Friday Links for Writers: 19 Dark and Quirky Research Sources for Writers No. 4

 

Listen, I’ve seen some gory things in all the research I’ve done for writing, so don’t go blaming me that this week’s Friday Links for Writers: Quirky Research Sources #4  goes a little dark. Fact is, most writers joke that they’d get more than a raised eyebrow if anyone caught a peek at the things googled in the name of research. And this week’s collection of odd sources I’ve come across in my reading goes just that dark.

Whether you need to know the actual metabolism of an overdose, or the bureaucratic processes a body goes through after death, there’s a link here for you. Half a dozen relate to journalism in conflict zones. And, if you’re squeamish, no worries: there’s one on art restoration and a couple on our community connection to the bodega, and one to help you track extreme weather happening at the time your story takes place. None of that fits the focus of your work? Find links to the last 3 Quirky Resource posts at the foot of this article, for more.

As you jump in, feel free to share your own favorite research links, or let us know what you’re working on this week, so we can cheer each other on. Have a great writing week, all.

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Often, Writing Requires Knowing Processes That Happen After Death:

192 Days as John Doe

Deborah Halber writes about a campaign to use current forensic processes to identify bodies that have remained John/Jane Does for decades. Interesting details of the processes and obstacles.

Learning to Speak for the Dead

Journalist Winnie Hu writes about the training and process of forensic pathologists in this 2016 piece on the Forensic Pathology Fellows Program, which she says “helped resurrect a long-troubled agency, the New York City Office of Chief Medical Examiner.”

Silent Witness: What Human Remains Can Tell Us

It’s a shame that this article by the Irish Times was triggered by the discovery of dismembered remains in the Wicklow Mountains. For anyone writing crime or mystery in the Irish Republic, it traces some of the bureaucratic and forensic processes that follow to resolve the crime.

Crematory is Booked? Japan Offers Corpse Hotels

Motoko Rich’s New York Times article reveals a funeral trend in Japan, provoked by changes in community lifestyles and a cremation industry unable to keep up with demand. Well-researched, it is interesting in revealing funereal traditions of a crowded island nation, Buddhist burial traditions, and demographic trends.

Sure, Setting’s Great, But What Drought, Fire or Storm of the Century Was Going On?

Global Hazards – NOAA

Reading Tana French, I noticed the million different ways she describes rain in Ireland. Living in Florida, I know how extreme weather is a part of seasonal culture. Visiting a friend overseas, I remember the drama of hiking through acres of trees blown flat by a hundred-year storm, climbing thick trunks suspended 10 and 20 feet off the ground… Got me thinking: what major weather events were taking place the year or months surrounding my novel? Sure enough, there’s a site for that. The “Global Hazards” page of NOAA allows you to search major weather events worldwide, by year and month. When reduced to simple ledes, I could quickly see how NOAA’s brief reports of massive weather events — from a tornado wiping out Happy, TX, to droughts, wildfires and monsoons — could inspire story ideas.

For Writing Authentically About Resistance, Reporting & Conflict Zones:

CJ Chivers' article is accompanied by stunning photography by NYT's Devin Yalkin

CJ Chivers’ article is accompanied by stunning photography by NYT’s Devin Yalkin @dedecim

The Fighter

I was gripped by this long read by war journalist C.J. Chivers in New York Times Magazine, which peels back layers to the story of the service, crime, PTSD and substance abuse treatment, and sentencing of Marine Corps veteran Sam Siatta. Chivers’ research is eye opening into training, engagement, battlefield protocol, citizens vs. targets, returning to civilian life, subtle development of PTSD (and alcohol dependency), as well as phases of trial, sentencing, prison and appeal. It’s an interesting read for anyone whose writing encompasses military life or veterans, an increasingly common detail even in non-military writing.

2017 Resistance Actions – Week One

How do you grab hold of issues that are unfolding as we speak? This post by Maud Newton is an example of some of the concrete daily actions people began undertaking in response to threats against human rights since the start of 2017. A couple other sources of info (or to support) include the ACLU (e.g., filing cases against unconstitutional legislation, lawyers manning airports during travel bans) and Women’s March.

“Experts in authoritarianism advise you keep a list of subtle changes”

Want one source for tracking the societal changes that have taken place, week by week, 2016-17? Amy Siskind has achieved near-legendary status for having started this weekly list. The link above takes you to a cumulative list, searchable by topic. You can also receive Amy’s updates by following her on Twitter or Facebook

CPJ Journalist Security Guide

I’ve followed the Committee to Protect Journalists in the (unfortunately) nearly 5 years since journalist Austin Tice went missing in Syria. The CPJ is admirable in providing a voice and conduit for information related to persecution of journalists around the world. This link takes you to a collection of 55 guides and checklists for safety and survival for journalists and photographers working in heated environments.

Turkey’s Crackdown Propels Number of Journalists in Jail Worldwide to Record High

This article and others on the website for the Committee to Protect Journalists provides statistics, profiles,  to the capture, release, and deaths of journalists, worldwide. Overall, the CPJ has been one of my leading sources for events and resources impacting journalists in the last decade. On Twitter: @pressfreedom

Drugs & Forensics:

Best Websites for Writers – Guns, Polices, Forensics & More

I’ve shared a link from this blogger before. This post includes links to multiple resources for researching forensics and more.

Everytown for Gun Safety

While writing has occasionally had me researching weaponry or forensics, I am in fact a strong advocate for gun safety and antiproliferation, so should provide a source for that as well.. Everytown is one source of information regarding the escalation in gun deaths in the U.S., particularly since the end of the ban on assault weapons in 2005.

The Opioid Epidemic:

This is Exactly What Happens When You Overdose

While it’s not a topic I’m interested in writing about, I’m sure the current opioid epidemic has some writers interested to write authentically about drug risks. In clear terms, this post walks through the exact bodily processes from drug ingestion through the ways it can go wrong. All the details you’d need to know that get your character calling 911.

Latest Harrowing Statistics of American Opioid Epidemic

If you didn’t know there was an opioid epidemic or wanted further statistics, this recent Vox post suggests that, “in 2016, drug overdoses likely killed more Americans than the entire wars of Vietnam and Iraq.”

Quirks and Specificity – Getting Your Cultures Right:

15 Behind the Scenes Secrets of Art Restorers

I loved the details of this piece on art restoration by Jane Rose at Mental Floss, which connected to my artist in Breathing Water and my museum display expert in “Jar of Teeth.” I can see writers riffing on these processes for characters in the arts, quirky concerns about a setting, or, dare we say, solving a crime.

Secret History of Victorian London’s Dirty Book Trade

In old cities and cultures, it can be hard to see beneath contemporary gloss and acknowledged history to find those remnants of more… textural elements of the past. This article is intriguing, that way. Victorian London your focus (it’s not mine)? Look for more on the site, as The Public Domain Review is a not-for-profit project “dedicated to the exploration of curious and compelling works from the history of art, literature, and ideas.”

What do You Call the Corner Store?

In a year I spent focusing on subtle ticks of spoken language between characters moving through foreign countries, I found Dan Nosowitz’s piece at Atlas Obscura as a great springboard for noticing specific character linguistics. “In many places, you’d be laughed out of the building for calling it a ‘convenience store’. It’s a bodega. It’s a packie. It’s a party store. What you call the store on the corner says a lot about where you live.” He may be talking corner stores, but it’s great prod to work more specifically toward character linguistics.

Earning a Spot in the Neighborhood

Continuing on that thread, Kristen Radke’s piece at Electric Lit had me thinking about the way community stores, pubs, and other locals are such a key identifier for the characters we write. Kristen captures the nuance of this relationship, specific to identifying with one’s bodega, neighborhood to neighborhood, in NYC: “Bodegas represent so much a neighborhood’s mood and energy… They also become beacons of safety, sometimes the only place open and brightly lit late at night, and makeshift meeting places in a city with such limited community space. It’s a mark of belonging… ‘that place is going to see you through some shit.” Beyond literal insight to NYC, it had me wondering: what locals would my characters trust to ‘see them through some shit’?

In the Ashes of the USSR: 5 Books to Understand Russia

In reading Anthony Marra’s Tsar of Love and Techno, I was impressed with his subtle and deep understanding of Russia’s evolution, which went way beyond my views, even having been a huge fan of Eastern European and Russian lit from the 80s on. So, this list by Matt Staggs struck me as that kind of insight.

 

Want more?

Here are the first 3 posts from this series:

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If you like this blog, be sure to click the WordPress +follow button, or use the email subscription button in the sidebar. You can find me on Twitter @elissafield or on Facebook.

At work on novel revisions. c. Elissa Field

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Friday Links for Writers 03.24.17

Fern Street, West Palm Beach, FL, 2016. c. Elissa Field

Not gonna sugar coat it: it’s been a rough week here. Got my grading in for the quarter ended Friday, so ready for writing and time with my kids for spring break. Instead: we spent 3 days in vigil as our awesome boxer, Gracie, was dying. She was all we could think about, yet I’ve barely had time to grieve, as I wrote 14 hours straight to make Sunday deadlines. I’m still under the gun with one more due… and want little more than to catch my breath.

 I’m not alone in balancing writing with teaching — it’s a common overlap. Nor am I alone in wrestling this competition for time. It’s great to have assignments due, but it’s sometimes heartless when you can’t stop for life’s bigger moments.

Watching for snow. c. Elissa Field

Our dog Grace has been an amazing family member. Condolences for her poured in on Facebook from people who know her from posts or from car lines at school when my kids were younger. Like other writers here, she was part of my work, too. How many of our days have we had a dog or cat keeping us company through long hours writing? How many times have we joked about all they do to steal attention from our drafts and keyboards? As well as I know writing, editing and agenting friends around the world, I remember the names and faces and stories about the dogs and cats who warm their days, and sad stories of their passing. They have our gratitude and love. So I can’t share this post without mentioning how deeply we feel her loss.

That said, this week’s Friday Links for Writers is full of some really great articles from this week. One gives brass tacks advice for formatting. Two are inspiration from poets for World Poetry Day. More: an international prize, campaigns to stop federal budgets that would upend the NEA and NEH, security advice for journalists from the CPJ…  As always, share your thoughts in the comments to let us know how your writing week has gone, or to share your own best reads of the week. Have a great writing week, all.

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How to Format a Book: 10 Tips Your Editor Wants You to Know

These 10 tips are a great checklist for anyone getting a manuscript ready for an editor or full read. Brass tacks advice, from not double-spacing after periods to best formatting for paragraph indents.

13 Authors on the Life Changing Impact of the NEA

In the face of Trump’s threatened budget cuts to arts, including the NEA and NEH, 13 writers share with Electric Lit how the NEA impacted their lives. Some really great stories, here, from Tayari Jones and more.

The risks to the NEA and NEH were central to lots of messages around the web this week, with a push to call your representatives to resist eliminations of this programming.

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Celeste Ng

Shortlisted for the EFG Short Story Award

The Times shares a link to the EFG Short Story Award website, where you can read stories selected for the prize’s short list. The £30,000 prize is the “richest” award for a single story in the English language. This year’s short list includes stories by Kathleen Alcott, Bret Anthony Johnston, Richard Lambert, Victor Lodato, Celeste Ng, and Sally Rooney.

Glory Edim

Brooklyn 100 Influencer: Glory Edim, Founder, Well-Read Black Girl

Book love, these days, is not just a matter of what we read, but — for many of us — making an effort to advocate for marginalized voices. If you’ve ever wondered how these kinds of literary advocates get started, check out this interview with Glory Edim, the founder of Well-Read Black Girl.

CPJ Journalist Security Guide

I’ve followed the Committee to Protect Journalists in the (unfortunately) nearly 5 years since journalist Austin Tice went missing in Syria. The CPJ is admirable in providing a voice and conduit for information related to persecution of journalists around the world. This link takes you to one of their survival guides — approaches recommended for journalists and photographers to keep safe while working in heated environments.

15 Favorite 1st Lines from Books from the Past 5 years

This blog post on Goodreads recognizes that most of us have appreciated articles with famous first or final lines from classics… But what about favorite books from recent years? Especially for writers revising with attention to those opening pages, these give an interesting cross section of opening lines.

The Weird Things People Leave in Books

Claire Fuller (author of Swimming Lessons) reflects on how readers leave their marks on books. Marks and a bit of wear and tear show a book was loved. But that’s nothing to the odd list of things librarians told Tin House that they’d found between pages.

For World Poetry Day:

Interview w Airea Matthews on Lit Hub

Airea D. Matthews: Texting with Anne Sexton

I always like to end these lists with inspiration from one writer, and I really loved Peter Mishler’s interview with poet Airea D. Matthews on Lit Hub. Completely different entry point led to a series of her poetry: “For about a year, I set up a secondary text account and sent messages to an imagined Sexton, which I began to transcribe and edit into the Sexton Texts poems.” Great read.

Maggie Smith Reads “Good Bones”

I discovered Maggie Smith on Twitter almost a year ago when her poem “Good Bones” went viral in the aftermath of one of the many world hardships we all sought to understand. Here, a profile on Ohio State’s website, and a recording of Maggie reading the poem.

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What Are You Working On?

What is your current writing goal? What resources or strategies have kept you moving forward? Share your thoughts or links you’ve found helpful in the comments.

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Want to be notified of further posts? Regular readers will know that I am glad to connect with other writers. Please do say hello or share your own experiences in the comments. While finishing my Master’s and completing this novel, I am not posting at regular intervals to this site, so it’s a good idea to use the WordPress follow button, or subscribe using the email option, to keep track of future posts. Both are on the sidebar (or footer, in mobile app).

I am always active on Twitter and Facebook, so it’s easy to connect with me there: Twitter @elissafield or Facebook.

More on this site:

Notes of scene and personality of my character, scribbled in the margins while reading Ann Hood’s Creating Character Emotions.

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Friday Links for Writers: Week’s Best Reads 01.06.17

Scrivener underway, nailing down the final novel structure. cElissa Field

Scrivener underway, nailing down the final novel structure. cElissa Field

One of my favorite things about the holidays is claiming long days to read and write. From Christmas Day to New Year’s, I’d read 4 novels, revised a short story, got a dozen story submissions out, and continued working through the editorial list for this novel.

So satisfying to progress through writing, revision and submission — although, it was humbling to realize you never outgrow the fidgety feeling submissions leave you with. No matter my years’ experience waiting for replies, I’ve been bad as a newbie, with that nagging obsession that I was waiting to hear back. The only cure: move on to other work.

As always, today’s Friday Links for Writers shares a list of some of the best writing links I’ve come across in recent weeks. Jane Friedman’s roundup shares 17 of her best shares, so bonus there. Share your thoughts in the comments, to let us know how your writing week has gone, or to share your own best reads of the week. Have a great writing week, all.

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How to Write a Great Story: A Roundup of the Best Advicegreat-story-roundup

This is far from the first time I’ve featured advice from Jane Friedman — I’m sure others will recognize her as a great source of insight into writing and publishing. Call this post from her blog “the motherlode,” as Jane shares 17 links to what she considers the best advice she has shared from authors, agents and publishers from 2011-2016.

The Big Reason Why Agents & Editors Often Stop Reading

This post by Paula Munier has been my favorite read from Jane’s roundup. Drawn from her book Writing with Quiet Hands, Munier asserts that a lack of narrative thrust is most often the culprit. I loved reading what she had to say about the story question, at macro-, meso- and micro- levels. I know I am not alone as a literary writer quietly craving more talk about plotting – this is that kind of piece.

Take Five: Donald Maass and the Emotional Craft of Fiction

In the same spirit as talk of narrative thrust, this post on Writer Unboxed interviews agent/author Donald Maass on his new release, The Emotional Craft of Fiction. While the post serves primarily to announce the new release, Don shares insights about authentic emotional engagement. Considering the canon of literary advice he has shared over the last decade and more, I appreciated how one of his answers traced the thread between his various books, which maps a growth in what continues to make novels “breakout,” including that crossroad between litfic and genre.

Emotion & Suspense: the Essence of Rasa Theory

71ythcjiyl__sx342_Continuing with the theme of creating an emotional experience, Rita Banerjee shares her essay on Rasa Theory: “Rasa theory centers on taste. Not taste in the sense of sophistication or composure or discernment…But taste in its most primal, animalistic, emotive, and provocative form…Rasa is what happens to you, spectator, reader, part-time lover, when you watch or read a work of art with intensity.I read the full article in my print copy of Poets & Writers Magazine (Jan/Feb 2017), but share here an excerpt that was posted by Cambridge Writer’s Workshop.

Submission Strategies: Advice from a Literary Magazine Editor

Aerogramme shared this roundup of advice from editor Kim Winternheimer of the Masters Review. I like that her advice asks, what kind of writer are you?, in acknowledging that her advice may lead to different answers for different writers, with some tips on how to make those choices.

The Best Independent Bookstores in America

parnassus“Independent bookstores are not only surviving but thriving,” Allison McNearney reports in the Daily Beast. She shares her list of the best of the indies, including a few of my favorites: Powell’s Books in Portland, Parnassus Books in Nashville, and Books & Books in Miami. (If you’re looking to find an independent bookseller near you, check my indie bookseller list on Twitter or indiebound.org.)

2017 Resistance Actions – Week One

Okay, so this may seem an odd link in a roundup of writing advice, yet it is at the heart of the context many of us are operating in this year. Whether you engage in the Resistance, feel threatened by recent politics, or are otherwise engaging in activism, or if you are writing about it, Maud Newton’s plan for one week of daily acts is a concrete map of how many are standing up for right action in 2016-17.

Toni Morrison on the Power of Language: Her Nobel Acceptance Speech

Beautiful picture of Toni Morrison on a wall inside the Lillian Vernon Writers' House at NYU. I first knew I wanted to write fiction, hearing Toni Morrison read Sula. Love.

Beautiful picture of Toni Morrison on a wall inside the Lillian Vernon Writers’ House at NYU.

People sometimes ask, “What was the first book you read that inspired you to be a writer?” Mine was Toni Morrison, first Song of Solomon, and then Sula. I signed out a library room at VCU and listened alone to a recording of her reading Sula’s final scene. The wrenching inspiration I took then is repeated in the effect of her Nobel Acceptance speech, shared here by BrainPickings.

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What Are You Working On?

What is your current writing goal? What resources or strategies have kept you moving forward? Share your thoughts or links you’ve found helpful in the comments.

*    *    *    *    *

Want to be notified of further posts? Regular readers will know that I am glad to connect with other writers. Please do say hello or share your own experiences in the comments. While finishing my Master’s and completing this novel, I am not posting at regular intervals to this site, so it’s a good idea to use the WordPress follow button, or subscribe using the email option, to keep track of future posts. Both are on the sidebar (or footer, in mobile app).

I am always active on Twitter and Facebook, so it’s easy to connect with me there: Twitter @elissafield or Facebook.

More on this site:

copyright Elissa Field (use w written permission only)

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Friday Links for Writers: 06.03.16

tsar love techno 

It’s been a busy week for writing — some new work, some work for clients, and a ton of editing. I’ve made it through about half of draft 10, with draft 11 coming together with the fierce and authentic punch that broke through in the last rewrite. This makes me happy… albeit, with tons left to go.

Just as many hours go into reading. I recently shared my Spring Reading List — go check that out for the books that powering my writing world. Pictured above, a favorite: The Tsar of Love and Techno by Anthony Marra (on my desk so I could transcribe a scene I wrote in the end papers while reading late).

This week’s Friday Links for Writers shares some of the most exciting, inspiring or useful links I’ve come across recently. As always, share in the comments to let us know what resounds with you, what you’d like more of, or share your own favorite links. Have a great writing week!

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Jimin Han on Rethinking the CW Workshop

I felt like this piece by Jimin Han on Pleiades is one of the most important ideas I’ve seen for those leading writing workshops. I’ve been struck, in forums with writers applying to MFA programs, the frequency with which minorities and marginalized voices feel unheard in MFA and other writing programs. Han and her teaching partner have a great approach to first learning a writer’s intentions and connecting all feedback to those intentions. Highly recommend this – not just for workshop, but critiquing peers, editing for clients, reading slush, etc.

CjQOA7_WYAE5aJW12 Things I Noticed While Reading Every Short Story Published in 2014-15 (or, Extremely Long Titles That Are Complete Sentences Are Still Very Much a Thing)

Ok, so this was another of the best things I’ve shared online lately. So often, writers are puzzled by what editors react to — something that felt powerful in draft didn’t light off sparks on submission. Kelly Luce’s piece at Electric Lit reveals surprising patterns, overused tropes, and useful insight into the most successful fiction in one year’s reading.

24-danai-gurira_w245_h368Danai Gurira’s Advice to Young Female Writers: ‘Go Where You Are Loved’

Here’s another one I absolutely loved and highly recommend reading. It’s easy to be inspired by Danai Gurira’s self-aware, fierce calm in The Walking Dead. How much more amazing, then, to find she is also a Tony-nominated playwright. She offers great inspiration to go where others embrace you and to get it done.

17 Best Flash Fiction Contests

On his Bookfox site, John Fox shares a list of details and links for 17 flash fiction contests. Are you thinking, “But I don’t write flash fiction”? Common thread among my novel writing friends is how novel edits can be repurposed into flash. Hmm…

Tell Me More: Creating Suspense with Information

This short piece by Marlene Zadig at Carve Magazine does a great job of challenging the idea of withholding information to build suspense. In my focus on reading suspenseful literary fiction this spring, I can attest to it. Readers appreciate being in on the story, not “ta-da!” moments when info is revealed.

Noir is Protest Literature: Why It’s Having a Renaissance

I found inspiration in this article at Electric Literature, as it relates to an idea I’ve been exploring in the shift in safety felt during the first decade of the millennium. “The classic crime story…takes place in an essentially orderly universe, with a common understanding of good and evil. Crime here is a dangerous anomaly, but order can be restored,” contrasted with noir: “Noir, as it emerged in the middle of a violent century, said to hell with all that. Its world was chaotic, baroque and hypocritical. Crime doesn’t disturb this world, it’s foundational to it.”

Crowdfunding Usually Doesn’t Work for Writers – But it Can

This is an interesting piece by Jane Friedman. One could assume it is for writers intending to self-publish, but in fact connects to more clever usage I’ve seen, such as a friend whose successful, traditionally published novel used a Fund Me campaign to support production of a high quality audiobook. She gives great approaches for targeted use.

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What Are You Working On?

What is your current writing goal? What challenges or strategies keep your going or make hurdles in your work Have you come across any great writing links or resources lately? Do share your thoughts or links in the comments.

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cElissaField

cElissaField

Need Motivation?

I’ll be on Twitter all today, and each Friday June-July, with Wordsmith Studio  to host hourly writing sprints.

Find me @elissafield, follow hashtag #wssprint.

Learn more from my post for our last event: Join Wordsmith Studio’s Live Writing Sprints on Twitter.

Or, you can find saved feeds from prior sprints — complete with some incredibly productive prompts for developing fiction — on my Storify.

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If you like this blog, be sure to click the WordPress +follow button, or follow via email. You can find me on Twitter @elissafield or on Facebook.

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Friday Links for Writers: 05.13.16

copyright Elissa Field (use w written permission only)

copyright Elissa Field (use w written permission only)

I’m midway through a 4-week break between classes, at the tail end of my Masters. This perfectly coincides with having a printed draft to complete a read-through revision, which makes this a busy writing week.

I’ve been wrestling with technology — finding the most efficient ways to keep track of complicated novel structures while moving large chunks around. I’ve written about mid-level novel revisions often, here, and this revision has had its own insights.

This week, I’m debating moving my outline (the structural spine devised to guide the revisions) into Excel. Complete nerdfest: that allows me to not only graph the chapters and parts, but graph key reveals, reactions, crossing of internal and external conflicts… Not word-nerdy enough? I’ve been obsessively analyzing concepts of action-reaction — the dialogue and external conflicts comprising actions, and all the modes by which characters react, in layers. Worth its own post — a post requested by another venue — but for today…

It’s time for Friday Links for Writers. Not surprising at least one link is a piece on character action. As always, share in the comments to let us know what resounds with you, what you’d like more of, or share your own favorite links. Have a great writing week!

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Character Reaction — Make Your Character Respond

On The Editor’s Blog, Beth Hill discusses the need to reveal character in the written responses to action and events. While I’ve been considering a dozen different layers to response, she covers the big 4: action, dialogue, thought, and emotion.

Pixie Dust

Okay, so this will be, what, the third Donald Maass piece I share lately? Yeah well, he must be good at getting one thinking. His latest post at Writer Unboxed talks about using the most emotionally charged details to power your writing (and delete the rest). Experiences shared in the comments are just as inspiring as the initial piece.

a8b42ebd1d57086a0349245db28cc008Found on Pinterest: Plot Timeline Infographics
Plotter or pantser, I strongly believe in understanding (or planning) the best structure for the novel you’re writing. In revising Never Said, that backbone has been key to building a more complex story than would have been possible without it. The link above goes to pin for the “first act”. Click here to find Act 2 and here for Act 3. Want more? Clicking the pins takes you to the original articles.

How Mapping Alice Munro’s Stories Helped Me As a Writer

And, hey, if I’m confessing my inner word nerd… well, look, Elizabeth Poliner was geeking out on diagramming Alice Munro, too. For me, it’s been a mix of Anthony Doerr and Tana French – but, point is, if you’re diagramming your favorite writer, you’re not alone.

Print Products: Turn Your Book into a Notebook or Workbook

Many of my readers may already have stumbled on Joanna Penn, who has been generous, as her self-publishing career took off, to share creative ways to make a living with your writing. This post is just that, with advice on how to create accompanying workbooks or other print materials from your existing book (especially nonfiction). This would be a great approach for speaking engagements and workshops.

Santiago Caruso via The Guardian

Santiago Caruso via The Guardian

 

On Charlotte Bronte’s 200th Birthday: Illustrating Jane Eyre

This one is just for a little inspiration, for any of us kindling a love for the Brontes. A Guardian piece, featuring the Gorey-esque artwork of Santiago Caruso depicting scenes from Jane Eyre.

Ta-Nehisi Coates: the Privilege of Writing from in the Mess

I loved this answer Ta-Nehisi Coates gave to a Howard University student who asked him what responsibility he thought writers have. The link above gives that one answer. Or, here is the full conversation between him and professor Greg Carr, including a reading from Between the World and Me.

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What Are You Working On?

April seemed to be a huge month for writers using challenges to reach writing goals — and just as many of my friends hit May (and look forward to summer) with editing now on their mind. What is your current writing goal? What challenges or strategies keep your going or make hurdles in your work?

Have you come across any great writing links or resources lately?

Do share your thoughts or links in the comments.

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If you like this blog, be sure to click the WordPress +follow button, or follow via email or Bloglovin options in the sidebar. You can find me on Twitter @elissafield or on Facebook.

Round tower bend, Waterford, Ireland. copyright Elissa Field.

Round tower bend, Waterford, Ireland. copyright Elissa Field.

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My Spring Reading List 2016

 Spring 2016

I’ve been meaning to post my Spring Reading List for weeks — in reality, I’ve done so much reading in the past year, it’s ironic that I slacked off sharing my reading lists.

Shaming me into it just the littlest bit today is one of my favorite activities with writing friends. A group of writers with Writer Unboxed meet via Facebook every other month to discuss the craft details that led to a breakout novel’s success. While I posted today’s questions and waited for discussion to start, well, there was just no excuse for not getting this post ready to go live.

So first off, shout out to my WU Breakout Novel Dissection group who are, as I type, in the throes of some really interesting analysis of everything from tittle to time structure.

And then, here’s to great reading. Let us know the best titles you’ve read lately, or releases you’re looking forward to.

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Adult Fiction

  • Julianna Baggott, Harriett Wolf’s Seventh Book of Wonders (Aug. 2015). Julianna is one of the most forthright, witty, magical and generous writers I’ve met, over the years, and I have been really looking forward to reading this novel, which, itself, serves as essentially the missing 7th book in an imagined series. This book is full of surprises, and one of the few books I’ve given as a gift lately.
  • 51CCPq9tcEL__SX336_BO1,204,203,200_Anthony Marra, The Tsar of Love and Techno (Oct. 2015). Anthony Marra has become one of my favorite writers –his Constellation of Vital Phenomena (2014) is the only book I have ever reviewed on this site, and makes my favorite read of year list — so I was excited to see this release. While identified as “stories,” this collection reads like a novel that is handed from one story to the next. I don’t want to oversell it… but it was new and smart and funny and… yeah, great.
  • Tana French, In the Woods (2008). Something about workshopping with Ben Percy last year has had me in a mind of getting back to my reading roots: honoring the kinds of stories that first inspired me as a reader. I crave the mental puzzle of a good mystery — equally despising poorly written ones — so have been glad to discover French’s rich & flawless writing in her Dublin mystery series. Next up: Likeness. Next up after that: Faithful Place. Hooked.
  • Paula Hawkins, The Girl on the Train (2015).  Keeping with the mystery thread, this one finally made my reading list when it was selected by the group of writers I mentioned in the intro (Writer Unboxed Breakout Novel Book Dissection group). If you’d been holding out to read this once the paperback came out, it just released last week.
  • Eleanor Catton, The Luminaries (2013). This novel has been in my almost-read pile for more than a year, and I’m only adding it here again because I actually read it this time. Incredible writing, great detail, my kind of topic. But the kind of over-writing where you got to each “reveal” about a hundred pages ahead of her. Really turned it tedious.
  • 51CGEPIpYqL__SX332_BO1,204,203,200_Emily Carpenter, Burying the Honeysuckle Girls (April 26, 2016). I have really been looking forward to this debut novel, which uncovers the multigenerational mystery behind the disintegration of women in one Alabama family. Emily delivers a page-turning thriller with a bit of wit and magic. I look forward to more from her.
  • Alexander Chee, Queen of the Night (Feb. 2016). Having followed Alexander online for years, I’ve been really excited to see the acclaim that has arisen around the release of this novel this year. Already a bestseller, a New York Times pick, and rising on numerous reading lists, it’s been described as a mesmerizing work, something like opera. I’ve read the opening chapter and look forward to more.
  • Hanya Yanagihara, A Little Life (2015). You may be the same: this one came home from the book store with me because so many people kept reporting what an emotional read it is. It was a Man Booker Prize Finalist, and made the “best book of the year” lists for more than 20 major publications.
  • 61MBasfoH0L__SX323_BO1,204,203,200_Sara Novic, Girl at War (May 2015). I’m really looking forward to this novel, a coming of age debut that has been an award winner and finalist internationally, with comparisons to two of my favorite novels: Tiger’s Wife and All the Light We Cannot See.
  • Nicole Krauss, The History of Love (2005). I came to this one as a fan of Jonathan Safran Foer, Anthony Doerr, and Nathan Englander. Everything, from a starred Publishers Weekly review to excerpts and recommendations, has me looking forward to an unexpected point of view on love.
  • Chimamanda Ngozi Adichie, Half of a Yellow Sun (2006).  I previously read this author’s acclaimed Americanah (2013), but had several friends recommend her Orange Award winning earlier novel, so Half a Yellow Sun made my list. (If you prefer audiobooks, Julianne Stirling highly recommends Americanah via Audible, as she says the narrator, Adjoa Andoh, brings the African dialects to life.)

Middle Grade/Young Adult Fiction

  •  Kwame Alexander, Crossover (2014). I’m excited to be able to add not only a diverse voice into my sons’/students’ reading this spring… but it’s a highly awarded novel in verse.

Poetry

  • Claudia Rankine, Citizen: An American Lyric (2014). I keep forgetting to order this collection, but have heard it consistently recommended.

Nonfiction

  • Richard Engel, And Then All Hell Broke Loose (Feb. 2016). From elsewhere on the blog, you may be aware of the thread about dangers to conflict zone reporters that influences part of my novel draft. While researching and tracking one missing journalist, I was sorry to hear of the capture of Engel and his crew. If you’ve seen him report, he’s the real thing, honest to goodness, diehard reporter, and I look forward to his insights.
  • Robert Young Pelton, The World’s Most Dangerous Places (1995, 2000, 2003). I first read the 1995 edition when writing Breathing Water, and returned to it, over the years, in writing about characters working in hot spots around the world. I tracked down the 2000 version this spring, as a resource a character in Never Said would have consulted before heading overseas. I got a kick out of the deadpa61MV8ZtI4JL__SX331_BO1,204,203,200_n, gravedigger wit of this first time around — but the advice rings much more somber, post 9/11.
  • Benjamin Percy, Thrill Me (Oct. 18, 2016). Yes, this one’s not coming out until October, although I’d love to get ahold of a galley to review. Of everyone I’ve workshopped with, Ben’s advice on fiction has been the most like rocket fuel.

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What About You?

What is on your current must-read list, or what books have you read recently that you highly recommend?  How do you usually get your reading recommendations — suggestions from a friend? lists in the news? books on shelves in the store?

If you post your own reading list, feel free to share your link in the comments below. If you would like to join in a reading blog hop, let me know.

Or, click to connect on Goodreads.

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Where do the book links take you?

For convenience, you can click book titles for their link on Amazon — or find them at your favorite indie bookseller through indiebound.org:

Shop Indie Bookstores

What’s my “VIDA Count”?

Equity or diversity in voices is an issue many of us are working on improving — some from the publication-end, and I’ve addressed it with curriculum in classrooms. The VIDA count is a done by a group that evaluates representation of gender and identity within publications each year. I’m not a part of their counting, but thought it was positive to see the number of women (11 out of 18) and marginalized voices (7) that coincidentally populate my reading list this time around.

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 If you like this blog, be sure to subscribe using WordPress’s +follow option, or via email. I can be found on Twitter @elissafield , on Goodreads, or on Facebook.  I love to connect with like-minded readers and writers!

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Friday Links for Writers: 04.29.16

Round tower bend, Waterford, Ireland. copyright Elissa Field.

Round tower bend, Waterford, Ireland. copyright Elissa Field.

It has been another busy writing week. New fiction. Book editing for a client. Research and academic work to finish a masters class. Digital portfolio…

My biggest writing priorities this week have been getting my novel printed for read-through, and hosting #wssprint.

On the novel: I’d made it through the 9th draft of my novel, appreciating the ability to shuffle new chapters in Scrivener. But that also means I spent an undue amount of time this week hair-pulling in order to compile the novel back out as Word document. God love Scriv — a difficult child, requiring deep digging into its Advanced custom menus to simply ask it not to reformat everything in order to print (smh). I’ll still be working through this much of today, to get the 10th draft in printed form, ready for big read-through revision.

What is #wssprint? I’ll be hosting the last of 6, all-day live writing sprints on Twitter with my writing group, Wordsmith Studio. The sprints run from 11 a.m. – 11 p.m. EST, starting at the top of each hour. It’s been a fantastic experience each week. But also requires preloading 72+ organic tweets through twitchy Hootsuite, finding or originating prompts that take novels deeper, plus manning the live event. So do come visit, if you’re reading this 4/29 — or look for periodic events in the future. (On Twitter #wssprint or blog post)

But as with any week, time writing includes time for reading…  This week’s Friday Links for Writers includes advice on pitching, relevance, freelancing and more. Let us know what you find meaningful, or share your own favorite links.

Have a great writing week!

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22 of the Best Single Sentences on Writing

As Lit Reactor puts it: if good writing is succinct, shouldn’t the advice be, too? 22 single sentences with advice from Chekov, Gaiman, Oates, King and more.

Tips for Writing the Perfect Pitch

This piece by Estelle Erasmus on BlogHer is insightful as to what makes for an effective pitch — advice that resounds among my freelancing friends.

Thoughts on Pitch Contests

On the eve of another Twitter pitch madness event (#PitchMad or #pitchmadness), agent Julie A. Weber gave her thoughts on the process for pitching novels in these events, including do’s and don’ts.

Relevant

Agent and writer Donald Maass has a way of cutting to the heart of what makes breakout fiction today, and his posts on Writer Unboxed tend to stick with me. This, on “relevance,” came to mind as I was reading a recent bestseller and could see how, without particular threads of relevance the novel would have fallen flat.

Freelancers Roundtable

Interesting Longreads conversation between three freelancers — Josh Dean, May Jeong and Jason Fagone — about the state of freelancing and their experiences on various aspects of the business, from finding ideas to negotiating, and more.

Ontario

Colin Barrett is a slick & insightful writer whose collection Young Skins is described as voice of today’s young Ireland. Irish Times shared “Ontario” as a short story — to me, it’s more depiction of how we write (and don’t write) from reality. Here or elsewhere, Barrett’s worth reading.

Another Hidden Message Box on Facebook

This isn’t specific to writing, yet ran wild through writers’ posts recently. So, you know there’s a message/inbox in Facebook, right? Some folks freak out to discover there’s also a second inbox (called “message requests”), catching attempts to message you by people who are not your friends. Look at the foot of that: click the link that says “see filtered requests.” That’s a third inbox — and friends have found everything from letters from readers to requests from agents in there. Thanks for the confusion, FB.

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What Are You Working On?

Chime in to share your current writing goal or link to a recent favorite read in the comments. April has been a month with friends using a range of challenges to work through writing and editing goals. A group of published friends merely start a FB post each week to keep accountable, keeping each other going. Others have used #AprWritingChallenge, Camp NaNoWriMo, Poem a Day Challenge, A to Z Blog Challenge and others to claim time to write with the camaraderie of others. In conversation (#wschat), writers traded personal strategies for finding time.

What do you do to claim time to write?

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Need Motivation?

cElissaField

cElissaField

Don’t forget: I’ll be on Twitter with Wordsmith Studio all day today (4/29) to host hourly writing sprints. Find me @elissafield, follow hashtag #wssprint or read more in this prior post.

Even if you’re past the live date, you can find prior sprint days (with prompts) on my Storify — and continue to follow #wssprint and Wordsmith Studio, as we offer these events periodically throughout the year (current plans for a summer and October series)

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If you like this blog, be sure to click the WordPress +follow button, or follow via email or Bloglovin options in the sidebar. You can find me on Twitter @elissafield or on Facebook.

For more Friday Links for Writers:Thinking of Him

  • Friday Links for Writers: Quirky Research Sources for Writers #3
  • Scan summaries of the links shared on all Friday Links posts: hover over individual post-titles listed on the Links & Where to Find Me page

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Friday Links for Writers : Quirky Research Sources for Writers #3

cElissaField Happy bunny son watches crystal being finished, Waterford factory, Ireland.

cElissaField Happy bunny son watches crystal being finished, Waterford factory, Ireland.

This 3rd installment of Friday Links for Writers: Quirky Research Sources for Writers gives nod to the #Youknowyou’reawriter truism of worrying what the FBI might think of your random online search history.

Best ways to hold a battle ax. How long does it take to bury a body. You know, as one does.

Even without the excuse of writing thrillers or horror, I confess an undue number of searches related to weaponry, terrorism, reporting from conflict zones, specific jails, specific dangers. Particularly researching for Never Said. I’ve read and watched some shocking things. (It took awhile to get over the morgue tour — our ME is big on gravedigger humor and indelible images.)

jps norton 1990 robert dunlopAlthough, equally, my searches include finding unedited dashcam footage of TT motorcycle road races from twenty years back (in awe: pre-GoPro). And sweet things like sound of the native birds on a particular hillside, or finding a picture of the inside of a small village church. (Pinterest board for Never Said)

This week’s Friday Links for Writers shares the odd articles writers come across in weekly reading — a cross section of authentic info for everything from the gruesome to the sacred, the timely to the de ciecle.

Have a great writing week, all.

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Smelling Death: On the Job with New York’s Crime Scene Cleaners

A long read in The Atlantic. Some things you just can’t imagine accurately without hearing from the pros.

The Lonely Death of George Bell

A touching exploration on what occurs when one dies alone – but also unusual insight, tracing the various vendors and entities that go into resolving unidentified estates, or even just the path a body travels.

 Beretta-92Best Handguns for Detectives

This article is just one post in Benjamin Sobieck’s Writer’s Guide to Weapons.

Writing Tips from the CIA Style Guide

This won’t get you all 007 about how to speak 20 languages with ease or kill a foe with dental floss… but certainly is a twist on your average “how to edit your prose” advice.

Free Historical Costume Patterns

Thanks to Diana Terrill Clark, a writer in my circle, who shared this website with patterns for clothing and undergarments from historical periods. A good visual when describing historic apparel.

Untangling the Overlapping Conflicts of the Syrian War

An infographic and map-imbedded article breaking down the layers of conflict, useful to anyone writing about impacts of the war in Syria in the 4 years leading to October 2015 publication.

3 Maps that Explain America

The map that got me was the second, which shows the predominant national ancestry for each county in the United States.

Cfwc2XoWQAAuyoQWhy Are There Sea Monsters Lurking in Early World Maps

Here’s where we start to see what a map addict I am. Dory Klein of the Boston Public Library is amazing in revealing the layered stories behind sea monsters at the fringes of early maps.

17th Century London- by Air

This Open Culture piece shares link to an award-winning animation: “Six students from De Montfort University have created a stellar 3D representation of 17th century London, as it existed before The Great Fire of 1666.”

Church Architecture Glossary

Whether you grew up in churches or not, knowing the proper terminology for narthex and apse can be outside one’s grasp. Along comes this handy glossary from Ken Collins.

Glossary of Islam

Wikipedia offers this glossary, which provides an extensive list of definitions for terms related to Islam and Arab traditions. Want another great introduction to Muslim traditions? Check out the American Muslim Teenager’s Handbook, written by an American Muslim mother and her teens, with instructional insights intended to increase understanding for those inside and outside the faith.

Want more?

Friday Links for Writers: Quirky Research Sources #2

Friday Links for Writers: Quirky Research Sources #1

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What Are You Working On?

Chime in to share your current research challenge or favorite source in the comments below. My own challenges have included finding recordings of specific dialects, down to a county, or the sound of a particular engine during a race. Lately, I was searching to figure what alternative rock would have been playing in Dublin ten and fifteen years back. Often, it’s getting details of a specific process (taxidermy, for an unfinished story). What are yours? Share links, a challenge, or your best research strategy.

Need Motivation?

Don’t forget: I’ll be on Twitter with Wordsmith Studio all day today (Friday, April 15th) to host hourly writing sprints. Find me @elissafield, follow hashtag #wssprint or read more in yesterday’s post.

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If you like this blog, be sure to click the WordPress +follow button, or follow via email or Bloglovin options in the sidebar. You can find me on Twitter @elissafield or on Facebook.

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Join Wordsmith’s Live Writing Sprints on Twitter: #wssprint

cElissaField What we love about writing: constantly changing corner office view.

cElissaField What we love about writing: constantly changing corner office view.

Do you use word counts, hourly goals or other motivators to reach your writing goals? April is a great month for joining in any of a variety of writing challenges. Wordsmith Studio brings them all together with weekly writing sprints, every Friday in April.

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Join Hourly Writing Sprints Every Friday in April

Along with a fabulous group of writers, Elissa Field is a Founding Member at Wordsmith StudioYou may know I am a founding member of Wordsmith Studio, an awesome group of writers and artists who share craft resources and support each other throughout the year. We celebrate each other’s writing, keep each other going, and laugh a lot. This month, we are celebrating our 4th anniversary.

My part of our month-long celebration has been planning and serving as a moderator for all day writing sprints, live on Twitter every Friday in April. Look for camaraderie, motivation and some seriously smoking keyboards with hourly writing sprints, each Friday from 11am-11pm EST.

How #wssprint Works

The live sprints take place on Twitter. Follow #wssprint , or find via @WordsmithStudio  or @elissafield. (If you’re a Wordsmith member, we repeat some tweets in Facebook, as well.)

Beginning at 11 am EST, sprints start with a kick-off tweet on the hour. Write or edit for 45 minutes, then share your success — word count, page count, plotting solution, a favorite line, whatever — using #wssprint at :45. We take a break for 15 minutes (time to chat, share, ask questions, invite a friend, cheer each other on), then start again at :00, up until 11 pm EST.

Optional Prompts

Every hour, there is an optional writing prompt.

The prompts are great — more than 13 a day. I am a huge fan of novel prompts shared by Donald Maass in 21st Century Fiction (highly recommended for building depth, power and tension, when building or revising a novel), so we share some from him. Here is a favorite – you can see why I think he’s awesome.

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Sarah Turnbull (@thesaturnbull) and I wrote the prompts that aren’t credited to Maass, based on writing advice that has impacted our work. There are also photo prompts and ones coordinated with challenges our members are working on (see below).

But there are no rules. No prompts required. Lots of our writers are editing, rather than writing. Use the time however gets you going. Most say it’s just nice to feel like someone else is writing or editing with you.

Do take time to say hello, while you’re there.

What Goals Are Writers Working On?

Some of our participants are using the sprints for organized writing challenges, such as Camp NaNoWriMo, Poem a Day Challenge, A to Z Blog Challenge, or the monthly 500-word-a-day challenge (#AprWritingChallenge this month).

But most — including our Wordsmith Studio Goals Group or visitors from Writer Unboxed and Binder subgroups — are using sprints to keep going with existing goals.

I am using sprints to keep moving from draft 9 to draft 10 of my novel, Never Said. The first week, I finished transcribing handwritten scenes, incorporating new work and changes into the draft. Some writing sprints are chance to anchor scenes with more developed setting, now that I’ve fully developed character and plot. Sometimes I’m working on nonfiction, writing for education or editing for clients.

We’re all jumping in to inspire each other.

Oh, No. I Missed It!

Not all of our participants write along with us “live” — jump in to use the sprints whenever it works for you. You can scan #wssprint to find the prompts and share your success any time. Or, visit previous #wssprint days via Storify. And, considering the success this month and when we ran Fridays Are for (Spooky) Writing last October, be sure to follow @WordsmithStudio for sprints we run in the future.

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How About You?

What challenges are you working on in your writing this week, or what strategies help you reach your goals? We’d love to hear from you — share your thoughts or links in the comments.

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If you like this blog, be sure to click the WordPress +follow button, or follow via email or Bloglovin options in the sidebar. You can find me on Twitter @elissafield or on Facebook.

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Friday Links for Writers: 07.03.15

“Thinking of Him” & its neighbor, by Roy Lichtenstein, photographed with students at the Yale Art Museum by Elissa Field 2015 (copyright, repro w written permission).

I am posting this on a raucously beautiful day in Fairfield, Connecticut, where I am rushing to finish morning writing in time to go gather a picnic dinner to walk down to the beach for tonight’s fireworks. That’s right, fellow patriots, the 4th of July weekend kicks off today.

And with this Friday off, you have little excuse not to be writing.

My morning was a hectic finish to a busy writing week: research for the intro to an academic paper, paperwork for a great new freelance client, wrestling with recording a screencast for a digital portfolio… I love the diversity of the writing I’ve been doing the past month — some great content and PR writing projects, and a great new educational client.

But draft 8 of the novel is also going like gangbusters, spread in ungainly documents all through my computer.

How on earth does one steal time to get that novel done? Rally your online communities! The folks at Friday Night Writes gave me excuse to pause for #writeclub word sprints throughout the day. And the fabulous and generous young adult author, Gae Polisner, lent motivation to take time out to find an excerpt to share as she kicks off Friday Feedback today, as the start of Teachers Write. Any excuse is a good excuse to take a break from other work to get this novel reassembled.

(Still pondering the relevance of Lichtenstein’s “Thinking of Him”? It’s from a trip I took as a volunteer with 5th graders who’d used fine art all year to extend understanding of how visual texts construct meaning, same as literature. I love how the diversity of my work takes me everywhere!)

Every busy writing week is also filled with great reading and resources, which brings us to another edition of FridayLinks for Writers — some of my favorite recent reading online. As always, let me know in the comments what was particularly helpful, what you’d like to read more of, or share your own favorite links.

Have a great writing week, all!

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Checklist: Is Your Novel Ready to Query?

In response to a writer wondering if it is okay to withdraw a query, the inimitable literary agent (and Query Shark) Janet Reid answers the question, but then also offers a 5 question checklist to know if a novel is actually ready to query. Also available on the page are several other useful query resources, such as a link to her query checklist and query letter diagnostics. If you are in the market to query, her site is a good place to start for tips.

 Writing Idol: Not for the Thin-Skinned

Speaking of testing queries, Melissa Cronin shares about the experience of participating in Writing Idol in this guest post on Brevity from last fall. With the intensity of American Idol tryouts, writers sit by as their story is read aloud to see at what point a panel of agents or editors would stop reading. This kind of event has popped up at a few conference venues.

Dear Writers: None of Us Know What the F We’re Doing

Forgive the expletives in this one, but Chuck Wendig usually makes them worthwhile. This piece on his blog is one of my favorites — an acknowledgement that we all have ideas about what works or what to avoid in writing, we know certain protocols about submitting… but, in the end, writing is not defined by rules or guarantees. A non-advice piece that has you wondering if there really are ice weasels, and also inspired to get to work without waiting for clearer instructions.

Writing Basics: The Act One Problem

I’ve mentioned elsewhere that screenwriting, plotting and structure have been a source of intrigue for me in novel revision, and this piece by Janice Hardy on her Fiction University website clarifies the concept of the problem that carries plot from inciting incident to door one. Understanding plot concepts is a good way to test for weaknesses in a story.

10 Resources for Writers and Bloggers

Nina Badzin shares a great list of resources, and on each of those links you’ll find multiple options for new publication routes, writing groups and more. It’s been a frequently shared resource among writers and bloggers.

Colin Barrett Talks About His Approach to the Short Story

I’m really intrigued by Colin Barrett, an Irish writer whose story collection, Young Skins, won last year’s Frank O’Connor International Award and the Guardian First Book Award. A silky paperback copy of the collection just arrived into my reading pile, having had to order it since it was not readily available in the U.S., and this interview shares some interesting insights.

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How About You?

What challenges are you working on in your writing this week, or what resources have helped you find clarity toward your goals? We’d love to hear from you — share your thoughts or links in the comments.

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If you like this blog, be sure to click the WordPress +follow button, or follow via email or Bloglovin options in the sidebar if you don’t have a WordPress account. You can find me on Twitter @elissafield or on Facebook.

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Friday Links for Writers: 05.01.15

 

c Elissa Field

c Elissa Field

I am writing this while looking out the window at nodding daffodils after a week spent appreciating the season of spring blooms, driving through 10 east coast states. Apple blossoms, weeping cherries, dogwoods, azaleas, forsythia, Bradford pears, redbud, wild wisteria, and the last bedraggled heads of tulips.

10634351_10100112304388454_1141723537_nNo small deal to me, as this was my first spring back in the northeast after years in South Florida’s tropics.

It’s also been a great week for writing. Two new business writing clients. Writing academic curriculum. Analyzing the structure of recent breakout novels. Celebrating the creativity of my clients and my writing community (including Wordsmith Studio’s continuing anniversary celebrations). And — no offense to all of that, but — most overjoyed by work on my novel. Revision to this story is like discovering hidden doors. This story — the one coming vivid, the writing on a roll, where it dragged when I knew the story was not yet ready — is the one I knew was there all along, so I couldn’t be happier.

My current challenge... or threat.

My current challenge… or threat.

That said, this post marks a return of Friday Links for Writers, which was on hiatus during my winter masters work. This week shares some of my favorite recent reads on process, form, inspiration and publication. As always, let me know in the comments what resounds with you, or what you are currently trying to learn more about. Feel free to share your own links. Have a great writing week!

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Tips for Non-converging Parallel Plot Lines

In a recent workshop, when trying to simplify my narrative to a logline to practice pitching with workshop peers, I realized that one of the complications I was working on is that my novel unfolds in nonlinear, parallel, converging plot lines. While conventional advice tends to steer toward linear lines, there are several different forms for parallel plot lines, in linear and nonlinear forms. This piece takes on one of the more interesting: non-converging (two stories that don’t cross). I share it as much for that discussion as the additional links on other structures.

 496 Words on Writing Flash Prose

Some of my writing friends are kings and queens of writing flash prose, and I can’t help envy them. Envy the crossing of all those finish lines, all those publications come to light. It’s therefore no surprise that I loved this short piece by Rebecca Meacham on Ploughshares’ blog about how she yields flash prose from her novel scraps.

The One Word You Should Probably Add to Twitter Searches

This was one of my favorite pieces on research this week, as Daniel Victor shares some common sense but not obvious advice for honing in on first person sources. The trick isn’t just the word to include, but the simple logic behind it. This was frequently shared by my journo friends.

Done is Better than Perfect

I am sure I’m not alone in appreciating this piece, in which Nanea Hoffman confesses how a need for perfection in her writing has held her back. It’s a great tonic if you need permission to let go and just get something submitted.

Matthew Weiner’s Reassuring Life Advice for Struggling Artists

Close on the heels of that theme, Mad Men creator Matthew Weiner reassures emerging artists by pulling back the veil that implies real genius is effortless. The Fast Company essay suggests all masterpieces involved false starts, deletions and revision, saying that “hiding brushstrokes” does a disservice to emerging artists.

Her Stinging Critiques Propel Young Adult Best Sellers

To be on the receiving end of an editorial letter from Julie Strauss-Gabel may sting, but I can’t help think how empowering it would be to work with an editor with such vision. You might know her as the Dutton editor for John Green, whose experiences working with her are shared. In retracing the arc of her career, this is also a fascinating glimpse into the growth of young adult fiction.

This Week in Fiction: Colm Tóibín

I usually try to end with the perspective of one writer. Here, it’s interesting to read Colm Toibin’s observations and creative process as he discusses writing his story, “Sleep” with Deborah Treisman, in the New Yorker.

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How About You?

I love this sign from Atlantic Center for the Arts, which comes on the heels of a sign asking the public not to venture beyond a point where the center is reserved for artists. c Elissa Field

I love this sign from Atlantic Center for the Arts, which comes on the heels of a sign asking the public not to venture beyond a point where the center is reserved for artists. c Elissa Field

What challenges are you working on in your writing this week, or what resources have helped you find clarity toward your goals? We’d love to hear from you — share your thoughts or links in the comments.

Better yet… Have you read my posts for Wordsmith Studio’s 3rd Anniversary Blog Hops? Whether you are a member of the group or not: share your current writing process by responding to interview questions in this week’s blog hop post. Here are links:

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Click here to enter your link and view this Linky Tools list…

If you like the idea of more blog hops, let me know, as I may host them in the future on this site.

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If you like this blog, be sure to click the WordPress +follow button, or follow via email or Bloglovin options in the sidebar if you don’t have a WordPress account. You can find me on Twitter @elissafield or on Facebook.

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Wordsmith Studio Blog Hop: Writing Challenges, Successes & Strategies – Part 1

I love this sign from Atlantic Center for the Arts, which comes on the heels of a sign asking the public not to venture beyond a point where the center is reserved for artists. c Elissa Field

I love this sign from Atlantic Center for the Arts, which comes on the heels of a sign asking the public not to venture beyond a point where the center is reserved for artists. c Elissa Field

I’m joining in Wordsmith Studio’s 3rd Anniversary Blog Hop, today — responding to a great Q & A about my (recent) writing challenges or successes, and the tools, strategies or resources that help me succeed.10634351_10100112304388454_1141723537_n

Being a little funny, there, calling it a “great” prompt, as I was actually the one to write it. This is the third week I’ve hosted the WSS blog hop for writers, for our anniversary month.

I encourage you to go over and check out the hop. You don’t have to be a member of the writing group to join in. Do jump around and read the various posts. Particularly this week — it would be great if you shared a post with your own writing challenges and your tools or strategies for success. I’ll post links to the hop down below.

But not yet. First, here’s the interview.

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Q & A: My Writing Challenges (or Successes) and the Tools, Strategies or Resources That Help Me Succeed – Part 1

1) What are you currently working on?

My work is split between my business (freelance nonfiction, writing & editing), my Masters (writing and research related to curriculum & learning) and fiction. I occasionally write short stories (have a had a few published, a couple awards — small fry), but spend most of my time on novels. I work toward literary fiction, or what is referred to as crossover or book club fiction — literary fiction with commercial appeal.

I am working on a novel called Never Said (it was nicknamed Wake elsewhere on the blog). It trines between the U.S., Ireland and the Middle East, with one couple’s love affair unraveling a tension of what it is to live “without war” in an era when war touches everything.

As tools go: I use Outlook to block out time for business, masters and fiction, and to keep to do lists with weekly steps that help keep me moving forward in all 3 goals. I share goals with friends and with a life coach, to organize my goals and keep me accountable.

2) In recent past, what was your greatest joy or greatest challenge?

I have been impatient to complete this novel — but it was challenging, as it was the first one I attempted where the idea wasn’t that clear when I started writing. I knew the main characters and understood an essential tension, but had to go deep into research to understand the international context, and then deeper into character to develop the motivation and parallel stories that drive each.

Badge for my personal 2015 challenge with this novel.

Badge for my personal 2015 challenge with this novel.

It’s easy to get impatient when you feel like you should be able to have finished by now (twice, I thought I was revising a final draft), but as I work on this 8th draft, it is obvious that I had to work this long to understand the story that I had only sensed in the earlier versions. A fast version would have “worked,” but wasn’t compelling. Being willing to pull up and start over let me find the real story. And, of course, hard work teaches valuable lessons.

The greatest joy is that I love the newer material.

As resources go: 2 books on writing offered some good tools for targeting and addressing weak areas in my narrative or characters: Ann Hood’s Creating Character Emotions, and Donald Maass’s Writing 21st Century Fiction: High Impact Techniques for Exceptional Storytelling

3) What challenge are you working through now?

Time is always an issue — especially right now, as I restarted my business and am busy with my kids — so any time delays are aggravating. I had a tree fall across my windshield 2 weeks ago, so groaned over the time spent getting it fixed. Same goes for lags in technology, or time spent marketing for work.

It’s not just about having time to write every day, but wanting those writing hours to be end-zone-level productive.

Transitioning between drafts means that I am pulling successful scenes from several documents in Word to build the new draft. Last summer, on the last draft, I did this simultaneously in Word and Scrivener; Scrivener has won me over, so I may be assembling this draft just in Scrivener. Although it sometimes slows me down to have to set up all the preferences, I like the ability to see each scene as a discreet piece in Scriv. Much of my writing in recent months involved re-envisioning existing scenes — the ‘notecard’ view helps me locate, compare or replace previous versions, and to readily sort scenes that will be re-ordered in the final draft. The challenge, though, when working from multiple drafts is staying organized.

As tools go: I believe in Scrivener enough that I’ve include a link to their site in my sidebar. If you don’t know much about the software, click the picture here to check it out (if it takes you to a “buy” page, click the banner for the homepage for more about…). They are generous in offering a 30 nonconsecutive-day free trial, which allows you a lot of time to play with it before having to pay.

Buy Scrivener for Windows (Regular Licence)

4) For work you are just planning or starting, what challenges or growth are you expecting or hoping to encounter?

I’ve drafted novels and met with agents face-to-face before, but this will be my first foray into blind querying. I’ve practiced pitching and spitballing at conferences and workshops in the last year, and gotten an agent’s feedback on a query draft.

As for strategies: It’s worth noting that attempting to draft a query or plan pitches and log lines during different face-to-face activities with peers and agents is part of what helped me know when I didn’t have a clear sense of the story. Writing pitches and queries ended up being a great strategy for understanding my narrative structure.

5) What have successes or challenges in your work (recently) taught you?

Well, the thing I just mentioned. Having come from a literary background where these things aren’t brooded on as much as word choice and such, I was surprised how important plot structure, narrative arc, suspense and other elements more typically suited to screenwriting have been, as tools in my revisions.

As resources go: the sign at the top of this post was from a workshop I participated in last January (Blue Flower Writers Workshop at Atlantic Center for the Arts), where Ben Percy was the clearest I’ve heard in talking about structure and suspense, even in literary writing.

6) What obstacles or challenges have you not been able to overcome, or still frustrate you? Is there a “magic wand” you would invent to solve this problem?

Yes, I want Hermione’s time turner — to be able to use the same hour to address multiple priorities. It’s not that I don’t have the time. Keeping time to write (fiction) every week is a nonnegotiable for me — I am stubborn in crafting the rest of my life around it, even while running a business or when I teach full time. But I still get frustrated to not be done yet.

As tools go: A magic wand that pulls the story straight out of my head would be great. As strategies go: here are other posts I’ve written on time management strategies for writers.

To Be Continued…

There are 2 more questions to the Q & A, asking how I would define a great writing week and what specific tools and strategies help me succeed. Those answers are long enough that I’m going to let them be a second post.

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How About You? Join in the Blog Hop!

What successes or challenges are you working through, and what tools, resources or strategies help you succeed?

I’d love to hear your answers in the comments.  Better yet, if you are reading this 4/29-5/4, join in the blog hop by using the linky tool below.  Visit the initial prompt, with all 8 questions and more explanation of “how to hop,” on Wordsmith Studio’s site: Writers’ Homecoming Blog Hop – Week 3.

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Click here to enter your link and view this Linky Tools list…

If you like the idea of more blog hops, let me know, as I may host them in the future on this site.

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If you like this blog, be sure to click the WordPress +follow button, or subscribe via email or Bloglovin options in the sidebar if you don’t have a WordPress account. You can find me on Twitter @elissafield or on Facebook. I love to connect with readers and writers.

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Writers’ Homecoming: Participating in Wordsmith Studio’s 3rd Anniversary Blog Hop

Persistence. Stole some writing time in an empty science lab while at a school today. With a limping keyboard no less. What is community? The coffee brought to me by a neighbor.

Persistence. Stole some writing time in an empty science lab while at a school today. With a limping keyboard no less. What is community? The coffee brought to me by a neighbor.

If you’re a regular reader here, you may know how much I value my writing community. I am way overdue sharing some of the great interactions I’ve had with new writing friends at writers’ conferences and workshops over the winter, but today is all about jumping in to participate in a Writers’ Homecoming Blog Hop to celebrate the 3 year anniversary of my fabulous group of writing friends, Wordsmith Studio.

What is Wordsmith Studio?

10634351_10100112304388454_1141723537_nWordsmith Studio came together 3 years ago on the heels of one of the best challenges I’ve ever seen online: poet Robert Lee Brewer’s April Platform Building Challenge. Every day for 30 days, each of us learned about how to make the most out of a different social media tool in building platform (that is, readership and genuine connection). We learned not just how to blog, but how to create authentic interaction with readers and other writers. How to participate in comments on others’ posts and encourage comments on your own, to create authentic dialogue. Likewise, how to understand the formats of Twitter, Facebook, Google+, Pinterest and more to, again, create authentic connection through each of those venues.

Since then, the group has created a formal affiliation. We have a website with weekly posts and member bios. We have a Facebook page with numerous smaller offshoots (there’s an events page for this month’s anniversary activities, and subgroups — my favorite is the Goals group, where we trade our monthly goals and cheerlead each other through successes and pitfalls). Wordsmith Studio is on Twitter, hosting 2 weekly chat sessions (#wschat), as well as other periodic activities, like wordsprints or live events. These are where I participate most, but we have members who are more active in other venues, like Google+ or Pinterest.

The group is formal enough to have a process for joining, and is administered by a 6-member Advisory Group (I am one of the 6 members; we each serve for 2 years).

We have been glad to add in new members over the years, whose writing interests have broadened us well beyond our initial platform building challenge. Our group has seen several book releases, through traditional and self-publishing routes. Our writers share expertise on drafting, revision, conferences, querying, signing contracts, readings, publication, promotion… and blogging, photography, graphic arts, crafts, fine arts, music and much more.

That said, we are above all supportive of each other. We have diehard founding members who have been active the whole 3 years, and many more who we have seen come and go as other life’s priorities take them away and bring them back to us again. Someone is always apologizing for having been absent, but we’re just glad to see them again and to catch up on what they’ve been working on.

Which is what our “homecoming” theme is about, this month.

What is Homecoming? And What is the Blog Hop?

We celebrate each anniversary with events that help us rekindle any skills we want to work on and renew any connections that have drifted apart over the past year. We get to know each other’s work and current goals again… And we get to know new members, who may wonder how to get involved (it’s easy — just jump in).

As part of our Homecoming events, I agreed to lead the kickoff of our group’s first official blog hop. To participate, read the instructions here at the Wordsmith Studio site.  Or use the Linky Tool at the bottom of the post.

Worry you missed it? The Homecoming Blog Hop takes place every Wednesday this month. Look for a kickoff post each Wednesday, then you can participate anytime through that Sunday.

My Homecoming Interview

Running manHere are my answers to this week’s optional interview questions:

1) Are you a WSSer (a member of Wordsmith)? I already answered this one above: yes, I’m a founding member of Wordsmith Studio. I really value some great friends I’ve made through the group… and really miss a few members who are no longer active!

2) What medium/genre do you work in? I make a living writing nonfiction (freelance writer/editor, and a teacher), but my focus is fiction. I occasionally write short stories (have a had a few published, a couple awards — small fry), but spend most of my time on novels. I work toward literary fiction, and am also inspired by the intensity of young adult and the intrigue of mysteries, and that kind of energy seeps into my work.

3) What’s the name of your current project (ok multitaskers, give us your main one)?  I am working on a novel called Never Said (it was nicknamed Wake elsewhere on the blog). It trines between the U.S., Ireland and the Middle East, with one couple’s love affair unraveling a tension of what it is to live “without war” in an era when war touches everything.

4) What is your favorite detail, sentence or other bit you’ve written lately? My main character was grabbed from behind as she dashed away down a street in a scene I wrote this week. At the time, her mind was unraveling, it was late at night, and the street was full of carousers, so you assume she’s being attacked. There is this awesome, immediate tension when she realizes it is actually the taciturn, armed man protecting her lover, who she does not realize followed her out into the night. I didn’t mean to write it that way, but the physicality of the scene managed to increase suspense and bridge an emotional storyline. All this year, writing has been like that. If you’ve read any of my prior posts on revising this novel, you know that there have been at least 2 drafts where I thought I was almost done… but each time, I am so grateful that I pushed myself further, knowing I did not yet fully understand the story. I feel the texture and layers in scenes now, in ways I did not in those earlier drafts. One of the biggest a-ha moments that steered me in the right direction was when I started to distance myself from the main character and let her get down and gritty, as I wrote about in Writing Character: Say the Things We Never Say.

My current challenge... or threat.

My current challenge… or threat.

5) Any obstacles or I-hate-this-chapter moments? I would roar like a T-rex to say this adequately: I hate that I work so slowly. I met with Ben Percy in January at Blue Flower Arts Conference and finally spilled out my frustration: I’ve had a novel almost done before, with agents who had asked to read a full… and never made it that last 10% to cross the finish line. His advice was to just set a 30 day deadline, break it into words/day and threaten that I’d have to eat a dirty sock if I don’t make it. I have legit excuses (just finished 3 classes for my masters, plus client work & am a single parent), but that’s not it. I write 10-40 hrs a week, even with that workload. And I write fast. So I don’t know if I am too much of a perfectionist, or just slow in fitting the whole thing together, but I am routinely irritable about wanting it done, now.

6) What’s the biggest thing you’ve learned lately from your writing?  Interestingly, as a ‘literary’ reader and writer, the biggest things I’ve learned lately have to do with plot structure, screenplays and suspense.

7) In what ways do you hope to grow in the next 6 months/year?  I’m moving on to stages of how to market. I’ve been drafting queries and gotten feedback from an agent. I want to have a full draft done soon, and then on to beta readers or I may find a private coach or mentor to work one-on-one. Then time to query.

8) In what ways do writing friends and communities help you do that? I am as much of an introvert as any writer, but I have learned more and grown more by interacting with other writers than I would have alone. It can be lonely work, so it’s powerful to be able to shout out, “I hit my word count goal for the day,” and have someone cheer you on. Time is always limited, but it’s worth stoking those friendships and building these communities, because you can’t wait for the day you wish you had a writing group or friend to share work with — it takes time to find people and build connections. While I talk about Wordsmith here, some of the writers in my network are people I first met in Poets & Writers’ Speakeasy forum 10 or more years ago. It’s worth the time it takes.

How About You?

Please do click through to the Wordsmith Studio 3rd Anniversary Homecoming Blog Hop. Jump in and connect — write your own answers to the questions above or otherwise let us know what you are working on. You do not have to be a Wordsmith member to participate. Here are some options:

  • From 4/8-4/12, you can join this week’s Blog Hop using the linky tool.
  • If you are reading this later, just share the link to your post in the comments beneath the kickoff post.
  • There will be new blog hops each Wednesday this month. Follow Wordsmith Studio or me to see links when those posts go live.
  • To find out about more Wordsmith Studio activities, follow the group website, Twitter or Facebook using any of the links above (you can ask to join the group via the Facebook site – mention you heard about it here).

Linky Tool for the Blog Hop


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If you like this blog, be sure to click the WordPress +follow button, or subscribe via email or Bloglovin options in the sidebar if you don’t have a WordPress account. You can find me on Twitter @elissafield or on Facebook. I love to connect with readers and writers.

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Friday Links for Writers 10.10.14

Beautiful picture of Toni Morrison on a wall inside the Lillian Vernon Writers' House at NYU. I first knew I wanted to write fiction, hearing Toni Morrison read Sula. Love.

Beautiful photograph of Toni Morrison — part of a collection of famed writers captured by photographer Nancy Crampton — on a wall inside the Lillian Vernon Creative Writers’ House at NYU. I first knew I wanted to write fiction, hearing Toni Morrison read Sula. Love.

I am writing under the gun this week — eking in this Friday Links for Writers and an hour of novel revision before a client meeting, plus writing for a course, and going over my query and excerpt for speed pitching with two agents at #BinderCon this weekend.

Client work this week had me thinking about the ways social media has crept into the end products and delivery vehicles for client work. Rebuilding my freelance business after four years teaching, it was quirky to find the ways several news outlets had me posting news in lieu of emailing our press release to an editor. And much of my day Friday was spent teaching Pinterest to a client as a multimedia means for us to exchange work.

Which leads to this week’s Friday Links for Writers, with links reflective of new influences, venues and media in the publishing world — continually creating new opportunities (and challenges) for writers, editors and others in the publishing profession. As I run off to volunteer at #BinderCon this weekend, the theme of sharing resources and seeing writing potential in new ways seems fitting. Let me know what links resound with you, or share your own in the comments. I hope you have a fabulous writing week!

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The Newsonomics of the Millenial Moment

Speaking of continual change and adaptation, if you are a journalist or otherwise impacted by trends in news outlets, this piece by Ken Doctor gives great insight into the impact of millennial readership on news outlets, including the rising wave of news site start-ups. I appreciated his breakdown of why this impact matters as well as the individual significance of outlets including Vox, Buzzfeed, Vice Media, Mic and more. It’s a great piece for better understanding readership and markets.

2014 Most Influential People in Publishing

As long as we’re on business trends, this listing posted on Bibliodaze in May is a really interesting round up of a variety of influential people within the publishing industry. As with any list, it’s not so much about the individual people as the discussion of why each is considered to be influential — reasons which often reflect on the diversity and dynamic changes occurring (or not) — and, in some cases, how individuals have invented platforms of influence that did not previously exist.

Why You Need an Online Writing Portfolio

Some writers might find this a little basic, but I liked this article from FreelanceWritingGigs.com because it simplifies the questions many working writers have about online portfoli0s. The article is a brief read, but includes useful links to more specific advice and platforms.

On Professional Editing and Why I Charge My Friends for Advice

The last of our freelance-focused links: for anyone writing or editing freelance who has ever debated their hourly rate, this post by Jennifer Margulis makes no apologies for the cost of her services. It is the blowing-caped superhero for honorable remuneration, and a great reminder of your value for anyone starting a writing business. (Well, it was my blowing-caped superhero a couple weeks back when I was wide-eyed over a too many pro bono requests. Stood my ground and paying clients took the place. Yay.)

A Reader’s Manifesto: 12 Hard-wired Expectations Every Reader Has

Early in my writing years, (at the same writing conference when I met Donald Maass) I met with a seasoned Hollywood screenwriter who quoted the classic advice, “If you introduce a gun in the first act, it has to go off by the third.” I’ve carried this as an overall metaphor for the fact that readers have certain expectations as they read — an idea spelled out with effective depth in this post at Writers Unboxed by Lisa Cron. Understanding the innate expectations of readers is a surprisingly effective way to clarify understanding of strengths or gaps in writing.

On Feeding

On the heels of that link about sharing work online, I absolutely love the premise of this post that Kasie Whitener shared on her blog. Inspired by a conversation during Wordsmith Studio’s weekly #wschat, she brings out the voice of one of her characters by having him appear as a guest blogger on her site. It is such an engaging way to introduce a character or your writing to established readers.

Everything You Need to Know Before Applying to an MFA Program

In this post on the Associated Writing Program website, Elizabeth McCracken gives some of the most down to earth and effective advice for anyone applying to MFA Programs. Many who have considered the degree feel batted back and forth in the arguments over whether one should or should not get the degree; thankfully, this is not more of that — but really useful, supportive guidance, like, “Don’t move to a place that you know will depress you.”

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 What About You?

What have you read this week that either fueled your writing or gave you new insight into the profession? What were your favorite reads?

I’m posting this while gearing up to head into the city for #BinderCon tomorrow — I’ll be volunteering and pitching and otherwise connecting with other binder writers. Shout out in the comments if you are there as well. Or, what conferences or writing community are you inspired by this week, large or small?

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If you like this blog, be sure to click the WordPress +follow button, or via email or Bloglovin options in the sidebar if you don’t have a WordPress account. You can find me on Twitter @elissafield or on Facebook. I love to connect with readers and writers,

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More on this site:fall 2014 reading list

 

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My Fall Reading List 2014

fall 2014 reading list

What a fabulous summer of reading! After 4 months so rich with reading that they merited two summer reading lists (My Summer Reading List 2014 and Mid-Summer Reading 2014), it’s hard to believe that Fall is here with more novels, nonfiction and young adult fiction clamoring onto the must-read list. My poet friends, note the gap in that series: we need your recommendations for poetry titles.

Here are the books I plan to be reading as I enjoy my first fall back in the north in years. Nice how the cooling, crisp weather seems perfect justification for stealing extra hours to read. Enjoy your reading, and do share your own recommendations!

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Adult Fiction

  • Chimamanda Ngozi Adichie, Americanah (2013). This Nigerian-American author has won the Orange Award for her prior novel, Half of a Yellow Sun, and had her short fiction published in some of my favorite literary magazines and anthologies. The New York Times Book Review listed Americanah as one of the ten best books of the year, yet I kept passing it up until Julianne Stirling recommended it. Her big tip: Listen to Americanah via Audible, as Julianne says the Audible narrator, Adjoa Andoh, brings pronunciation of African dialects and names to life. Update: I loved the subject and ideas of this book, but felt it rambled, so didn’t gush over this one as much as other reviewers.
  • Haruki Murakami, Colorless Tsukuru Tazaki and His Years of Pilgrimage (August 2014). A bit of booklove and… a pinch of guilt went into making this book an impulse buy. Guilt: too long I procrastinated tackling IQ84 (too many books to read and it was soooo long), so I was preconditioned to thinking I should read something by Murakami. Booklove: you have to see the hardcover in person to appreciate the publishing joy that went into the window-cut jacket and underlying map. Shallow reasons perhaps, but I am happy to have this renowned author from Kyoto among my reading this month. Update: Help, fellow readers. I can’t get past the first 40-60 pages. Do I push on; does all the who-cares? detail begin to mean something? So far, it’s losing out to other reads…
  • Emily St. John Mandel, Station Eleven (September 2014). Author Erin Morgenstern (her Night Circus was among my favorite Spring reads) raved about Station Eleven on its release today, which had me exploring Emily’s author site… I have to say, I am just as curious about two of her earlier novels: The Lola Quartet or Last Night in Montreal. I love the genre-crossover elements of crime or mystery with the depth of character typical to a literary novel. Either way, it’s my plan to read one of her books.
  • Rabih Alameddine, An Unnecessary Woman (February 2014). I discovered this one in a tweet by Aragi, Inc., announcing the novel’s inclusion on the National Book Award longlist, which led me to a series of tweets and webpages ranging from a picture of Rabih, hands to either side of his head in joy on hearing the NBA news, to this description of the book on his author site: “heartrending novel that celebrates the singular life of an obsessive introvert, revealing Beirut’s beauties and horrors along the way.” I’ve shared before my aspirational admiration of agent Nicole Aragi, so could have said, “You had me at Aragi.” For all these reasons, Unnecessary Woman makes my fall shortlist.
  • Ian McEwan, The Children Act (September 2014). I once lamented that I wanted to read McEwan’s Atonement, but had seen the film already and couldn’t get far enough past it to forget the ending, for it not to be a spoiler to reading. So, as a guest at a book club, I had McEwan’s latest novel added to my reading list in Atonement’s stead.
  • Benjamin Percy, Red Moon (2013). I’ve had Percy on my radar for a couple years as a highly recommended workshop leader, and his books are definitely on my reading list this fall as I will be in a workshop with him in January. Red Moon gets the most attention as his most recent novel (other than Dead Lands, due out in April 2015) but I could read one or more of his others instead: novel, The Wilding, or short story collections: Refresh, Refresh or The Language of Elk. Update: Red Moon was a powerful and thought-provoking read — a fantasy thriller set in an alternative America, grappling with terrorism and fear of disease as the government wavers between controlling or integrating a minority population of lycans. I’ve heard nothing but praise of Percy, and found his writing muscular and compelling. I’ll be curious to read Dead Lands, and still want to catch his top-rated collection, Refresh, Refresh.

Fiction carried over from prior reading lists (links to prior reading lists are below):

Young Adult Fiction

  • lupica signing 1Mike Lupica, Fantasy League (September 2014) or Travel Team. For years, students — especially boys who swore they hated to read, but loved sports — have been telling me how great Mike Lupica’s books are. My sons and I waited an hour in line to meet with him at Fairfield University Book Store the day Fantasy League was released, so I will be reading this one or his basketball book, Travel Team, along with my sons. (BTW: If you are an author doing a book tour in the area, Fairfield University Bookstore is a beautiful indy on the walk-around main street in Fairfield – a great place to sign books.)

Carryover from My Summer Reading List:

Nonfiction

  • Jeff Hobbs, The Short and Tragic Life of Robert Peace (September 2014). I read an interesting interview with the author of this book, which makes me want to take a moment to remember this young Yale graduate, whose life of promise was cut short.

Having just started a Masters program in educational leadership, I’ll be reading these 2 over the next 7 weeks:

Carryover from My Summer Reading List:

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What About You?

What is on your current must-read list, or what books have you read recently that you highly recommend?  How do you usually get your reading recommendations — suggestions from a friend? lists in the news? books on shelves in the store?

If you post your own reading list, feel free to share your link in the comments below. If you would like to join in a reading blog hop, let me know.

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Where do the book links take you?

For convenience, you can click book titles for their link on Amazon — or find them at your favorite indie bookseller through indiebound.org:

Shop Indie Bookstores

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 If you like this blog, be sure to subscribe using WordPress’s +follow option, or via email or the Bloglovin button in the sidebar. I can be found on Twitter @elissafield or on Facebook.  I love to connect with like-minded readers and writers!

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Friday Links for Writers 09.25.14

Ah, the dreaded "blah" in the margin. c. Elissa Field

Ah, the dreaded “blah” in the margin. c. Elissa Field

It’s been a busy week for reading and writing — from a Hedgebrook application to receiving acceptance to a Masters program, to finishing one client project and starting a pro bono project… In the meantime, I’ve been shifting gears to take a season off from teaching which has meant taking on new writing and editing clients once again. Networking with fellow writers has been a great (and fun and inspiring) resource and I’m getting ready to head into New York for a kickstarter conference of women writers, the BinderCon (Binder Women Writers Symposium) the weekend after next.

With all the business in play at the moment, it’s not surprising that this week’s Friday Links for Writers includes some great writing resources I’ve stumbled across for working writers: two on freelance writing or editing, one on Twitter pitch wars and another on the kinds of topics to write about when building platform. Work on the novel continues to be the heart of my work, so the last two links are for fiction writers: on critique partners and endings.

As always, let me know what resounds with you, what you wish you could find more information about, or share your own links in the comments. Have a great writing week!

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From Full Time to Freelance: How to Make the Leap

This feature by Laura Lin via Forbes is a great cross-section of concrete advice for anyone contemplating jumping from traditional employment to freelancing — and serves equally well as a diagnostic for any freelancer, with ways to make sure your business is on track for success. Related articles are available in the footlinks.

Negotiating: Theory and Practice

While on the topic of freelancing, the Editorial Freelancers Association is a great resource for writers and editors. As part of a weekly #EFAchat, the association shared this article with tips for negotiating rates and scope for client projects. Other resources on the site include contracts and job listings.

 The Ultimate Guide to Twitter Pitch Contests

As a guest blogger on the site Writers in the Storm, literary agent Carly Watters shares some great advice for anyone throwing their novel into the fray in any of the half dozen or so pitch wars that take place on Twitter. First off: pitch war? These are scheduled days for writers to tweet the pitch for their novel — that’s right: your beloved masterpiece in less than 140 characters — using an established hashtag for the event (for example, #pitmad). As with all query tips, Carly’s advice boils down to, “You only have one chance to impress an agent.” She gives concrete tips for writing your pitch. Overall, she say, ” My big advice is that if your book isn’t done, don’t jump in. There are many Twitter Pitch Contests every year so don’t feel like you have to be involved in every one. Wait until your book is ready.”

34 Blog Topics Just for Writers

This post by Frances Caballo at Social Media Just for Writers is a great resource for writers wondering what topics are best to share about on a blog, to give a sense of their work and direction as a writer. The post includes topics for nonfiction, fiction and poetry writers.

Cheerleaders vs. Critique Partners

This piece by Heather Jackson at WriteOnSisters.com does a great job of establishing the difference a cheerleaders of our writing, who constantly eggs us on with praise, and an effective critique partner, who pushes us to craft our best work. Complete with a tool to assess which category your writing partner tends toward, the post also helps one appreciate the value in having both cheerleaders and critique partners in your corner.

An Anatomy of Endings

“Endings haunt us because they are mortality formalized,” concludes staff writer Adam Gopnik in this great piece on types of endings in the New Yorker. “Endings are what life cheats us of. As long as a sense of the ending hovers, the story goes on.” I love the philosophy of this line — but any writer working on the structure of their novel or story’s ending will appreciate the concrete type of endings his article identifies. (Karen Joy Fowler mentioned this article during a workshop at Brisbane Writers Festival.)

Want more?

copyright Elissa Field; repro w written permission only

copyright Elissa Field; repro w written permission only

Check out yesterday’s Writing Prompt: Develop Setting – Inspired by Colson Whitehead on New York City.

Or, for great reading recommendations, check out tomorrow’s My Fall Reading List 2014 (link will go live Saturday).

If you’re curious what I’ve been working on, here are two recent posts sharing work or inspiration: Press Freedom for Journalists Covering Conflict: Free Austin Tice and Today’s Work: Sharing a Scene from Never Said.

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What About You?

What writing goals are you working on this week — or what great reads did you stumble across? Feel free to share links (including to your own posts) in the comments.

Do you ever blog about the books you read or post your Must Reads list? Let me know in the comments or by using the contact sheet on the home page if you would be interested in participating in a reading blog hop.

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If you like this blog, be sure to subscribe using WordPress’s follow option or via email, or the Bloglovin button in the sidebar. You can find me on Twitter @elissafield or on Facebook. I love to connect with like-minded readers and writers!

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Writing Prompt: Develop Setting – Inspired by Colson Whitehead on New York City

copyright Elissa Field; repro w written permission only

copyright Elissa Field; repro w written permission only

I am a very visual person — I think in pictures — so writing setting is perhaps the last aspect of storytelling that I worry about. In writing a story set in India, details crept into every line without me thinking about them. I knew the exact color of shadows, the moment a bird would flush out of dry brush. A lot of writers can relate to this, especially if their drive to tell a story is inspired by place.

But that’s not always the case. In Friday Links for Writers: 3.21.14 , I quoted Anne Enright from a bit of advice where she said, “description is hard.”

Describing setting can be a powerful way to engage readers, conjure up surprising sensory details, reveal character, add resonance to a scene, develop internal and external conflicts… but it has do so in a way that moves the story, and that fits the voice and character(s)’ point of view.

Continuing the series on Novel Revision, today’s post shares a prompt for developing an important setting in your story, making it work to build character, motion and greater resonance. While many details may have come about in a first draft, midlevel revision is a great time to revise for ideas that were not yet clear in your first vision.

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Find a Place to Stand

Anne Enright’s advice was: “Remember that all description is an opinion about the world. Find a place to stand.”

This is a great starting point for thinking about setting: begin by knowing your character(s)’ point of view and seeing your setting from where the character stands.

Colson Whitehead on New York

Some of you may know I am working from my family’s house outside New York City at the moment, and felt the impact of this year’s anniversary of 9.11.01 in that context. On the anniversary, Jodi Kantor shared on Twitter a link to Colson Whitehead’s beautiful article from the New York Times that ran November 11, 2001.

As a New Yorker living in the city as it recovered, Colson wrote not directly about the event, but about what defines one’s connection to and identification as being from the city.

Read it because it’s beautiful — and because we’ll use it as our prompt. (Read it now, or in the prompt below: The Way We Live Now: 11.01.01)

The First Brick in Your City

Colson says, “You start building your private New York the first time you lay eyes on it.” Anyone who’s spent time in New York knows what he means by “private New York,” as everyone comes to define their own sense of the city — a city so large that any of us sees it only in pieces.

But isn’t that true of each character’s response to setting?

In the paragraph that follows, Colson lists a handful of ways a person might have experienced their first moment in the city.

Freeze it there,” he says; “that instant is the first brick in your city.”

There is so much about writing setting that can be taken from his words. The point of details in your novel is not to inform a reader of what to see and do when visiting the place; you are not a glorified camera taking a picture for the reader. What matters about the places in your story are the ways your character(s) perceive and respond to them.

In Colson’s essay, each example of a newbie arriving in New York City presents a character you can view clearly in your mind, despite being limited to the details of a single sentence. They are details of setting, but they clearly define the interaction of people within that setting. The details involve objects, structures, qualities and even the kinds of actions and thoughts a character has within that setting. A detail could be as mundane as holding a piece of paper or a communication between friends, but the detail is not left vague. “The phone rang,” could happen in any city, but Colson made the same detail of a phone call place-defining, as: “there was some mix-up in the plans.”

Prompt for Developing Details of Setting

So let’s turn his essay into a prompt for your own writing today.

Interpret this for whatever you are working on: a novel, a short story, a poem, a detail in your memoir, a detail in an essay, details fleshed out for a travel piece, or start something new.  You won’t be recreating Colson’s format; you’ll just use the prompt for generating details in whatever scene you imagine.

  1. Read Colson Whitehead’s The Way We Live Now: 11.01.01
  2. Have in mind the place you will write about, thinking of it first as it is in the story’s present. Tip: Have in mind a specific place. For existing work, this will be an important location in your piece. For new work, be sure to have a single place in mind before writing. While Colson writes about a city, yours could be any kind of a place, real or imagined.
  3. What is the “first brick” in your character’s experience of this setting? Be vivid. Be true. Likely part of your backstory, what first memory comes to mind as the moment he/she began to define their own private version of their place? Freeze there. Think, then write where it feels revealing.
    • What emotion attaches to that first brick? Awe? Horror, pain, fear, injury…? Joy, excitement, beauty, anticipation, faith…?
    • What details attach to that first brick? Think of the stub of paper with a new address in the hand of the New Yorker arriving at their first address, or the limited view of a toddler in a carriage.
    • What actions or motion are involved? Are there details of arrival, communication, cross signals, movement? Are there broad sights or limited senses?
    • What does your character want (or think they want) in that first moment? This may be very different — distorted, more basic, more naïve — than later in the story.
  4. Moving through your story, how does your character continue to build their definition of the setting?
    • How does that first brick define the setting for your character?  Does it leave a ghost of emotion through later events? Does it start memory on solid or unstable footing? Do regrets haunt, long after, no matter how much success follows? Do later moments never live up to the first glow? Is there a sweetness the character carries from that first memory that lends forgiveness or blind faith in later experience? or..?
    • Does your character (or do you) come to measure later scenes against that first experience, or is it nearly forgotten as others take priority?
  5. Options for how this might create tensions, conflict development or structure in your story – where you might take it next:
    • What other “bricks” of memory, detail or experience define the setting for your character? Does this possibly suggest a structure for story events?
    • In what ways do these details define your character’s “own private” setting? Is your reader aware of a contrast between that private vision vs. other perspectives?
    • Do different characters perceive contrasting “private” versions of the setting? Does this lend structure, tension or just details to scenes? Would these different perspective ever cause missed understanding in dialogue between characters?
  6. Going beyond a single scene, how could you use this different private viewpoint to add details of how characters dress, what they carry, how they speak or what they do?

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What About You?

Are you working on setting this week? Did you use this prompt or what other inspiration helps you envision your setting clearly? Several of my friends work in photography or other media — how do you reflect on setting in your work?

Let us know how your work is going in the comments. Feel free to share a link to your own post, if you want to share an excerpt or other writing.

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If you like this blog, be sure to subscribe using WordPress’s follow option or via email, or the Bloglovin button in the sidebar. You can find me on Twitter @elissafield.  I love to connect with like-minded readers and writers!

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Press Freedom for Journalists Covering Conflict: Free Austin Tice

Several times each year I have friends ask me to share different aspects on what motivates me to write. Sometimes I halfway chisel out a post, but it rarely comes close to what I mean.

Certain themes in my current novel project, Never Said, are so large I can only imagine them through the one-inch-frame of individual character experience. War, all around us, impacting citizens despite peace. What pulls a person into participating in war — especially the wars dotting our planet at any time, where hate or fear stretch back generations until one day, one side begins to organize, to amass ammunition?

Journalists at Risk

There is another theme running parallel, that I haven’t often found voice adequate to share about.

When my son was one, I watched journalist Daniel Pearl’s wife interviewed on Oprah, telling about the morning he kissed her goodbye in Paris, patted her pregnant belly, and left on an assignment in the Middle East. She spoke of how a fixer led him into an ambush. Pearl was captured, a ransom video mailed to his editors. He was later beheaded.

I want to untype that sentence. More than ten years after hearing the story, it’s chilling. I want to undo that truth.

After that, I wrote about India for awhile.  I started Never Said in response to a trip to Ireland, and then to the emotion of a friend’s son deploying to Baghdad.

Somewhere in the rabbit holes of my research — international affairs, international treaties, the wars in Iraq and Afghanistan; even after that, something mild in passing — I met the kernel of a passionate cause.

I don’t remember which of these two I discovered first: the CPJ — Committee to Protect Journalists, who report on the continual disappearance, murder, imprisonment or interrogation of journalists around the world.

Or Austin Tice.

Freelance Journalist Austin Tice

AustinAustin Tice is an American freelance journalist who turned 33 yesterday, which I know from watching his mother and his father tweet birthday wishes to him.

Austin Tice is a Marine Corps veteran and Georgetown Law student, who was working as a freelance journalist providing photographs to the Washington Post, English Aljezeera or other media outlets.

I first heard of him when I stumbled on his Twitter stream some time last year.

It reads like poetry, each thread of his dedication to reporting, the worst days of violence, his own reactions, his momentary happiness in the last tweet, celebrating his birthday.

Syria, 2012

Austin is a talented photographer and covered several domestic and international stories in 2012. In the summer, he went to Syria to report on the war between the government and rebel soldiers.

Photographs on his Flickr account reveal Austin’s glimpse into the war. His personality is there as well: his sensitivity to an injured child, boys laughing as they rode bicycles, a community working together to clean up after a bombing, a tranquil little girl resting on a wall, his dry wit observing the personality revealed in the stylish outfit of a rebel soldier.

729 Days Missing

Austin’s parents spoke to him every day while he was on assignment. The stream above shows his last two tweets: the last, on his 31st birthday.

On August 14, 2012, he disappeared.

Syria was the deadliest country for journalists in 2012. The CPJ reports that 31 of the 74 journalists killed worldwide were in Syria.

But Austin is not on list of journalists killed.

Also according to the CPJ, “Cases of journalists missing in Syria are extremely difficult to track. Information is scarce, the situation is constantly changing, and some cases go unreported.”

On August 30, 2012, the CPJ issued a statement calling for Austin Tice to be released, which reported that he was believed to be detained by government forces.

RT: #FreeAustinTice

In all reporting I have seen, there is a continued belief that Austin is alive and detained in Syria.

The CPJ includes his status on their “Imprisoned” list. In August 2013, other journalists who had been missing escaped, adding encouragement of the possibility he could be held despite the government’s denial.

As his parents mark Austin’s 33rd birthday, their local news station provided this coverage, reiterating a belief that he is still alive, although his family does not know where or by whom he is held. FOX 26 News | MyFoxHouston

I’m not alone in the impact Tice’s story has had.  As Michigan Times staff writer Heeba Dlewati talks about dangers for journalists in her March 2013 article, “The Human Element: Missing the Truth” , she says, “The story of one journalist continues to haunt me, the story of Austin Tice.”

Austin’s story was repeated on the floor of Congress Monday and he is followed by journalists around the world, including Richard Engel, who has himself been detained while reporting on conflicts overseas.

What Can We Do?

You can show that Austin is not forgotten and support his friends and family by tweeting your thoughts using the hashtag #FreeAustinTice (you can follow @FreeAustinTice for more), especially this Thursday, August 14, 2014.

Beyond that, one of the most important things we can do is to realize the need to ensure press freedom throughout the world. Often, the frontline bravery shown by reporters to put the truth into words and images is the most powerful tool we have to battle the kinds of atrocities history has shown to take place when no one is watching.

Reporter Emma Beals shares her first-hand fears of abduction while reporting in Syria in “More and More Journalists Being Kidnapped in Syria.”

Journalists, photographers, translators and fixers covering conflict abroad need our support.

At the same time, you might notice there is often a “radio silence” around abductions. I’ll add a link if I find an explanation, but international news agencies often intentionally do not broadcast news of journalist abductions in order to prevent terrorists from using abductions as a means to gain media spotlight. It’s argued that this helps protect the journalists, but often diminishes public outcry in support of a missing person.

In a similar vein, on July 30, 2014, The New York Times featured this article, suggesting Europe Bankrolls Al Queda Terrorism by Paying Ransoms.

If you want to learn more about what can be done: You can offer your voice in support of individual journalists by connecting with web accounts like the ones set up to support Austin. Or, look for more resources from government agencies and NGOs through resources like the CPJ “Assistance” page .

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Respect for Austin’s Safety

In sharing this post, what matters most is the safe return of Austin Tice. I am not a frontline reporter and have relied on national reporting and the articles listed to share Austin’s story. If any family member of Austin’s or anyone else affiliated with his safe return believes that I have in any way misstated, overstated, understated or in any other way included details that could put Austin at risk, please use the contact form on the Welcome page to email me, and I will make immediate corrections. (Update: I received a message from Austin’s father hours after posting this, expressing appreciation and sharing additional links. I can’t overstate the emotion I feel for what this family goes through.)

 

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Today’s Work: Sharing a Scene from Never Said

Running man

Some of you may know that I participate in a variety of writers’ groups online, which has been fabulous company and motivation as I pound through novel revisions this summer.

Novel Revision Process

I haven’t been posting about my writing process as often as I did last year, but regular readers may know that part of my obstacle is that I’ve taken on a daunting but very thorough revision process: rather than just continue tweaking draft 4-5, which I’d worked on through the winter, I am fully retyping the current draft. It has been an extremely effective process… but s-l-o-w, in the sense that it’s August 1 and I only have 24, 700 words in (last winter’s ms was 176,000).

What has been particularly exciting about the process is it has benefitted from the concentrated power of scenes written later in my understanding of the story, and I’ve been really excited, in particular, about the layer of meaning that have come about from expanding viewpoints.

I have been sharing about this regularly on Twitter (#SumNovRev), within Facebook groups and during daily writing activities at TeachersWrite! but have posted little about it here.

Sharing an Excerpt of the Work in Process

Teachers Write 2013 ButtonThat said, today I am sharing an extended scene from the last third of my novel in progress, Never Said. (I shared a short excerpt from this as part of Gae Polisner’s Friday Feedback; revision to this scene was prompted by character description activity on Kate Messner’s blog for TeachersWrite.)

About the Excerpt

Michael Roonan is an elusive main character as the novel takes place at a point in his life when he appears resigned to his own death despite the community around him absolving him from blame. He goes along with his best friend’s insistence that he go on the run, but there’s the unspoken undercurrent that he doesn’t disagree with the man who is after him (Sean).  This excerpt is from Sean’s POV, but really is lead up to the reveal of secrets Roonan has been keeping all along.

I’ve written before about how I like to play around with POV, writing from several different viewpoints as I discover a story. This antagonist, Sean, was a fun surprise, as he had insights I hadn’t thought of.  (Writing in Process: Using Alternative Voice to Understand Internal Conflict).

 

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Excerpt from Never Said

(The following is an excerpt from an unpublished novel. Do no copy or use without express written permission from Elissa Field.)

Sean saw the back of Michael Roonan’s head from a distance, across the thin stream that split the village center.  Mick turned toward the marketplace on the other side of the stone bridge. Wind lifted his hair and Sean saw his face in full profile. Definitely him. His hair was heavy, coarse with the filth of a man on the run. It calmed his anger to know Mick ran, no matter what he’d said. His hair grown out like the mane of a horse, so unlike himself.

Unrecognizable from the man he’d last met on the jetty south of Wicklow, when he’d watched Mick dive off the stern of a trawler, knowing he was avoiding the Garda whose lights flickered fierce off the roofs of their cars, parked in jackknifed formation at the entrance to the docks. Sean had grinned at him, unseen: They’re not for you, Mick. It’s a body washed up against the headwall. Coppers wandered bored as farm dogs, no hints yet if it were a murder or just a ferry jumper or a man washed overboard. So tedious, waiting on coroners.

He followed the intermittent bob of Mick’s head beyond the concrete breakers, carried far south by the inlet currents. He might have drowned, another body to be fished out, but sputtered out of the surf along the strand amid coarse grasses and weekend strollers. Sean watched him collapse. Waited. Mick pulled himself to sit facing out to sea as if what chased him was yet panting in the frothing waves. Not behind him in the car park, where Sean  leaned back for a smoke. A think.

Shells or stones – he couldn’t see from this distance – rattled in the waves with a sound like dried bones. Mick’s hair was buzzed military-short, then. More stark than months Sean had seen him reported, imprisoned in isolation for all the players who wanted him dead.

This little man. Hunched along the shore line, thin thread of light blazing brilliant beneath the oyster shell gradations of the sky.

Water and sand fell from his shirt when he stood. He brushed kelp from his shoulder. Otter of a survivor. One summer in Ridell, there’d been one of the younger brothers – he was sure it was Mick –pulled in an undertow jumping off the tower at Blackrock. The black shadow of his head, like the back of a turtle or a skate, pulling deeper and sideways along the Irish Sea bottom that would be exposed, smelly with the decay of exposed mussels and whelks at low tide. Sean was the one to dive for him, a bolt through the current, wrenching him to the surface. Clear vomit of seawater sprayed over his forearm as he held the boy’s chin in the crook of his elbow, rolling onto his back, the boy buoyed on his chest as he waited out the current to let them go. The little brother’s head gagged and sputtered and cried, gasping for air. Struggled to get free, to swim, not knowing all you could do is relent and float until the current gave you up. “Easy,” he’d told the top of the boy’s head, fixing his face to the sky. “Look, there. See the gulls? How many is that?”

He was sure it was Mick. The Roonan son who covered his ears at the high engine whine of his father passing in a race, even as others took pictures or shook their fists to cheer.

There was no rush. Wait him out.

Mick’s head was down when Sean came upon him, nearly dried, on a bench along the roadside not quite into the adjoining village. Mick said, without looking up, without surprise, “How is it going for you, Sean? I’d heard you were out.” It was barely discernible: the faint shift of posture to check peripheral vision, clear enough one wolf to another, to be certain Sean was alone.

“You killed Stephen.”

There was a long silence. Cars passed, their headlights bilious green in the odd fog come in from the sea. That color got to him, always – color of the dead boy in the canal – and he wanted to shake Mick, to shake the whole world, the way Man and Ulster vibrated in the high-revved videos of Gerry Roonan at 200 miles per hour. How did Mick take this for granted? How did he not know how lucky he was, for what he had? Him and Stevie: they’d be famous racers, just like their da. What hate makes you blow that all apart? For what? Not even a cause.

Mick turned fully to him, no avoidance in his eyes. “I killed Stephen.”

“What the fuck, Mick. Can’t you even deny it to me?.. Why? Why would you do that to your own brother?”

Roonan didn’t answer that. Not yet. “How did you know?”

“I watched you. I saw you do it, you stupid fuck. Watched… I saw him…”

Both were in it, then. Graphic memory. Two men, brothers to Stephen in different ways, watching from opposite sides as the universe sucked inward on Stephen then exploded infinitely outward. The only two to have seen it plainly, true. Night stills for them as it does in sacred moments, letting damnation seep in.

“Why the fuck did you do it?”

A man climbs fully inside his eyes when come upon his truths. Sean knew as he stared into Mick’s face waiting for an answer: it was there. Mick was walking around inside it as if visiting an old room, testing what was remembered, what was broken, what was new. He wanted to punch him, deflate silence by crushing his head like a collapsed football. Fury at such deliberation, such unhurried reflection. Michael was a big man now: past twenty-two Sean guessed, strong from pulling nets on the trawler, taller than Stevie would have been. He’d heard stories of Roonan crushing an undercover cop’s head against a rock to stop the man from beating an informant. He’d heard rumors of his calm shadow in a doorway being enough to scare off provo gunners.

“You need to run, Mick.”

The man’s eyes rose to his face, but he was not there. Somewhere else, some other time, and a chill went through Sean. Remembering the boy in the hedgerow, when Rodgers hit the tree. Sean and Stevie and Mick were the first to the body, the racer’s attached hand still opening and closing in a fist, as his severed arm was further down across the road. The man’s eyes met their three faces through his visor, pleading for help. Mick would have been just eight when he heard that first gasping groan of a body giving up life, and his father’s road racer had passed them just after, front wheel lifting in the air at the surprise of finding Rodgers’ spent machine broken apart across the road, then whining away up Perry’s Hill.

He did not give away the gun tucked into his waistband. Did not acknowledge he could pick up a rock or that broken sign post just feet away and bash his skull. Could have done it then, that evening, as the high pressure sodium lighting came on over their heads, lighting them in a glow as if good friends reminiscing before walking home from the pub. He said as if he had yet to make a plan, so Mick had the benefit of a warning: “You need to run, because I’ll have you dead for it.”

Mick had stood. His feet were bare, having kicked off his white rubber fishermen’s boots when they filled like anchors with the sea. He looked up and down the street like an animal dropped from a car, dazed and recalibrating for home. He took a step toward the street to read a sign, he looked back to the car park where he calculated Sean’s car was parked. “I know you will,” he said to Sean. “But I won’t run. Not when you come.” Mick met the man’s eyes, held them to be certain Sean understood, and he’d walked off slowly in the direction of the main road.

If you want to share your feedback in the comments: 

If anything resounds with you, do click “like” or leave me a comment to let me know what you liked — it’s hard and lonely work, so I will love you forever for any encouragement. Seriously. Of course, the impact may be lost a little,  since this piece is from 2/3 through the book, and some details may reference earlier chapters (for ex: “hedgerow” is a frequent reference to where the boys stood when watching Roonan’s father race motorcycles) — but still, find kind words to let me know if any of the scene didn’t work for you and why.

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What About You?

What are you working on this week? Are their aspects of your writing process or writing community that help you get it finished?

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If you like this blog, be sure to subscribe using WordPress’s follow option or via email, or the Bloglovin button in the sidebar. I love to connect with like-minded readers and writers!

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No so much a selfie as sign of how bad the glare on the laptop screen can be. c Elissa Field

 

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Mid-Summer Reading 2014

Midway between June’s Summer Reading List, and sharing a new list of great books to read in the fall, this week it seemed a good time to post a Midsummer Reading update.  A little feedback on some of the novels I’ve read so far this summer, as well as those great discoveries of books I’ve added to my reading list.

Summer reading, ready to go. c. Elissa Field

Summer reading, ready to go. c. Elissa Field

Early Summer Reading

First, a little update on what I’ve read so far, from My Summer Reading List 2014 and a few carry-overs from My Reading List Winter 2014.

  • reading - long manAmy Greene’s Long Man (2014). I highly recommend this novel, which mixes an element of mystery and beautifully lyrical writing in unveiling the subtle secrets and loves of a small mountain village during building of a dam in their valley to introduce electricity and income during the Depression.
  • Khaled Hosseini, And the Mountains Echoed (2013). Yet another insightful novel from author of The Kite Runner (2004) and A Thousand Splendid Suns (2008). Although… it had a hard time competing against other reading favorites in the past month.
  • Erin Morgenstern, Night Circus (2011). I was slow to ‘discover’ this one, although readily captivated by the unique and mysterious community Erin creates — I loved this one and it makes my recommended reads.
  • Alice McDermott, Someone (September 2013). Actual sigh. I love Alice McDermott, and I also am familiar with her quietly powerful style. But I was so impatient the full first half of this novel. Tons of description of domestic detail (furnishings of rooms, mostly). There is a powerful, albeit subtle, payoff in the end, so I still recommend reading, but I don’t know that it is one of my favorites of hers. Beautifully written, just very quiet.
  • Celebrated first day of summer: reading by the pool. c Elissa Field, 2014

    Celebrated first day of summer: reading by the pool. c Elissa Field, 2014

    Anthony Marra, A Constellation of Vital Phenomena (2013). So far, my favorite read of the year (he catches a slight boost in that his writing structure and topic fit my writing mood at the moment). There’s such powerful accuracy in every sentence, with a masterfully balanced structure of varying timelines and points of view. I did a lot of underlining as I read. This one has had several nods for awards: long-listed, short-listed and awarded.  If you want details, I reviewed: Reading: Anthony Marra’s A Constellation of Vital Phenomena.

  • Carol Rifka Brunt, Tell the Wolves I’m Home (2012).  This was another reading favorite. Beautifully told, it was most surprising for being a book so much about love without being about a romance between main characters: love between sisters, between uncle and niece, between a parent and the parent’s sibling… At all times, Brunt delivers authentic and new insights. It is particularly a fresh portrayal of homosexual partnership and the AIDS crisis of the 80’s. While not written as young adult fiction, it’s a book I would include in teen reading lists.

What I’m Reading Now

I just received delivery of a few of the books I couldn’t find in bricks and mortar stores, so am exciting to be reading these, this week:

  • Gae Polisner, The Summer of Letting Go (March 2014).  If you have a teen reader or read young adult literature, I really recommend this one. I was instantly pulled in by the endearing voice of the main character, who is stalking a beautiful neighbor, Nancy Drew-style, worried the woman has seduced her father. Sometimes subtle, sometimes bold, it is compelling, the weight this girl feels to hold her family together after her brother’s drowning. Beautifully written.
  • Colum McCann, Fishing the Sloe-Black River: Stories (1996).  This one was on my Summer Reading List 2013, but I’ve just now gotten ahold of it. Despite a factual detail that really undermined the plot of the first story, it’s so far delivering the voice I so admire McCann for, for its concise and subtle precision. He tends to be a favorite.
  • Colm Toibin, Bad Blood: A Walk Along the Irish Border (2001).  I’m still waiting for this one to arrive as it was hard to track down. Kudos to small booksellers (and my ability to find them through Amazon) for having just the book I was looking for.

Newly Added for Midsummer Reading

Here are a few books I’ve added to my reading list since June’s list.

  • Helen Oyeyemi, Boy, Snow, Bird (March 2014). I first ran across Helen’s writing with a really strong short story in a literary magazine a few years back. I’d put Mr. Fox on my reading list, and was reminded of her when I came across Boy, Snow, Bird, her new release. I’ve heard great things from other reading friends.
  • Colin Barrett, Young Skins (January 2014). This short story collection was just recognized with the Frank O’Connor prize, and Barrett’s writing has been praised by writers I love, like Colm Toibin.

Carryovers from Prior Lists

Some of these have carried over from prior lists as I track them down. Each is highly recommended.

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How About You?

What are you reading, what would you recommend, or what books make you to be read list?  If this inspires you to blog your own list, share link to your post so we can come read with you.

Where do the book links take you?

For convenience, you can click book titles for their link at Amazon — or find them at your favorite indie bookseller through indiebound.org:

Shop Indie Bookstores

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