun with one more due… and want little more than to catch my breath.

 I’m not alone in balancing writing with teaching — it’s a common overlap. Nor am I alone in wrestling this competition for time. It’s great to have assignments due, but it’s sometimes heartless when you can’t stop for life’s bigger moments.

Watching for snow. c. Elissa Field

Our dog Grace has been an amazing family member. Condolences for her poured in on Facebook from people who know her from posts or from car lines at school when my kids were younger. Like other writers here, she was part of my work, too. How many of our days have we had a dog or cat keeping us company through long hours writing? How many times have we joked about all they do to steal attention from our drafts and keyboards? As well as I know writing, editing and agenting friends around the world, I remember the names and faces and stories about the dogs and cats who warm their days, and sad stories of their passing. They have our gratitude and love. So I can’t share this post without mentioning how deeply we feel her loss.

That said, this week’s Friday Links for Writers is full of some really great articles from this week. One gives brass tacks advice for formatting. Two are inspiration from poets for World Poetry Day. More: an international prize, campaigns to stop federal budgets that would upend the NEA and NEH, security advice for journalists from the CPJ…  As always, share your thoughts in the comments to let us know how your writing week has gone, or to share your own best reads of the week. Have a great writing week, all.

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How to Format a Book: 10 Tips Your Editor Wants You to Know

These 10 tips are a great checklist for anyone getting a manuscript ready for an editor or full read. Brass tacks advice, from not double-spacing after periods to best formatting for paragraph indents.

13 Authors on the Life Changing Impact of the NEA

In the face of Trump’s threatened budget cuts to arts, including the NEA and NEH, 13 writers share with Electric Lit how the NEA impacted their lives. Some really great stories, here, from Tayari Jones and more.

The risks to the NEA and NEH were central to lots of messages around the web this week, with a push to call your representatives to resist eliminations of this programming.

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Celeste Ng

Shortlisted for the EFG Short Story Award

The Times shares a link to the EFG Short Story Award website, where you can read stories selected for the prize’s short list. The £30,000 prize is the “richest” award for a single story in the English language. This year’s short list includes stories by Kathleen Alcott, Bret Anthony Johnston, Richard Lambert, Victor Lodato, Celeste Ng, and Sally Rooney.

Glory Edim

Brooklyn 100 Influencer: Glory Edim, Founder, Well-Read Black Girl

Book love, these days, is not just a matter of what we read, but — for many of us — making an effort to advocate for marginalized voices. If you’ve ever wondered how these kinds of literary advocates get started, check out this interview with Glory Edim, the founder of Well-Read Black Girl.

CPJ Journalist Security Guide

I’ve followed the Committee to Protect Journalists in the (unfortunately) nearly 5 years since journalist Austin Tice went missing in Syria. The CPJ is admirable in providing a voice and conduit for information related to persecution of journalists around the world. This link takes you to one of their survival guides — approaches recommended for journalists and photographers to keep safe while working in heated environments.

15 Favorite 1st Lines from Books from the Past 5 years

This blog post on Goodreads recognizes that most of us have appreciated articles with famous first or final lines from classics… But what about favorite books from recent years? Especially for writers revising with attention to those opening pages, these give an interesting cross section of opening lines.

The Weird Things People Leave in Books

Claire Fuller (author of Swimming Lessons) reflects on how readers leave their marks on books. Marks and a bit of wear and tear show a book was loved. But that’s nothing to the odd list of things librarians told Tin House that they’d found between pages.

For World Poetry Day:

Interview w Airea Matthews on Lit Hub

Airea D. Matthews: Texting with Anne Sexton

I always like to end these lists with inspiration from one writer, and I really loved Peter Mishler’s interview with poet Airea D. Matthews on Lit Hub. Completely different entry point led to a series of her poetry: “For about a year, I set up a secondary text account and sent messages to an imagined Sexton, which I began to transcribe and edit into the Sexton Texts poems.” Great read.

Maggie Smith Reads “Good Bones”

I discovered Maggie Smith on Twitter almost a year ago when her poem “Good Bones” went viral in the aftermath of one of the many world hardships we all sought to understand. Here, a profile on Ohio State’s website, and a recording of Maggie reading the poem.

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What Are You Working On?

What is your current writing goal? What resources or strategies have kept you moving forward? Share your thoughts or links you’ve found helpful in the comments.

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Want to be notified of further posts? Regular readers will know that I am glad to connect with other writers. Please do say hello or share your own experiences in the comments. While finishing my Master’s and completing this novel, I am not posting at regular intervals to this site, so it’s a good idea to use the WordPress follow button, or subscribe using the email option, to keep track of future posts. Both are on the sidebar (or footer, in mobile app).

I am always active on Twitter and Facebook, so it’s easy to connect with me there: Twitter @elissafield or Facebook.

More on this site:

Notes of scene and personality of my character, scribbled in the margins while reading Ann Hood’s Creating Character Emotions.

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Friday Links for Writers: Week’s Best Reads 01.06.17

Scrivener underway, nailing down the final novel structure. cElissa Field

Scrivener underway, nailing down the final novel structure. cElissa Field

One of my favorite things about the holidays is claiming long days to read and write. From Christmas Day to New Year’s, I’d read 4 novels, revised a short story, got a dozen story submissions out, and continued working through the editorial list for this novel.

So satisfying to progress through writing, revision and submission — although, it was humbling to realize you never outgrow the fidgety feeling submissions leave you with. No matter my years’ experience waiting for replies, I’ve been bad as a newbie, with that nagging obsession that I was waiting to hear back. The only cure: move on to other work.

As always, today’s Friday Links for Writers shares a list of some of the best writing links I’ve come across in recent weeks. Jane Friedman’s roundup shares 17 of her best shares, so bonus there. Share your thoughts in the comments, to let us know how your writing week has gone, or to share your own best reads of the week. Have a great writing week, all.

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How to Write a Great Story: A Roundup of the Best Advicegreat-story-roundup

This is far from the first time I’ve featured advice from Jane Friedman — I’m sure others will recognize her as a great source of insight into writing and publishing. Call this post from her blog “the motherlode,” as Jane shares 17 links to what she considers the best advice she has shared from authors, agents and publishers from 2011-2016.

The Big Reason Why Agents & Editors Often Stop Reading

This post by Paula Munier has been my favorite read from Jane’s roundup. Drawn from her book Writing with Quiet Hands, Munier asserts that a lack of narrative thrust is most often the culprit. I loved reading what she had to say about the story question, at macro-, meso- and micro- levels. I know I am not alone as a literary writer quietly craving more talk about plotting – this is that kind of piece.

Take Five: Donald Maass and the Emotional Craft of Fiction

In the same spirit as talk of narrative thrust, this post on Writer Unboxed interviews agent/author Donald Maass on his new release, The Emotional Craft of Fiction. While the post serves primarily to announce the new release, Don shares insights about authentic emotional engagement. Considering the canon of literary advice he has shared over the last decade and more, I appreciated how one of his answers traced the thread between his various books, which maps a growth in what continues to make novels “breakout,” including that crossroad between litfic and genre.

Emotion & Suspense: the Essence of Rasa Theory

71ythcjiyl__sx342_Continuing with the theme of creating an emotional experience, Rita Banerjee shares her essay on Rasa Theory: “Rasa theory centers on taste. Not taste in the sense of sophistication or composure or discernment…But taste in its most primal, animalistic, emotive, and provocative form…Rasa is what happens to you, spectator, reader, part-time lover, when you watch or read a work of art with intensity.I read the full article in my print copy of Poets & Writers Magazine (Jan/Feb 2017), but share here an excerpt that was posted by Cambridge Writer’s Workshop.

Submission Strategies: Advice from a Literary Magazine Editor

Aerogramme shared this roundup of advice from editor Kim Winternheimer of the Masters Review. I like that her advice asks, what kind of writer are you?, in acknowledging that her advice may lead to different answers for different writers, with some tips on how to make those choices.

The Best Independent Bookstores in America

parnassus“Independent bookstores are not only surviving but thriving,” Allison McNearney reports in the Daily Beast. She shares her list of the best of the indies, including a few of my favorites: Powell’s Books in Portland, Parnassus Books in Nashville, and Books & Books in Miami. (If you’re looking to find an independent bookseller near you, check my indie bookseller list on Twitter or indiebound.org.)

2017 Resistance Actions – Week One

Okay, so this may seem an odd link in a roundup of writing advice, yet it is at the heart of the context many of us are operating in this year. Whether you engage in the Resistance, feel threatened by recent politics, or are otherwise engaging in activism, or if you are writing about it, Maud Newton’s plan for one week of daily acts is a concrete map of how many are standing up for right action in 2016-17.

Toni Morrison on the Power of Language: Her Nobel Acceptance Speech

Beautiful picture of Toni Morrison on a wall inside the Lillian Vernon Writers' House at NYU. I first knew I wanted to write fiction, hearing Toni Morrison read Sula. Love.

Beautiful picture of Toni Morrison on a wall inside the Lillian Vernon Writers’ House at NYU.

People sometimes ask, “What was the first book you read that inspired you to be a writer?” Mine was Toni Morrison, first Song of Solomon, and then Sula. I signed out a library room at VCU and listened alone to a recording of her reading Sula’s final scene. The wrenching inspiration I took then is repeated in the effect of her Nobel Acceptance speech, shared here by BrainPickings.

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What Are You Working On?

What is your current writing goal? What resources or strategies have kept you moving forward? Share your thoughts or links you’ve found helpful in the comments.

*    *    *    *    *

Want to be notified of further posts? Regular readers will know that I am glad to connect with other writers. Please do say hello or share your own experiences in the comments. While finishing my Master’s and completing this novel, I am not posting at regular intervals to this site, so it’s a good idea to use the WordPress follow button, or subscribe using the email option, to keep track of future posts. Both are on the sidebar (or footer, in mobile app).

I am always active on Twitter and Facebook, so it’s easy to connect with me there: Twitter @elissafield or Facebook.

More on this site:

copyright Elissa Field (use w written permission only)

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Friday Links for Writers: 06.03.16

tsar love techno 

It’s been a busy week for writing — some new work, some work for clients, and a ton of editing. I’ve made it through about half of draft 10, with draft 11 coming together with the fierce and authentic punch that broke through in the last rewrite. This makes me happy… albeit, with tons left to go.

Just as many hours go into reading. I recently shared my Spring Reading List — go check that out for the books that powering my writing world. Pictured above, a favorite: The Tsar of Love and Techno by Anthony Marra (on my desk so I could transcribe a scene I wrote in the end papers while reading late).

This week’s Friday Links for Writers shares some of the most exciting, inspiring or useful links I’ve come across recently. As always, share in the comments to let us know what resounds with you, what you’d like more of, or share your own favorite links. Have a great writing week!

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Jimin Han on Rethinking the CW Workshop

I felt like this piece by Jimin Han on Pleiades is one of the most important ideas I’ve seen for those leading writing workshops. I’ve been struck, in forums with writers applying to MFA programs, the frequency with which minorities and marginalized voices feel unheard in MFA and other writing programs. Han and her teaching partner have a great approach to first learning a writer’s intentions and connecting all feedback to those intentions. Highly recommend this – not just for workshop, but critiquing peers, editing for clients, reading slush, etc.

CjQOA7_WYAE5aJW12 Things I Noticed While Reading Every Short Story Published in 2014-15 (or, Extremely Long Titles That Are Complete Sentences Are Still Very Much a Thing)

Ok, so this was another of the best things I’ve shared online lately. So often, writers are puzzled by what editors react to — something that felt powerful in draft didn’t light off sparks on submission. Kelly Luce’s piece at Electric Lit reveals surprising patterns, overused tropes, and useful insight into the most successful fiction in one year’s reading.

24-danai-gurira_w245_h368Danai Gurira’s Advice to Young Female Writers: ‘Go Where You Are Loved’

Here’s another one I absolutely loved and highly recommend reading. It’s easy to be inspired by Danai Gurira’s self-aware, fierce calm in The Walking Dead. How much more amazing, then, to find she is also a Tony-nominated playwright. She offers great inspiration to go where others embrace you and to get it done.

17 Best Flash Fiction Contests

On his Bookfox site, John Fox shares a list of details and links for 17 flash fiction contests. Are you thinking, “But I don’t write flash fiction”? Common thread among my novel writing friends is how novel edits can be repurposed into flash. Hmm…

Tell Me More: Creating Suspense with Information

This short piece by Marlene Zadig at Carve Magazine does a great job of challenging the idea of withholding information to build suspense. In my focus on reading suspenseful literary fiction this spring, I can attest to it. Readers appreciate being in on the story, not “ta-da!” moments when info is revealed.

Noir is Protest Literature: Why It’s Having a Renaissance

I found inspiration in this article at Electric Literature, as it relates to an idea I’ve been exploring in the shift in safety felt during the first decade of the millennium. “The classic crime story…takes place in an essentially orderly universe, with a common understanding of good and evil. Crime here is a dangerous anomaly, but order can be restored,” contrasted with noir: “Noir, as it emerged in the middle of a violent century, said to hell with all that. Its world was chaotic, baroque and hypocritical. Crime doesn’t disturb this world, it’s foundational to it.”

Crowdfunding Usually Doesn’t Work for Writers – But it Can

This is an interesting piece by Jane Friedman. One could assume it is for writers intending to self-publish, but in fact connects to more clever usage I’ve seen, such as a friend whose successful, traditionally published novel used a Fund Me campaign to support production of a high quality audiobook. She gives great approaches for targeted use.

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What Are You Working On?

What is your current writing goal? What challenges or strategies keep your going or make hurdles in your work Have you come across any great writing links or resources lately? Do share your thoughts or links in the comments.

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cElissaField

cElissaField

Need Motivation?

I’ll be on Twitter all today, and each Friday June-July, with Wordsmith Studio  to host hourly writing sprints.

Find me @elissafield, follow hashtag #wssprint.

Learn more from my post for our last event: Join Wordsmith Studio’s Live Writing Sprints on Twitter.

Or, you can find saved feeds from prior sprints — complete with some incredibly productive prompts for developing fiction — on my Storify.

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If you like this blog, be sure to click the WordPress +follow button, or follow via email. You can find me on Twitter @elissafield or on Facebook.

copyright Elissa Field (use w written permission only)

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Friday Links for Writers: 05.13.16

copyright Elissa Field (use w written permission only)

copyright Elissa Field (use w written permission only)

I’m midway through a 4-week break between classes, at the tail end of my Masters. This perfectly coincides with having a printed draft to complete a read-through revision, which makes this a busy writing week.

I’ve been wrestling with technology — finding the most efficient ways to keep track of complicated novel structures while moving large chunks around. I’ve written about mid-level novel revisions often, here, and this revision has had its own insights.

This week, I’m debating moving my outline (the structural spine devised to guide the revisions) into Excel. Complete nerdfest: that allows me to not only graph the chapters and parts, but graph key reveals, reactions, crossing of internal and external conflicts… Not word-nerdy enough? I’ve been obsessively analyzing concepts of action-reaction — the dialogue and external conflicts comprising actions, and all the modes by which characters react, in layers. Worth its own post — a post requested by another venue — but for today…

It’s time for Friday Links for Writers. Not surprising at least one link is a piece on character action. As always, share in the comments to let us know what resounds with you, what you’d like more of, or share your own favorite links. Have a great writing week!

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Character Reaction — Make Your Character Respond

On The Editor’s Blog, Beth Hill discusses the need to reveal character in the written responses to action and events. While I’ve been considering a dozen different layers to response, she covers the big 4: action, dialogue, thought, and emotion.

Pixie Dust

Okay, so this will be, what, the third Donald Maass piece I share lately? Yeah well, he must be good at getting one thinking. His latest post at Writer Unboxed talks about using the most emotionally charged details to power your writing (and delete the rest). Experiences shared in the comments are just as inspiring as the initial piece.

a8b42ebd1d57086a0349245db28cc008Found on Pinterest: Plot Timeline Infographics
Plotter or pantser, I strongly believe in understanding (or planning) the best structure for the novel you’re writing. In revising Never Said, that backbone has been key to building a more complex story than would have been possible without it. The link above goes to pin for the “first act”. Click here to find Act 2 and here for Act 3. Want more? Clicking the pins takes you to the original articles.

How Mapping Alice Munro’s Stories Helped Me As a Writer

And, hey, if I’m confessing my inner word nerd… well, look, Elizabeth Poliner was geeking out on diagramming Alice Munro, too. For me, it’s been a mix of Anthony Doerr and Tana French – but, point is, if you’re diagramming your favorite writer, you’re not alone.

Print Products: Turn Your Book into a Notebook or Workbook

Many of my readers may already have stumbled on Joanna Penn, who has been generous, as her self-publishing career took off, to share creative ways to make a living with your writing. This post is just that, with advice on how to create accompanying workbooks or other print materials from your existing book (especially nonfiction). This would be a great approach for speaking engagements and workshops.

Santiago Caruso via The Guardian

Santiago Caruso via The Guardian

 

On Charlotte Bronte’s 200th Birthday: Illustrating Jane Eyre

This one is just for a little inspiration, for any of us kindling a love for the Brontes. A Guardian piece, featuring the Gorey-esque artwork of Santiago Caruso depicting scenes from Jane Eyre.

Ta-Nehisi Coates: the Privilege of Writing from in the Mess

I loved this answer Ta-Nehisi Coates gave to a Howard University student who asked him what responsibility he thought writers have. The link above gives that one answer. Or, here is the full conversation between him and professor Greg Carr, including a reading from Between the World and Me.

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What Are You Working On?

April seemed to be a huge month for writers using challenges to reach writing goals — and just as many of my friends hit May (and look forward to summer) with editing now on their mind. What is your current writing goal? What challenges or strategies keep your going or make hurdles in your work?

Have you come across any great writing links or resources lately?

Do share your thoughts or links in the comments.

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If you like this blog, be sure to click the WordPress +follow button, or follow via email or Bloglovin options in the sidebar. You can find me on Twitter @elissafield or on Facebook.

Round tower bend, Waterford, Ireland. copyright Elissa Field.

Round tower bend, Waterford, Ireland. copyright Elissa Field.

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My Spring Reading List 2016

 Spring 2016

I’ve been meaning to post my Spring Reading List for weeks — in reality, I’ve done so much reading in the past year, it’s ironic that I slacked off sharing my reading lists.

Shaming me into it just the littlest bit today is one of my favorite activities with writing friends. A group of writers with Writer Unboxed meet via Facebook every other month to discuss the craft details that led to a breakout novel’s success. While I posted today’s questions and waited for discussion to start, well, there was just no excuse for not getting this post ready to go live.

So first off, shout out to my WU Breakout Novel Dissection group who are, as I type, in the throes of some really interesting analysis of everything from tittle to time structure.

And then, here’s to great reading. Let us know the best titles you’ve read lately, or releases you’re looking forward to.

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Adult Fiction

  • Julianna Baggott, Harriett Wolf’s Seventh Book of Wonders (Aug. 2015). Julianna is one of the most forthright, witty, magical and generous writers I’ve met, over the years, and I have been really looking forward to reading this novel, which, itself, serves as essentially the missing 7th book in an imagined series. This book is full of surprises, and one of the few books I’ve given as a gift lately.
  • 51CCPq9tcEL__SX336_BO1,204,203,200_Anthony Marra, The Tsar of Love and Techno (Oct. 2015). Anthony Marra has become one of my favorite writers –his Constellation of Vital Phenomena (2014) is the only book I have ever reviewed on this site, and makes my favorite read of year list — so I was excited to see this release. While identified as “stories,” this collection reads like a novel that is handed from one story to the next. I don’t want to oversell it… but it was new and smart and funny and… yeah, great.
  • Tana French, In the Woods (2008). Something about workshopping with Ben Percy last year has had me in a mind of getting back to my reading roots: honoring the kinds of stories that first inspired me as a reader. I crave the mental puzzle of a good mystery — equally despising poorly written ones — so have been glad to discover French’s rich & flawless writing in her Dublin mystery series. Next up: Likeness. Next up after that: Faithful Place. Hooked.
  • Paula Hawkins, The Girl on the Train (2015).  Keeping with the mystery thread, this one finally made my reading list when it was selected by the group of writers I mentioned in the intro (Writer Unboxed Breakout Novel Book Dissection group). If you’d been holding out to read this once the paperback came out, it just released last week.
  • Eleanor Catton, The Luminaries (2013). This novel has been in my almost-read pile for more than a year, and I’m only adding it here again because I actually read it this time. Incredible writing, great detail, my kind of topic. But the kind of over-writing where you got to each “reveal” about a hundred pages ahead of her. Really turned it tedious.
  • 51CGEPIpYqL__SX332_BO1,204,203,200_Emily Carpenter, Burying the Honeysuckle Girls (April 26, 2016). I have really been looking forward to this debut novel, which uncovers the multigenerational mystery behind the disintegration of women in one Alabama family. Emily delivers a page-turning thriller with a bit of wit and magic. I look forward to more from her.
  • Alexander Chee, Queen of the Night (Feb. 2016). Having followed Alexander online for years, I’ve been really excited to see the acclaim that has arisen around the release of this novel this year. Already a bestseller, a New York Times pick, and rising on numerous reading lists, it’s been described as a mesmerizing work, something like opera. I’ve read the opening chapter and look forward to more.
  • Hanya Yanagihara, A Little Life (2015). You may be the same: this one came home from the book store with me because so many people kept reporting what an emotional read it is. It was a Man Booker Prize Finalist, and made the “best book of the year” lists for more than 20 major publications.
  • 61MBasfoH0L__SX323_BO1,204,203,200_Sara Novic, Girl at War (May 2015). I’m really looking forward to this novel, a coming of age debut that has been an award winner and finalist internationally, with comparisons to two of my favorite novels: Tiger’s Wife and All the Light We Cannot See.
  • Nicole Krauss, The History of Love (2005). I came to this one as a fan of Jonathan Safran Foer, Anthony Doerr, and Nathan Englander. Everything, from a starred Publishers Weekly review to excerpts and recommendations, has me looking forward to an unexpected point of view on love.
  • Chimamanda Ngozi Adichie, Half of a Yellow Sun (2006).  I previously read this author’s acclaimed Americanah (2013), but had several friends recommend her Orange Award winning earlier novel, so Half a Yellow Sun made my list. (If you prefer audiobooks, Julianne Stirling highly recommends Americanah via Audible, as she says the narrator, Adjoa Andoh, brings the African dialects to life.)

Middle Grade/Young Adult Fiction

  •  Kwame Alexander, Crossover (2014). I’m excited to be able to add not only a diverse voice into my sons’/students’ reading this spring… but it’s a highly awarded novel in verse.

Poetry

  • Claudia Rankine, Citizen: An American Lyric (2014). I keep forgetting to order this collection, but have heard it consistently recommended.

Nonfiction

  • Richard Engel, And Then All Hell Broke Loose (Feb. 2016). From elsewhere on the blog, you may be aware of the thread about dangers to conflict zone reporters that influences part of my novel draft. While researching and tracking one missing journalist, I was sorry to hear of the capture of Engel and his crew. If you’ve seen him report, he’s the real thing, honest to goodness, diehard reporter, and I look forward to his insights.
  • Robert Young Pelton, The World’s Most Dangerous Places (1995, 2000, 2003). I first read the 1995 edition when writing Breathing Water, and returned to it, over the years, in writing about characters working in hot spots around the world. I tracked down the 2000 version this spring, as a resource a character in Never Said would have consulted before heading overseas. I got a kick out of the deadpa61MV8ZtI4JL__SX331_BO1,204,203,200_n, gravedigger wit of this first time around — but the advice rings much more somber, post 9/11.
  • Benjamin Percy, Thrill Me (Oct. 18, 2016). Yes, this one’s not coming out until October, although I’d love to get ahold of a galley to review. Of everyone I’ve workshopped with, Ben’s advice on fiction has been the most like rocket fuel.

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What About You?

What is on your current must-read list, or what books have you read recently that you highly recommend?  How do you usually get your reading recommendations — suggestions from a friend? lists in the news? books on shelves in the store?

If you post your own reading list, feel free to share your link in the comments below. If you would like to join in a reading blog hop, let me know.

Or, click to connect on Goodreads.

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Where do the book links take you?

For convenience, you can click book titles for their link on Amazon — or find them at your favorite indie bookseller through indiebound.org:

Shop Indie Bookstores

What’s my “VIDA Count”?

Equity or diversity in voices is an issue many of us are working on improving — some from the publication-end, and I’ve addressed it with curriculum in classrooms. The VIDA count is a done by a group that evaluates representation of gender and identity within publications each year. I’m not a part of their counting, but thought it was positive to see the number of women (11 out of 18) and marginalized voices (7) that coincidentally populate my reading list this time around.

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 If you like this blog, be sure to subscribe using WordPress’s +follow option, or via email. I can be found on Twitter @elissafield , on Goodreads, or on Facebook.  I love to connect with like-minded readers and writers!

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Friday Links for Writers: 04.29.16

Round tower bend, Waterford, Ireland. copyright Elissa Field.

Round tower bend, Waterford, Ireland. copyright Elissa Field.

It has been another busy writing week. New fiction. Book editing for a client. Research and academic work to finish a masters class. Digital portfolio…

My biggest writing priorities this week have been getting my novel printed for read-through, and hosting #wssprint.

On the novel: I’d made it through the 9th draft of my novel, appreciating the ability to shuffle new chapters in Scrivener. But that also means I spent an undue amount of time this week hair-pulling in order to compile the novel back out as Word document. God love Scriv — a difficult child, requiring deep digging into its Advanced custom menus to simply ask it not to reformat everything in order to print (smh). I’ll still be working through this much of today, to get the 10th draft in printed form, ready for big read-through revision.

What is #wssprint? I’ll be hosting the last of 6, all-day live writing sprints on Twitter with my writing group, Wordsmith Studio. The sprints run from 11 a.m. – 11 p.m. EST, starting at the top of each hour. It’s been a fantastic experience each week. But also requires preloading 72+ organic tweets through twitchy Hootsuite, finding or originating prompts that take novels deeper, plus manning the live event. So do come visit, if you’re reading this 4/29 — or look for periodic events in the future. (On Twitter #wssprint or blog post)

But as with any week, time writing includes time for reading…  This week’s Friday Links for Writers includes advice on pitching, relevance, freelancing and more. Let us know what you find meaningful, or share your own favorite links.

Have a great writing week!

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22 of the Best Single Sentences on Writing

As Lit Reactor puts it: if good writing is succinct, shouldn’t the advice be, too? 22 single sentences with advice from Chekov, Gaiman, Oates, King and more.

Tips for Writing the Perfect Pitch

This piece by Estelle Erasmus on BlogHer is insightful as to what makes for an effective pitch — advice that resounds among my freelancing friends.

Thoughts on Pitch Contests

On the eve of another Twitter pitch madness event (#PitchMad or #pitchmadness), agent Julie A. Weber gave her thoughts on the process for pitching novels in these events, including do’s and don’ts.

Relevant

Agent and writer Donald Maass has a way of cutting to the heart of what makes breakout fiction today, and his posts on Writer Unboxed tend to stick with me. This, on “relevance,” came to mind as I was reading a recent bestseller and could see how, without particular threads of relevance the novel would have fallen flat.

Freelancers Roundtable

Interesting Longreads conversation between three freelancers — Josh Dean, May Jeong and Jason Fagone — about the state of freelancing and their experiences on various aspects of the business, from finding ideas to negotiating, and more.

Ontario

Colin Barrett is a slick & insightful writer whose collection Young Skins is described as voice of today’s young Ireland. Irish Times shared “Ontario” as a short story — to me, it’s more depiction of how we write (and don’t write) from reality. Here or elsewhere, Barrett’s worth reading.

Another Hidden Message Box on Facebook

This isn’t specific to writing, yet ran wild through writers’ posts recently. So, you know there’s a message/inbox in Facebook, right? Some folks freak out to discover there’s also a second inbox (called “message requests”), catching attempts to message you by people who are not your friends. Look at the foot of that: click the link that says “see filtered requests.” That’s a third inbox — and friends have found everything from letters from readers to requests from agents in there. Thanks for the confusion, FB.

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What Are You Working On?

Chime in to share your current writing goal or link to a recent favorite read in the comments. April has been a month with friends using a range of challenges to work through writing and editing goals. A group of published friends merely start a FB post each week to keep accountable, keeping each other going. Others have used #AprWritingChallenge, Camp NaNoWriMo, Poem a Day Challenge, A to Z Blog Challenge and others to claim time to write with the camaraderie of others. In conversation (#wschat), writers traded personal strategies for finding time.

What do you do to claim time to write?

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Need Motivation?

cElissaField

cElissaField

Don’t forget: I’ll be on Twitter with Wordsmith Studio all day today (4/29) to host hourly writing sprints. Find me @elissafield, follow hashtag #wssprint or read more in this prior post.

Even if you’re past the live date, you can find prior sprint days (with prompts) on my Storify — and continue to follow #wssprint and Wordsmith Studio, as we offer these events periodically throughout the year (current plans for a summer and October series)

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If you like this blog, be sure to click the WordPress +follow button, or follow via email or Bloglovin options in the sidebar. You can find me on Twitter @elissafield or on Facebook.

For more Friday Links for Writers:Thinking of Him

  • Friday Links for Writers: Quirky Research Sources for Writers #3
  • Scan summaries of the links shared on all Friday Links posts: hover over individual post-titles listed on the Links & Where to Find Me page

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Friday Links for Writers : Quirky Research Sources for Writers #3

cElissaField Happy bunny son watches crystal being finished, Waterford factory, Ireland.

cElissaField Happy bunny son watches crystal being finished, Waterford factory, Ireland.

This 3rd installment of Friday Links for Writers: Quirky Research Sources for Writers gives nod to the #Youknowyou’reawriter truism of worrying what the FBI might think of your random online search history.

Best ways to hold a battle ax. How long does it take to bury a body. You know, as one does.

Even without the excuse of writing thrillers or horror, I confess an undue number of searches related to weaponry, terrorism, reporting from conflict zones, specific jails, specific dangers. Particularly researching for Never Said. I’ve read and watched some shocking things. (It took awhile to get over the morgue tour — our ME is big on gravedigger humor and indelible images.)

jps norton 1990 robert dunlopAlthough, equally, my searches include finding unedited dashcam footage of TT motorcycle road races from twenty years back (in awe: pre-GoPro). And sweet things like sound of the native birds on a particular hillside, or finding a picture of the inside of a small village church. (Pinterest board for Never Said)

This week’s Friday Links for Writers shares the odd articles writers come across in weekly reading — a cross section of authentic info for everything from the gruesome to the sacred, the timely to the de ciecle.

Have a great writing week, all.

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Smelling Death: On the Job with New York’s Crime Scene Cleaners

A long read in The Atlantic. Some things you just can’t imagine accurately without hearing from the pros.

The Lonely Death of George Bell

A touching exploration on what occurs when one dies alone – but also unusual insight, tracing the various vendors and entities that go into resolving unidentified estates, or even just the path a body travels.

 Beretta-92Best Handguns for Detectives

This article is just one post in Benjamin Sobieck’s Writer’s Guide to Weapons.

Writing Tips from the CIA Style Guide

This won’t get you all 007 about how to speak 20 languages with ease or kill a foe with dental floss… but certainly is a twist on your average “how to edit your prose” advice.

Free Historical Costume Patterns

Thanks to Diana Terrill Clark, a writer in my circle, who shared this website with patterns for clothing and undergarments from historical periods. A good visual when describing historic apparel.

Untangling the Overlapping Conflicts of the Syrian War

An infographic and map-imbedded article breaking down the layers of conflict, useful to anyone writing about impacts of the war in Syria in the 4 years leading to October 2015 publication.

3 Maps that Explain America

The map that got me was the second, which shows the predominant national ancestry for each county in the United States.

Cfwc2XoWQAAuyoQWhy Are There Sea Monsters Lurking in Early World Maps

Here’s where we start to see what a map addict I am. Dory Klein of the Boston Public Library is amazing in revealing the layered stories behind sea monsters at the fringes of early maps.

17th Century London- by Air

This Open Culture piece shares link to an award-winning animation: “Six students from De Montfort University have created a stellar 3D representation of 17th century London, as it existed before The Great Fire of 1666.”

Church Architecture Glossary

Whether you grew up in churches or not, knowing the proper terminology for narthex and apse can be outside one’s grasp. Along comes this handy glossary from Ken Collins.

Glossary of Islam

Wikipedia offers this glossary, which provides an extensive list of definitions for terms related to Islam and Arab traditions. Want another great introduction to Muslim traditions? Check out the American Muslim Teenager’s Handbook, written by an American Muslim mother and her teens, with instructional insights intended to increase understanding for those inside and outside the faith.

Want more?

Friday Links for Writers: Quirky Research Sources #2

Friday Links for Writers: Quirky Research Sources #1

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What Are You Working On?

Chime in to share your current research challenge or favorite source in the comments below. My own challenges have included finding recordings of specific dialects, down to a county, or the sound of a particular engine during a race. Lately, I was searching to figure what alternative rock would have been playing in Dublin ten and fifteen years back. Often, it’s getting details of a specific process (taxidermy, for an unfinished story). What are yours? Share links, a challenge, or your best research strategy.

Need Motivation?

Don’t forget: I’ll be on Twitter with Wordsmith Studio all day today (Friday, April 15th) to host hourly writing sprints. Find me @elissafield, follow hashtag #wssprint or read more in yesterday’s post.

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If you like this blog, be sure to click the WordPress +follow button, or follow via email or Bloglovin options in the sidebar. You can find me on Twitter @elissafield or on Facebook.

For more Friday Links for Writers:Thinking of Him

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Join Wordsmith’s Live Writing Sprints on Twitter: #wssprint

cElissaField What we love about writing: constantly changing corner office view.

cElissaField What we love about writing: constantly changing corner office view.

Do you use word counts, hourly goals or other motivators to reach your writing goals? April is a great month for joining in any of a variety of writing challenges. Wordsmith Studio brings them all together with weekly writing sprints, every Friday in April.

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Join Hourly Writing Sprints Every Friday in April

Along with a fabulous group of writers, Elissa Field is a Founding Member at Wordsmith StudioYou may know I am a founding member of Wordsmith Studio, an awesome group of writers and artists who share craft resources and support each other throughout the year. We celebrate each other’s writing, keep each other going, and laugh a lot. This month, we are celebrating our 4th anniversary.

My part of our month-long celebration has been planning and serving as a moderator for all day writing sprints, live on Twitter every Friday in April. Look for camaraderie, motivation and some seriously smoking keyboards with hourly writing sprints, each Friday from 11am-11pm EST.

How #wssprint Works

The live sprints take place on Twitter. Follow #wssprint , or find via @WordsmithStudio  or @elissafield. (If you’re a Wordsmith member, we repeat some tweets in Facebook, as well.)

Beginning at 11 am EST, sprints start with a kick-off tweet on the hour. Write or edit for 45 minutes, then share your success — word count, page count, plotting solution, a favorite line, whatever — using #wssprint at :45. We take a break for 15 minutes (time to chat, share, ask questions, invite a friend, cheer each other on), then start again at :00, up until 11 pm EST.

Optional Prompts

Every hour, there is an optional writing prompt.

The prompts are great — more than 13 a day. I am a huge fan of novel prompts shared by Donald Maass in 21st Century Fiction (highly recommended for building depth, power and tension, when building or revising a novel), so we share some from him. Here is a favorite – you can see why I think he’s awesome.

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Sarah Turnbull (@thesaturnbull) and I wrote the prompts that aren’t credited to Maass, based on writing advice that has impacted our work. There are also photo prompts and ones coordinated with challenges our members are working on (see below).

But there are no rules. No prompts required. Lots of our writers are editing, rather than writing. Use the time however gets you going. Most say it’s just nice to feel like someone else is writing or editing with you.

Do take time to say hello, while you’re there.

What Goals Are Writers Working On?

Some of our participants are using the sprints for organized writing challenges, such as Camp NaNoWriMo, Poem a Day Challenge, A to Z Blog Challenge, or the monthly 500-word-a-day challenge (#AprWritingChallenge this month).

But most — including our Wordsmith Studio Goals Group or visitors from Writer Unboxed and Binder subgroups — are using sprints to keep going with existing goals.

I am using sprints to keep moving from draft 9 to draft 10 of my novel, Never Said. The first week, I finished transcribing handwritten scenes, incorporating new work and changes into the draft. Some writing sprints are chance to anchor scenes with more developed setting, now that I’ve fully developed character and plot. Sometimes I’m working on nonfiction, writing for education or editing for clients.

We’re all jumping in to inspire each other.

Oh, No. I Missed It!

Not all of our participants write along with us “live” — jump in to use the sprints whenever it works for you. You can scan #wssprint to find the prompts and share your success any time. Or, visit previous #wssprint days via Storify. And, considering the success this month and when we ran Fridays Are for (Spooky) Writing last October, be sure to follow @WordsmithStudio for sprints we run in the future.

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How About You?

What challenges are you working on in your writing this week, or what strategies help you reach your goals? We’d love to hear from you — share your thoughts or links in the comments.

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If you like this blog, be sure to click the WordPress +follow button, or follow via email or Bloglovin options in the sidebar. You can find me on Twitter @elissafield or on Facebook.

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Today’s Work: Sharing a Scene from Never Said

Running man

Some of you may know that I participate in a variety of writers’ groups online, which has been fabulous company and motivation as I pound through novel revisions this summer.

Novel Revision Process

I haven’t been posting about my writing process as often as I did last year, but regular readers may know that part of my obstacle is that I’ve taken on a daunting but very thorough revision process: rather than just continue tweaking draft 4-5, which I’d worked on through the winter, I am fully retyping the current draft. It has been an extremely effective process… but s-l-o-w, in the sense that it’s August 1 and I only have 24, 700 words in (last winter’s ms was 176,000).

What has been particularly exciting about the process is it has benefitted from the concentrated power of scenes written later in my understanding of the story, and I’ve been really excited, in particular, about the layer of meaning that have come about from expanding viewpoints.

I have been sharing about this regularly on Twitter (#SumNovRev), within Facebook groups and during daily writing activities at TeachersWrite! but have posted little about it here.

Sharing an Excerpt of the Work in Process

Teachers Write 2013 ButtonThat said, today I am sharing an extended scene from the last third of my novel in progress, Never Said. (I shared a short excerpt from this as part of Gae Polisner’s Friday Feedback; revision to this scene was prompted by character description activity on Kate Messner’s blog for TeachersWrite.)

About the Excerpt

Michael Roonan is an elusive main character as the novel takes place at a point in his life when he appears resigned to his own death despite the community around him absolving him from blame. He goes along with his best friend’s insistence that he go on the run, but there’s the unspoken undercurrent that he doesn’t disagree with the man who is after him (Sean).  This excerpt is from Sean’s POV, but really is lead up to the reveal of secrets Roonan has been keeping all along.

I’ve written before about how I like to play around with POV, writing from several different viewpoints as I discover a story. This antagonist, Sean, was a fun surprise, as he had insights I hadn’t thought of.  (Writing in Process: Using Alternative Voice to Understand Internal Conflict).

 

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Excerpt from Never Said

(The following is an excerpt from an unpublished novel. Do no copy or use without express written permission from Elissa Field.)

Sean saw the back of Michael Roonan’s head from a distance, across the thin stream that split the village center.  Mick turned toward the marketplace on the other side of the stone bridge. Wind lifted his hair and Sean saw his face in full profile. Definitely him. His hair was heavy, coarse with the filth of a man on the run. It calmed his anger to know Mick ran, no matter what he’d said. His hair grown out like the mane of a horse, so unlike himself.

Unrecognizable from the man he’d last met on the jetty south of Wicklow, when he’d watched Mick dive off the stern of a trawler, knowing he was avoiding the Garda whose lights flickered fierce off the roofs of their cars, parked in jackknifed formation at the entrance to the docks. Sean had grinned at him, unseen: They’re not for you, Mick. It’s a body washed up against the headwall. Coppers wandered bored as farm dogs, no hints yet if it were a murder or just a ferry jumper or a man washed overboard. So tedious, waiting on coroners.

He followed the intermittent bob of Mick’s head beyond the concrete breakers, carried far south by the inlet currents. He might have drowned, another body to be fished out, but sputtered out of the surf along the strand amid coarse grasses and weekend strollers. Sean watched him collapse. Waited. Mick pulled himself to sit facing out to sea as if what chased him was yet panting in the frothing waves. Not behind him in the car park, where Sean  leaned back for a smoke. A think.

Shells or stones – he couldn’t see from this distance – rattled in the waves with a sound like dried bones. Mick’s hair was buzzed military-short, then. More stark than months Sean had seen him reported, imprisoned in isolation for all the players who wanted him dead.

This little man. Hunched along the shore line, thin thread of light blazing brilliant beneath the oyster shell gradations of the sky.

Water and sand fell from his shirt when he stood. He brushed kelp from his shoulder. Otter of a survivor. One summer in Ridell, there’d been one of the younger brothers – he was sure it was Mick –pulled in an undertow jumping off the tower at Blackrock. The black shadow of his head, like the back of a turtle or a skate, pulling deeper and sideways along the Irish Sea bottom that would be exposed, smelly with the decay of exposed mussels and whelks at low tide. Sean was the one to dive for him, a bolt through the current, wrenching him to the surface. Clear vomit of seawater sprayed over his forearm as he held the boy’s chin in the crook of his elbow, rolling onto his back, the boy buoyed on his chest as he waited out the current to let them go. The little brother’s head gagged and sputtered and cried, gasping for air. Struggled to get free, to swim, not knowing all you could do is relent and float until the current gave you up. “Easy,” he’d told the top of the boy’s head, fixing his face to the sky. “Look, there. See the gulls? How many is that?”

He was sure it was Mick. The Roonan son who covered his ears at the high engine whine of his father passing in a race, even as others took pictures or shook their fists to cheer.

There was no rush. Wait him out.

Mick’s head was down when Sean came upon him, nearly dried, on a bench along the roadside not quite into the adjoining village. Mick said, without looking up, without surprise, “How is it going for you, Sean? I’d heard you were out.” It was barely discernible: the faint shift of posture to check peripheral vision, clear enough one wolf to another, to be certain Sean was alone.

“You killed Stephen.”

There was a long silence. Cars passed, their headlights bilious green in the odd fog come in from the sea. That color got to him, always – color of the dead boy in the canal – and he wanted to shake Mick, to shake the whole world, the way Man and Ulster vibrated in the high-revved videos of Gerry Roonan at 200 miles per hour. How did Mick take this for granted? How did he not know how lucky he was, for what he had? Him and Stevie: they’d be famous racers, just like their da. What hate makes you blow that all apart? For what? Not even a cause.

Mick turned fully to him, no avoidance in his eyes. “I killed Stephen.”

“What the fuck, Mick. Can’t you even deny it to me?.. Why? Why would you do that to your own brother?”

Roonan didn’t answer that. Not yet. “How did you know?”

“I watched you. I saw you do it, you stupid fuck. Watched… I saw him…”

Both were in it, then. Graphic memory. Two men, brothers to Stephen in different ways, watching from opposite sides as the universe sucked inward on Stephen then exploded infinitely outward. The only two to have seen it plainly, true. Night stills for them as it does in sacred moments, letting damnation seep in.

“Why the fuck did you do it?”

A man climbs fully inside his eyes when come upon his truths. Sean knew as he stared into Mick’s face waiting for an answer: it was there. Mick was walking around inside it as if visiting an old room, testing what was remembered, what was broken, what was new. He wanted to punch him, deflate silence by crushing his head like a collapsed football. Fury at such deliberation, such unhurried reflection. Michael was a big man now: past twenty-two Sean guessed, strong from pulling nets on the trawler, taller than Stevie would have been. He’d heard stories of Roonan crushing an undercover cop’s head against a rock to stop the man from beating an informant. He’d heard rumors of his calm shadow in a doorway being enough to scare off provo gunners.

“You need to run, Mick.”

The man’s eyes rose to his face, but he was not there. Somewhere else, some other time, and a chill went through Sean. Remembering the boy in the hedgerow, when Rodgers hit the tree. Sean and Stevie and Mick were the first to the body, the racer’s attached hand still opening and closing in a fist, as his severed arm was further down across the road. The man’s eyes met their three faces through his visor, pleading for help. Mick would have been just eight when he heard that first gasping groan of a body giving up life, and his father’s road racer had passed them just after, front wheel lifting in the air at the surprise of finding Rodgers’ spent machine broken apart across the road, then whining away up Perry’s Hill.

He did not give away the gun tucked into his waistband. Did not acknowledge he could pick up a rock or that broken sign post just feet away and bash his skull. Could have done it then, that evening, as the high pressure sodium lighting came on over their heads, lighting them in a glow as if good friends reminiscing before walking home from the pub. He said as if he had yet to make a plan, so Mick had the benefit of a warning: “You need to run, because I’ll have you dead for it.”

Mick had stood. His feet were bare, having kicked off his white rubber fishermen’s boots when they filled like anchors with the sea. He looked up and down the street like an animal dropped from a car, dazed and recalibrating for home. He took a step toward the street to read a sign, he looked back to the car park where he calculated Sean’s car was parked. “I know you will,” he said to Sean. “But I won’t run. Not when you come.” Mick met the man’s eyes, held them to be certain Sean understood, and he’d walked off slowly in the direction of the main road.

If you want to share your feedback in the comments: 

If anything resounds with you, do click “like” or leave me a comment to let me know what you liked — it’s hard and lonely work, so I will love you forever for any encouragement. Seriously. Of course, the impact may be lost a little,  since this piece is from 2/3 through the book, and some details may reference earlier chapters (for ex: “hedgerow” is a frequent reference to where the boys stood when watching Roonan’s father race motorcycles) — but still, find kind words to let me know if any of the scene didn’t work for you and why.

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What About You?

What are you working on this week? Are their aspects of your writing process or writing community that help you get it finished?

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No so much a selfie as sign of how bad the glare on the laptop screen can be. c Elissa Field

 

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Writing Process: How to Write on the Beach

No so much a selfie as sign of how bad the glare on the laptop screen can be. c Elissa Field

No so much a selfie as sign of how bad the glare on the laptop screen can be. c Elissa Field

One of the best parts of being a writer is supposed to be our ability to do our job from anywhere.

It’s true: I remember getting an assignment while on vacation with my family at a resort in Mexico. I wrote and submitted the piece while lounging in the most gorgeous cabana beneath bougainvillea overlooking the infinity pool with a swim-up bar.

My beach writing this summer: 2 novel manuscripts in print, laptop and a pair of flamingos guarding editing supplies.

My beach writing this summer: 2 novel manuscripts in print, laptop and a pair of flamingos guarding editing supplies.

Likewise, as a mom with sons home from school for the summer, I don’t want to spend all of my novel revision hours holed up beneath my laptop while the boys are stuck watching TV complaining about just what a drag their mom is.

(What unfair irony: I’m researching motorcycle racing in Northern Ireland or writing about a furtive flight into Havana or a photojournalist lost on assignment in Syria… while my boys see just me staring at a laptop. You get my quandary.)

So it is that I spent much of June writing with my boys at the beach.

Today’s post is a pictorial “how-to”, as it turns out there are some tricks to being successful at writing on the beach.

Enjoy your day, wherever you write!

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The Basics

tree topsThe best advice for getting any writing done on the beach is similar to advice I’ve shared in Motivation to Write: Keep Writing While on Vacation.

It’s a twist on staying focused to write at home: you’re still removing obstacles and distractions, setting goals, and working in a format that keeps you productive.

1) Bring your work in a format that is conducive to actually getting something done.

Just like writing on the subway or anywhere else on the go, you have to think through your current writing goal and the format that makes that goal most portable.

Beach writing is great for generating new work — whether longhand in a journal or on a tablet or laptop. The clarifying environment loosens up many writers’ creativity, as might a run on the beach.

Since my goal this summer is novel revision, I use beach time for read-through revisions. For this, I bring a full, printed, bound copy of the manuscript.  Of course I have a pen for writing edits, but have found a highlighter most useful — I highlight just the words that are working and focus on those when typing revisions. I don’t bring my whole editing kit of colored pens, post-it notes, etc., though. I keep it simple.

My novel, Never Said, was mistaken to think this would be a vacation. c Elissa Field

My novel, Never Said, was mistaken to think this would be a vacation. c Elissa Field

But, whoa — that binder is bulky and messing with my tan lines.

If I weren’t working on a full read-through, I might take a short printed section (or a short story). Or, I’ll address working on a laptop, below.

2) It’s not Survivorman…Take only what you need

You can tell the locals on our beach because they carry the least gear. I know: you’re heading to this exotic workspace and all the “seasonal” aisles at the store suggest you need floaties and an umbrella and special blankets and a cooler and…

Get past the marketing frenzy. It’s the same drill as if you were getting writing done at home: you have to limit obstacles and distractions. The more you schlep to the beach, the longer it takes to just get going.

Option 1:  The calmest form of beach writing is if you’re staying at a resort, in which case: casually walk to the pool or neatly raked private beach with your writing materials. Use the towel they give you, the chair adjusted for you, and drink they bring you. Write your work, then leave everything there; they will clean up after you. Return to your room for a massage and nap, dine in the nice restaurant. Repeat. One added obstacle: time needed to brag and Instagram pictures of the waiter bringing you snacks

Option 2:  Sometimes you’re on vacation or staking space at the beach for an entire day. Fine, then recruit your little minions (aka family) to carry a cooler with drinks, lunch, an umbrella and all you need to be comfortable all day.

office equip bonus shells 2Option 3:  For every other beach trip: take just the basics to be comfortable for 2 hours. Even your beer won’t get hot without a cooler for two hours. Stop complaining, just sip faster.  You need: you, sunscreen already applied, a chair (yes, it keeps you off the sand), a towel, your work, a drink. If you can’t carry it all in one trip, you’re carrying too much.

Okay, fine… Here are a tropical writer’s tricks to take a drink that does not require a cooler. (Some of these assume it’s ok to have adult drinks at your beach. I will not come to bail you out.)

  • That’s what frozen drinks were invented for. Margarita, daiquiri. Mix, then refreeze so they melt more slowly. (Don’t get loopy while writing: frozen margarita mix by itself makes a great beach drink.)
  • Freeze your nonalcoholic beverages (water, lemonade, juices) but make sure to do it in BPA-free bottles.
  • Make a great beach “sangria”: Near fill a water bottle with frozen berries or frozen sliced peaches, mango or papaya. Top with half juice (or even lemonade) and half chardonnay.
  • My favorite beach drink is a 50-50 shandy of Peroni and Pellegrino sparkling limonata. Semi-freeze the limonata to keep it cold, or float with frozen berries or a chill-cube.
  • Freeze grapes to use as ice cubes in nearly any drink. They don’t dilute the drink as they melt. Or, freeze cubes of margarita mix, lemonade, juice or whatever you will be drinking, and use those to cool your drink.

Dealing with glare.

No so much a selfie as sign of how bad the glare on the laptop screen can be. c Elissa Field

No so much a selfie as sign of how bad the glare on the laptop screen can be. c Elissa Field

No matter what the ads say, it is harder to read a laptop screen in bright sunlight. But it is manageable. The glare in this selfie of me was cured with a simple tilt of the monitor.

  • Turn up the brightness on your monitor. Most laptops are set to dim brightness when unplugged in order to conserve battery power, so you need to turn this up manually (on my Dell, that’s a combination of Fn+F5). This does reduce your battery life, so close unneeded apps. Save battery power for the manuscript by reading email or Twitter on your phone.
  • Wear sunglasses. Well, duh. Polarizing colors will serve you best. A hat won’t do it.
  • Target what you work on. Glare will be hardest on fine-tune editing work, like commas and spacing.  The least effect will be on typing in new material. Do your fine-tuning at home and use beach time for new writing or read-through’s.
  • Edit in print. Easiest adaptation is to go old school and use beach time for handwritten edits on a printed draft. My best beach work has included rewriting a scene in longhand or highlighting the best text to keep in a novel in process.

Dealing with sand

Despite best efforts, I was typing with sandy hands.

Despite best efforts, I was typing with sandy hands.

Heh. Good luck with that. I distinctly remember the day, my first year in Florida, when I gave up ever having no sand in the carpet in my car. It’s just a reality of the beach.

Some tips for managing sand intrusion into your work:

  • Nothing precious. My print copy of my novel has a bit of permanent sand in its binder. Another draft has a wet splash from a  morning by the pool. They’re working drafts. Honestly: a little water or sand is nothing compared to the red ink, post-it notes and highlighter scarring their pages. I can live with that. Just another badge of courage.
  • Swim last. I don’t swim until after I’m done working, which helps with sand management as my towel and I are dry, attracting less sand.
  • Oops. Flipped my laptop and binder into the sand. No damage though - it dusted off.

    Oops. Flipped my laptop and binder into the sand. No damage though – it dusted off.

    Have a safe seat for your laptop. I carry a separate bag where my laptop stays unless I’m working on it, and an extra towel to rest it on, in a safe place out of direct sun. I don’t leave it unattended while out swimming for hours; I don’t bring a laptop on days I’ll be distracted for long stretches with that kind of activity. (I also don’t leave it in the car as police say beach parking lots can be targeted by thieves who figure beachgoers left purses and wallets in the car.)

  • Only out when you need it. Don’t let sand or water be an obstacle (or you’ll get no work done), but have alternatives so you only need the laptop out for certain work. I leave the laptop in a covered bag while working on a print draft, and use my cell phone rather than the laptop for tasks like checking email, my website or Twitter.
  • Select your seating. While I used to sit picnic-style or lay out on a blanket or towel, a beach chair raises you off the sand. I use a lightweight, adjustable one that folds to carry backpack-style. My boys keep their splashing and gear away from my work area and we don’t settle in right next to someone’s digging dog.
  • Avoid wind. It doesn’t just blow the sand – it makes you squint and wrestle with your work. Enough said.
  • Go resort-style. No one said the beach has to be off-roading. Even if you are not staying at a hotel, resorts often let you rent a cabana or lounge chair for the day, which certainly civilizes the experience. Some of my local friends have paid for a beach/pool membership at local resorts. Sitting poolside gets you off the sand altogether.

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How About You?

What strategies do you use to write in unusual locations? I wrote about the beach, but I’ve heard friends with awesome solutions to writing successfully in traffic, in the grocery store, or… How about you?

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Friday Links for Writers 07.04.14 – Quirky Research Sources for Writers #2

 

Dublin from World Bar. c Elissa Field.

Dublin from World Bar. c Elissa Field.

One of our favorite editions of Friday Links for Writers was the 3.14.14 edition that shared Quirky Research Sources for Writers. Whether writing a novel, a short story or researching a memoir or long form journalism, any of us who do research for our writing have a particular affection for the fascinating rabbit holes research leads us down.

You know what? A long holiday weekend (here in the States, at least) seems like a good day for Quirky Research Sources for Writers – Round 2.

Thatcher Wine of Juniper Books at http://juniperbooks.com/

Thatcher Wine of Juniper Books at http://juniperbooks.com/

If you’re celebrating the 4th of July, enjoy this, my favorite clip from HBO’s John Adams: the vote and reading of the Declaration of Independence.

And then make the most of this quirky set of research resources for writers. As always, share in the comments to let us know which links resounded for you, what kind of information you wish you could find more of, or share your own favorite links, including your own posts.

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Last Name Meanings in English

I took particular satisfaction in stumbling on this article as I’ve always had a linguistic curiosity in the origin of last names. My dad’s family name (Field) ironically has nearly the same meaning as my mom’s family name, Aho, which means “glade” or “forest clearing” in Finnish. Her mother’s maiden name, la Tendresse, is French for “a wave of affection.” For historic writers, the article touches on the history of when last names first arrived; for any writer, it’s creative fodder for character naming.

Thrill Writing

Fiona Quinn’s Thrill Writing site is about the most comprehensive blog I’ve seen, sharing the ins and outs of forensic detail specifically for writers. Individual posts give everything from detecting trace evidence in fur or hair, to surviving in a desert.

The Final Trip Home of Pfc. Aaron Toppen

Sad but true: war has touched many of our characters in current times, and begs to be portrayed with accuracy. Need to describe the path a fallen soldier takes, in being returned for burial? This Atlantic photo story documents the dignified transfer of Pfc. Aaron Toppen, killed this month by friendly fire in Afghanistan, from soldiers in mourning on his FOB to graveside. Shared in all respect for the soldier lost, as I feel some hesitation in photographing private grief.

Journalists Killed in 2014

Conflict around the world — possibly in your setting — has created significant dangers for journalists. The Committee to Protect Journalists centralizes information on journalists missing or killed, and advocacy. This page: those killed in 2014.

SkyVector: Flight Planning – Aeronautical Charts

While writing Breathing Water, we had a pilot-friend staying with us, and I couldn’t help but find the aeronautical maps he spread across the coffee table fascinating. Cuban MiGs had shot down civilian planes that flew out of Miami on a humanitarian (some say “spy”) mission and, as I followed the trail of stories, his aeronautical maps assigned different names to air space than land maps, and identified legal borders set by international treaties. Whatever your research motive, SkyVector is an interactive site for flight plotting.

Audubon: View All Species

While we’re on the subject of flight… Growing up in Michigan, even as a little kid, I recognized and knew the names of all our local birds, including the seasons they were present and absent. Huh. Would that be a detail of setting your character noticed? Here’s a central resource from the Audubon Society, with facts about bird species. Some include sound recordings.

copyright Elissa Field; repro w written permission only

copyright Elissa Field; repro w written permission only

Birdwatch Ireland

And, because one of my novel settings is in Ireland, here is a resource for native birds in Ireland. (More about my story line’s Irish roots here: Celebrating my Irish by Writing)

Spice World

Now that you’ve stocked the skies of your setting, how about the smells? In 3 manuscripts, I’ve found myself writing a foreign culture and one of the first things I turned to was cookbooks, to know the tastes and smells of native cuisine. Knowing the spices used in native cooking can give you a quick resource to adding scent details, as you can raid your grocer’s spice aisle and get samples firsthand. This link gives you a simple listing that groups spices for several national cuisines.

Want more?

Elissa Field fiction Jar of Teeth

c Elissa Field

Here is the link to the prior Quirky Research Sources for Writers.

Overall, what is Friday Links for Writers? In my near-weekly column, I share the best links I’ve found with every range of writing and publishing advice, great reads and tools. For more, here are 3 ways to read more:

  • Most recent post: Friday Links for Writers 06.20.14
  • You can read all Friday Links for Writers – this link will load all current posts, including those posted after this one.
  • But… that loads dozens of posts. Here’s the best trick to search contents of all Friday Links: within the Links & Where to Find Me tab, there is a listing of Friday Links. As you hover over the title of any post, the topics of included articles will display so you can select posts that interest you.

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How About You?

What are you working on this week? Does it have you following quirky research trail down the rabbit hole?

Share any questions you have, or advice and favorite links in the comments below.

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Celebrating the first days of summer writing at a French café. c. Elissa Field

Celebrating the first days of summer writing at a French café. c. Elissa Field

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My Summer Reading List 2014

Summer reading, ready to go. c. Elissa Field

Summer reading, ready to go. c. Elissa Field

What is the first thing I did with my days off, when spring semester ended? READ. Read read read. I can’t say why, but more than any other year, it felt so good to spend full days reading as summer started this year. 

The first few books I read were ones from my Winter 2014 Reading List, including Amy Greene’s Long Man and Anthony Marra’s A Constellation of Vital Phenomena(I reviewed Constellation here).

Celebrated first day of summer: reading by the pool. c Elissa Field, 2014

Celebrated first day of summer: reading by the pool. c Elissa Field, 2014

I highly recommend both of them and am excited for the successes both books have seen.

But now it’s time to get excited about the latest must-reads — it’s time for My Summer Reading List 2014! Please do share your own reading recommendations or must-reads in the comments. We all love to learn about great new titles.

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Fiction

  • Michael Cunningham, The Snow Queen (2014). This made my radar after watching Cunningham give a reading (online) at Bart College. I first fell in love with his writing when I stumbled on a short story in the defunct DoubleTake Magazine — before The Hours — which had me guessing he’d become a notable writer. Snow Queen releases this summer.
  • Aminatta Forna, The Hired Man (2013). I’ve heard this described as a “taut and suspenseful” tale of the relationship between villagers of a small Croat town and outsiders, after Croatia’s War of Independence. The title has appeared on several recommended reading lists. I’m intrigued.
  • Anthony Doerr, All the Light We Cannot See (May 2014). This novel set in World War II has been surfacing in every reading forum, with rave reviews. I’ve read short stories by Doerr before that were full of beauty and nuanced insight.
  • Khaled Hosseini, And the Mountains Echoed (2013). This is the novel I just started reading. Hosseini’s prior novels – The Kite Runner (2004) and A Thousand Splendid Suns (2008) — were stunning. Read this New York Times review. 
  • Erin Morgenstern, Night Circus (2011). This one made my reading radar before, but finally made it into the stack that came home with me from a recent book-buying trip. This novel had a lot of buzz among my lit friends on Twitter last summer ago. I actually finished reading it just prior to posting this and can tell you that Erin has created a magically unique world, justifying the buzz.
  • Joshua Ferris, To Rise Again at a Decent Hour (2014). This was added to my reading list on sheer faith of this tweet from Anthony Marra, whose Constellation has gotten so much praise from me lately:

 

 

Carryovers from Winter

Middle Grade or Young Adult Fiction

You may know that, from my own interests, from reading along with my sons and from teaching middle grade lit, I am an avid reader of middle grade and young adult fiction. These make my summer list:

  • Gae Polisner, The Summer of Letting Go (March 2014). I’m excited to read this new release by a writer I came to know as one of the hosts of the annual TeachersWrite forum. Early reviews have been great! I’ve come to know her as frank, intelligent, and witty, and am interested to see how her voice plays out in the novel.
  • E. Lockhart, We Were Liars (May 2014). Here’s another new release showing up on nearly every recommended reading list. The cover alone has that summer-mystique from childhood to pull me in.
  • John Greene, An Abundance of Katherines (2008). One of my Best Reads of 2014 never made it onto one of my readings lists, and that is The Fault in Our Stars. Forget that it’s a movie this summer; you have to read the book. It will be a classic (and yes, you’ll cry through much of it). Credit to John Greene for being example of why adults read young adult fiction: Fault is one smart and passionate novel. So read that, if you haven’t. I, in the meantime, will be reading Katherines (recommended by a friend) or one of Greene’s others: Paper Towns or Looking for Alaska).
  • Carl Hiaasen’s Scat, and Katherine Applegate’s The One and Only Ivan. I’ll be buddy reading these along with my son, a rising 5th grader — they are part of his summer reading. If you have a child 4th-6th grade, these are great reads.

Nonfiction

  • Katherine Boo, Behind the Beautiful Forevers (2012). Boo’s reporting of the “bewildering age of global change and inequality” through the inner stories of families in Mumbai was winner of the National Book Award, the PEN/John Galbraith Award, Los Angeles Times Book Prize… should I go on?
  • Gary Shteyngart, Little Failure (January 2014). While it’s possible I’ll end up buying something else by Shteyngart (novels: Super Sad True Love Story or Russian Debutante’s Handbook) when I’m actually in the store, this memoir has been on my target list for some time.
  • Elizabeth Berg, Escaping Into the Open (2012). This book made my reading list, sight unseen, as it is the book being shared by my Wordsmith Studios friends as a summer reading group. Smile at the thought of this great group.
  • Colm Toibin, Bad Blood: A Walk Along the Irish Border (2001). I look forward to reading this account from one of my favorite Irish authors about the time and place where much of my current novel-in-progress is set. (More about my novel’s Irish connection here.)

 Want more reading recommendations?

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What Are You Reading?

I’d love to hear your own reading suggestions in the comments.  Let us know the favorite books you’ve read this year or ones on your must-reads list.  If this inspires you to blog your own list, share link to your post so we can come read with you.

Where do the book links take you?

For convenience, you can click book titles for their link on Amazon — or find them at your favorite indie bookseller through indiebound.org:

Shop Indie Bookstores

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Reading: Anthony Marra’s A Constellation of Vital Phenomena

Celebrated first day of summer: reading by the pool. c Elissa Field, 2014

Celebrated first day of summer: reading by the pool. c Elissa Field, 2014

I’ve been very picky in reading this past spring — literally put down 7 out of 12 books, without finishing. But today I’m motivated to post the first book review I’ve shared on this site, because so bowled over by Anthony Marra’s A Constellation of Vital Phenomena (Hogarth, Jan. 2013).

And the Winner Is…

I first picked this novel up when it began appearing on lists nominating it for various national and international book awards last year. Constellation won the 2014 National Book Critics Circle’s inaugural John Leonard Prize, the inaugural 2014 Carla Furstenberg Cohen Fiction Award and the 2014 Anisfield-Wolf Book Award in fiction.  It was also nominated for the National Book Award in Fiction, and appeared on numerous best-reads lists, including the Goodreads Choice list.

anthony marraI was particularly intrigued because I “knew” Anthony from when he participated in a writer’s forum back when he was applying for a Stanford Stegner fellowship, years back. Constellation is Marra’s first novel. I shared this interest here before, when I included link to an interview with Marra by the New School in Friday Links for Writers: 02.21.14.

From this, what I knew of the book in advance was that it was intelligent and stark, with some risks taken in multiple narrative threads.

Stunning and Beautiful

What I found was an intelligent, sometimes poetic, emotionally powerful insight into individual lives of civilians during the wars in Chechnya. The simplest compliment I could give the novel was the point, midway through, when I found myself comparing the narrative impact of the writing to Tolstoy.

Marra’s writing is beautiful, brave, clean and with an unhurried confidence that left a nuanced and authentic portrayal of characters who were altogether new. As the novel opens, a young Chechen girl, Havaa, is watching her house burn, knowing her father has been disappeared. She is quickly spirited away by Akhmed, a close friend of her father’s, who takes on a job (as the worst physician in Chechnya) in Hospital No. 6 in order to convince the head doctor to hide the girl. As three more key characters are introduced, Marra weaves together histories and desires that reveal the personal losses and motivations that populate the lives of civilians in wartime.

Fascinated by Marra’s Narrative Structure

There is an idiosynchratic spirit to Constellations.  I’d heard it described as multiple stories woven together, but what he accomplishes is much more organic and unified than that.

Divisions of the novel are based on time. There are 28 chapters to the novel, grouped into parts that measure the five days after Dokka is disappeared. At the top of each chapter is a timeline band, highlighting the relevant years for that chapter. While the storyline progresses through the events after Dokka is taken, each chapter moves organically through the minds of the main characters and how the past 20 years of memories led each of the characters to the events of these 5 days. The complexity of the structure is pulled off beautifully.

Some risks are taken in the ways that Marra plays with voice, as the narrative fluctuates in varying degrees of 3rd person. The most basic structure is that each chapter begins with close 3rd on one of 5 main characters; line spacing mid-chapter usually then signals a shift to close 3rd from another main character’s pov. Frequently, however — particularly in traumatic encounters with other players in the war, such as arrival in the ER of a man whose leg was blasted apart by a landmine — narrative voice shifts to omniscience for 1-3 lines, revealing inner secrets, thoughts or future outcomes of this side character before returning to the main character’s pov.  The effect of this intrigues me, as it breaks a linear plane to create a wavery effect that is less godly than a shared-awareness that seems fitting in an environment where all predictable rules have dissolved.  What is impressive is Marra’s control, as pov shifts are accomplished without apology or need for awkward segues.  By visiting Havaa’s pov in the opening line, then Akhmed’s within the next line, Marra has effectively signaled that views will shift.

Lasting Impact

The concept of the novel is powerful. I was continually impressed at Marra’s ability to deliver with nuanced subtlety how each individual progresses through the insane or horrifying events of war (or warlike conditions and even torture in supposed peacetime). He manages to present the factual history in a manner that is seamless with the characters’ individual voices and storylines.

What is most powerful are the characters. While it is a novel revealing truisms of war, it is ultimately a novel about love and compassion and the warmly developed lives of characters in this small village. Each character is vivid, intriguing and their stories compelling.

Congrats to Anthony Marra for making my Top Reads of 2014.

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What Are You Reading?

I’m getting ready to post my Summer Reading List for 2014, which has me curious what everyone else is reading.  I’d love to hear your own reading suggestions in the comments.  Let us know the favorite books you’ve read this year or ones on your must-reads list.  If this inspires you to blog your own list, share link to your post so we can come read with you.

Where do the book links take you?

For convenience, you can click the book link to Marra’s book in the opening paragraph, which takes you to Amazon.  Or, you can find it at your favorite indie bookseller through indiebound.org:

Shop Indie Bookstores

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Writing in Process: Using Alternative Voice to Understand Internal Conflict

Running manOne of the great things about my online writing community is the way we keep each other motivated, often in ways we don’t expect.  Last week, I shared how it had motivated me to re-set my 2014 goals after I shared a brief excerpt of Wake and gotten feedback that pushed me to think, to have confidence and above all, “Keep going.”

My 500 wordsToday’s post is sort of Jeff Goins’ fault, as the day 19 prompt at his 500 words challenge was to write in another voice. So it is I spent the day evaluating a process I have been going through in deepening internal motivation of a novel character.

This post serves as follow up to several novel revision articles posted over the past year. I’ll include the relevant links to individual revision steps for anyone looking for more on the revision process.

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Revision in Process: Internal Motivation of a Main Character

Throughout my series of posts on Novel Revision last summer (this link takes you to all posts on Novel Revision, or find links to individual skills within this post), I revealed how deeply I felt the need to push my main character, Carinne (Revising a Flat Character).

Motivation for the male protagonist, Michael Roonan, was clear from the get-go. He’s killed people; guilt and loss compel his self-castigation. But, in early versions, Carinne’s written motivation was only that she was getting out of a bad marriage and she fell in love with Roonan.

Expressive eyes of Gerard Butler. (celebs101.com)

Expressive eyes of Gerard Butler. (celebs101.com)

Truth: as I wrote about in Can Literary Fiction Be Hot, the romantic element is often the most compelling and memorable aspect of fiction that sticks with us.  Still… My gut told me there had to be more to her motivation than “failed marriage” and “he’s hot.”  Kind of lame motivation, right?  Too thin, too predictable, too linear.

Many of my novel revision posts have shared the ways I’ve challenged my own understanding of Carinne and character motivation because, one way or another, my gut told me that I knew something more about her than I had written.  (Did you pick up on that when I distinguished her “written” motivation, above?)  But I needed to go deep to put it into words, and part of that included distancing the character from my own experience.

copyright Elissa Field; all rights reserved, no repro without written permission

Father and son. copyright Elissa Field

The eye-opener was in an exercise I completed (October Challenge: Raising the Stakes on Character Motivation), where I kept assessing and re-assessing stakes for the internal conflict of the main characters.  For Carinne, the written stakes were only whether she raised her son alone or if she could get her lover back with her. Then I realized it wasn’t her own stakes that drove her, but those of the little boy, Liam, she had conceived with Roonan.  The driving motivation to go find Roonan had to come from a place beyond romance — she was off to find him so that her son would not grow up without a father.

Along the same time, I wrote last summer that I had come to understand a crucial backstory for Carinne that distances her from myself.

This is something I have not written about, but have felt deeply in the year and a half since a young photojournalist went missing on assignment.  His last tweet — from a birthday celebration with friends — and the pride in photographs he shared in his online portfolio — have stuck with me as an eerie, disembodied voice over the months his parents and sister worked through international channels to discover what happened to him.  As much as the news speaks of military or civilian losses, lost journalists has been a major piece in international affairs of the past 20 years.

The thing with this novel I am writing is, it has to do with why people get involved in violent international affairs. Roonan became a murderer while doing everything he could to avoid involvement in paramilitary activity in his family’s Irish border town. Carinne meets him years after the violence, finding the ghost of the man. A failed marriage is not her motivation; I quickly wrote that out of the early draft.  Carinne came to life for me last summer when I stopped apologizing and making excuses for her and let her behavior be entirely contrary — then let the missing reporter be the loss that drove her chaotic behavior.

True Revision Can be Messy

Danger Book May Bite c. Elissa Field

Danger Book May Bite c. Elissa Field

I began last summer’s revision-series with a post titled Work is Messy, Book May Bite.

What a mess new motivation makes of a draft, but slowly the 2 internal storylines have been laying themselves out clearly in parallel to one another, as the external conflict brings the story to resolution that genuinely resounds with meaning, as Carinne unites father and son.  Yeah, okay: it can be romantically hot, too, but the resolution now resounds on a more universal level.

I once watched my stepmother unravel a month’s worth of knitting to correct a missed stitch in a complicated fisherman-knit afghan, and I couldn’t believe the patience and insistence on perfection it took for her to do that.  Taking apart this main character, Carinne, has felt like all that unraveling — pulling the whole novel apart and putting it back together.  But I knew in my gut that it wasn’t “there” yet.  I love the characters and their story, but I just knew that the resolution of an international conflict could not be just romantic happily-ever-after. The little boy was symbolic of something in the opening, and he had to be the core of the resolution, as symbol of something greater for the novel to resound.

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The Work in Process

That’s a lot of thinking out loud.  How does it play out?  One approach that brought me closer to understanding the mother’s motivation was to write scenes from the child’s perspective.

In final revisions, I’ll be deciding between a close-omniscient or alternating third person narrative structure, which means I am not yet sure if I will keep the boy’s voice or just let it inform the mother’s perspective.  But, for the sake of sharing a piece of the writing process, here is the scene I shared at Gae Polisner’s Friday Feedback last week.

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Excerpt from Work in Progress, Where the Wolves Find Us (nicknamed Wake)

Context:  This excerpt is from a rough draft rethinking an opening scene from the son, Liam’s, perspective. The novel opens with the mother (Carinne) finding her son burying something in the back yard. As Carinne is in the process of washing mud from his hands, he asks, essentially for the first time, if his father is dead.  This becomes the inciting event; by the end of the chapter, Carinne is searching for the missing father.  The drafted scene below is from a long riff that came out when I took time to see “life with his mother” from Liam’s perspective. What would he see, hear or feel, growing up with a mother isolated and obsessed with missing people?

His mother’s shoulder was warm against Liam’s back, the water glittering beneath the sink-light as she sudsed his hands. He clapped his hands so bubbles sprayed and he tracked them, her voice murmuring in his ear as each iridescent orb floated up and sideways and down, each at its own rate so that his eyes measured them as if racers toward a finish line. Plik! Hope. Plik! Each popped, no matter he’d resisted the urge to touch them. Each, in its own path, flicked a mini explosion of its membrane and ceased to exist in the vacant spans of light.

Carinne’s voice reached a pitch – Liam’s feet had kicked dishes stacked in the sink – then went silent, replaced by the constant curt voice of men and women from the television playing in the next room. News. Always the news, and he hated it.

He patted suds onto her cheek. She took it as a joke, laughing, her eyes smiling at his.  He hit her again,  harder, wanting it to stop: the man chopping news into his head.  An airport. A warning. A plane stopped along a runway. Heads talking. The plane. More heads. A fire truck.  She would look: study the stream of words at the bottom. Flip three channels forward, pausing on each. Each, more news. Then back.  Even she didn’t care, he could tell. She took in what was happening the same way she studied the noise of trash men arriving for the blue bins or the neighbor’s garage door motor starting: look to the noise, see it for what it was, and disregard it as not affecting them.  But most hours of the day, he could not make her change the channel.  “Just let me see what’s happening overseas,” she would tell him, “Then we’ll change it.”

She corrects him now, “We don’t hit!” gripping his hands together in her own as if for prayer. He twists his head away and pulls his hands. “Hands are not for hitting,” she recites.

He says very quietly, as if to an unseeable friend, “I hate the news.”

She lets go, relieved. The smack makes sense, as it hadn’t a second ago. He leans into her shoulder, his dried hand reaching along the back of her neck to where her hair is softest, her baby again. “I hate it, too,” she says.

She will change the channel, this time, but he doesn’t believe she hates it. The firemen spraying foam on the plane by the runway did not interest her, but other times she has watched the same repeating footage, over and over.  A black uniformed policeman being interviewed in a mist of rain, dark clouds rising behind him.  A white SUV driving between sand-colored buildings in a cloud of dust behind a reporter cloaked with a checkered scarf. Over and over, she might watch these. Study the images to the corners of the screen. Study faces blurred in the background. Over and over. Then flip channels in hope to see the same scene from another angle.  Not notice the stack he’d made of his cars: three tall, now four, his eyes widening, willing them not to topple.  His mother frozen silent, remote clenched in her hand. Sometimes tears. He hated it as she did not. So easily, she could have flipped to another channel. Thomas the Train. Even Dora.

“I hate the men,” he said once.

She had turned away from him like she did when he broke something and she was mad even though she said she wasn’t.  “Never hate the men,” she said.  She left the room, crying and trying to hide it from him, as if these men were her own friends, her family, as the empty house of the two of them showed no sign of.

Have Feedback?

Of course this piece is in draft form and out of context, but constructive feedback is welcome.  I am on the fence whether it is helpful to actually use the child’s voice, as I think it would be tough for a toddler to carry the opening voice of an adult novel. Would you try to use his voice, or just let his insight inform the mother’s POV?  Hmm.

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What About You?

Are you revising fiction this week?  What challenges do you run into or what has worked well for you? If you’ve also been sharing your work or revision strategies, feel free to add your links or comments below.

Are you exploring issues of conflict or stakes in a character you are writing?  What challenges or obstacles do you find?  Or, what tactics have you found that get you more authentically or deeply into your characters’ motivation?

For more posts on this site related to character development:

Done. Done. Chickie approves. cElissa Field, repro w permission only

Done. Done. Chickie approves. cElissa Field, repro w permission only

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Friday Links for Writers 01.03.14

Snow lightly drifts onto a favorite summer reading bench. c. Elissa Field.

Snow lightly drifts onto a favorite summer reading bench. c. Elissa Field.

As this post goes live, my boys and I will be watching snow accumulate outside my parents’ 230 year-old house in Fairfield, Connecticut — or perhaps daring to hit I-95 for the long drive back south to Florida.

Being on holiday and then snowed in has been perfect time to luxuriate in long days for reading and writing, lending some great reads to this week’s edition of Friday Links for Writers.

As always, let me know what resonates for you in these links, what you’d like more of, or share your own favorite reads from the week in the comments. Best wishes for a great writing (and reading) week!

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Opportunities for Writers: January and February 2014

This isn’t the first time I’ve included a link to Aerogramme Writer’s Studio, as I think it is a great site that is generous and comprehensive in sharing resources for writers — including their bimonthly listings of submission opportunities.  In addition to checking out the link, find Aerogramme on Twitter @A_WritersStudio.

The Red Roadmaster

I was looking for inspiration and actually went scrolling through Writer Unboxed’s website specifically looking for essays by Donald Maass. His words cut that cleanly to inspiration. I bypassed his most recent post to find this one, on effective backstory.

Anthony Marra on A Constellation of Vital Phenomena

I came across this article in the New York Times while looking for the award Anthony Marra’s novel was nominated for (A Constellation of Vital Phenomena was longlisted for the National Book Award) while adding it to my 2014 Winter Reading List yesterday. I “met” Marra years back in an online writers’ forum, and have been thrilled to see the successful reception of his first novel.  This article was interesting as it discusses the connection between research (particularly travel in Chechnya) and the resulting novel.

Giving Up

Okay, obsess much?  Kidding, but yes, this one is also by Anthony Marra — another article I found while looking for info on his current novel. But this article, published at The Rumpus in 2011, may be meaningful inspiration for anyone feeling conflicted about a stagnant project, as Marra shares what he learned by giving up despite years invested on a project.

Learning to Measure Time in Love and Loss

Is this one about writing? Not exactly. But this New York Times essay by Chris Huntington is a beautiful reflection on the relative nature of what matters most in life — perfect timing for anyone beating themselves up over goals not met in 2013 or planning what to prioritize in 2014. (It was my favorite read last week.)

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Conference and Workshop Deadlines

Reviewing the January 22nd registration deadline for the AWP Conference at the end of February reminded me that lots of important spring deadlines are approaching.  If you’re considering attending spring or summer conferences, here is my round up from last spring of contact information on many of the great conferences and workshops, including Bread Loaf Writers Conference, Sewanee and more:  2013 Writing Conferences & Workshops

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Admit it: did you think I was lame for claiming to be “snowed in” with the faint dusting in the picture above? That was yesterday. Today we spent the morning shoveling driveways and walks in shifts.  The snow is beautiful and a great treat before we head back south.  Enjoy your winter weekend, wherever you are!

Bundled up and shoveling out to be ready for the drive home.

Bundled up and shoveling out to be ready for the drive home.

Enjoying the snowfall in Fairfield.

Enjoying the snowfall in Fairfield.

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Novel Revision: Can Literary Fiction be Hot?

hotfiction

Expressive eyes of Gerard Butler. (celebs101.com)

So what am I working on next, in this series on mid-process novel revisions? Okay, confession. Maybe, while working on novel revision this week, I caught myself admiring Daniel Craig in Casino Royale. And maybe I rewatched Sense and Sensibilities, catching my breath for the 99th time over Colonel Brandon’s silent anguish of love. Maybe that had me thinking about hot main characters and romantic plots.

But then, just maybe, as I reread parts of my novel which has matured into its thematically-layered 4th or 5th draft, I stumbled upon a love scene between my main characters and cringed.

For a complete list of articles from this Novel Revision series, look below.  But today it’s time to take on love scenes.

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Love Draws Us In

If you’d asked me what this novel was about during first drafts, I would have called it a love story. It opens with the prattling of a toddler conceived in a love affair between the main characters. I feel a loyalty to that love spark, even as growth in the story has come to focus more on the layers of conflict and the larger theme of civilians avoiding violence during war.

That early feeling of falling in love with this broken main character is a central integrity to the story that doesn’t leave me.  Key transitions in plot hinge on the moment they met, the moment they were drawn to each other, the moment they first, well, you know, and whether they are in love, and how that changes their original response to conflict. The love tension between my MCs is the fun part of the story, and a powerful inspiration that keeps me going from draft to draft.

Tough, my current revision process tells me.

How many first dates, even well described, would make it through the rounds of novel revisions? As I re-read these original scenes and decide how to edit love into the final drafts, I’m left wondering what role sex plays in literary fiction.

Purpose of the Sex Scene Fits the Purpose of the Genre

Sex plays different roles in different genres, of course, and thinking about the purpose of a genre helps to establish a guideline for the purpose sex scenes would serve in a book.

If I were writing romance fiction, the purpose of my sex scenes would be to evoke a romantic experience for the reader. For a mystery or thriller, sexual tension might accelerate the tension of a crime or create the more mysterious, romantic motivation for a detective or spy. For young adult lit, sexual activity is handled carefully to depict first experiences crossing the threshold from childhood to adulthood, and is therefore likely to focus on hesitation or anticipation, and small details a young person would remember of a first kiss or holding hands.

In each case, defining the work’s purpose is a good starting point in knowing what love scene details will advance a story without being off kilter or over the top.

What is the Role of Sex in Literary Fiction?

Literary fiction is less easily defined than some other genres, so I was left wondering at the role of sex in my WIP. In many cases, literary fiction is a hybrid with other genres, containing elements of romance, mystery, historical, coming of age, or science fiction. In Writing the Breakout Novel, Donald Maass addresses the effective crossover between literary and commercial fiction.

What is generally the case in all literary fiction and its hybrid/crossover varieties is that heat and passion can’t be the only purpose of love or sex in a story. Dang. I can’t just say my MC is a hottie and they are so in l-o-o-o-ve. The passion has to fuel or depict a larger purpose in developing character and advancing the conflict.

Of course, there are numerous literary best sellers where sex is not present. In his essay, Sex in Literature, Adrian Slatcher references Julian Barnes in saying “‘the author feels a commercial obligation’ to write about sex. But there have been several literary bestsellers to involve almost no sex at all.”  In Colum McCann’s Let the Great World Spin, there is the non-sexual tension of his main character not sleeping with the prostitutes he befriends. In Alice McDermott’s Charming Billy, love is brotherly and era-appropriate dating scenes involve sitting on a blanket at the beach or arriving at a nanny’s house to pick her up for a date.

But sexual passion is fuel in much of literary fiction. Looking back on stories that continue to resonate as classics, it’s often a romance at the heart of the story that we remember. The fact that the romance between my main characters is important to my own interest in my WIP tells me that I need to give careful consideration while revising, for this to remain a strength in the final story.

Sex Reveals Character and Conflict

Literary fiction tends to be centered on character transformation, and sex can be a powerful symbol of where a character is in conflict. Sex is symbolic of inner conflicts of being trapped, captured, free,  released, linked or united, and often serves as transformation in the plotline of internal conflict resolution.  This can appear as outright sexual activity and its outcomes (think Hawthorne’s Scarlet Letter), desire that fuels action without explicit sexual activity (Edith Wharton’s Age of Innocence) or the state of desire restrained from action (Kazuo Ishiguro’s Remains of the Day).

Romantic desire can appear to stand alone as a character’s inner conflict, but is generally symbolic of something more.  Even in novels like Pride and Prejudice, where the character’s internal conflict is resolved through acknowledging mutual love and marrying, that desire for love is integral to a larger theme of defending personal identity within the external conflict of England’s old property laws. Sex is an inherent theme of Michael Ondaatje’s The English Patient, but serves to create tension and release of tension and violation within a greater theme of war.

As much as love or sex can be used to signal transitions in inner conflict, it is also used in opposition. Sex is the external act of internal emotion, and tension arises if the external act (or lack of action) is in conflict with what the reader knows about inner emotion. Intense emotions are created when a reader knows the character’s desire but the character does not act on it, as in Kasuo Ishiguro’s Remains of the Day, which exudes a sensual tension partly because the butler never breaks his reserve.

Similarly, sexual behavior or loving actions can create a dramatic contrast to depict a character’s inner torment. In Kevin Powers’ The Yellow Birds, the scene when soldiers walk to a brothel while on leave is the antithesis of sexy, establishing through contrast how nightmarish their battle world has been and how dislodged the men are from emotion. The presence of sex without love or compassion is often symbolic of inner dysfunction, as Hemingway often used to signal the disembodiment of humanity after the shock of war. Reams of literary fiction include sex as sickness or sex in its dysfunctional state, such as The Kite Runner, The God of Small Things and The Color Purple.

Not Choreography

One of the simplest rules I’ve heard in knowing how to write sex in fiction is that effective sex scenes do not involve choreography. If you could replicate the movements and positions based on what is written, then it’s too much.

Like any other sensory details in successful fiction, sexual details have to serve the story, not just paint a picture. In that sense, I have been really resistant to say my main character is beautiful or describe the dramatic eyes I imagine for her love interest (yeah, that picture up top comes close). My story is not advanced by the characters being attractive.  Beauty is only meaningful when it reveals what the character perceives as beautiful, or beauty in relief against themes of pain or darkness. Hot details need to be something more than just what we, as writers, find hot in a mate. As with any character traits, they should reveal the character’s fear or hope or history or greater desire and what keeps them from finding happiness. For my female character to notice scars on my male character’s knuckles is more meaningful (and less ridiculous) than to say he has nice hands.

Often, the novel’s sexual tension is best achieved in description of a nonsexual event. In Tea Obreht’s The Tiger’s Wife, the hottest sensuality comes not from deflowering of the mute wife, but in the nights she sneaks to feed the wild tiger meat from her husband’s stores.

But let’s say we do want to communicate that the scene was hot.  The details to establish hotness still need to fit the novel’s theme, advance its conflict, and fit the voice. Only rare novels would benefit from Victoria’s Secret outfits and naming of body parts and positions. Words that are hot in imagination or real life — like lips and fingertips and more — often turn ridiculous in writing (and euphemisms can be even more ridiculous).

Successful sex scenes often evoke sensuality with words unrelated to the body or actual sex. Even in overtly sexual novels, like The English Patient, sexual details are often odd, like sexualizing the divot at the base of the woman’s throat. Hardy described blooming mushrooms in the woods rather than describe Tess’s virginal skin in Tess of the D’Urbervilles. Gabriel Garcia Marquez has his characters wait a lifetime to reach fulfillment in Love in the Time of Cholera, and description of that scene involves reference to constipation.

Revising with a Mind to What Makes Sex Scenes Work in Literary Fiction

It seems the key is to understand the purpose or message of your own novel, and know your story’s internal conflicts, to understand which kind of sex (or lack of) scene can work within your story. Sex is one of the choices my characters make in carving out their odd path toward resolving their inner conflicts, and their scenes together reveal love and hope and passion and parental intentions, but also dysfunction and imbalance and fear.  Revising feels like coming at the scenes from an angle rather than head-on, working to deepen character and conflict, understanding how each detail reveals the progression in character transformation and not just heat.

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What About You?

Have you been conflicted in writing or revising love in a story?  What challenges or obstacles do you find?  Or, what tactics have you found that help you stay productive?

If you want to read more on the subject, I admired this great post by English writer Isabel Costello: Sex Scenes in Fiction.

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Novel Revision Strategies: “Hit List” of 6 Things to Edit Now

Baby pictures. A glimpse into harsh revisions occurring with my poor Wake, last week. (c. Elissa Field, no repro w-out written permission)

Baby pictures. A glimpse into harsh revisions occurring with my poor Wake, last week. Classic: either move this with a happy star to the next chapter — or cut it and pillage for single words/details to keep. (c. Elissa Field, no repro w-out written permission)

If you’ve read my last several posts, you know that I’ve been sharing the varied processes I’ve been going through in daily revisions to my novel.  If you want to read other posts in the series, a list of links is at the end, below.

As I’ve said before, my novel draft is in mid-process revisions. That is,

  • I am no longer drafting the novel: the full story is written from opening through final scene, including external conflict, internal conflicts for key characters, settings and the major scenes, and all the research is completed.
  • On the other hand, I’m still making decisions and answering questions about what I’ve written, addressing inconsistencies, moving large sections around, or deleting, and rewriting.
  • Just as I’m no longer drafting, I’m also not editing at the sentence level, yet, as I will during final revisions. I may correct word choice, sentence structure or punctuation as I notice them, but I’m still in a more “construction” phase than the final process of polishing to send to an editor.

I say this to recognize that there is a point between mid-process and final revisions, where it helps to be able to run through a series of steps to test for common errors — and that is the point of today’s post.

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A Hit List of 6 Steps to Apply to Target Weaknesses in a Draft

Finishing the middle process and approaching final revisions is a good time to consider some common errors that editors, agents and other pros report finding in novel drafts submitted as “finished.”  One of the reasons this stage of revision can be such a concern is that a writer may have a blind spot to errors that editors and agents find obvious.

The hit list below offers 6 practical steps that can help you target and fix weaknesses remaining in your draft. Inspiration comes, in part, from the advice for writers posted on the submissions page at the Pirate’s Alley Faulkner Society’s prize for fiction, but also from resources like “query tips” on Twitter, other articles from editors and agents, and my own experience.

1. Run Spell Check

This one sounds obvious. Of course: check for misspellings or errors in capitalization. But also watch for inconsistent spellings of proper names you invented – spell check won’t catch these unless you add them to its dictionary. Did you ever change names of characters or locations? It’s a common error to not catch all inconsistencies before submitting.  Read for misused homophones, which spell-check might not catch. Yup, we all swap out there/their/they’re, etc., when typing fast. Beyond spelling, check grammar and punctuation — use the best spell-checking tool available to you. For example, if you have both Scrivener and Word, use the spell-checker in Word. It’s smarter. Lastly, the skimming nature of bouncing through your document with spell check can also help you notice other subtle issues — for example, consider “overused words,” below.

2. Bad Phrasing and Passive Tenses

Use your software’s search tool to target lame word usage.  You can target passive word choice by searching “there is,” “there are” and “there was/were.”  Search helping verbs and -ing to avoid overuse of vague or passive verb constructions.  I’ve heard at least one pro say it’s a newbie error to use constructions with “become”/”becoming.” For example, “He became scared,” rather than, “Fear ran through him.” An odd example of stilted/passive wording mentioned by the Pirate’s Alley Faulkner Society was overuse of the word “the.”  They say (link below) that one non-winning novel submission to the Society’s contest in 2012 “used the word ‘the’ 10,001 times. At least half could easily have been eliminated.” To make the point, they revised sample lines to show how wording could have been more vivid. Searching any of these words might help target where the usage is fitting or where it might be written more effectively.

3. Overused Words or Images

We all have certain words or images we overuse — do you know yours? Skimming during spellcheck may increase your awareness. If not, listen for them as you reread or ask a beta reader to notice them for you. Often, these can be unexpected. For example, I was surprised to find I’d used “horse” 47 times in this draft which is not about horses. Only 4 scenes required a horse and the random mentions took their power away (why all the horses? It’s an autobiographical misfire as my family has horses in our background – while my characters do not).  If you have a particular mood or image in mind as you write, you could find it overly pervasive. Some of my overused words, for example, were dark, silver, memory, shadow and light. They are key mood words, but I needed to use them in the most powerful moments, not, um, everywhere. Overused words create vagueness rather than meaning, so targeting them is an opportunity to seed more powerful detail. “Sitting in darkness” is one thing; “sleeping in the cold shadows of a hedge along the drive” moves the story and conflict, not just mood.

4. Is it Over-written?

In early drafts, it’s easy to write reams of words that aren’t yet anchored in the specifics of story details you didn’t yet know. There and in other places, if you suspect a sentence or paragraph is too wordy or not serving a purpose, use a highlighter to mark only the words that matter. Could you edit to just those? What if someone asked you to post a line to Twitter?  If you were limited to 140 characters, what words would drop out?  At the same time, highlighting key information can help you avoid deleting an important detail. Let’s say it’s tempting to delete a cringe-worthy scene from a early draft — highlighting any key information revealed by that scene (“a gun was stored on the top shelf”) will help you make sure to save and relocate it to another scene, so you don’t create an inadvertent hole in the story.

5. Target Dialogue

Personally, I write full conversations between characters during drafting, but delete all dialogue except the lines with power during revision.  Dialogue problems are a common issue to keep drafts from succeeding.  Advice for revision includes reducing wordcounts and improving story flow by removing unnecessary dialogue tags. Other advice from pros suggest editing for pompous speeches or voice that does not ring true, or excessive reliance on lengthy dialogue for information dumps. Unless dialect is key to your story, avoid overuse of phonetic spellings and spacers (“I, like, well, um, really,” she paused..). Every line of dialogue should cleanly, clearly carry its weight to activate the story; weak dialogue kills.

6. Senses Should Sing

Writer Donna Gephart recently shared the advice that 80% of the brain’s perception is related to sight (read her mini-lesson as part of Teachers Write! here). Awesome. Except that may mean that writing is overly preoccupied with details related to eyes and unnecessary sight direction. “He turned and looked toward the dock. The boat was on fire,” is a great example of unnecessary sight direction. Better: “The boat was in flames.” The reader doesn’t need to be told the MC turned and looked. Target “looked,” “turned,” “saw,” “glanced,” and other directions related to eyes, and consider whether they’re really needed. What is really revealed, and is there a better way to reveal this?  And go beyond sight details.  Where could you add detail from the other 4 senses — especially in places where you want to pull a reader deeper? Use sensory details that develop character (name 3 things the character would notice that no one else would) or move the story.  Remove details that are clichéd, assumed or reveal nothing about the character or story.

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Links to other posts from my Revision Series are at the end of this post.

For more on common novel errors:

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How About You?

Do you consider your WIP to be in a drafting stage, in mid-process revisions, or are you polishing to submit for publication?

Do any of these 6 steps ring true for you? Have you tried a similar approach, or do you have a trick of your own to share?

What “common errors” do you worry most about? Or, do you worry about having a blind spot and not be able to notice errors? (Which hints at my next hurdle: the importance of getting feedback from beta readers…)

Best wishes to you, wherever you are in the writing, revising or publication process.

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January Challenge Week 4: And Then Plans Changed…

Time for January in July: revisiting the January Challenge to see how we are all doing with goals set at the beginning of the year. Review this post for its list of strategies for evaluating how you’re doing and what to do next.

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Novel Revision Strategies: A Day’s Work in Pictures

novel revis 7-9

sols_blueIf you read Monday’s post (Novel Revision Strategies: Printing for Read-Through), you know I am using a printed draft for this stage of novel revisions.

Today’s post is a photo diary of what morning work looked like — as waffles with the boys shared space with ruthless edits on this draft.

“Failure is not an option”?

Successful launch, Kennedy Space Center. c Elissa Field, repro w permission only

Successful launch, Kennedy Space Center. c Elissa Field, repro w permission only

Go “where’s Waldo” to find the NASA slogan on my coffee mug: Failure is not an option.

Even as writing and revising drafts is all about failing over and over again? Yeah, I still love that mug’s inspiration. I bought it on a trip to Cape Canaveral with my rising-7th grader when he was in 4th grade. Ever wondered about the explosive launch sequence pictured on my blog’s masthead? That was taken on the same trip — a re-enactment of the control room for a successful Gemini launch. We’re in that control room when writing, and the mug reminds me to never stop.

Novel writing is launching into the risk of failure, the surging insistence that it will go well. The rocket will launch. Risk embraced.

Or, go with Samuel Beckett as inspiration: “Ever tried. Ever failed. No matter. Try again. Fail again. Fail better.”  Drafting and revising is all about getting something down. Being willing to fail as well as we can, then trying again, even failing again — but failing better. In that sense, the mug would say, Giving up is not an option.

So, here’s where that has gotten me in the past couple days…

These are probably my favorite revision pages:

Done. Done. Chickie approves. cElissa Field, repro w permission only

Done. Done. Chickie approves. cElissa Field, repro w permission only

This is what less happy pages look like:

Messy revision

Ohhh… that looks painful. Chickie is staying out of it. BUT, check-marks show the changes have been made in the new computer draft. Work goes on. c. Elissa Field, repro w writ-permiss

If you read the captions, you see the range of changes going on.

The top picture shows pages from the opening scenes of my WIP, which are ready to go — marked “done.”  I also signal “done” in the computer document by changing that text to blue. Yup, plain text: that leaves you vulnerable to being cut.

The second pictures shows a scene that has been outlined with highlighter to say it will be kept (although not “done”), with corrections marked. Where I still have questions to answer, I wrote them on the blank page above to make sure they won’t get lost.

Apparently I was not mean enough to take a picture of pages with entire scenes X-ed out, but they are there. I do paste deleted text into a “Cuts” document… just in case.

The colored highlighter is an example of what I mentioned in yesterday’s post about using color codes to mark key scenes or characters.

Here’s the color key:

color key

This is the key on the first page — so far I’ve been marking the text that will be kept with a highlighter for the main character it relates to. Being able to visualize this helps, as this edit is all about getting the final structure in place, then seeing what’s missing.

Creating a Style Sheet – or, um, Lengthy To-Do List:

Revision checklist-

Every hour or so of reading, I go back to the computer draft to implement the changes. I’ve been checking corrections off to keep track of what’s been done, and also gathering this chapter-by-chapter task list of questions that need to be resolved. So far, it includes facts to resolve, like names, family names, locations, dates — as well as plot details that have changed between drafts and need to be made consistent.

If you want to read more about creating a “style sheet” to manage your novel, check out this post by literary agent Rachelle Gardner: Create a Style Sheet for Your Manuscript .

A Party so Wild it Needs a Bouncer – Enter the Outline:

Outline as Bouncer
Really, most of this mark-up on the draft took place yesterday. I came back to it this morning knowing I was still swamped in some choices. I had a clear list of scenes in my head, and knew the order I need to shift them into. As clear as it was in my head, with the story changes that took place between drafts, I need to keep track of the order of important reveals and progression of internal and external conflicts.

Enter the Bouncer, tough guy outline watching over the WIP’s shoulder above. Yes, it looks a bit techie — I am used to throwing Word tables together to manage info, so that works for me.

The Bouncer outline works like this: like velvet ropes deciding who will be allowed into an elite club, if a scene is not on this list, it won’t stay in the draft.

As much as writers chat about whether to “pants” or “plan” I believe fully in a hybrid of the two. In order to finish this outline, I had to analyze my understanding of the story. It reminded me of a couple scenes not written yet, and helped me better analyze how to get the right tension and resolution at the end. Mean as he looks, the list makes my job so much easier.

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How About You?

It’s been great to read comments from readers about their own process for revising — share yours as well?

Rather than revising, are you focused on writing new material? It was also great to connect on Twitter today, as Wordsmith Studio writers hosted wordsprints. Check out the hashtag #wschat to find writing activities each week.

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